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File: 1420592290265.jpg (427 KB, 1000x996)
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Band music edition
https://youtu.be/LiwaPnNb_oQ

>How do I get into classical?
This link has resources including audio courses, textbooks and selections of recordings to help you start to understand and appreciate classical music:
https://pastebin.com/NBEp2VFh

Previous: >>121551276
>>
Not music
>>
>>121572866
>lust-provoking image
lifeforce vampire
>>
how do people rate mahler among symphonists? like is he considered one of the very best ever? i'm pretty uninformed but his symphonies seem to continually engage like few other composers
>>
>>121572866
thank you tranime sister
>>
>>121572907
top-tier

among the regulars in this general? top-top-tier
>>
>>121572929
well who would be widely considered to outrank him besides beethoven?
>>
Is this classical and where can I find more like it?
https://www.youtube.com/watch?v=EOWc6muojm4
>>
>>121573002
No one. That was just my way of saying no one dislikes him here.
>>
>>121573011
not sure what this has to do with /classical/, maybe try >>>/mu/ instead?
>>
>>121573001
>i don’t know, have you actually heard any of them? they don’t even exist in the same universe

Beethoven's late string quartets >> Brahms' sq's > Beethoven's other sq's

just imo
>>
>>121573038
it’s ok, not all of us can have correct opinions.
>>
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>can't write a truly original melody that isn't meandering except when he adopts orientalism
>leaves in every idea he comes up with as if to pad the movement in his long journey back to the home key
>endless sequences
>can't write a good coda to save his life
>basically just synthesizes Schubert with Wagner
why is this guy so hailed as a master?
>>
>>121573087
comically stupid
>>
Giving Celibidache's Bruckner 7 a try after seeing another anon recommend his Bruckner a few days ago. Have only heard Jochum's otherwise.
>>
>>121573002
Mozart
>>
>>121573093
incredibly foul
>>
>>121573091
properly pestilent
>>
Bach and before
>>
>>121573113
You can't only just listen to the great stuff, sometimes you gotta listen to the bad too in order to know how the two are distinguished. Not to say that it will be bad, but you get my point.
>>
>>121573091
>>121573113
>>121573122
your presence in these threads is always offputting and no one finds it humorous
>>
>>121573122
totally retarded
>>121573139
it will be bad.
>>
>>121573087
because he just is okay?
>>
>>121573124
utterly pathetic
>>121573150
massive crybaby
>>
>>121573156
mosquito membrane
>>
Ives and after.
>>
>>121572866
why are her yes so big?
no socks in school why?
who ears that kind of uniform? is she from a rich elite school?
why is her face so devoided of expressions?
>>
>>121573023
It's got violins and orchestras n shiet.
The algorithm heard my call:
https://www.youtube.com/watch?v=LULjLi_jiFY
>>
>>121573177
nonsense as always
>>121573137
>>121573182
thank you RYMsister
>>121573184
not sure what this has to do with /classical/, maybe try >>>/a/ instead, tranime sister?
>>121573189
not sure what this has to do with /classical/, maybe try >>>/mu/ instead?
>>
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>>121573156
>it will be bad.

btw, if you or whoever know and can answer, which of these two Jochum sets is better?
>>
>>121573247
probably dresden, but both are good
>>
>>121573269
Thanks.
>>
>>121572907
His music is easy to get into, but also easy to grow out of.
>>
>>121573173
just stating a fact. go eat some acid and radically change your personality, your presence is very tiresome in what could be one of the few decent generals on this board
>>
>>121573370
brainfried druggie
>>
>>121573370
He adds character and is often helpful. Just consider his insults (compulsive) banter and don't take them to heart.
>>
>>121573406
please leave the pillhead alone, he only hurts himself in his intoxicated rage.
>>
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now playing

>>121573414
lmao

acid doesn't come in a pill!
>>
>>121573422
Astoundingly fetid
>>
>>121573447
What, the Slavonic Dances themselves or the recording? Or, noting the capital A, are you just saying that in jest?
>>
feet
>>
>>121573585
thank you pornbrained coomer
>>
>>121573585
Listen to Holst's band suites and imagine Kumiko playing the euphonium solo barefoot.
>>
>>121573422
This would be great to listen to while driving or out on a walk or hanging out with friends playing in the background, but to actually listen to directly it's kinda boring. I know, I know, >Dances so I should have expected it. Gonna listen to Karajan's Schumann 4 instead. I'll finish up the rest, aka op. 72, next time I leave the house.
>>
>>121573642
thank you pornbrained tranime sister
>>
>>121572866
>“Mozart’s music and Mozart’s orchestra are a perfect match. An equally perfect balance exists between Palestrina’s choir and Palestrina’s counterpoint, and I find a similar correspondence between Chopin’s piano and some of his etudes and preludes. I don’t care for the lady's Chopin, however. There is too much of the Parisian salon in that; but he has given us many things that are above the salon.”
>>
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Is Fidelio even worth watching?
>>
>>121573768
thank you wagnersister
>>
>>121572907
Mahler is alright but he lacked the hallmark of a truly great composer: having a natural skill for advanced counterpoint.

The finale of his fifth symphony is commendable however you can tell that unlike some of his contemporaries like Reger and Sibelius, contrapuntal thinking did not come naturally to him, and he had to struggle at it.
>>
How's the Bernstein Sibelius 5 & 7? Also looking into the Sakari 6 & 7.
>>
>>121573937
bernstein manages the impressive feat of sucking more cock than sibelius
>>
>>121573945
Yes, the Sibelius 2 was awful. But I wanna try at least one more symphony before writing off his entirely, and another anon rec'd the 7th.
>>
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>>121573937
>>121573945
>>121573960
4, 6, and 7 are the best. I don't give a shit about the others.
>>
>>121573991
Dope, thanks. Any specific recording?
>>
>>121574012
try this one for starters:

https://www.youtube.com/watch?v=RW4jqGL3BAk
>>
>>121574051
Thanks anon. I also added Blomstedt's Complete Symphonies with the SF Symphony. I'll listen once this 7th completes.
>>
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>>121574051
in my opinion Sibelius' 4th symphony is one of the greatest symphonies ever written. The opening four notes hits you like cold mist (as it should. Its mode is aeolian and the vector m2s3t2 of those first four tones is saturated by the characteristically hazy whole tone).
>>
>>121574148
nonsensical pseudotheoretical bullshit
>>
>>121573382
>>121573414
hey i'm not doing it. but when you become so pathological, that's the kind of length one must go in rejiggering
>>
>>121573912
Name one Sibelius fugotto , lol
>>
How funny, I came across two different BBC orchestras recordings that are very quiet.
This Stokowski's Bach arrangement.
https://www.youtube.com/watch?v=k5Z7rWVaYTQ
compared to
https://www.youtube.com/watch?v=3BsjF1bywuI
And this one of Suk
https://www.youtube.com/watch?v=azUPe3eP-A8
compared to
https://www.youtube.com/watch?v=-wajQfFtNkI
Is this common?
>>
>>121573201
i'm actually trashing on that pic
>>
>>121574148
>Vector m2s3t2
What? Now you're just showing off!
>>
>>121573912
well thanks for your response, and not to out-autism you, but bach IS counterpoint and renders everything else virtually meaningless by comparison. no one else came close (no one even tried) so why have the conversation?
>>
>>121574182
thank you brainfried druggie
>>121574225
not sure what this has to do with /classical/, maybe try >>>/a/ instead, tranime sister?
>>
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These Poulenc concertos are so good
>>
>>121574245
Proof this is a bot, it hasn't even properly identified the type of post it's responding to; anime never entered the picture.
>>
>>121574167
>primary colors are bullshit.

ok, retard.

>>121574186
listen to the sixth symphony. He had a great command of modal/renaissance polyphony.
>>
>>121574273
wrong post, was intended for >>121574214
>>
>>121574288
moronic faux-synesthesic schizophrenia
>>
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>>121574306
you should read Howard Hanson's textbook on intervals.

intervals are basically the textures of music. fifths are empty, tritones are dramatic, minor seconds are piercing, and so on.
>>
>>121574533
absolute contrived bullshit
>>
The 7th was whatever (maybe it was Bernstein) but this Sibelius 6 so far is bomb.
>>
>>121574613
bombed like a b-movie, maybe
>>
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>>121574547
>noooo, how dare you! don't explain how things work. I want everything to remain a mystery!

fuck you nigger.

Example of The Perfect Fifth (p):

https://www.youtube.com/watch?v=2HbBURnt9f4&t=1906

Example of The Tritone (t2):

https://www.youtube.com/watch?v=5cLh7bRY-Rk

Example of The Minor Second (d):

https://www.youtube.com/watch?v=Hj3kkdwiGdA
>>
>>121574671
complete and utter rubbish
>>
>>121574533
>>121574671
I should've spent more time learning music when I was younger. This all sounds intriguing but I don't understand a lick.
>>
>autist anon doesn't know or care for music theory in addition to not liking Brahms's string quartets
lmao
>>
>>121574739
because it’s all contrived pseudotheoretical bullshit invented by a wannabe scriabincel
>>121574744
how incredibly embarrassing
>>
>>121574228
my point still stands because a symphony in addition to suggesting scale should also be active from all points of view.
>>
one-line negative anon is clinically depressed
>>
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>>121574713
>>121574757
>squares and circles are social constructs.
>>
>>121574841
presumptuous hokey
>>121574865
nonsense as always
>>
>>121574757
Oh is that what he's been talking about? I actually am familiar with that from when I was obsessed with Scriabin years ago and read a biography about him and his whole music theory -- in which case, still intriguing but definitely whacky lol (I guess I should've gotten the clue when you said 'feux-synesthesic' before)
>>
>>121574893
it's ok if you're musically illiterate. I won't judge.
>>
>>121574932
laughably retarded
>>
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will I be converted to a HIPster sister? I do love their cantatas.
>>
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>>121574979
it's not. interval vectors have meanings in the same way that certain shapes and colors have meanings. e.g. triangles denote sharpness, ovals denote smoothness, red is passionate, etc.

the following piece uses the vector mnd: (C, C#, and E for example)

https://vocaroo.com/17v2ubdfkQnZ

to me this vector has a very eerie quality like that of the Phrygian mode.
>>
>>121575343
Anonychords
>>
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>>121575384

01234578T (677673) sounds American because it's a projection of the triad pns.
>>
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>>121574267
Yeah Poulenc is great! I love his concertos, this is my favorite recording of his two piano concerto, his organ concerto is amazing as well
>>
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>>121573087
you aren't European. you wouldn't understand.
>>
>>121572866
what are your thoughts on Hanson's symphonies?

no. 6.

https://www.youtube.com/watch?v=aNWGCGRBgA8
>>
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looks like I scared everyone off. it's funny how you snobs fuck off the moment someone with any real expertise shows up.
>>
Counterpoint fucking sucks cock
>>
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What is the most degenerate piece of music you have ever listened to? For me its Gurrelieder, whenever I listen to this particular piece I start envisioning ponies and muppet dolls trying to sexually violate me.
>>
>>121576855
https://www.youtube.com/watch?v=RlUttl1CEOw

>blocks your path.
>>
>>121577014
something by Henry Cowell probably.
>>
Debussy is one of the greats, the last two minutes of this piece are incredible

https://youtu.be/jAxAWRfhc-w?si=IPEX7kiwGELxc2BG
>>
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has anyone here checked Havergal Brian's other symphonies. no. 10. is a masterpiece.

https://www.youtube.com/watch?v=h-SodiKVMmA

It begins with a tragic dotted march motif in C-minor. this triad when subsequently repeated to outline a chromatic scale brings the music into C#-minor in which the second subject is presented. the effect of this music is like walking along cliff edges in a storm.

The closing theme with its distant modal modulation from F# Mixolydian to C Dorian feels symbolic of one's loneliness in an endless cosmos.

The symphony viewed as a whole is in fact a giant half-cadence from C-minor to G-minor, leading into the 11th symphony...
>>
>>121577014
Mahler 6 conducted by Barbirolli
>>
bump
>>
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You get used to it, though. Your brain does the translating. I don't even see the modes and vectors anymore. All I see is clouds, fields, and mountains. Hey uh, you want a drink?
>>
Holy shit!

https://youtu.be/S-r73OeVXs0?si=BKKHpCt-pWUwn3F1
>>
>>121578604
https://www.youtube.com/watch?v=2KHvgLKAiIY
>>
https://www.youtube.com/watch?v=qI875LK7QZw
>>
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https://vocaroo.com/1jTTMuUXg6S5

what springs to mind when you here this?
>>
https://vocaroo.com/1gVPcXksggaG

what about this one?
>>
>>121578937
*hear*
>>
>>121573768
Perfect observation as always from Wagner.
>>
>>121575343
>>121575419
>>121576473
actual contrived gibberish, please keep wasting your time believing this
>>121577638
>>121578351
>>121578937
>>121578999
>>121579057
hilariously pathetic and lonely
>>
>>121572866
https://www.youtube.com/watch?v=kOXMym9VMBM
>>
>>121579174
thank you wagnersister
>>
>>121579175
music theory is descriptive and your dismissal of it makes you look like an idiot.
>>
>>121579207
thank you pathetic loner
>>
>>121574225
Can someone explain this?
>>
>>121579244
the delusional ramblings of an isolated mind
>>121579246
thank you pathetic loner
>>
>>121574979
Negative claims about you are NEVER retarded. You are a complete psycho. You have earned 0 credibility, so it wouldn't be surprising if you were a rapist who hates classical music.
>>
>>121579292
thank you pathetic loner
>>
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>>121579244
gladly. There are six intervals in music:

p (perfect fifths and perfect fourths)
m (major thirds)
n (minor thirds)
s (major seconds)
d (minor seconds)
t2 (tritones, they have a double valence)

Howard Hanson devised a method of writing down the interval content for any given group of tones. for an example we will look at the group C, D, E, and F.

This group of tones contains one P, one M, one N, two Ss, and one d. We can therefore write down its interval content or vector as pmns2d.
>>
>>121579303
thank you pathetic loner
>>
>>121579303
in addition to this analysis, the group C, D, E, and F has four melodic modes:

on C = Mixolydian
on D = Aeolian
on E = Phrygian
on F = Ionian
>>
>>121579344
thank you pathetic loner
>>
>>121577083
Reger is the worst tho
>>
>>121572907
He's second rate. Behind Haydn, Mozart, Beethoven, Schubert, Bruckner, etc.
>>
>>121579353
chromatic sludge is an acquired taste.
>>
>>121579360
laughably incorrect
>>
>>121579384
thank you pathetic loner
>>
>>121578937
Debussy

>>121578999
Schoenberg
>>
>>121579367
I love Schoenberg though. Reger is like classical vaporwave
>>
>>121579392
nonsensical reaching
>>121579413
not sure what this has to do with /classical/, maybe try >>>/mu/ instead?
>>
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>>121579392
the first example was Dorian in the vector p2s2. it's a sonority not typically found outside of impressionist and pastoral music.

the second example is dominated by minor seconds and tritones. it's a sonority commonly found in early 12-tone/expressionist pieces.
>>
>>121579500
thank you pathetic loner
>>
>>121579506
you contribute nothing to this thread.
>>
>>121579513
neither do you pathetic loner
>>
>>121579520
fuck off and kill yourself.
>>
>>121579530
thank you pathetic loner
>>
https://www.youtube.com/watch?v=VdUeKYf438g
>>
https://www.youtube.com/watch?v=8QwyLjN41mU
>>
bump
>>
>>121572866
My favourite western composer is maynard james keenan.

https://youtu.be/cjXSZyn3ssI?si=vnF-c-QZTsMmh4Wf

https://youtu.be/cjXSZyn3ssI?si=vnF-c-QZTsMmh4Wf
>>
>>121580043
not sure what this has to do with /classical/, maybe try >>>/mu/ instead?
>>
>>121579500
Yeah I knew that already, thanks professor
>>
>>121580043
Piss off!
>>
>>121580447
humorously miserable
>>
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on the topic of you guys arguing about Brahms' string ensemble works last night, this might be my new favorite recording of them, at least taken altogether overall

>>121575516
I'll check that one out. I listened to the piano concerto and piano concerto for 2 hands and both were great, gonna listen to the organ concerto later.
>>
>>121580512
it is a wonder with such divine masterpieces as the string quintets, the piano quintet, and above all, the clarinet quintet, that anyone even bothers to listen to his meager efforts at succeeding beethoven’s quartets.
>>
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>>121575516
o didn't notice it came with the Shostakovich piano concerto no 1, I love that too.
>>
>>121580542
Yes, I agree the string quartets are the weakest of those bunch, and probably are 'only' good-to-great, certainly not masterpieces. Hell, the piano quartets are better! But I still enjoy listening to them from time to time.
>>
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>>121580447
I've been playing around with the vector p5m6n6s4d5t4 lately.

https://vocaroo.com/1lwK5fu6jK86

I haven't noticed it much outside of Strauss' tone poems.
>>
>>121580575
hence the worst set of quartets from any major composer (save shostakovich who doesn’t even deserve to be a major composer). hardly a controversial statement.
>>121580578
thank you pathetic loner.
>>
>121580595

>(you)
>>
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>>121580512
Why do people regard Brahms as a difficult composer?
>>
>>121580595
I wasn't one of the ones arguing with you on it :) I did, however, think you were referring to all of the string ensemble works at first, so was a bit baffled until I read the back-and-forth lol. You got a favorite complete recording of them? I'm listening to the clarinet quintet rn actually and, again, the one on this Amadeus release is perfect.
>>
>>121580608
thank you pathetic loner
>>121580621
wagnerianism is a chronic disease
>>
>>121580578
Nobody is going to adopt this obscure system, just use set theory.
>>
>>121580631
>You got a favorite complete recording of them?
you already posted it.
>>
>>121580621
Brahms couldn't help himself from using asymmetric phrases and other complicated rhythmic techniques.
>>
>>121580640
let the pathetic loner wallow in his own self-imposed misery, he has nothing else going for him.
>>
>>121580641
Ayy, seems my taste is developing nicely.
>>
>>121580640
Hanson invented set theory. show some fucking respect.
>>
>>121580647
>>121580661
thank you pathetic loner
>>
>>121580649
ywnbaw, tranny.
>>
>>121580708
thank you pathetic loner
>>
>>121580512
At the risk of sounding stupid and uncultured, can someone tell me what the hell this album cover is supposed to be? Steps up to the concert hall?
>>
>>121580661
Typically we use 0-6 and t and e these days
>>
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>>121580782
some nonsense that some piss label marketing intern came up with, much like pic related
>>
>>121580784
the pathetic loner wouldn’t know what standard practice is; he doesn’t interact with other people, after all.
>>
>>121580575
>Hell, the piano quartets are better

What's that supposed to mean? Brahms piano quartets are top-notch chamber music.
>>
>>121580794
kek

I guess I understand the whole 'art reaching the end of reality, dissolving space and time' vibe but that doesn't apply to that work or Tchaikovsky at all lol
>>
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>>121580784
the older method just looks better. In an ideal world we would all write in shorthand, but it looks like shit.
>>
>>121580826
Just an intensifier to illustrate that the string quartets are truly at the bottom of the list (actually I need to listen to the sextets more); I adore the piano quartets.
>>
>>121580815
tie your neck to a fan, tranny.
>>
>>121580835
delusional nonsense
>>121580847
thank you pathetic loner
>>
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you merely adopted standard practice. I was born into it. molded by it.
>>
>>121580900
thank you delusional pathetic loner
>>
/classical/ is fast now
what happened
>>
>>121581509
pathetic loner started shitting up the thread with his delusional garbage
>>
>>121580784
0-9* typo
>>
>>121581509
parsnip plumber
>>
>>121579303
The perfect fourth is also a tritone
>>
>>121582225
literal lunacy
>>
>>121574273
op pic i was trashing.
>>
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Let's start the day with... Karajan's Tchaikovsky 4
>>
>karajan conducting russian composers
yikes
>>
>>121582922
His Pathetique for EMI is extraordinary, and so are his recordings of Prokofiev 5 and Shostakovich 10 for DG. Basically, you're just full of shit.
>>
>>121582922
You guys will eventually drive me insane to the point of no longer being able to comfortably enjoy classical music, I swear. "Am I wasting my time listening to this recording instead of another? Is this actually bad?" through my head all damn day.
>>
>>121580512
Is this collection further proof string ensembles were better in the 50s and 60s?
>>
>>121582986
Do you know where you are??
>>
>>121583075
lol fair

The difference is, compared to say /lit/ and literature and philosophy, I never studied music and only seriously got into listening to classical music until somewhat recently, so I assume, comparatively in this general, I know pretty much nothing and anyone with a strong opinion must be right. Recording X is shit and Y is good? X gets deleted and Y added to the library. Unless I have a strong opinion myself but there are only a handful of recordings and musicians and conductors that I do.
>>
>>121583115
This place is contrarian central. This is where people who get btfo'd on serious music forums spout their asinine bullshit. They'll post over and over that Sibelius is the worst composer in the world and they think it makes them sound smart. Don't let anyone tell you what to enjoy in music for G-d's sake!
>>
>>121583177
>sibelius
the worst composer in the world
>>
>>121583177
Good point, you're right. On the last part though, I will say that the reason I care and take other's opinions to heart isn't to be cool or fit in, but rather time is the most precious resource one has these days, so I'm just trying to best make use of my time by only listening to the best recordings, y'know? But yeah, maybe I should keep a second tab up to lurk on TC or something.
>>
>>121583177
>>121583231
Oh, and of course, beyond time maximization, to experience great art in its best form through the best means, aka a good recording. Cultivating taste. And to do that I gotta take input from others.
>>
>>121583190
That 2nd symphony truly was bad. The 6th and his string quartet are good though and his violin concerto is da bomb.
>>
>>121583270
all garbage
>>
>>121583270
>Sibelius 6

My fav too
>>
>>121583294
What do you think of the Amadeus SQ recording for Beethoven's cycle?

>>121583353
Yeah, it's the kind of symphony I like. More grounded, robust melodies and not so drawn-out 'soundscapes.' There's certainly a better way of wording that but I'm sure you know what I'm getting at.
>>
>>121583270
His string quartet is devoid of anything original. The 6th is nice though.
>>
>>121583413
True. It was a nice listen is all, but you're right, wouldn't put it on a list of recommended or top string quartets.
>>
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now playing

Wanted to try someone contemporary, a change of pace from my usual Grumiaux and not one of the other usuals of Szeryng, Milstein, Menuhin, etc.
>>
>>121583378
mediocre. much better exists.
>>121583455
horrid album cover
>>
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>>121583517
>mediocre. much better exists.

Alright thanks, I'll stick with my Borodin, and sometimes Barylli for the late quartets. Oh, Vegh too.

>>121583517
>horrid album cover

lol yeah. I added a bunch of her (Ibragimova) recordings after I heard her Brahms and none of them are good except for this one. A shame because her interpretations are quite good! I'm liking the 'softer,' more feminine Bach, especially since all I really know is the masculine variety, and Hahn... don't really care for hers anymore.
>>
>>121583604
>vague quartet
foul
>>
>>121583810
I'll take that to mean the Borodin and Barylli are good :)
>>
>>121583810
>>121583861
and lol the last couple of times I've listened to their recordings, your 'vague' comment was the first thought that popped into mind and I found myself extra focused on clarity and precision and consistency in their playing
>>
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>>121572866
Whe I listen to the classical musics, I chirp and balk like a strange cat, I pump the oboes into my ears and then I get this big infectious toothy grin which covers my whole body in a thick layer of teeth. I love Back, Brahms, all the classical guys. That is the life for me.

https://www.youtube.com/watch?v=bM0Nu_WkfRQ
>>
my left year got fucked at some point recently and I can no longer hear any bass with it. Listening to music has begun driving me insane because it feels so bad now. How did Beethoven do it when he went deaf?
>>
>>121583861
>borodin
barely mediocre
>barylli
hisster pisster, but not terrible.
>>
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>>121583981
-_-

Oh, forgot: the latest one I added and plan to try is the Budapest. If you don't like that one either then I give up lol
>>
>>121584006
stop going for quartets starting with the letter B. budapest is good but better still exists.
>>
>>121583972
He became an alcoholic
>>
>>121583942
Meds on the basis you thought this was funny and pasta material.
>>
>>121584006
start going for quartets starting with the letter B (Busch)
>>
>>121584101
thank you hisster sister
>>
>>121584019
lmao didn't even notice that haha

I used to love the Lindsay, they were my introduction to the late quartets but, if my recollection is correct, they're a little too sterile and stern for my taste. Last try: how about the Alban Berg's? I think that covers all my go-to's that I've also heard recommended for Beethoven's cycle. I tried the Juilliard the other week for one of the earlier string quartets and didn't really care for it.

>>121584101
:p
>>
>>121584119
>alban berg
subpar
>juilliard
decent in the late quartets, but similarly sterile overall
>>
>>121584133
Why are you leaving listening to this turkey? He hates almost everything. He regards Aurrau as a bad pianist.
>>
>>121584119
Busch Quartet op. 131 will change your life.

ABQ are perfectly fine but the other anon will say they are "mid". Go for it though... their Heiliger Dankgesang IS IT!
>>
>>121584158
insanely retarded
>>121584159
completely moronic
>>
>>121584133
>but similarly sterile overall

I appreciate the confirmation in that I can trust my perception and resulting opinions on pieces. Well, unless you're gonna tell me the answer I'll just try the Budapest this week and stick with either them or the Borodin.

Oh, one more usual I forget: Quartetto Italiano? I've only heard their Schubert and Mozart, which are both excellent.

>>121584159
I will take you up on it. You read my mind, actually, I was gonna listen to the 15th once this Brandenburg Concerto no. 2 finished.
>>
>>121584169
>italiano
good middle quartets, lacking everything else.
>>
>>121584169
Kolisch
>>
>>121584158
He's given me good recs before. If you have any suggestions and opinions of your own on the matter, I'd be happy to hear it.
>>
>>121584119
>they're a little too sterile and stern for my taste

That's the opposite of the Lindsays. Their style is mannered and sentimental.
>>
>>121584188
not that Anon but I only ever heard the Lindsays in Mozart's quartets and quintets but God did I not like them
>>
>>121584183
tell us a single good rec he has given and no, Klemperer's Mass in B Minor isn't one of them.
>>
>>121584188
It's been almost a decade so if I was off, my bad. I just know it ain't for me.

>>121584179
Can't find it.

>>121584178
O I forgot one: Takacs? I love their Bartok and Haydn. If not, I'm gonna listen to the Alban Berg or Busch 15th like the other anon suggested.
>>
>>121584237
laughably stupid
>>121584241
>takacs
fantastic. expect the same quality of beethoven interpretation that you would from their bartok, they were made in the same time period.
>>
>>121584237
There's been a handful but really, the fact that me and him agree on the sublimity and perfection of the Amadeus Brahms (>>121580512) is what makes me trust his string ensemble tastes, at least to where his and my intuitions and preferences probably align.

Again, anyone else is welcome to help if they want too, I'll listen to anyone.

>>121584253
Ahh there we go. I had them on the mind but refrained because I really had only heard acclaim for their Bartok so didn't know how they were otherwise.
>>
>>121584237
Also, if I remember correctly, he actually suggested Richter and Jochum for Bach and the Mass in B minor.
>>
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aaand here we goooo, now playing
>>
>>121584253
>Takacs better than Borodin at Beethoven
now I KNOW for a fact you're deliberately trolling this poor Anon.
>>
>>121584398
haha don't worry I'm not gonna delete the Borodin Beethoven collection
>>
>>121584398
simply mentally retarded
>>
>>121584360
cool, just make sure to check all the other ensembles you mentioned later so you know first-hand not to trust what he says next time
>>
>>121584421
humorously dumb
>>
>>121584412
it is good practice to keep subpar recordings to remind us how good the great ones actually are.
>>
Anyway, thanks for the recommendation and indulging in my questioning, my dogged quest to find the recording on which to spend my time. And to all others who participated in the discussion.

>>121584421
For sure. Funnily enough, of all the ones I mentioned, the Takacs might be the only one I haven't listened to for Beethoven, hiaha.
>>
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Ah, I found it at least through sheer power of the will. As for the general, nice job NONE OF YOU!

https://m.youtube.com/watch?v=6bqQ_KGGOqI&t=80
>>
>>121584483
Hey, that's my line! I agree :p

>>121584421
Also, are you implying the Takacs will be bad? lol. Or did you just mean to not 'blindly' and 'uncritically' trust?
>>
>>121584509
he is implying that he has a learning disability, and he is correct.
>>
>>121584413
That was three words, sis
>>
>>121584509
no, the Takacs are fine. I just find them sterile when compared to most other ones, and think the idea of them being superior to any of them is utterly insane.
>>
>>121584522
and op 132 has 5 movements.
>>
>>121584528
If you don't mind me asking, what's your preferred recording?

>>121584516
lol
>>
>>121584528
the only sterility is in your brain (and your testicles).
>>121584541
a bad sounding one, clearly.
>>
>>121584169
I love the Quartetto Italiano. They're pretty and songful.
>>
>>121584580
yes, but pretty and songful is not enough to comprehend the late quartets, and that is where they fail.
>>
>>121584580
Ooo they're actually the only other one I mentioned whose Beethoven I haven't heard (again, I love their Schubert and Mozart). I'll give them a listen.

>>121584550
lol I mean you wouldn't want me to just copy your tastes 1:1 anyway I'd imagine. Or maybe you do!
>>
>>121584609
i do not care, i mostly intend on laughing at the retarded arrau fanboy.
>>
>>121584624
I like Arrau for Liszt :( He's the one that I first fell in love with for L.'s music
>>
>>121584640
disgustingly slow and lacking in any sort of beauty of tone.
>>
>>121584663
Well, looking at my library now, these days I really like Bolet for the complete works, and then for individual recordings I have Berman, Korstick, Szidon, Duchable, Kempff, and Richter. Oh I have a Katin recital too.

But Arrau is still good. Certainly no longer my favorite or even one of my go-to's anymore is my point with the list (Liszt!) spam.
>>
>>121584541
for Beethoven my favorites are the Borodin and Bartok Quartets. Bartok in particularly for no. 14 for that maddening finale, probably the quickest on record (that is played this well anyway). I quite like Cleveland Quartet's Grosse Fugue as well.
>>
>>121584749
all total dogshit, surprise surprise
>>
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>>121584580
added, anon.

>>121584749
Never heard any from the Bartok and Cleveland quartets. Thanks for the recommendation. The 14th is my favorite piece of music so I'll look for and add that Bartok Quartet recording if I can find it.
>>
>>121584749
Couldn't find anything from the Bartok Quartet. The Cleveland Q has some great reviews on Amazon, particularly this excerpt from one:

>interpretively the quartet seems primarily interested in showing you beethoven rather than their own virtuosity. i own the complete cycles by Amadeus, Tokyo, Takács, Italian and Emerson, and i do not place any of those above Cleveland, if many are peer. each quartet is played in the manner it is due, the late quartets have weight and the early quartets have verve. the rasumovskys are majestic. the harp and serioso are splendid. it's all terrific.

I'll add their complete SQ recording, thanks.
>>
>>121584814
i’d sooner take a toddler’s opinion on beethoven seriously than i would some asshole on amazon, and least of all some idiot who thinks that the plodding, dragged out, torturous mess that is the cleveland quartet’s grosse fuge is any good.
>>
>>121584826
lol I mean I'm not just looking at their five star rating and seeing their statement of approval and immediately taking it as gospel, I'm reading through their reasoning and comparisons then determining if they seem to know what they're talking about and have a sufficient frame of reference.

And, again, this is how I go about cultivating taste and a refined palate. After all, you've listened or at least tried out a ton of recordings, and that's how you learned, ye?
>>
>>121584910
i mostly find it laughable that this pathetic ditty of an op 131 recording
https://www.youtube.com/watch?v=5tvW7-QKcqw
is somehow being put on a pedestal by a living breathing example of the dunning kruger effect.

when beethoven marked this monumental movement simply as “allegro” i did not imagine he had it in mind for a bunch of out of tune morons to turn it into a glorified scherzo.
>>
>>121584760
indeed it is very surprising any human being would hold your opinion
>>
>>121584826
their Grosse fugue is about 16 minutes, that's hardly a slow interpretation
>>
>>121584954
it is not surprising at all that you are mentally retarded, it was already made clear when you died on the hill of claudio arrau being anything approaching an intelligent interpreter of music. no wonder every recording you exalt sounds like a child deliberately bastardizing the piece they’ve chosen to defile.
>>
>>121584910
You're trying to request good faith and civility from someone who has spend the best part of five years posting the same two word responses to anyone who disagrees with him.
>>
>>121584976
I never said a single thing about Arrau on this general.
Somehow it didn't cross your mind that there are multiple people shitting on you at once I guess
>>
>>121584971
amazing how they manage to make so little happen in 16 very long minutes, and with a piece where the entire world ends and begins all over too. with recordings like this one, it is no wonder so many people think that the grosse fuge is completely incomprehensible—they’re listening to performers that don’t comprehend it themselves.
>>121584987
comically pathetic
>>121584992
futile cope
>>
>>121584953
O you found it. Yeah that playing and pacing... definitely not to my taste. I'm still gonna give the Cleveland Quartet a try though.

>>121584987
He certainly is steadfast and aggressive in his opinions but hey, he helps me out and as I've said before, I'm willing to learn from anyone, and I appreciate whomever it may be giving me their time and effort.
>>
>>121584971
>>121585007
also,
>hardly a slow interpretation.
let's see
>juilliard: 14:45
>vegh: 15:42
>alban berg: 15:37
>amadeus: 15:24
>petersen: 15:20
>talich: 15:41
>takacs: 14:34
>mosaiques: 15:54
>casals: 15:48
>suske: 15:37
really, the only recordings that are as slow or slower are:
>budapest: 16:33 in mono and 16:50 in stereo
>tokyo: 15:59 in analog and 16:18 in digital
and god forbid,
>italiano: 18:51
simply put, it is very clear that the average length of a grosse fuge recording is in the ballpark of 15:30, making anything above 16:00 slow, and that includes the horribly intoned dogshit that is the cleveland quartet. maybe if they took less pointless deliberated ritardandos at completely nonsensical points in the score their interpretation might be somewhat average in length, if not still on the slow side.
>>121585043
i wouldn't bother, but it doesn't hurt to entertain fools every once in a while. one simply has to remind themselves not to overindulge, lest the abyss stares back and one becomes a fool too.
>>
>>121584953
regardless of what you think of the playing, and addressing specifically that it is absurd that Beethoven would have had this in mind when marking the piece allegro: Beethoven notoriously asked for much much faster tempos than people assume from his markings. Virtually every time he indicated a metronome mark it was faster than the wording would lead you to believe (naming something andante then asking for a speed more akin to an allegretto for instance). Most conductirs can't even get orchestras to play the 9th at the speed his markings request for God's sake.
So yes, it is entirely within the realm of possibility that this is what he had in mind, because past experience leads us to believe late Beethoven should nearly always be played faster than the words imply.
>>
>>121585116
>average 15:30
>making 16:00 slow
no, that would make 18:00 slow. 16:00 is hardly above the average length.
>>
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now playing. Kovacevich is so good!

>>121585116
Watching others argue is one of the best ways to learn on the internet and in life, so I am more than happy to spectate, lol. The Takacs Beethoven 15 was excellent, by the way, thanks again.
>>
>>121585043
>he certainly is steadfast and aggressive
understatement of the century. "insecure man with anger issues lashing out online" would be closer to accurate.
>>
>>121585217
>Beethoven notoriously asked for much much faster tempos than people assume from his markings.
and yet you still somehow find it acceptable for the cleveland quartet to take 16 minutes in the grosse fuge, also for the most part marked allegro or allegro molto. how convenient that your interpretative philosophy on beethoven is dependent on whose absolute garbage you're defending at that very moment!
>So yes, it is entirely within the realm of possibility that this is what he had in mind
the piece is marked allegro, not "turn it into an out of tune scherzo", so i believe this to be unlikely.
>>121585245
a variance of 10 seconds is massive in a recording of any piece. how laughable it is that someone so insensitive to tempo dares to complain about "sterility".
>>121585246
kovacevich is good. katchen is better.
>>
>>121585268
"you're not as smart as you think you are" appears to be the most accurate description for you.
>>
>>121572866
cute feet
>>
>>121585336
thank you tranime porn addict sister
>>
>>121585278
>kovacevich is good. katchen is better.

ooo I've got his and Suk's recording of the Brahms violin sonatas; very good! Added his 'Works for Solo Piano' recording, thanks. After I finish listening to half of the 16 Waltzes, op. 39 by Kovacevich I'll check out Katchen for the other half, and then his Variations on Handel, op. 24 as I was gonna listen to that already. Thanks. Eternally on the hunt for the best Brahms recordings!
>>
>>121585398
Seconding the Katchen for Brahms.
>>
>>121585278
>and yet you still somehow find it acceptable for the cleveland quartet to take 16 minutes in the grosse fuge
yes? my entire post was pointing out that playing any given Beethoven movement faster than indicated falls within the realm of possibility and validity, and that those interpretations shouldn't be ruled out by their tempo alone, not that every movement should always be played fast every time and, again, I don't even find a 16:00 Grosse Fugue to be slow in the first place.
>a variance of 10 seconds is massive in a recording of any piece
hahaha Jesus. Sure dude, a 23:00 recording and a 23:10 recording must always have vastly different tempo choices.
>>
Damn these waltzes are very good. Were these actually meant to be performed in a salon or some other public event space and to be danced along with?

>>121585455
Thanks :)
>>
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>>121585336
Just imagine Kumiko has to play the euphonium solo in Holst's band suite No. 2 but a terrible melon soda accident has rendered her shoes and socks unwearable! She's going to have to perform without them! Everyone in the hall is going to be looking at her bare feet while she plays the solo! How humiliating!
https://youtu.be/SkSTxyMWefs
>>
>>121585542
Should be illegal! As Islamist countries enforce the burka/niqab, so too should the world enforce covering of lewd cute feet. Also, rub one out already, anon, sheesh.
>>
>>121585468
>my entire post was pointing out that playing any given Beethoven movement faster than indicated falls within the realm of possibility and validity, and that those interpretations shouldn't be ruled out by their tempo alone
a pathetic excuse that effectively translates to "it only counts as too fast (or too slow) if i say so, because beethoven is unpredictable!" expecting a spineless worm like you to have consistency of opinion was clearly too much to ask for.
>Sure dude, a 23:00 recording and a 23:10 recording must always have vastly different tempo choices.
correct. no wonder you're stupid enough to use the "but beethoven's tempo markings were faster than current performance practice!" excuse; you're completely deaf to fundamental differences in tempo. it also explains how a pianist as plodding and turgid as arrau is acceptable to you. at last, all is clear.
>>
>>121585542
>>121585589
thank you tranime porn addict sisters
>>
Asuka - Mozart

Misato - Beethoven

Rei - Bach
>>
>>121585789
thank you tranime sister
>>
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I'm on a real Brahms kick, and I feel like listening to a work that, much like the Beethoven 15th sq, is so spiritually moving and thunderously explosive I cannot listen to it too frequently for fear my soul may escape my worldly existence to become one with the divine made available to me through its beauty: the 4th symphony.

The Kleiber recording is the definitive one, ye?
>>
>>121584253
takacs lowkey sucks on Beethoven
>>
>>121585836
I've tried a lot but haven't found any better.
>>
>>121585836
kleiber is good, markevitch and van beinum are also good if not slightly better.
>>121585837
thank you retarded zoomer
>>
>>121585855
>>121585870
The question then becomes who for the first three, assuming the first two are worth listening to (I've only heard the 1st one time and it was okay -- could have just been the recording)? I have an Abbado collection for Brahms symphonies and orchestral choral music, and I think back in the day I used to love either Szell or Solti for the 3rd, I can't quite remember. Thoughts?
>>
>>121585932
>abbado
really not great
>szell
unfortunately quite weak
>solti
kindly don’t.
>>
>>121585932
Van Beinum is consistent as a cycle albeit not all stereo and I prefer Kleiber's 4th. Walter does a good energetic 3rd. For the 2nd oddly enough I also like Haitink (with the Concertgebouw, his later recording is not good).
>>
the "people" who conspicuously and at length defend one-line negative anon as if he's ackshually insightful are obviously also one-line negative anon
>>
>>121586016
i fail to see what you see in haitink’s brahms, it is merely ok.
>>121586019
thank you schizo sister
>>
>>121582922
I don't like the Karajan blend sound, but I've got to give credit where credit is due, he's actually good at the Russian repertoire.
>>
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>>121585980
>>121586016
lol. Thanks, went with Van Beinum. I hate having to add recordings from these smaller, weird record labels because you can't ever be sure of the mastering and if they paid for the rights of the best recordings or a throwaway one but the Decca release only has the 1st and 3rd on it. This one is also all Concertgebouw whereas the Decca one is LPO for the 3rd, so another aspect that makes me nervous. Ah fuck it, I'll add both so I can have the LPO 3rd.
>>
>>121586019
You're welcome to be as helpful and conversational with good bits of knowledge as he is.
>>
>>121586184
Obliged to mention Klemperer's Brahms cycle too, which I am not too fond of but is favoured by many. I do like his 2nd a lot, but overall prefer Walter between them.
>>
>>121586184
whatever you do, avoid any recording with that little boy portrait like the plague, the masterings on all his pirate releases have been butchered beyond recognition.
>>
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>>121586225
ooo okay thanks. In which case I'll delete that pictured recording because I added it mainly for the 2nd, and add Haitink's complete Brahms and look for Walter's to fill in for that, and keep the Decca Van Beinum 1&3 (also added the Decca piano concerto no. 1 and Overtures by him).

>>121586236
lol alright, noted. Also, look at this cover, sheesh.
>>
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had to endure a Mozart piano concert played on a Steinway to enjoy music by Papa Haydn in the second part. It doesn't have to be a fortepiano, but why not use another piano for a change. looks like only Andras Schiff with his Bösendorfer and Angela Hewitt with her Fazioli are autistic enough to take their own pianos with them.
>>
>>121586203
I run this place, practically
>>
>>121586398
hilariously embarrassing, schizo sister
>>
>>121586203
this is what i mean. obviously the one-line depressed anon samefagging
>>
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>>121586461
>>
>>121586261
Oh yes, how could I forget. Monteux also has an excellent Brahms 2. I'm not sure Monteux made a bad recording.
>>
Yuja Wang edition next please. Thanks.
>>
>>121586461
really just a poor showing, schizo sister
>>121586490
his 9th is on the weaker side, and some of the works he recorded more than once have an obviously superior version.
>>
new
>>121586511
>>121586511
>>121586511
>>
>>121586490
Anon, there's only so many hours in the day and days in the weeks to listen to these multitudes of recordings! Alright I'll add his too.
>>
>>121585891
>>121585891
>>121585891
new thread
>>
>>121586470
Nice photoshop
>>
>>121586589
You really are a schizo sister!
>>
Okay now this is some serious BS. I guess I'm not getting through the next hundred plus numbers anytime soon.
>>
>>121586631
Post it in the new thread. And lol damn, you really are going through Mozart's oeuvre one-by-one until completion, huh?
>>
>>121586470
decent shop but haha. i already knew you probably thought i was the "i run this place" guy too, you're just projecting. now you're in shambles
>>
>>121586656
O_o

...what? Anyway I'm here to talk about music.



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