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Jesus, I fell into a rabbit hole with this one

The dub version is so different from the original that there are literally two different Wikipddia pages

https://en.wikipedia.org/wiki/Samurai_Pizza_Cats

https://en.wikipedia.org/wiki/Kyatto_Ninden_Teyandee
>>
>>150877560
They were going to do a straightforward dub, but they never received the scripts from Japan to localize. So they just watched the animation and made shit up on the fly. It's literally a gag dub.

The line in the theme song "As soon as someone finds the scripts, we might begin the show!" is a reference to this incident.

The VA was also drunk, which is why he flubs the line "Gets down down with a love hangover!"
>>
>>150877560
I mean, in the japanese version they don't sell pizzas
>>
>>150877576
>They were going to do a straightforward dub, but they never received the scripts from Japan to localize.
Not true. If you've actually watched both the dub and the sub as I have, there are enough similarities that it's clear they had SOME form of script. It might have just been really fucking awful or incomplete, thus prompting the localizers to take more liberties.
>>
>>150877614
You're right, I apologize.

They received SOME scripts, but some were either only in Japanese, poorly translated, and some were missing entirely because the original show bombed in Japan. The line in the theme song is still a reference to this, though.
>>
>>150877590
Yes they do
>>
>>150877560
I found it amusing that they're ninjas not samurai in Japan but given the nature of show, I don't think it matters.
>>
>>150877560
It's a Crayon Shin Chan situation.
>>
>>150878054
I can see why they changed it.
>Anthropomorphic animal ninjas who love pizza.
Sounds familar?
>>
>>150878104
What tends to get overlooked that everyone is a robot. So everyone is armored.
>>
>>150878086
>Crayon Shin Chan
Nobody ever mentions this dub and it's a shame because it's fucking hilarious. Like Ghost Stories-tier, but more genuine because it was actually a comedy in the first place.

One of my favorite localized gags was the shitty complex they lived in during the first season was called "Falling Apartments", and many episodes later they come back and the letters on the sign have fallen off so it just says "Fag Parts"

>>150878104
"Samurai Pizza Cats" really just sounds better than "Ninja Pizza Cats".
>>
>>150878165
The name could have been Robo Pizza Cats or Mecha Pizza Cats desu. The armor designs are the iconic feature. The first time I saw a Medabots promo I thought it was related to this show.
>>
>>150877614
It depends who you ask.

Tony Oliver years ago said Tatsunoko gave them English scripts that basically incomprehensible. Some may say no scripts. Others will say Tatsunoko's scripts were different from the dialogue on screen anyway because the voice actors were allowed to ad-lib freely.
Oliver's explanation was pretty common for the era though: also happened to FUNimation with the scripts Toei sent for DBZ.
Some scripts being missing wouldn't be a surprise either, that would happen with Tatsunoko since they'd misplace those for shows.

You only need to look no further than the dubs for Gatchaman, the first being Battle of the Planets which was a SPC case of being so different it's its own thing.
>Tatsunoko sent Jameson Brewer crabstick-level scripts, but hey it was the late 1970s
>Brewer decided they were useless rubbish, had himself and other writers watch the raw episodes and come up with scripts based on what they thought was going on
>Tatsunoko also sent episode reels and accompanying scripts out of order, dub continuity and order is not supposed to match the original
>Later when Fred Ladd did G-Force, Tatsunoko was all 'idk' and couldn't find their Engrish script for ep.81 so he had to skip that one
>???
>Profit

tl;dr Thank and blame Tatsunoko first, then the people at Saban as well.
>>
>>150878280
The Vitello dub from 2002 was pretty dicey itself even if censored, though Kath Soucie and Grey DeLisle hated it and DeLisle wrote it off as a gross Japan thing and said she felt she'd be going to Hell for being part of it.
They'd be shook at the FUNi dub then.
>>
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>>150877560
>victory pose
This is one of my favorite running gags in the series. The first time they do this pose, the VAs do a slightly-cheesy sounding "TA-DAAAA!" over it. But throughout the series, they start saying "TA-DAAAA!" louder and more obnoxiously until they sound like retards, lol.

>>150878369
>The name could have been Robo Pizza Cats or Mecha Pizza Cats desu
No, it couldn't have, because those are terrible fucking names. Also, the fact that they're robots is far less intrinsic to their heroic image than the fact that they are samurai/ninja. Also, they don't particularly fit the western perception of a "robot", as most character's faces still look completely organic. Also, again, "Samurai Pizza Cats" just sounds a brazillian times better. If "Mecha Pizza Cats" was ever on a whiteboard in someone's office, I'm sure it was the first idea to get shot down.

>>150878452
>It depends who you ask.
No. It depends on what the obvious facts are. Pick any episode and watch the dub, then watch the sub. Many scenes follow the same structure, and sometimes jokes are lifted directly from the sub with only minimal rewording—the kind of stuff that couldn't have happened by coincidence. They might have had shitty scripts, or incomplete scripts—which is exactly the kind of thing that might have lead someone on the staff to saying "WE GOT NO SCRIPTS" out of hyperbole. But they clearly had scripts.
>>
>>150877560
I remember the pizza cats. I only remember because it aired alongside Hello Kitty and OG Dragon Ball when I was a kid but I can't find any information on what network to prove that. Every source I can find online says original DB never aired back then but I distinctly remember the boy with the tail and pole airing alongside the pizza cats.
>>
>>150878607
Pizza Cats was produced in 1991 but didn't air in the states until 5 years later.
>>
>>150878607
Harmony Gold's test dub was still airing as filler in some independent markets in the early 1990s (around '90-'91) until the rights were handed over to FUNi by '96. If the boy was named Zero it's theirs.
>>
>>150878487
I had no idea there was a dub before the funimation one.
>They'd be shook at the FUNi dub then.
Without having seen the Vitello Dub at all, I'm going to posture in complete ignorance that the funimation dub might have somehow been more palatable to them simply becuase of how obviously American it was. It was a lot of shock humor, pop-culture references, and general absurdity, which somehow dulled the sharp edges of Japanese cultural norms that might have still been apparent in a less-ambitious dub, if that's what vitello was.
>>
>>150878630
>Pizza Cats was produced in 1991 but didn't air in the states until 5 years later.
This is a great bit of trivia because watching the show as an adult, you can clearly tell all the jokes were written 5-6 years earlier. Especially with all the refences to Garfield, since that's when Garfield and Friends was at peak popularity.
>>
>>150878630
See, I grew up in Canada and the wiki page says it aired in '92, which sounds more correct to me than '96-97. I would have been 6.

>>150878656
I remember the boy, I don't remember his name. I swear I remember the rabbit turning people into carrots, the underwear wish and a flying cat turning into scissors.
>>
>>150878704
That said, I just remembered a joke that the NEET neighbor made in that one episode:
>"Maybe I'll even get my number tatooed on my arm, like those guys from Schindler's List! I Bet they NEVER forgot their numbers!"
>>
>Somehow is getting a new game
>Is the actual last bastion of 2D animation, because its using actual cel animation, at one of the last places in the world that legitmately still can
>Even has animators that worked on the original show coming back for it
Who would've thought huh? Once again, thing Japan out does the west yet again.
>>
>>150878704
There were two, handled out of California. The first had voice actors more present in Western animation like Soucie, DeLisle, and Pat Fraley.
A few years later, Phuuz did another dub picking up where the Vitello one left off but used a crop of more anime-exclusive voice actors (cheaper) like Michelle Ruff and Peter Doyle.
Both didn't air in the USA due to content, but the Phuuz one was actually pitched to Adult Swim and shot down for feeling too kiddie and that's how the FUNi dub happened once Phuuz' rights ceased.
>>
>>150877560
>>150877576
>>150877590
>>150878054
NOT /co/
FUCK OFF
>>>/a/
>>
>>150878765
>using actual cel animation
I highly doubt this. Nobody does this anymore, not even glorious Nippon.
>>
>>150878086
>>150878280
>>150878369
>>150878569
>>150878656
>>150878765
>>150878917
Heavily changed anime is STILL anime
The Japanese dubs of Beast Wars and Transformers Prime changed a lot but they still aren't /co/
Piss off
>>>/a/
>>
>>150879124

Here.

https://www.comicsbeat.com/exclusive-samurai-pizza-cats-returns-in-a-new-manga/

>but its mang--

Written and drawn by Americans, just make to look like manga.
>>
>>150879280
Boco you hideous abomination, this thread ISN'T about the comic
Spider-Man vidya is allowed on /v/ but it doesn't retroactively make the comics /v/ you idiot
>>
>>150879124
*but they still aren't /a/
>>
>>150878452
I've probably asked this before but did anything similar happen with Mon Colle Knights, or was that as-is? 'Cus the gags play very western.
>>
>>150879090
That's the small miracle, it actually is. Tatsunoko is one of the few places in the world that still has the nessicary equipment to make it work, hence needing to get veteran animators out of retirment to work on the game.
>>
>>150879512
Probably not. The cult following of Samurai Pizza Cats really romanticized the concept of "making a dub without a script" —even though it's not true—to the point that people want to assume any dub that obviously takes a lot of liberties happened because there was no Japanese script.

Lupin III pt. 2, Ultimate Muscle, Digimon, Fighting Foodons, Flint the Time Detective, MonColle Knights, and any number of other dubs with very "Americanized" humor were all provided with translated scripts. They simply took liberties because they could, and felt it resulted in a more entertaining product—while that's taboo in modern dubbing studios, 20+ years ago, it was fairly common. The concept of a weeb getting angry because the dialogue wasn't a 1:1 translation simply did not exist.

There were even cases like Ghost Stories where the Japanese studio specifically told the localizers they could do anything they wanted with it. And we all know how that ended, obviously.
>>
>>150879512
>>150879734
>>150879537
Not /co/
Fuck off
>>
>>150879124
So Voltron is /a/ too?
>>
>>150879751
how did you end up like this?
>>
>>150879768
The original series but not Third Dimension, Force, Legendary Defender, the comics, etc
>>
>>150879734
>The concept of a weeb getting angry because the dialogue wasn't a 1:1 translation simply did not exist.
arguably, making huge changes to the humor and vibe of the script was more common than not. Dubs like DBZ and Sailor Moon were all about taking liberties and Americanizing the humor and pop culture references.

Speed Racer is a strong exception to the rule, though—the script was fairly straightforward and only rarely interjected westernized phrases when the original Japanese simply would not have made sense to American viewers. This is why the dialogue in Speed Racer is so weird and stilted and repetitive, but it also became the show's hallmark and many find it endearing.

>>150879768
>>150879785
Just ignore, please. The simple fact is that we can't have these threads on /a/ because they'd sperg out about them even harder than /co/, if you can believe that.
>>
>>150879832
>Just ignore, please. The simple fact is that we can't have these threads on /a/ because they'd sperg out about them even harder than /co/
Not our problem
Fuck off to /a/ you parasitic infection
>>>/a/
>>
>>150877560
>dubfaggot discovers he didn't get the real anime experience after watch the sub
Many such cases
>>
>>150879832
>The simple fact is that we can't have these threads on /a/ because they'd sperg out about them even harder than /co/
I don't think so. They are just used to talk shit about anything like /v/ while /co/ is just salty af.
>>
>>150879916

No, /a/'s janitors/mods/whatever are usually alot more on the ball than /v/ or /co/.
>>
>>150879935
I wasn't talking about mods
>>
>>150879916
>>150879935
Think morons
Why the fuck should /co/ be the designated refugee board?
Why is there a lack of basic standards?
This "honorary /co/" mentality is poison to the board
>>
>>150878630
>Samurai Pizza Cats
The real name of the series is Cat Ninja Legend Teyandee. I swear you dubfags have nostalgia Stockholm syndrome. No one wants to remember your cancerous localized Americanized shitty dubs from 90s. I'd rather watch /a/ media in Japanese anyways.

Also go back to >>>/a/
>>
>>150877560
Weren't they supposed to get a new video game?
>>
>>150877560
Lol Did you really think you were getting a high quality product watching a bastardized censored version with the Saban dub? What a faggot you are, OP. Even /a/ anons hate those dubs because they don't respect the source material. Burgers really got the shitty end of the anime dub stick. Only good dubs respect the source material & don't localize nor censor shit. Even back in middle school, all the cool kids watched the subs with the original Japanese dialog & music score.
>>
>>150880085

Yeah, early next year we're getting a more in depth look and release date.
>>
>>150879959
I don't care. Just report it and apply for a mod.
>>
>>150880085
>>150880121
>>>/v/
>>
>>150880132
You realize you're bumping the thread, right?
>>
>>150880163
Not that guy but you know what sage is right?
>>
>>150880204

Yeah, its pretty pointless.
>>
>>150880233
Shut up Boco
>>
>>150879832
Yeah, /a/ would ree about Osomatsu-kun and other gag anime pre-2000s trying to get threads. It didn't help you had some loli and shotaposters crapping them up, but some fujoshi and modern moebros hate anything before this period and will sage or scream about old cel slop being on their good board.
>>
>>150879785
He's that guy from the Toonami threads that'd yell for jannies. Typing style and everything is familiar.
>>
>>150880426
Not
Our
Problem
>>
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>>150880453
If he really wanted to, he could easily down this thread out by participating in other ones. Ones like these aren't long for this world to begin with, so I dunno why he's losing his shit.
>>
>Zero arguments for why this belongs here aside from "It's /co/ because I feel like it and /a/ is SOOOOO mean"
Pussy
>>
>>150880606
It's Western writing on a Japanese animated show. It's not a dub because they didn't simply translate or adapt an existing script, it's entirely Western in terms of writing. It's walking a weird line.
>>
>>150880606
>>150880553
Shouldn't you be studying for your exams?
>>
>>150880693
And Japanese Transformers Prime still isn't /a/ no matter how much they change the script
>>
>>150880606
Ain't nobody gotta put effort into arguing with you, man. You're not the ambassador of /co/. Report the thread and go about your business. This isn't healthy, anon.
>>
>>150880748
>ZA WARUDO
>REEEEEEEEEEEEEEEEEEEE
>>
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>>150878607
It's a longshot but it may just be the Dragon Warrior/Quest anime that Saban dubbed back then and you got mixed up.
>>
>>150881866

Actually, they did dub the original Dragon Ball, but it got cancelled after in less than a year. I actually remember seeing the episode where Goku first turns into Oozaru one early Saturday morning.
>>
Best girl.
>>
You assholes are no better than Famicom
>>
>>150882224
Tatsunoko > TMS, and Famicom can die mad about it
>>
>>150882554
/a/ is /a/
>>
Samurai Pizza Cats might be more /m/, shouldn't it? It's got mecha.
There's actually a Tatsunoko thread you can divert this too before Spergy Mcspergpants yells more, looks comfy and natural for this.
>>
>>150881866
No, it was Dragon Ball. I just can't remember if he was called Zero or Goku in the version I remember watching. I remember a pig wishing for underpants and a transforming cat that cut off a giant monkey's tail. That sort of shit stays with you.
>>
>>150879832
>if you can believe that
I can, just because the very reason anime and manga are classified as their own thing, rather than another cartoon and comic, is because the original animefags aka weaboos have a physical need to smell their own farts.
>>
>>150882998
They should learn to not give a shit like the French and talk about Tintin alongside Le College Fou Fou Fou
>>
>>150879734
>They simply took liberties because they could, and felt it resulted in a more entertaining product
Back in those days it was also harder to get your hands on a subtitled version, if possible at all. It wasn't until the dawn of the internet and the raise of fansubbers that the "standards" raised.
>>
>>150883062
It was also harder to get totally accurate info about Japanese originals at times, so you'd see all kinds of entertaining misinfo on Usenet or fanzines.
Saint Seiya and Gatchaman had a lot thanks to a Mrs. Pat Munson-Siter, but she really helped the 80s sci fi scene and basic knowledge of stuff like that so her guides had some use then.
>>
>>150877560
The way I see it, Samurai Pizza Cats is like Power Rangers only with animation and no need for original footage, just voicelines.
>>
>>150877560
Aint there a samurai pizza cata videogame coming in 2026? Kino
>>
>>150883115
Also a graphic novel by Mad Cave. If this thread dies, you can head over to a /m/ one that probably would benefit from kino SPC memes.
>>
>>150883094
Funny enough, Latin America has a history of producing more accurate dubs (with a few exceptions in specific areas, such as character names).
Anime was also widely imported there, as it was cheaper to acquire and broadcast in bulk. By the 70s and 80s, the average Latin American kid had seen significantly more anime than their North American counterpart.
That’s also why the anime boom in Latin America started much earlier, and by today, it has already gone through three distinct waves.
>>
>>150883221
Latin America also got a lot of toku, especially Brazil.
>>
>>150883230
Indeed, though it was still niche enough that the American Toku (i.e. PR and other Saban productions) easily took over in the 90s and to this day finding dubbed Modern Toku is as rare as it can get.
>>
>>150879061
>>150879124
You should seriously kill yourself. Like now.
>>
>>150882758
It's a localized Americanized version of an /a/ media. The creator of the series is literally 2 Japanese guys. It belongs in /a/.
>>
>>150880693
>muh western writing
Not an argument. Also fuck localizers.
>>
>>150883230
Did Latin America dubs started copying after the shitty 4kids dub cause some moralfag journo showed manga wasn't for children?
>>
>>150883221
You guys used to be make based dubs until I saw your version of Kinnikuman Nesei. Literally copied right after the cancerous 4kids English dub including using the generic 4kids music score & OP. Absolute bruh moment.
>>
>>150883599
that was like 20 years ago.
>>
>>150879124
>More fucking dub apologia

This is the reason we know been having Funi and Crunchy raping anime dubs and now even subs as well
>>
>>150883111
>Samurai Pizza Cats = localized censored Ninja Legend Teyandee
>Power Rangers = localized censored Super Sentai
They're both based off Japanese media. Power Rangers is a hybrid because they used American actors while voicing over fight scenes that were filmed in Japan.
>>
>>150883560
>>150883599
I believe that had less to do with moralfags using anime as a scapegoat (to explain why delinquent youths existed, rather than acknowledging poor upbringing or broken households) and more to do with company demands, particularly from the Japanese side.
Now, even though some 4Kids dubs are beyond saving, some Latin American versions are pure kino, Yu-Gi-Oh! being a prime example. It all comes down to voice acting and delivery.
>>
>>150883679
Thanks for elaborating on my point?
>>
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>>150883637
NEVER TRUST LOCALIZERS
TOTAL LOCALIZER DEATH
>>
>>150879832
>>The concept of a weeb getting angry because the dialogue wasn't a 1:1 translation simply did not exist.
>arguably, making huge changes to the humor and vibe of the script was more common than not. Dubs like DBZ and Sailor Moon were all about taking liberties and Americanizing the humor and pop culture references.
>Speed Racer is a strong exception to the rule, though—the script was fairly straightforward and only rarely interjected westernized phrases when the original Japanese simply would not have made sense to American viewers. This is why the dialogue in Speed Racer is so weird and stilted and repetitive, but it also became the show's hallmark and many find it endearing.


That and it was dubbed by the New Yorkers of Titan/Titra productions who gave every single asian movie they dub semi-racist accents and because they were trying to stick to the poorly animated lip flaps from the original animation, didnt help that for many years the onlya vailable masters were PAL-speed up.
>>
>>150883737
Localization is not the issue.
Social Justice and moral entitlement is.
>>
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>>150883560
>>150883684
This was mostly cause Lolita de la Vega and her propagandistic special when Pokemon and DBZ were at their peek of popularity, oh, and to distract attention from the pedophilic scandals of the mexican church.

Same old song.
>>
>>150883684
This is why it's best to just go right to the source, & skip the middle man if you want a good.
>>
>>150883782
It IS the issue. You can't even them for the subs either because they will change the dialog to fit whatever personal agenda they have. We don't want our foreign media localized. We want direct Japanese to English translation without any middling from SJWs & leftists, & people with personal agenda. Otherwise we will go to someone else.
>>
>>150883850
*can't even trust them
>>
>>150883797
Don't forget Saint Seiya.
Based Mexican dub even joked on the matter:
https://youtu.be/A5pEtNGtX88?si=hHPHyiQQMF77TTYu
>>
>>150883850
Read what I said again, please.
>>
>>150883560
Companies like 4kids and Saban would mandate other countries to use their localizations due to the licensing deals they'd strike. So even if you had uncut anime before, if they licensed the same thing later, you'd now have to have the censored dubs.
Also the case with companies like Sandy Frank or World Events.
>>
>>150883499
Fuck off parasite
>>
>>150882554
During the 1960s and 1970s when it was A Production Vs Tatsunoko, yes, because stuff like Panda Go Panda and Gamba no Bouken were the exception, not the norm as the norm with A-Pro was stuff like Shin Obake no Q-Taro and Jungle Kurobe, even TMS' red jacket Lupin III over shadowed A-Pro's green jacket Lupin III; Tatsunoko on the other hand had hit after hit with Yatterman, Hutch the Honey Bee and Gatchaman

For the 1960s A Pro was forgettable, the only things out of them that people remember from A-Pro were Moomin'69 for how fuck up it was to the point that they got fired from it and the 1969 Lupin III pilot, as for Tatsunoko people still talk about Speed Racer but not Space Ace, because the Don Bluth laserdisc game over shadowed it.

The 80s on the other hand were two different animals, A-Pro became Shin Ei Doga and became Fujiko F. Fujio's bitch until his death as Crayon Shin-Chan was the only non-Fujiko Pro anime they did until his death and TMS replaced A-Pro with Telecom and outside of their Proto-Ghibli phase between 1978 to 1982 their golden years led by Toshihiko Masuda and Kenji Hachizaki between 1983 (Inspector Gadget) to 2000 (Return of The Joker) were the gold standard of non-feature animation (they also did a third of TMS' Akira and most of Little Nemo as well) that still hasn't been touched to this very day; while Tatsunoko after The Littler Bits became a mecha studio with Macross and a bunch of other unrelated mecha shows that Harmony Gold packaged as *shudders*Robotech*shudders* that lead to the bombing of Zillion which did so bad that the team behind Zillion got laid off and ended up finding their own studio called Production I.G.

The 90s, no contest, Telecom, only note worthy thing Tatsunoko did was Samurai Pizza Cats, a show that the dub is much better then the original, a bunch of 90s Tatsunoko staff who did Taming of The Screwy and Robotnik's Pyramid Scheme for Telecom ended up finding Actus in 1998 but that was it.

Part 1.
>>
>>150877560
i;m surprised the pizza wasn't a dub localization, it was the real deal
>>
Off topic thread
OP is a fag
>>
>>150884365
Elaborate.
1500 words or more.
>>
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>>150879061
>>150879124
>>
>>150884251
Part 2.

By the 2000s Tatsunoko barely existed and only exists as a rights management company with the odd anime production every now of then (see 2008's Yatterman series) to this day, Telecom on the other hand started out doing bumpers for Cartoon Network Japan, some contract work for Disney Japan's The Tigger Movie and Return of The Joker buy after 2002's Secret of Cerulean Sand bombing most of their staff got laid off and abandoned the animation industry during production of Sonic X and Uninhabited Planet Survive! (the later being their main focus at the time), causing Moi Animation in South Korea to finish the unfinished work while Madhouse (with their ties with NHK who aired Uninhabited Planet Survive!) took over production of Uninhabited Planet Survive! with South Korean Dr. Movie.

Some like Toshihiko Masuda and Kenji Hachizaki went freelanced, others while technically freelance mostly became reserved on 1 thing, Takashi Kawaguchi became mostly reserved on Detective Conan movies for TMS while Hiroyuki Aoyama mostly became Mamoru Hosoda's bitch as the only non-Hosoda projects he did after getting laid off from Telecom were Bones' Space Dandy (who he was stationed at Telecom for), Ghibli's The Wind Rises and Madhouse's One Punch Man as they did the first season.

Shojiro Nishimi went to Studio 4C which he is still employed at while Atsuko Tanaka went to Studio Ghibli until they closed down their original animation department in 2014, causing her to go freelance (she also did freelance work for Telecom between 2003-2014 as well such as for Green Lantern First Flight).

2010s is when it all felled apart for Telecom as they never recovered from it, but in short; Aikatsu (Telecom did most of season 1 and the first movie for Sunrise) > PriPara.
>>
>>150884642
Only a retard would think this belongs on /co/
>>
>>150884422
This thread is about anime
Not western animation or comics
>>
>>150880693
>Japanese footage
>American writing
Is MXC (not Takeshi's Castle, MXC specifically) a Western or Japanese TV show?
>>
>>150884251
>>150884667
Have you change your loli waifu then, huh famicunt?
>>
>>150884868
Only 1490 words to go.
>>
>>150884667
Part 3.

2020 was even worse, Wellesley Wild illegally stole Animaniacs away from Telecom while their contract was still good and forced them to do Tower of God's first season and Shenmue: The Animation against their will and by that point everyone who was still at Telecom retired out of shame of not getting their baby back when they needed it the most, people who were supposed to do Animaniacs'2020 ended up either doing the forementioned Tower of God and Shenmue: The Animation (Toshihiko Masuda, Hiroaki Nogichi, Hisao Yokobori, Kazuhide Tomonaga and Yoshinobu Michihata), left for other studios (Teiichi Takiguchi, who left Telecom for ufotable) or rejected them in favor of TMS' Megalobox's second season (Takashi Kawaguchi) or didn't take anything TMS was offering (Atsuko Tanaka).

As a result Telecom only did shoddy knock offs of other studios works because the studio just given up on life(mostly Pierrot (see the forementioned Tower of God and Shenmue: The Animation, Four Knights), but they also did shoddy Xebec (Nagatoro) Studio 4C (Rick and Morty: The Anime), Studio Deen (Astro Note) and Production IG (Blue Box) knock offs as well).

Those who went freelance such as Toshihiko Masuda however were much better as they created the blue dog segments for E&H Production's Bullet/Bullet which is a through back to what Telecom did in their golden age and was even funded by Disney through Sora in Smash money as well.
>>
>>150885084
Part 4.

Yoshiteru Tsujino who was the head character designer of Bullet/Bullet use to work for Telecom back in the 1980s but was laid off in 1988 because Akira bombed at the box office and he went to Red Corp to design Hudson's Tengai Makyou, once Konami absorbed Hudson Konami didn't feel that then needed Red or Tsujino anymore so he left Red to go freelance and Bullet/Bullet was one of those projects, but since Tsujino left Telecom in 1988 and E&H wanted 90s Telecom he got Toshihiko Masuda and every other Ex-Telecom staffer he could find that hasn't retired yet to handle those segments, those segments turned out to be the best part of Bullet/Bullet because otherwise the rest of the show is forgettable at best.

As for Tatsunoko, they ended up doing the same otaku slop as everyone else; Even Nippon Animation had to move from kids/family anime to otaku anime just to keep their lights on (baring Chibi Maruko-Chan which they're still doing to this day), hence why The Answer Studio (who NHK only got because of their work on Tower of God's 2nd and 3rd seasons as Telecom wanted too much money and longer schedules for season 2, they were never asked for season 3) did the Anne Sherly remake instead of Nippon Animation) thats how bad it is in Japan.

So in short; if you're talking about pre-1977 TMS then yes, Tatsunoko is better but post-1977 TMS, TMS is better.
>>
>>150885084
>>150885097
>>150884667
>>150884251
Not /co/
Fuck off faggot
>>
>>150878008

Mistranslation, they were ordering sushi or something.
>>
>>150885146
Inspector Gadget, Little Nemo, Tiny Toon Adventures, Batman:TAS, Animaniacs and The Adventures of Sonic The Hedgehog are /co/.
>>
>>150882808

He was called Zero and bulma was called lina, you can find it on archive.
>>
>>150884973
Show of hands, now!
>>
>>150885353
>everyone raises their hand and cheers
Well you're wrong!
>>
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>>150884848
It belongs on /co/ because this is where you will find the audience for it. If this didn't matter, then there would be no reason to have specific boards, everything would just be on /b/ or /trash/
>Verification is not required.
>>
>>150883599
Mexican here. The 4kids dub is amazing, what the fuck is wrong with you?
>>
>>150885617
Cat Ninja Legend Teyandee was created in Japan by 2 Japanese guys. It is /a/ media, not /co/. Your shitty dub doesn't count. Fuck off with your fake & gay gaslighting psyops.
>>
>>150885791
4kids dubs are utterly garbage, dubfaggot
>>
>>150885812
It's not about prefering one or the other, it's about giving credit where it's due, you stupid cocksucker.
>>
>>150885812
Kirby says hi.
>>
>>150885812

It kinda worked for Ultimate Muscle.
>>
>>150885863
>muh credit
Credit belongs to Japan, you out of touch dubfag
>>
>>150885617
>belongs on /co/ because this is where you will find the audience
/a/ is /a/
Fuck off
>>
>>150886045
Lol nope. 4kids censored & localized the hell out of Kinnikuman Nesei. You even missed out on nice fan service of the girls in that series. You also missed out on a great OST. You were robbed.
>>
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>>150886052
You're not gonna get an Asian gf.
>>
>>150885617
>there would be no reason to have specific boards
This is an anime moron
>>
>>150886127
No u
>>
>>150886155
This thread has been up for half the day now. If the mods wanted it gone, it would have be deleted long ago.

Samurai Pizza Cats is /co/. Cope, mald and seethe.
>>
>>150885617
>. If this didn't matter, then there would be no reason to have specific boards, everything would just be on /b/ or /trash/
So why doesn't this go to /a/?
>>
>>150886319
>Samurai Pizza Cats is /co/
But it's clearly an anime
And besides previous Samurai Pizza Cats threads get rightfully deleted
>>
>>150885617
>because this is where you will find the audience for it.
So political tweets are /co/ because /co/ can't shut up about politics then
>>
>>150879983
Neko Ninden Teyandee
>>
>>150886319
>>150885617
Do you WANT to give Famicom and Birchy an argument to spam off topic threads?
>>
Oh look at all this on-topic discussion
Oh wait, NONE of this is talking about western comics or cartoons
>>
>>150878760
Fuckin Yonro...
>>
>>150886436
More like FUCK OFF TO >>>/a/
>>
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>>150886321
Because the audience isn't there.

>>150886350
At the very least, StoneToss threads should not get deleted.
>>
>>150886432
What makes Russian cartoons "western"?
>>
>>150886510
https://en.wikipedia.org/wiki/Western_world
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>>150886482
Doesn't matter
Anime belongs on /a/
>>
>>150886407
Don't forget Shosho, the white guy who speaks hood.
>>
>>150885800
They're Japanese but robots so it's /m/, broski.
>>
>>150879124
We’ve been over this. Robotech is /co/, Macross is /a/.
>>
>>150886856
>Robotech is /co/,
Robotech comics sure
Robotech the show no
Anon was right, Japanese dubs of Western Transformers cartoons that change a lot of things are still not /a/
>>
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yes, OP, this is in fact /a/. mods haven't deleted it because mods are fags, not because they agree with you
>>150886782
picrel
whats up doc
>>150886407
pushing aside that famicoms schizophrenia has gone unchecked birchys not even on this board anymore
i talked about it on desu but that guy i think got Phil Tippet'd
>>
Really wish a true mod would pronounce himself and set the matter straight so either party finally shuts the fuck up.
>>
actually fuck phil tippett might be a bad example hes not /co/
>>
>>150887046
Honestly it's kind of a coin toss but most Samurai Pizza Cats threads do get deleted



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