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Why are all photography learning resources so bad? They all just give you the triangle exposure explanation and then leave you to learn for yourself.

But how does one learn what makes for a compelling photo? How to get better at seeing? Taking 10000 photos will teach you nothing if you don't learn how to review and improve.

Photo books only get you to try to emulate and copy someone else. It's the same as if you're learning piano and only playing musical pieces composed by the masters. Do you really know piano? Do you really know photography?

How does one truly learn and improve?
>>
>>4366224
The rest is talent, creativity and practice.
Sorry, you weren't born with the right toolset.
>>
>>4366224
Lear basics from YouTube and just go out and do your own thing. Courses are useless and will only stifle your creativity.
>>
>>4366225
>>4366226
So you're saying that Recent photo threads and "feedback" is useless because one's creativity, talent and photographic eye is different to anothers and taking their advice would be going against yourself and your creativity?
>>
>>4366227
I never said anything of the sort and you know that, retard.
>>
>>4366228
If someone calls me shit it means nothing, because i'm doing my own thing and they are stifling my creativity.
>>
>>4366229
You autism level might be too high for creative endeavors.
>>
>>4366231
Then why did you say those exact words?
>>
>>4366224
>But how does one learn what makes for a compelling photo?
By studying the work of great photographers like a textbook.

>How to get better at seeing?
By applying what you have learned from your study and then practice, practice, practice.

>Photo books only get you to try to emulate and copy someone else.
That how it works. Every artist is influenced by some other artist. You don't work in a vacuum. If you're not aware of your influences then you end up making shit and derivative work. Point is to mix and merge your influences and see what happens. You need to experiment.

If you want to truly improve then study the work of great photographers. Ignore YouTube there is very little worthwhile stuff there. If you don't know any photographers then let me know in which type of photography you're interested in and I'll recommend some photographers.
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>>4366234
I did not, retard. Trying reading my original post again.
>>
>>4366235
>By studying the work of great photographers like a textbook.
What if I find their work underwhelming and don't like them. What if the only reason they are considered "good" is because they knew how to network and had a likeable personality?
>>
>>4366237
>What if I find their work underwhelming and don't like them.
Then that's means photography is not for you. You only like the act of taking photos therefor you shouldn't be worried about improving.
>>
>>4366239
Maybe you should consider doing your own thing and not letting copying famous photographers to stifle your creativity.
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>>4366224
Not the usual poster of this, but: you either have it or you don't.
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>>4366235
>copy the work of great photographers
>all photography is the same
>>
>>4366240
>Maybe you should consider doing your own thing and not letting copying famous photographers to stifle your creativity.
That's just ignorance is a bliss thing in photography. Art like history doesn't happens in a vacuum. You will always be under the shadow of past great photographers. Unless put in thousands of hours into studying and practicing and thus forging your own unique style. Even then you can't escape influence but your style will be truly yours.
>>
>>4366244
>>copy the work of great photographers
All musicians listen to other music and then make their own similar with other artists too. Point is to mix and merge and experiment.
>>all photography is the same
Never said that
>>
>>4366247
>Never said that
i said that. if everyone copies everyone that all photography would be the same
>>
>>4366235
Not op but do you know any wildlife/landscape photographers? (and maybe some more general books about photography for a beginner)
>>
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Just buy one of (any major camera brand) newest models. The camera will pull focus for you, expose the photo correctly for you and everyone will compliment you on your beautiful photos.

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>>4366236
Fuck off back to >>>/b/ useless cunt
>>
This thread would be more helpful if people shared actual courses or materials to learn from, instead of just opinions.

I enjoyed this book since it gets to the technical side of things:
https://www.pearson.com/en-us/subject-catalog/p/photography/P200000009856/9780137988679

Lecture from Marc Levoy where he discuss the nerdy side of photography and how most camera works:
https://www.youtube.com/watch?v=y7HrM-fk_Rc&list=PL7ddpXYvFXspUN0N-gObF1GXoCA-DA-7i
>>
>>4366224
>Photo books only get you to try to emulate and copy someone else.
At some point that starts to become inspiration and you begin to do your own thing.
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>>4366290
Yeah. Look for James Popsys on YouTube
>>
>>4366224

no one else was there, make best of it
>>
>>4366290
>Wildlife
I don't know a lot about this genre but here are my few suggestion:
Start with Richard and Cherry Kearton. They are the pioneers of wildlife photography. Their books are also free to download on internet archive.
Nick Brandt
Samuel James

Some photographer which are not wildlife photographer but shot animals beautifully
Masahisa Fukase's Ravens(also check his photos of his cat)

>/landscape
This is a really big genre. Give me more specific information. But here are my go to suggestions

Timothy O'Sullivan
Eadweard Muybridge
Carleton Watkins
Eugene Atget
Edward Weston
Peter Henry Emerson
Robert Demachy
Walker Evans
Eliot Porter
Richard Misrach
Robert Adams(checkout New Topographics movement)
Emmet Gowin
Mario Giacomelli
Hiroshi Sugimoto
Luigi Ghirri
Franco Fontana
Andreas Gursky
Edward Burtynsky


>(and maybe some more general books about photography for a beginner)
I would never suggest guides. My advice is to study the work of great photographers like a text book. If you want to learn then dissect their work like surgeon or a mad scientist. You have really know what they are doing in those to achieve that effect with the sensibility of a poet. You have to know those tricks so you can apply them to your work. Pick 4 or 5 photographer and then study and copy and mix and merge and experiment until you get your desired results. Reading interviews of photographers that you like is also helpful but your primary source must be their photography.

If you really want a guide on basics of photography then I have seen people recommend The Photographer's Eye by Michael Freeman. (I haven't read it). For gearfagging and other technical gear related stuff you have /p/ and YouTube. IN start gear doesn't matters in the start. A camera is just a tool. You need right tools for the right job. For studio lighting there must be some great books out there but I know nothing about artificial lighting.
>>
>>4366290
>>4366380
>(and maybe some more general books about photography for a beginner)
Also read

>History of Photography
Photography: The Whole Story by Juliet Hacking

How do magnum photographers approach a subject
>On Being a Photographer by David Hurn(chapter on Subject is the most important)

Photobooks
>The Photobook: A History by Martin Parr and Gerry Badger

On photos
>The Photographer's Eye by John Szarkowski

Philosophy
>Towards a philosophy of photography by Vilem Flusser

You can download all of of these books from Anna's archive.
>>
>>4366224
>Why are all photography learning resources so bad? They all just give you the triangle exposure explanation and then leave you to learn for yourself.
because photography isn't any more complex than that?
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>>4366380
Hahahah I know you are the bitter anon because of all the landscape photogs you cited you left out Ansel.
I like you, you’re fun. Did you enjoy my Adams thread?
>>
>>4366440
>Did you enjoy my Adams thread?
i clicked on it but didn't read. will join you in your next threads
>>
>>4366224

they are not that bad, f8 and be there is very close to truth

20k photos later, it all seem to be snapshits and natural light
>>
>>4366224
if you have to ask you'll never get it
it's like drawing. either you can inherently do it or you can grind for 20 years and it'll still look "off" compared to someone with the genetics who has been drawing for 2 days
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>>4366227
yes, you should consider feedback only about technical stuff. like exposure, focus, etc.
when it comes to the creative part no one can tell you what's wrong or right. you create your own work - and if no one likes it, that's not really an issue.
>>
>>4366536
You can most definitely learn to draw or paint tho... the great artists didn't just pump out a masterpiece one after another, they just doodled and brushed a lot.
Photography isn't any different, but of course there's those outliers that really shine as with any other human activity.
>>
>>4366299
were you being ironic by posting this out of focus mess with blobs for shadows? try putting your camera in iauto or scene mode next time
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>>4366753
>out of focus
>auto mode
>scene mode
anon I...
>>
>>4366738
If you don't shoot on full auto so you can concentrate wholly on composition and art you're doing it wrong. It's like painting a canvas and someone tells you you used the wrong brushes
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>>4366742
>the great artists didn't just pump out a masterpiece one after another,
that's exactly what they did
>>
>>4367034
Van gogh only worked for like 8 years painting, and pumped out 900 decent works, and hundreds of random sketches.
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>>4367061
That's literally pumping out masterpieces.
>>
>>4367083
I've seen most of his works... once you see about a hundred in a row the style becomes familiar and you start to see meh and the wow more clearly.
>>
>>4366224
I feel your pain. The best I've done is found some books.
My recommendations:

*** Picture Perfect Practice - Roberto Valenzuela
This is a photo course in a book, with exercises to boot. If you work your way through this book and take its study seriously, I'm confident you'll end up better than even 80% of professional photographers.
*** Picture Perfect Posing - Roberto Valenzuela
A good book on learning to pose well. Not just a few canned poses, like a lot of books will walk you through, but actually help you understand why various poses work and give you the understanding necessary to be creative and innovative with poses.
*** This guy also has a couple other books on lighting/flash that I intend to buy. If they're anything like the prior two books, they're going to be great.
*** Studio Anywhere - Nick Fancher
This book won't teach you a lot about general photography, but will teach you how to get by and do a lot with minimal equipment anywhere you go, and get you producing pictures that will impress your friends and most hobbyists quickly. This guy is pretty creative at problem solving with photography, and seeing his examples and techniques will be a huge boon.
*** He's got a few other books on creative lighting I intend to check out.
*** The Photographer's Eye - Michael Freeman
Approaches photography from a design standpoint, and well help you understand things like how composition, contrast, color, etc. contribute to an effective photo.
>>
pic related for composition
light science and magic for a technical rundown on studio lighting
>>
>>4367061
Pink Floyd existed for 50 years, recording a creativity explosion of 24 albums and playibg 12,000 live performances, nearly all of which occurred before anyone outside the avant-garde & art rock scene ever heard of them. When Dark Side of the Moon came out, their 16th album in 5 years, the band was almost done with each other and barely kept it together to produce 3.5 more albums over the next decade with 1 tour per album, and those & a couple post-breakup solo albums are the only music most people have ever heard.

Indie legends Grandaddy couldn't fill a fucking coffee house with an audience til after they broke up, and their insanely negligent record company lost the rights to their unreleased music and hundreds of incredible songs flooded out, given away by the band & landed them car commercials & high dollar offers by all the major festivals, tour promoters & labels. By then they were too busy selling used cars and working as bicycle mechanics.

Practice & refine. Eventually you have a mature body if work the world can sell.
>>
>>4367182
I watched a course by Roberto Valenzuela on Creative Live. That guy is truly a master of this craft.
>>
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>>4366224
Take photos.
Go out, shoot, review your photos, decide which of those photos you like and don't like, notice patterns, shoot better photos next time you go out.
Get a camera you can take with you everywhere and never miss an opportunity.
You'll be taking photos you're proud of before you know it.

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>>4366224
Just mess around with your camera, try different settings. Don't take it too seriously. There is always something new to learn and nobody knows it all. There are no oracles.
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>>4366224

Anybody who knew the answer to that would be an incredibly successful photographer.

Anybody who did not know the answer to that would not be an incredibly successful photographer.


Only a tiny percentage of incredibly successful photographers would be any good at teaching

If the incredibly small subset of good photographers who would also make good teachers taught this knowledge to others they would lose their source of income.

In summary the world is exactly as you would expect it to be and there are no good courses teaching photography well from the best photographers.

You are on your own to learn as is everyone else.
>>
>>4367879
>Only a tiny percentage of incredibly successful photographers would be any good at teaching
they teach their shit through their art. their whole method is there. no one needs anything other than photography.

stop writing in this reddit format
>>
Get a book on painting instead



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