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Mahler edition

This thread is for the discussion of music in the Western classical tradition.

>How do I get into classical?
This link has resources including audio courses, textbooks and selections of recordings to help you start to understand and appreciate classical music:
https://pastebin.com/NBEp2VFh

Previous thread: >>123663438
>>
We just had a Mahler edition (in actual thread content)!
>>
https://youtu.be/Y8CmLTrcRLg

Terrifying... Tragic, and psychologic...
>>
>>123682439
No one cares about the OP anyway
>>
OH MY FUCKING GOSH I AM TIRED OF HEARING ABOUT MAHLER
>>
Muhler
>>
but i mainly listen to eastern classical music
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Fantastic piece

https://youtu.be/lazYoLQpJM0
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>>123682494
examples?
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https://youtu.be/X8S6dfcVWfo?list=PLVo-hDDpndsxwOR0apjRrVfmSGU7LBuHG
>>
The sisterposter is really active tonight. You can tell, because he loves Schoenberg and Mahler, because he's Jewish.
>>
>>123682544
https://www.youtube.com/watch?v=N0QfVlVZ-Yk
>>
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Basso Continuo sonatas or Cembalo Obligato sonatas?
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>>123682566
he's annoying but he's right, that dude calling Mahler 6 and 9 Brucknerian made me laugh out loud
>>
>>123682494
>>123682573
not /classical/, try >>>/mu/ instead
>>123682566
i don’t post youtube links unless it’s beethoven fart movement, obsessed rachjeet
>>
>>123682959
telling my indonesian girlfriend about this
>>
>>123682971
not /classical/, try >>>/mu/ instead
>>
>>123683000
not >>>/mu/, try >>>/trv/ instead
>>
I once read Beethoven's 1st piano concerto was S. Richter's favorite to perform.

https://www.youtube.com/watch?v=uAro6CNSbHc&list=OLAK5uy_k-V0SOtFUNxLiK7QrFsIXYcS-nEhqKn2E&index=1
>>
Opinions on Ligeti's Requiem?
>>
>>123683031
frankly repugnant
>>
What are your thoughts on Boulez?As a conductor?
As a composer?
>>
>>123683099
I don't listen to atonal pieces.
>>
>>123683099
bad in both with rare exceptions in the former
>>
>>123683139
Okay

https://youtu.be/-n4Dq_rHbB0?si=8NCRYz9kUvfq8N3e
>>
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now playing

start of Symphony no. 6 in C minor, op. 58:
https://www.youtube.com/watch?v=DkqLmP-a0ow&list=OLAK5uy_l1LOTTWoyd38_vELapMfSZjzdRvv50QHY&index=2

The Forest, Op. 19:
https://www.youtube.com/watch?v=myL01o5kAn0&list=OLAK5uy_l1LOTTWoyd38_vELapMfSZjzdRvv50QHY&index=5

https://music.youtube.com/playlist?list=OLAK5uy_l1LOTTWoyd38_vELapMfSZjzdRvv50QHY
>>
>>123683161
It's ok, I guess.
>>
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>>123683031
It really is astonishing that Ligeti's Requiem can be utilized so many times and have such a hold on pop culture, and yet you still hear something new every time you listen to it. There’s a 50 year graveyard of pieces that try to emulate Ligeti’s micropolyphonic music, but can you imagine being the first person to write like that? There was zero precedent for music like that before Ligeti. He expressed emotions that had never been expressed before in art. It’s also astonishing that after centuries of Catholic tradition, a Transylvanian Jew came along and beat every previous composer at their own game. Ligeti wrote the greatest requiem of all time despite viewing the religious tradition behind the form as, at best, a fascination. If anything, that distance is key: Ligeti understood Catholicism as a vehicle for complex horrors, which is the perfect foundation for a work informed by his experience during the Holocaust. I don’t think a true believer could have done that as effectively.
>>
>>123683395
bait is supposed to be believable dude
>>
I have come to the conclusion that unlike the rest of his symphonies, there is no satisfactory recording of Mahler 6 for my taste. The recordings simply aren't texturally clear enough.
There's a short motif for the strings at the beginning of the first movement you can barely hear in most recordings. The Andante movement starts with a duet between the violins and cello and yet you can't hear the cello at all in most recordings. And worst of all, most conductors take the Scherzo at the exact same fucking speed as the first movement (even when playing it second, creating 0 contrast between the two and making the finale of the first movement feel completely pointless dramatically)
don't know where I'm going with this rant I'm just pissed
>>
>>123683442
>average andante-scherzo tard
lol
>>
>>123683457
I prefer the scherzo played second you fucking turtle
>>
>>123683475
how unfortunate, please switch over to the andante scherzo camp so i can laugh at you
>>
>>123683099
Great composer
Decent conductor
>>
>>123683442
I'm probably in the minority but I think there are more satisfactory recordings of the 6th than there are the 5th, maybe even 7th and 3rd. Sorry you don't like any of the 6ths you've heard, I hope you find one to your liking eventually.

>>123683457
Is it cheating if I switch the positions of the Andante-Scherzo on the Chailly / Gewandhaus recording? It's so good otherwise :/
>>
>>123683500
yes, because the order of the movements heavily affects the conductor’s interpretation of the piece. just swapping the movement order does not work.
>>
>>123683422
I’ve listened to the Ligeti Requiem more than a hundred times including with score study, and I don’t think I’ve scratched the surface of what it has to offer. To conceive of a work like that in the 1960s is incomprehensible. The masterpiece of the 20th century.
>>
>>123683509
I know, I know :(
>>
>>123683513
you may be surprised to know that doubling down doesn’t make it more believable
>>
>>123683500
it's not cheating unless you're autistic (like the average 4channer seems to be)
>>
>>123683328
I don't know if I'd call any of them masterpieces, but I've thoroughly enjoyed every Glazunov symphony I've heard thus far, and other works too like his violin concerto, The Seasons ballet suite, and other orchestral pieces. Great stuff!
>>
>>123683500
well would you happen to have a recording of the 6th that fits my crateria? I would love to hear it. My favorite so far is Kubelik but the first movement is just a tad too fast for me and I want a bigger contrast between that and the following scherzo.
>>
>>123683666
>fits my crateria
kek you can tell I've been playing Metroid
>>
>>123683687
i don't know what that is
>>
>>123683666
Off the top of my head, no, but my suggestion would be to look for recordings that have slower 1st movements in general and go from there. I just looked up a few that I really like that I know have long Allegros, hopefully one of these suits you:

Chailly / Royal Concertgebouw (25:35 first movement!)
https://www.youtube.com/watch?v=rLedMz58GX0

Eschenbach / Philadelphia (23:39 first movement):
https://www.youtube.com/playlist?list=OLAK5uy_np14qFnMBa_kpCFNHkFmd-AG5WWjryRZ0

Michael-Tilson Thomas / San Francisco (24:26 first movement):
https://www.youtube.com/playlist?list=OLAK5uy_n20nmiTAk-3mpJNKU4BaI3YNAIE0Xg8EM
>>
Ravel Introduction And Allegro For Harp Flute Clarinet And Strings
https://www.youtube.com/watch?v=I4nIlKTkUfc&ab_channel=Margit-AnnaS%C3%BC%C3%9F-Topic
>>
>>123683747
It's a video game series that started in the 80s on the NES, young zoomer. Kind of inspired by films like Alien
>>
Any other soft Bruckner 5's like Skrowaczewski's?
>>
>>123683887
Thielemann. Not sure why you would want that, but he's very, uh, pillowy.
>>
TCHAIKOVSKY - Hymn of the Cherubim
((( The USSR Ministry of Culture Chamber Choir)))

https://www.youtube.com/watch?v=XxepL6rzvW4&ab_channel=Release-Topic
>>
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now playing

start of Prokofiev's Symphony-Concerto for Cello and Orchestra, Op. 125:
https://www.youtube.com/watch?v=LAcmoa5WKBI&list=OLAK5uy_lfcbDYjE6tey4VH_VkTcbypbcNaBBq13M&index=1

start of Myaskovsky's Cello Concerto in C Minor, Op. 66:
https://www.youtube.com/watch?v=8n2EPVXLMYA&list=OLAK5uy_lfcbDYjE6tey4VH_VkTcbypbcNaBBq13M&index=5

https://music.youtube.com/playlist?list=OLAK5uy_lfcbDYjE6tey4VH_VkTcbypbcNaBBq13M

Haven't heard the Myaskovsky piece before, excited for that, but the Prokofiev Symphony-Concerto is one of the great all-time cello concerto works.
>>
>>123682411
I listened to the Klemperer recording of Symphony No. 2 and I can officially say I get Mahler...what are the best recordings for the rest of his works?
>>
>>123684165
Glad to hear, but lol, check the previous thread, a bunch of favorite recording lists for the whole cycle was posted.

>>123663438 (Cross-thread)
>>
>>123683099
>What are your thoughts on Boulez?
I'm usually fairly supporting when it comes to avantgard artists, but Boulez is, simply put, a monumental piece of shit, a 20th century Lully.
His corruption of governmental funds destined to the Arts (ruining the careers of 4 generations of French composers), the fact that this piece of shit won 17 Grammy Awards (you really blew those opera houses, right?), his absolutely selfish choice of becoming a conductor (even though he was barely competent and costantly took licenses that made no sense in that context). So, bad interpretations, the act of selling out the European avant-gards and cutthroat opportunism that destroyed the careers of the young, and why did he do all this? For nothing, in his last years he recognized that the 19th century was essentially a wasted century, that he was a bully and that his fame lasted just 10 years (after Stockhausen came in he had to sell out by conducting... imagine young Boulez seeing his old self conducting the Bolero: truly tragicomic). I'm usually not that harsh, but I'm glad he's dead.

I find no faults in his compositions, which I find enthralling at times, useful (as a composer) always. He failed as a public intellectual and conductor (ending up ruining his cultural context), not as a musician.

tl;dr: Boulez is a worthwhile composer, an absolutely inconsistent director and one of the worst offender to the academic scenes of fine arts in Europe.
>>
Debussy: Sonata For Flute, Viola And Harp, L. 137: 1. Pastorale

https://www.youtube.com/watch?v=ebmYKSQ30JU&ab_channel=WolfgangSchulz-Topic
>>
>>123684234
>that he was a bully
The clue's in the name
>>
>>123684295
lol

>>123684234
Good post.
>>
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>>123684234
>19th century was essentially a wasted century,
>>
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Ma mère l'oye - Ravel

https://www.youtube.com/watch?v=T5oVgqIbOqw&ab_channel=FrancyOrjuela
>>
>>123683666
Did any of these: >>123683826 work for you?
>>
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Is it just me or is this recording not very good? Love most of Skrow's Bruckner, but this highly acclaimed recording, hell probably his most acclaimed, often sounds flat and awkward.
>>
Tchai Pas De Deux

https://www.youtube.com/watch?v=o_Go1ah3Vds&ab_channel=MusicaCl%C3%A1sica
>>
Bartok or Shostakovich?
Prokofiev or Stravinsky?
Mahler or Strauss?
Brahms or Wagner?
Liszt or Chopin?
>>
>>123684789
Liszt!!
>>
Rachmaninov
https://www.youtube.com/watch?v=6UHtxmkSEq0&list=OLAK5uy_moUr2br-Shinu8Zw3-aHMP1wBl64Moh0c
>>
>>123684789
Shostakovich
Prokofiev
Mahler
Brahms
Hmm... now that's tough, but probably Liszt because of his orchestral works too.
>>
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>>123684789
Schnittke.
Schnittke.
Schnittke.
Schnittke.
Schnittke.

https://www.youtube.com/watch?v=vAVVXff_4BM
>>
Dvořák
https://www.youtube.com/watch?v=9J_t1OmrY_A&list=OLAK5uy_nGkfqs-qHZJOusqiYJfvJMV31S5Btz0K4
>>
>>123684789
Bartok
Stravinsky
Mahler
Brahms
Chopin

Pretty easy
>>
>>123684789
Bartok
Prokofiev
Mahler
Brahms
Chopin
>>
>>123684789
Bartok
Stravinsky
Strauss
Wagner
Liszt
>>
Are there are any recordings of the Missa Solemnis worth listening to besides the Szell?
>>
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Here we go! If anyone wants to try this recording with me...

https://www.youtube.com/watch?v=GtXcLdHIOwY&list=OLAK5uy_nMxtJpyRvdpVk7SP8XXpMd-xjMn3xGE4s&index=1

https://music.youtube.com/playlist?list=OLAK5uy_nMxtJpyRvdpVk7SP8XXpMd-xjMn3xGE4s

Also I know it doesn't *really* matter, and I know licensing artwork or paying an artist or designer costs money, but I'm so tired of these album covers. I know it's standard in classical but still, the fact of the matter is album art plays a large role in a recording becoming iconic, I mean just look at Bernstein's DG cycle. Sure there are other reasons why it's more popular than his Sony cycle but the artwork, which is top-tier, no doubt played a non-trivial part.

>>123684964
Plenty. Shaw, Karajan, Solti (LPO), Jochum, Blomstedt, Bernstein (Concertgebouw), probably in that order for me
>>
>>123684964
Kegel
Klemperer
>>
johann sebastian bach or johannes brahms?
anton bruckner or anton webern?
franz schubert or franz liszt?
wolfgang amadeus mozart or wolfgang rihm?
gustav mahler or gustav holst?
george frideric handel or georg friedrich haas?
sergei prokofiev or sergei rachmaninoff?
richard wagner or richard strauss?
john bull or jean sibelius?
havergal brian or brian ferneyhough?
edvard grieg or edward elgar?
alan hovhaness or allan pettersson?
alexander borodin or alexander scriabin?
arnold schoenberg or malcolm arnold?
carl nielsen or carl ruggles?
john williams or john cage?
johann christian bach or christan petzold?
>>
>>123684789
Shosty
Vinsky
Brahms
Can't decide because I haven't hear anything by them in detail.
>>
>>123684964
Kegel so you can hear the organ and the most virutoso chorus ever
>>123685019
lmao Karajan is laughably bad.
>>
>>123685019
>karajan’s missa solemnis
fucking horrifying
>>
>>123685060
>wolfgang amadeus mozart or wolfgang rihm?
lmao
>>
>>123685068
Bro what's with your Kegel posting. He can't be THAT good across so many different composers.
>>
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>>123684964
O fug I forgot about Kubelik, his choral recordings are very, very underrated. I'll probably try the Eschenbach one soon.

>>123685068
>>123685074
I like it... I also love Karajan's Brahms Requiem and Haydn The Creation. He's a good conductor of choral works imo. I should finally try his Bach soon...
>>
>>123685091
I don't have *that* much of him in my library, but he was pretty flexible across composers. Basically anything with a chorus and him is god tier because he was probably the best chorus master of the 20th century
>>
>>123685114
>he was probably the best chorus master of the 20th century

I don't see any recordings by Robert Shaw in your picture.
>>
>>123685111
his brahms requiem is atrocious and his creation is only good on account of his soloists. by and large he’s a terribly choral conductor because he hated his choirs and tried to drown them out.
>>
>>123685111
>Haydn The Creation
Have you listened to Markevitch in that work?
>>
>>123685124
And that's because Shaw wasn't as good. He was good, yes, but Kegel was great. The universal level of clarity of diction and declamation, the sheer grasp of dynamic range - especially evident in his Missa Solemnis where Beethoven has absurd leaps of dynamics - I don't think Shaw's choral work rises to his level.
https://www.youtube.com/watch?v=zNHSyBu1zhA
>>123685150
There are multiple moments of the chorus coming in too early or too late in his Missa Solemnis. He was horrible at keeping them and the orchestra together.
There's a funny story about Karajan's German Requiem where Schwarzkopf literally had to help the choir find their pitch they were so out of it. Think it was the mono one, absolutely ghastly
>>
>>123685173
Didn't know he had one, added, thanks!

>>123685150
>his brahms requiem is atrocious

It might not be the one I would rate the highest (maybe Kubelik's), but it's the one I return to the most and is an utter joy to listen to. But I don't mind 'Karajanization' so I get why one wouldn't like it.

>>123685214
I'll explore Kegel's soon then.
>>
Chopin
https://www.youtube.com/watch?v=BERu9dNNy0s&list=OLAK5uy_mEoSipS_6hCpTja2XtBpdC73XiViF2GyI
>>
>>123685214
Ein deutsches Requiem is so unbelievably trite. Sounds like it was written by an AI.
>>
>>123685260
Don't even wanna know you, dude.
>>
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It is time to set sail.
>>
>>123685348
fuck off
>>
>>123684875
more
https://www.youtube.com/watch?v=YaUo2RqMZVc&list=OLAK5uy_kZB0nX5XHUXm60oKUU-gMq68YbQCb407s
>>
>>123685348
Correct
>>
Ravel - Sonata for Violin and Cello, M. 73

https://www.youtube.com/watch?v=-z_Ee3E3C0Q&ab_channel=invertedninthchord
>>
>>123685320
any music that sounds Greek or ancient Greek?
>>
>>123685387
Love Vlach Quartet for Dvorak's String Quartets. Wasn't familiar with the works in that recording, added it and am now listening to it, thanks!
>>
>>123685387
Is this from something else? What's the source it's arranged from?
>>
>>123685429
Both the original and arrangements are by Dvorak. Work Cypresses/Echoes B152 is the string quartet arrangement of twelve pieces from Cypresses B11, which is a collection of songs.
https://www.youtube.com/watch?v=yE5pWK5mj3E&list=OLAK5uy_lJWIjsVW7BNFV0ro8WE23Um1a-feRmy98
https://en.wikipedia.org/wiki/Cypresses_(Dvo%C5%99%C3%A1k%3B_quartet_version)
>>
>>123685536
Neat, thank you. Are the songs good?
>>
>>123685598
I dunno, lol. I have only heard the quartet version.
I posted the record in case you were interested in them.
>>
>>123682411
Mahler is relentlessly boring
>>
>>123685616
Oh didn't notice that link tucked in there lol. I don't normally care for lieder but I'll give it a shot because it's Dvorak, thanks!

>>123685627
Pfft I wish...
>>
Haydn

https://www.youtube.com/watch?v=4Pp2DgFy-wo
>>
>>123685655
Actually kinda charming recording.
>>
>>123685410
I have been searching myself and its all Lyre.
>>
watching NFL football on mute while listening to classical :)
>>
>>123685025
I wonder if Kegel wrote any exercises for pianists?
>>
>>123685725
dont care
>>
Does Hurwitz not like Karajan's Bruckner? I don't think I've seen it listed as a reference recording under any recording, and I've never watched his videos.
>>
>>123685758
Unfortunately he killed himself so we will never know
>>
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now playing (Symphony no. 5), time to see how these old-timers did it!

https://www.youtube.com/watch?v=pDs-c3H5PaY&list=OLAK5uy_lcDhqgq1TAoTaIGuw32x4E6g5u8yWJVIg&index=17
>>
>>123685758
Kegel excercises for pianists
heh
>>
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now playing

start of Schoenberg's String Quartet No. 1 In D Minor, Op. 7:
https://www.youtube.com/watch?v=o168o6r_F1k&list=OLAK5uy_n4KQTy6EnFkdLyHsppfevALVFbYpJimJA&index=2

start of Zemlinsky's String Quartet No. 1 In A Major, Op. 4:
https://www.youtube.com/watch?v=dOkr_O_NoWw&list=OLAK5uy_n4KQTy6EnFkdLyHsppfevALVFbYpJimJA&index=46

https://music.youtube.com/playlist?list=OLAK5uy_n4KQTy6EnFkdLyHsppfevALVFbYpJimJA
>>
>>123685869
It's probably for Judaic reasons
>>
>>123686730
bad recording of an earth shattering masterpiece
>>
>>123686797
Oh, I thought you recommended me this one. Or maybe you said "others really like it but I don't," I can't remember.
>>
>>123686797
>>123686812
Which one do you suggest then? I've got a few added.
>>
>>123686812
>Or maybe you said "others really like it but I don't,"
i said that, yeah. after hearing the juilliard quartet’s stereo remake of the schoenberg quartets, i’m convinced that the lasalle set is simply bad.
>>
>>123686797
Which one's the earth shattering masterpiece?
>>
>>123686742
lol maybe. I've seen Karajan listed for a few, most notably Brahms 2 and Mahler 5, but maybe the Bruckner+Karajan combo was too much for him to bear. It's just surprising. Like sure, there are even some posters here who don't think Karajan's entire cycle is worthwhile, esp. compared to, say, Jochum or Skrow, but to not even list him under any of the 7th, 8th, or 9th? Shocking, I didn't know there were people who don't consider those recordings top-tier, much less like them at all.
>>
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>>123686855
https://www.youtube.com/watch?v=gGRXb1brgGo&list=OLAK5uy_m52KaDyDw8E4Cffwj0wd1_oCoeYjLzIIw&index=2
>>
>>123686855
>>123686881
first of 4 movements*, it links to a playlist (I have to always add this disclaimer because people used to think these first movements were the entire thing)
>>
>>123686855
the op 7 string quartet
>>
I don't really care for Schoenberg, not having studied music and such, but his String Quartet no. 1 has always been an exception; while I'm sure I don't come close to grasping the formal aspects at play and its structure, I've always found it immediately appealing in the way of the older masterpieces, or, as I often say, it just sounds good to me.
>>
>What is it that makes these performances so spectacular? Conducting, execution, and sound are all at a very high level. Chandos recordings sometimes highlight ambiance over detail, but these recordings have a wonderful combination of both. Here the Danish National Radio Orchestra sounds about as good as the Vienna Philharmonic or the Concertgebouw at their best. The brass are sonorous and golden, the woodwinds have great expressive range from raucous and tart to meltingly liquid and round, and the lush, massed strings are abetted by a deep bass and clear stereophonic image. Segerstam prefers expansive readings, but they are never slack or meandering or on autopilot, and because he is a master of pace and rhetorical narrative, one's attention never wanders.

>Mahler's music mirrors man and the world in all its beauty, banality, and pain. Transcendence, the natural world, hysteria, and tawdriness are interwoven. Boulez, Dohnanyi, Kubelik, Levi, and Zinmann tend to play the music straight and analytically, moderate the violence, and showcase Mahler's brilliance in orchestration and structure. Bernstein, Tilson Thomas, Tennstedt, and Rattle drink the emotional landscape neat and down Mahler's psychological brew to the lees. Segerstam gets effectively at both the structural and emotional content, while projecting the music with great power. He both analyzes and embraces. Of great Mahler conductors he most resembles Klemperer and Giulini but with more flexibility than Klemperer and a Furtwanglerian sense of orchestral sonority. If he errs in any way, it may be he enrobes the orchestral landscape in such a golden glow that at times Mahler's depiction of pain and shame fall too pleasantly on the ear, but these are no superficial readings a la von Karajan. Segerstam's recording of Mahler's Symphony no 6 is even better vis a vis the competition.

Well damn, I'm sold. Mans knows what he's talking about.
>>
>>123685652
A sewerage flow of crazed neuroticism is in fact very boring.
>>
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now playing

start of Brahms' Piano Quartet No. 3 in C Minor, Op. 60:
https://www.youtube.com/watch?v=QUSVHNPayik&list=OLAK5uy_m-AuYoXwrc3QfGAq12DxwcUbSJJQkW6aw&index=5

https://music.youtube.com/playlist?list=OLAK5uy_m-AuYoXwrc3QfGAq12DxwcUbSJJQkW6aw&si=yq1tI34HDa5_SHqs
>>
>>123687092
I'm sorry you feel that way. His music to me is as immediately appealing and beautiful as Bach's or Mozart's or Beethoven's. If it doesn't for you, then, well, it is what it is, there's plenty of other music out there! :D
>>
>>123687115
I am seething, I am positively bubbling over with anger, at Mahler being compared in worth with Bach, Mozart and Beethoven. An entire symphony by Mahler is not worth a single melody by Bach, Mozart or Beethoven.
>>
>>123687150
In fact I like him more!
>>
>>123682504
The dry sound of the strings is awesome
>>
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now playing

start of Ein Deutsches Requiem, Op. 45:
https://www.youtube.com/watch?v=IGtLymMIj-A&list=OLAK5uy_mdEGKfa-c9kBWVrZCyWh4voILgrXdUxzg&index=1

https://music.youtube.com/playlist?list=OLAK5uy_mdEGKfa-c9kBWVrZCyWh4voILgrXdUxzg

Tough deciding between this and the equally magnificent Klemperer recording.
>>
>>123687159
I'LL KILL YOUR FAMILY
>>
Please name the best overture from every composer who wrote one.
>>
>>123686881
https://www.youtube.com/watch?v=8X0-1q9PM34
I like the Prazak one.
>>
>>123687700
Maybe in the morning, at least from the ones I like and standout.
>>
>>123686946
it's about as dense and dark as you can get with "traditional" tonality and only 4 strings. Very creative piece.
>>
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Which performer is the most creative with their Basso Continuo? In the sense of using more than just smashing down chords and sometimes doing a arpeggio.
>>
>>123684789
Shosta
Prokofiev
Mahler
Brahms
Chopin
>>
>>123687700
The Marriage of Figaro
Coriolan
La gazza ladra
Euryanthe
Hebrides
Meistersinger
>>
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Who wrote the best trio sonatas?
>>
>>123689696
C. P. E. B. A. C. H.
>>
I love Bach
>>
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>>123682411
lmfao. Mahler 9 on "period instruments" tops the charts!
>>
>>123689879
Post a goos recording
>>
Bach invented Romanticism, and indeed they call Meistersinger the Bach opera because it’s applied Bach. Wagner was the greatest contrapuntist of the Romantic era and Meistersinger is the opera Bach wished he wrote. As Wagner said of Bach’s music, “That made me what I am. My unending melody is predestined in it.”
>>
I know there are some people in music school/academia in these threads, so I want to ask: why do a significant number of people who study music end up becoming “Hi! Musicologist here!” types who hate classical? What is it that encourages them to use their education to make disingenuous claims about common practice music, knowing that most people don’t know enough about music to argue the case? Do they genuinely not recognise what makes e.g. the late quartets special despite their years of education or are they just lying to advance a political cause?
>>
Haydn or Mozart?
>>
>>123690809
Mozart
>>
>>123690809
Haydn
>>
>>123690809
Mozart.
>>
>>123690809
mozar
>>
>>123690863
ella?
>>
>>123690809
Michael or Leopold?
>>
>>123690874
t
>>
>>123690809
mozart obv
>>
>>123690809
Choral Haydn btfo's Mozart. Symphonies I prefer Haydn these days, the Mozart ones are just too played out and tired for me to listen to anymore. Everything else, Mozart.
>>
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Why aren't there many recordings of Brahms' Triumphlied, op. 55? Sure it's a lil' bit kitsch and on-the-nose ala Beethoven's Choral Fantasy but, much like that latter piece, I quite like it.
>>
>>123691182
Guess I should've included the recording:

https://www.youtube.com/watch?v=y3aKWjJOo7o&list=OLAK5uy_nK-09R3D9bTOmxmOk1MN2j_w9bkBFCeUI&index=3
>>
>>123689943
Based, period instruments are for chad listeners only
>>
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>>123690809
Mozart, the greatest composer of the Classical period.
>>
>>123690809
Mozart was perhaps the most ambitious composer in the history of music. He produced at least one, and generally several imposing masterpieces in almost every genre of music— concerto, song, opera (serious and comic, German and Italian), string trio, string quartet, string quintet, quintet for piano and winds, trio and quartet for piano and strings, quintet for wind instrument and strings, divertimento for wind octet, double concerto for violin and viola, symphony, piano sonata, violin sonata. Although he left no completed major work of religious music, his two fragments— the C Minor Mass and the requiem— are monumental even in their unfinished state. In comparison, Haydn’s major successes were largely restricted to the two genres of symphony and string quartet; only when he was much older than Mozart ever became did he create his most impressive piano sonatas, piano trios, and the important vocal works with the late masses and the two oratorios. And only after Mozart’s Prague symphony had surpassed in size and weight any of Haydn’s orchestral works, setting an example, did he expand his symphonic style.
>>
>>123691241
>only when he was much older than Mozart ever became did he create his most impressive piano sonatas, piano trios, and the important vocal works with the late masses and the two oratorios.

Well did Mozart consider not dying so young? Shouldn't be held against Haydn's accomplishments.
>>
https://www.theguardian.com/music/2024/sep/19/previously-unknown-mozart-music-discovered-in-german-library

thoughts????????????????????
>>
Anyone who's really familiar with both will ultimately choose Haydn.
>>
>>123691391
>some random juvenilia
do people really care that much? it’s not like they found a whole ass bach passion or anything
>>
>>123691396
further proof
>>
>>123691241
What exactly is your point? Just judge artists by their best works, regardless of how and when they were made.
>>
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>>123690809
Bach
>>
>>123689943
The string playing on this is actually very idiomatic and probably accurate to what Mahler would have heard in his day, had he lived to perform the 9th. Lots of delicious portamento, less vibrato (but not no vibrato!), kinda similar to what we hear on the Walter Vienna 9th from the 30s.

I'm not so convinced by everything else, especially the sound quality. It's very unnaturally airy, and the brass sounds rather diminished in the balance overall. The great climax of the final movement doesn't have near the loudness it should have. I'll give them props for actually being historically informed in respects to the string playing, which most HIPsters completely ignore, but I'm otherwise not sold on the recording overall. Good tempos, though.
>>
Mozart

https://www.youtube.com/watch?v=DcVqAII93v0
>>
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let's start the day with... as God and his spokesman Haydn would have wanted us to begin the day

How's Levine's recording? I tried his Missa and German Requiem and while the orchestral part was great, the vocals seem too operatic for my tastes (there's a reason I'm listening to choral music and not opera!), but I like him for non-choral works a lot and read someone recommend his.
>>
>>123692172
>Levine
nonce
>>
>>123692185
I like his Mozart a lot *hides*
>>
>>123692172
Wow

https://www.youtube.com/watch?v=v4DT8uKBmzM&list=OLAK5uy_k_6eNSNP3FmQ6r1BktRehKVIlnV5WF1Dw&index=3&t=120

(timestamped)
>>
>>123692202
>>
>>123692273
"my favorite composers? Tchaikovsky and Britten. Conductors? Levine, Zander, and Bernstein."
>>
here's the most objective possible list of top 20 composers of the 20th century (in chronological order)

Mahler
Debussy
Strauss
Schoenberg
Bartók
Ravel
Stravinsky
Webern
Berg
Milhaud
Hindemith
Shostakovich
Messiaen
Stockhausen
Boulez
Cage
Babbitt
Ligeti
Nono
Berio


i used scientific methods to put this list together and you can't do any better than it.
>>
>>123692319
My immediate issue is the lack of Prokofiev. Maybe Vaughan Williams? Janáček? Ives? Nielsen? But I'd only fight over the lack of Prokofiev.
>>
>>123686730
Try this
>>
>>123692429
Is that different than this: >>123686881
>>
>>123692359
prokofiev sucks cock
>>123692440
that’s their mono cycle, which i thought was the only juilliard schoenberg cycle for the longest time. i don’t think performances are any better than their stereo cycle if i’m being honest.
>>
>>123692440
Yea
>>
>>123686999
So I listened to the 7th last night and it was pretty good, distinctive. What's wild though is the recording includes the 7th and the 9th, and together it's only EIGHT MINUTES shorter than the Klemperer 7+9 package lol, just to give you an idea of what Segerstam's approach is. Gonna try his 2nd and 9th today though.
>>
>>123692466
>>123692479
Ah. My favorite remains the first one I heard of it, which was a random youtube link someone posted here like 6 months ago that I immediately listened to all the way through I was so captivated, I should go find it and see which one it was. Odds are it was the LaSalle. It was a warm, musical, even tune-y performance which is why I liked it a lot.
>>
>>123692466
i think there's a little extra impetus and the tempos are more lively, but whether or not it's worth the cost of mono vs stereo sound is up for debate i suppose
>>
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favorite winterreise?
>>
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>>123692319
>most objective possible
>doesn't even include Scriabin, Rachmaninoff, Prokofiev who are objectively top 5, let alone top 20
>includes trashy composers like Strauss, Boulez
I'm afraid you missed the point of "objectivity" since your list does not adhere to it.
Truely weak-minded post.
>>
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What do you guys think about performing vocal works originally written in another language in English? No big deal as the fundamental melodies remain the same, or is it closer to poetry where the sound of the words themselves were heavily considered and thus important to the music? Or is it even superior, as you gotta figure these works were written with the intention of having the words understood by the audience as its sung, therefore playing a large role in its content and overall spirit?
>>
>>123692319
Need schnittke, scriabin and maybe prokofiev
>>
>>123693457
do slavejeets really
>>
>>123692969
you asking favourite recording or favourite song?
>>
>>123693457
Great contribution. Based on this post, I am quite confident you don't defecate in the street.
>>
It's insane that CPE Bach was one of the most acclaimed composers of his time and paved the way for countless composers to come. Yet most of his recordings are faggy HIP shit. I hate HIPsters so much its unreal.
>>
What Stockhausen have you listened today?
>>
>>123692969
https://www.youtube.com/watch?v=fjR0Ar1J-Uw
>>
>>123693557
recording
>>
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>>123690809
Cosima describes a most agreeable picture. Richard is in splendid spirits. Dinner conversation is more animated than usual. Progress on the duet between Klingsor and Kundry is proceeding apace, and there is a provocative new article on the Jews from the Deutsche Reichspost to discuss. After the dinner plates have been cleared, our couple retires to the parlor for their regular evening reading—this week, Walter Scott's Waverly. But Richard is in a mood for some four-hand music. Seidl and the other copyists are invited to join them. Richard takes out his worn copy of Haydn symphonies and sits down at his new Steinway with Cosima. Together they read through Symphony No. 82 in C Major (the "Bear"). Everyone is enchanted. "In him," he observes, "one clearly sees how the popular genius finds its way. The form is more compact than in Mozart; he always went after the melody, had no time to spare for the work (with the exception of the four great symphonies). This is why these Haydn works are also much more interesting." Playing through a Mozart symphony with Seidl confirms his reservations about Mozart, whom he pronounces "a great chromaticist," but adds, "he rarely gave expression to his nature."
>>
>>123693603
You're mad at HIPsters for being the only ones that care about his music? Be mad at the 20the century performers who mistreated him instead.
>>
>>123693888
I've only listened to 2 :(
>>
>>123693987
Which ones?
>>
>>123693603
Gould did CPE.
>>
>>123693603
https://www.youtube.com/watch?v=GnqnHOT5X8I
>>
>>123694202
>Even CPE's brother has non-hip recordings but not himself
ITS FUCKING OVER
>>
>>123694055
worse than HIP
>>
>>123693603
https://www.youtube.com/playlist?list=PLawrJgP30lZzCiBaqhP6OWd4_2L2A47Lu
not hip
>>
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now playing

start of Taneyev's String Quintet No. 1 in G Major, Op. 14:
https://www.youtube.com/watch?v=AWuElbni4B4&list=OLAK5uy_lJUfGI87nYKK6Gf7f1_x-kDzR1ypnsTpE&index=2

start of Glazunov's String Quintet in A Major, Op. 39:
https://www.youtube.com/watch?v=mNfdhUjjaDs&list=OLAK5uy_lJUfGI87nYKK6Gf7f1_x-kDzR1ypnsTpE&index=13

https://music.youtube.com/playlist?list=OLAK5uy_lJUfGI87nYKK6Gf7f1_x-kDzR1ypnsTpE

I think I've gotten somewhat tired of symphonies for the time being, so it's occasion to get back into chamber and piano music! We'll see.
>>
Bach

https://www.youtube.com/watch?v=_-Zcs9WF8ik
>>
Hume
https://www.youtube.com/watch?v=1te09Ht1NCQ&list=OLAK5uy_mdtQPNOMA2F5ULJjxW8SSuuMH4mY26RbI
>>
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Is Parsifal too long?
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>>123696162
sometimes when the conductor is too slow.
>>
I'm literally too dumb to enjoy the first movement of Mozart's 24th piano concerto
>>
>>123692319
Awful list, just awful
>>
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Found this comment in a random music discussion.
>>
>>123696281
>>123693519
>>123693457
>>123692359
I'm sorry but science literally disagrees with you
>>
>>123696333
He must have Arathorn as a client
>>
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>>123696355
Mahler shouldn't even be there for one
>>
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Why are classical boomers so snarky?
>>
>>123696419
a deserved response to someone who considers cage a genius
>>
>>123696419
I haven't heard of him, could you post some Grainger?
>>
>>123696443
Cage not 'cage' is a genius young anon

https://www.youtube.com/watch?v=sGMEPgXUoLw&list=PLU-9q-l1NU1LdSRdOblpOV8I3g8x83JmW&index=9&ab_channel=TheWelleszCompany
>>
>>123696447
Grainger has two types of music, his traditional folk song-related stuff and his autistic modernist experimentation with "free music".

https://www.youtube.com/watch?v=g3WLm_3bvrw
>>
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https://youtu.be/zDxpa-XPMTo

One of the main ideas behind the use of these national anthems is to have them act as "signposts" for listeners, as they travel through this unknown world of sound, noise and disconnected voices.

Stockhausen felt that "everyone knows the anthem of his own country, and perhaps those of several others, or at least their beginnings."

Another thing that Stockhausen has always enjoyed presenting is "an apple on the moon" - that is, a mundane object, trivial in normal surroundings, but VERY interesting in the middle of a jarringly unexpected environment. In any case, these anthems were altered in many various ways electronically, and sometimes one anthem would affect another.

For example, in "intermodulation" (see TELEMUSIK), the harmony of one anthem would be recreated with the rhythm of another anthem, which would in turn be affected by the "dynamic envelope" of yet another anthem.

These anthems are also enhanced as they appear with concurrent "scenes from daily life" - field recordings of civic events and rural environments native to that country.
>>
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>>123696509
>>
>>123696863
too scary
>>
>>123696472
>>123696509
>>123696863
do RYMtrannies really
>>
>>123696978
>>123696978
>>123696978
Yes there is more John Cage, thank you for asking

https://www.youtube.com/watch?v=NEaqoBGPpqE&list=PLU-9q-l1NU1LdSRdOblpOV8I3g8x83JmW&index=11&ab_channel=WelleszTheatre.
>>
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>>123696978
https://youtu.be/HAtW8wezR18

The structural organization of the anthems in HYMNEN seems to me to be based on an idea that probably began in KLAVIERSTÜCK V and would also play an important part in "formula composition", especially in the opera cycle LICHT.

In KLAVIERSTÜCK V, Stockhausen surrounded "central notes" with "satellite tones", which were expressed as grace-note fragments.

The other piano works of that time developed additional techniques to provide anticipatory and after-image colorations to the central notes (specifically through the use of pedalling techniques and silently-depressed keys ("halo tones")).

In LICHT's super-formula, the central tones of the 3 main melodic formulas are similarly ornamented in many different ways to provide a melodic "story".

In HYMNEN, the "central anthems" are intercut and intermodulated with secondary satellite anthems to create the impression of an individualistic, yet interdependent, human society.
>>
>>123696995
>>123697019
thank you RYMsister
>>
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>>123697030
https://youtu.be/rmWHQw8R8P8

The anthems themselves were subjected to various kind of manipulations using the signal processing devices described just above. Some ideas include:

Splicing and recombining fragments of several anthems and then reassembling them to form "new" anthems

Increasing or decreasing pitch and/or tempo

Perforation: one layer of an anthem would be intermittently muted so that another anthem layer underneath could be heard ("signal choppers")

Looping cadential chords into drone harmonies and then microtonally modulating the chord tones

Layered reverb, filtering, intermodulation (one anthem modulates another), etc...
>>
>>123697059
thank you RYMsister
>>
>>123696978
Grainger WAS also a normal composer and friends with Grieg.

https://www.youtube.com/watch?v=K1FDk8__Nv4
>>
Stockhausen raped sisterposter's inferior psyche.
>>
>>123697125
so true RYMsister, now it’s time for you to dilate
>>
>>123697146
>seething
>>
Second Viennese School is RYM-tier.
>>
>>123697177
if you insist RYMsister
>>
>>123697205
That's why the sisterposter loves it
>>
>>123697210
John Cage 5

https://www.youtube.com/watch?v=1W57Eaq4e7g&list=PLz-OQhjX-Bwgo-NWvrZ3rClIZgDvl3jFY&index=16&ab_channel=pelodelperro
>>
>>123696978
>>123697030
>>123697076
>>123697146
>>123697210
AN EXCELLENT QUESTION SISTER
>>
>>123697363
thank you RYMsister
>>
>>123697397
>>123697394
WHAT'S YOUR FAVOURITE JOHN CAGE PIECE SISTER?
>>
Favorite recording/quartet ensemble for Beethoven's middle Razumovsky string quartets?
>>
>>123693457
Boulez is good, however. Much better than shit like Rach
>>
Is Rene Jacobs any good?
>>
>>123697541
Quartetto Italiano
>>
>>123697551
What piece? But if you like HIP, then sure. I do not, so I don't listen to their recordings.
>>
>>123697560
cool thanks, I've always had good experience with them, listening now
>>
Sonic Youth Four6

https://www.youtube.com/watch?v=bzP6vY0Fyek&ab_channel=yuriesposito
>>
>>123697551
no, and he also looks like a pepe frog
>>123697560
everyone loves to recommend their middle period quartets, but much like their acclaimed schubert cycle it’s never inspired anything more than ambivalence in me.
>>
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>>123697600
>no, and he also looks like a pepe frog
I don't see it...
>>
>>123697620
he literally looks like a goddamn smug pepe in that image, unless you’re being sarcastic
>>
>>123697620
what an ugly mfer please never post him again
>>
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>>123697620
>>123697629
>>
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>>123697620
That's what I think the sisterposter looks like

Captcha STDS
>>
>>123697645
he’s doing the exact same look and pose on the cover of his shitty missa solemnis recording, which is what turned me onto the fact that he is a fucking human frog-hybrid abomination
>>
>>123697660
This one?
>>
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>>123697541
For Op. 59/3 I've been going for this one. It's extremely virtuosic and pretty much nails the metronome markings right on the dot. I think it's still the fastest recorded.
Also, it's recorded by Bartok's son, Peter Bartok. Not that that matters.
>>
>>123697671
yeah, that’s the one, what a bizarre looking creature
>>
>>123697671
if you're so ugly why would you keep putting your face on recordings?
>>
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>>123697679
I think I can see it now...
>>
>>123697551
Not really a fan. His Mozart opera recordings are highly acclaimed but I just find them idiosyncratic in a bad way
>>
>>123697695
disgusting toad mutant
>>
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hurwitz on jacobs

https://youtu.be/Xu-yara42rc
>>
>>123697717
God if You truly are up there please let both these midwits kill each other
>>
Anywhere I can hear this new found Mozart piece, Ganz Kleine Nachtmusik? Apparently it was performed last night in Salzburg. TIA
>>
>>123697725
i don’t think hurwitz hates jacobs enough to kill him, he’d rather save that for klaus makela or something
>>
>>123697717
>>123697671
This dreadful new version of Beethoven's Missa Solemnis takes an excellent chorus, four fine soloists, and an over-parted Freiburger Barockorchester and places them in service to a Dadaist interpretation that reveals nothing musically rewarding. Jacobs clearly has decided that he needs to do something "different," and that if that something bears scant relationship to Beethoven's obvious intentions, then too bad for Beethoven. And for us.
>>
Anyone ever while listening to a piece you're not completely familiar with accidentally start playing a youtube video or other source of another classical work in the background, probably of the same form, and not notice for a minute or so outside of "oh this sounds peculiar" lol

>>123697753
>Dadaist interpretation

Kinda makes me wanna listen to it...
>>
>>123697735
Reminds me of that Zizek joke: "the only reason I am not against the death penalty is because Sam Harris is alive"
>>
best place to buy classical CD's?
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>>123697964
Discogs
Ebay
Amazon
Your local bookstore
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>>123697541
Dimov, if only to demostrate what a bad transfer it is
https://www.youtube.com/watch?v=CeoLcYvOSSQ&list=OLAK5uy_kyeZvnubVlLoHol_-HunuBQyTUE2UecmU&index=2
>>
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Why do the o's in Soderstrom's name have lines through them but none of the other o's do? And to think I used to hold this up as one of the best album covers...
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>>123698111
His name is pronounced S-Zero-Derstr-Zero-M
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now playing

start of Symphony No. 82 in C Major, Hob. I:82 "L'ours":
https://www.youtube.com/watch?v=6zPghydZ_lQ&list=OLAK5uy_nR8rQnCMhfHDVZvih6-1-0ntxlGeq5CHA&index=1

https://music.youtube.com/playlist?list=OLAK5uy_nR8rQnCMhfHDVZvih6-1-0ntxlGeq5CHA

First time listening to Haydn's Paris Symphonies, and I love Bernstein's Haydn. Should be a good time!

editorial excerpt:
>Leonard Bernstein was simply one of the great Haydn conductors of all time. Not only did he characterize Haydn's music vividly and get his orchestras to play it well, he took the trouble to study period performance and teach his musicians things like how to play Haydn's trills correctly. Lacking period instruments, this is as authentic a set of Haydn performances as you could want to hear. Every one of these wonderful Paris Symphonies emerges as an individual work of great qualities. The recordings have been lovingly remastered and surpass more recent Haydn recordings sonically as well as musically. --Leslie Gerber
>>
>>123698111
because she's swedish and that's how her name is spelled. idiot
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>>123698382
o lol figured it was something like that
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now playing

start of String Quartet No. 3 in G major, Op. 26 "Slavonic":
https://www.youtube.com/watch?v=DOVlAOxmZWE&list=OLAK5uy_lNBZoa9tyfA2fBbIa02q-R_ltby2HSHaY&index=2

start of String Quartet No. 5 in D minor, Op. 70:
https://www.youtube.com/watch?v=VQiEl-IgBG0&list=OLAK5uy_lNBZoa9tyfA2fBbIa02q-R_ltby2HSHaY&index=6

https://music.youtube.com/playlist?list=OLAK5uy_lNBZoa9tyfA2fBbIa02q-R_ltby2HSHaY
>>
>>123698377
>>Leonard Bernstein was simply one of the great Haydn conductors of all time. Not only did he characterize Haydn's music vividly and get his orchestras to play it well, he took the trouble to study period performance and teach his musicians things like how to play Haydn's trills correctly.
Interesting, it reminds me the first time I heard Haydn's surprise symphony, in G Major, no. 94.
It was 73, Bernstein was in the podium with the trusthy Vienna Phil. I'd never heard Haydn before, and found myself thoroughly entertained. I'd heard Haydn was a fun-loving fellow, and it certainly showed in his music. I distinctly remember bopping my head to the tune of the first movement. But nothing could prepare me for the absolute show of wit that was about to come in movement number 2, when happened the eponymous suprise.
A sudden blast! A loud, fortissimo chord, and just after a lenghty pianissimo section! I burst out laughing. "Oh Haydn" I remember thinking, barely managing to think straight at all between my chuckles and wheezing. "What a prankster! What a jokester!"
The audience attemped to calm me down, some even asking how I'd not known about the famous suprise by then, popular as it was. Were they not happy one had been lucky enough to live to that point and still feel the pure, unadulterated Haydn genius? Were they jealous? I did not know then, and do not care now.
I tried to calm myself, but kept chuckling all throughout the variations in the next movement. At the edge of my seat, I waited for the repeat of the blast, this time hoping to control myself. Imagine my surprise then, during the repeat of the first section, when the surprise surprised me further by not showing up at all! At that point I feared for my life, such was the lack of oxygen from my guffawling fit.
They only managed to removed me from the facility putting an end to my disruption after I'd already soaked the floor in urine.
>>
>>123697541
Hungarian Quartet (stereo)
>>
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idc i like it
>>
>>123699385
my condolences
>>
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A powerful trans icon
>>
>>123699557
Wagner looking built af here
>>
>>123699713
the clean shaven look is way better on xer, xhe should do it more often
>>
>>123699721
That's why I shave erryday. Not that I could grow any substantial, non-embarrassing facial hair really anyway but still
>>
is there anyone who conducts like Barbirolli today or in recent times? basically with the benefit of modern production. I feel like most contemporary conductors I've listened to don't really let loose in the same way, but instead really on precision and, at most, small gambles.
>>
>>123699773
if they aren't of the milquetoast variety*, of course
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>>123699713
That's Mahler bro you need to brush up on your classical composers
>>
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>>123699808
?
>>
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I introduce you to Couchie Wouchie, the resident Wagnerite of talkclassical:

https://www.talkclassical.com/threads/couchie.19302/

He's been going at it for over a decade.
>>
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>>123699907
You may even find him on reddit!
>>
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now playing

start of Piano Quintet in G Minor, Op. 57:
https://www.youtube.com/watch?v=DYX3s8pM9K8&list=OLAK5uy_k-vRjpU6_Pt9CZ3uwzF1NF0I6aioJXk5Y&index=2

start of Piano Trio No. 2 in E Minor, Op. 67:
https://www.youtube.com/watch?v=tk3YW89C5mo&list=OLAK5uy_k-vRjpU6_Pt9CZ3uwzF1NF0I6aioJXk5Y&index=6

https://music.youtube.com/playlist?list=OLAK5uy_k-vRjpU6_Pt9CZ3uwzF1NF0I6aioJXk5Y

>>123699907
>>123699914
Gotta appreciate that level of dedication, love, and autism.
>>
>>123699907
>>123699914
Why?
>>
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>>123699914
Everything this guy posts is funny.
>>
>>123699951
What's the secret!?
>>
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>>123700002
Keep listening my friend. And maybe one day you will hear Wagner.
>>
>>123700025
lol love this guy
>>
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>>123700045
He seems to be mentally unstable.
>>
>>123700069
Well that's just sad.
>>
>>123700125
Genius often borders on insanity.
>>
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now playing

start of Schmidt's Symphony No. 4 in C Major:
https://www.youtube.com/watch?v=VR2LUbrEsGI&list=OLAK5uy_lWfy1JILUUTR99TQ6p3VUO42v3Y_oF-JU&index=2

start of Strauss' Symphonisches Fragment aus Josephs-Legende, Op. 64a, TrV 231a:
https://www.youtube.com/watch?v=sKIbDEbTGbo&list=OLAK5uy_lWfy1JILUUTR99TQ6p3VUO42v3Y_oF-JU&index=5

https://music.youtube.com/playlist?list=OLAK5uy_lWfy1JILUUTR99TQ6p3VUO42v3Y_oF-JU
>>
>>123699773
thank fucking god there isn’t
>>
>>123700249
This is great, can't wait to listen to his other symphonies and works.
>>
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>I own a few other recordings of this piece: Karajan (overrated IMO), Haitink (not bad), Mravinsky (fine example why government-made appointment is not a good thing).

Savage. Favorite recordings of Shostakovich 10?
>>
>>123701017
the shortest possible one, probably
>>
Listening to Mendelssohn's second piano trio.
Ma, Perlman, and Ax.
>>
>>123693603
https://youtu.be/V1lbBkslxbY

This recording is so fucking anal. Was hoping because it used a actual piano that it'd be any good but it's a fortepiano that's quieter than crickets. Even the harpsichord recording is better, which wasn't even what the piece was written for. But at least it's string orchestra sounds normal and not like gutteral string brushing sounds.

https://youtu.be/iTbzyNNsXoU
>>
NEW THREAD

>>123702877
>>123702877
>>123702877
>>
>>123702880
That is punctual. Gotta respect.
>>
>>123682411
>>123697728
How long until we get the new Mozart on youtube?



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