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File: images-1.jpg (15 KB, 596x335)
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Disney renaissance:

28 The Little Mermaid November 17, 1989
29 The Rescuers Down Under November 16, 1990
30 Beauty and the Beast November 22, 1991
31 Aladdin November 25, 1992
32 The Lion King June 24, 1994
33 Pocahontas June 23, 1995
34 The Hunchback of Notre Dame June 21, 1996
35 Hercules June 27, 1997
36 Mulan June 19, 1998
37 Tarzan June 18, 1999
38 Fantasia 2000 December 17, 1999
Also Ducktales and goofy movie.
--- 10 white movies, 2 brown movies

Last 10 years:

55 Zootopia March 4, 2016
56 Moana November 23, 2016
57 Ralph Breaks the Internet November 21, 2018
58 Frozen II November 22, 2019
59 Raya and the Last Dragon March 5, 2021
60 Encanto November 24, 2021
61 Strange World November 23, 2022
62 Wish November 22, 2023
63 Moana 2 November 27, 2024
64 Zootopia 2 November 26, 2025

--- 3 white movies, 7 brown movies
>>
>>154861266
I counted 6 white movies in the Disney Renaissance era, unless you're counting Asians and animals as white. And 2 white movies and 6 brown movies from the past 10 years.
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>>154861344
Animals are white coded
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>>154861559
I can understand that for the Renaissance, but the two main characters of Zootopia are voiced by white people. And are we counting Frozen II as white when Disney made Elsa and Anna descendants of Native... Europeans with brown skin?
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>>154861665
Zootopia, Zootopia 2, Frozen 2

That’s three
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>>154861736
You forgot Ralph Breaks the Internet.
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>>154861768
If only we could all forget Ralph Breaks the Internet... and most Disney movies after Moana.
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>>154861665
Disney claims these are brown people.
>>
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>>154861266
It’s a hard pill to swallow that almost all modern Disney films suck and that company was always hugely overrated and has always pandered to little girls. Their golden age films are Citizen Kane-level masterpieces (and their silver age films are mostly good) and only midwits act like their cheesy Renaissance films are better. Every film post-Little Mermaid has been key jingling slop, generic homogenized art directions, celebrity VAs, broadway pandering and shit that panders even more to little girls than they have done so in the past, this is especially prominent in their revival films which are essentially glorified toy commercials for princess dolls with ugly ass generic CGI. The Goofy Movie was one of the few times Disney has actually made a film appealing to boys and Lilo & Stitch was also a great film for how it has a great story and artstyle and doesn’t follow Disney cliches.

Disney is also the reason why animation is primarily seen as a children’s medium, but y’all niggas ain’t ready for that conversation, if the Fleischers won the animation war way back then western animation would be in a far better state.
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>>154861879
Based spumchud
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>>154861768
>Ralph
Neutered white basedmale
>Venelloppe
Hebrew
>>
>>154861879
Holy shit are you me?
>>
>>154861939
What is that tendency that almost all Spumchuds always praises Lilo & Stitch, of all of the Disney movies -discounting Golden Age ones of course-? Serious question.
>>
>>154862398
Spumchuds like Lilo & Stitch for how it doesn’t follow a lot of Disneys cliches, it looks unique stylistically rather than using their generic house style, instead letting Chris Sanders style shine through with a nice watercolor aesthetic on the backgrounds, and also has a unique story devoid of cheesy writing that actually draws from life rather than primarily copying cheesy tropes already done in other Disney films. I’ve seen some other renaissance-onward films have a more divisive reputation among spumchuds
>The Little Mermaid - Generally liked by them for being a good film on its own that’s just hard to appreciate knowing how much of modern Disney's cliches came out of it.
>Hercules - Has a comedy style and an artstyle more adjacent to that of old Warner Bros cartoons than Disney, though the disneyfication is still there
>Treasure Planet - Some of them praise it for being unique but it’s also pretty hated style-wise for once again adhering to Disneys house style.
>>
>>154863433
Thanks, anon.
What's the reputation that Aladdin has on them (to mention another film directed by Musker/Clements duo, I think it has some similarities with Hercules that you mention it)?
In addition to Treasure Planet reasoning
>Style-wise it has some of the artistic design choices and mannerisms of Don Bluth movies, and Bluth's artstyle is like Kryptonite for them
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>>154861266
>>
>>154861266
Jeffrey Katzenberg's time as chief of feature animation: 1985-1994. Forced out by Michael Eisner and Roy Disney in 1994 with half the films you named in pre-production.

There's your answer.



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