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Ok /co/ years after the fact have we matured to the point where we can recognize that this wasn’t that big of a deal? Moreover, that “fridging”, if we are even going to dignify that as a term, is a legitimate way to motivate characters to action and a classic literary device that has been used since, perhaps, the dawn of story telling?
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>>155135548
It was cool
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>>155135554
If the pub was intended, bravo. But seriously, yeah, I mean it served a narrative purpose.
>B-but reduction of characters to Narrative devices!
I don’t know how to break it to you, hypothetically objector, but every character is a narrative device. Each character plays a part in advancing a story, funnily enough.
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>>155135548
This was made a big deal by an idiot who's now being eaten by the same crowd she was once pandered because 'oh, how dares she to write a woman who won't abort her child'.
It was a stupid idea that ignored that men love women so much that they would go insane if something happens to their beloved.
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>>155135548
People overreacted to it, no doubt. But I’d argue the scene fails because it comes off as try-hard edgy and ends up looking silly more than horrifying. It’s nothing to get offended over, though.
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>>155135548
It wasn't that bad but at the same time it really wasn't that good and really should have just been avoided entirely plus the issue is when it's such lazy writing, need to give a male character motivation? Kill his woman! It just reduces women to being mere male motivators and not characters of their own which is the main issue with it.
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>>155135599
I’m just not really convinced that this trope, in of itself, is bad because it “reduces characters into motivations.” Yes, it does that. That’s part and parcel with a particular type of story, especially revenge tales. Sometimes it’s done well, sometimes it’s done poorly. This, however, is a writing issue rather than a gender issue. People gender it because, naturally, it’s male characters that typically lead in these types of stories but the same could easily occur in the inverse. Really, it just kinda gives off the impression of people finding problems where none reside.
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>>155135548
>Moreover, that “fridging”, if we are even going to dignify that as a term, is a legitimate way to motivate characters to action and a classic literary device that has been used since, perhaps, the dawn of story telling?
the problem with fridging is that it disproportionately affects women
and often women who were created solely to die and never had an internal life

the number of men fridged are essentially just thomas wayne and uncle ben
but thomas wayne has since been retconned to be the source of bruce waynes morality, using his riches and his medical knowledge to help people
while martha remains just the mom who dies, most famous for owning pearls
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>>155135653
>“reduces characters into motivations.”
Not characters, women. You're misconstruing the issue by painting with too broad a brush.
> these types of stories but the same could easily occur in the inverse.
They could but they overwhelmingly don't, like yeah a woman could rape a man but if you look at it gender violence is a one way street. Which is why writing about rape in comics is seen as juvenile and crass.

Could a woman be killed off in a way that is written well? Certainly but lets be honest how often is that versus fridging
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>>155135653
the solution is incredibly simple
create tons more disposable male characters who do nothing but die for someone else without having any internal motivations
or allow women to actually be characters who do things and have their own motivations and arcs before they inevitably die for someone elses benefit
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>>155135677
Fine we'll do a story where the protagonists dog gets killed instead of a woman and it's the biggest mistake the guy that killed it will ever make.
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>>155135701
John Wick?
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>>155135689
We alredy have those like rampage cop's partner who is 2 days away from retirement. Or optimistic young lad that believes protagonist is a hero even if others think he won't makes it. Or wise old father figure who warned protagonist about loosing himself to anger before dying.
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>>155135701
you could just unfridge the woman, giving more depth to their character even after death and exploring the wants and needs they had in life and why their death was a tragedy in and of itself rather than just being a stepping stone for someone elses development
you could even keep them in the narrative despite being dead, with characters repeatedly bringing their lack of a presence up and reminiscing about them

still not as good as having an actual character in the story
but its at least a step up from being a disposable character
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>>155135715
All of those you mentioned have more character/personality than "woman who dies"
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>>155135715
all 3 of those archetypes always have at least some presence in the story when they die
the old mentor had an actual job in mentoring the character when they are alive and their death has an actual impact on the plot because they cant use their powers to solve everything anymore

all of them are a step up from "wife who exists to die"
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>>155135722
That's very reductive way to describe loving girlfriend who supported protagonist through his hardest times from before story because she's calm insightful and a positive force in his life. She has just as much persality implied as any male cliche trope.
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>>155135677
Well, like I said earlier, I’m just not really convinced this is a problem. I mean yeah, men are motivated from the death of women. This is a literary device that has existed since, well, really forever. Solomon Kane hunted down a vagrant to avenge the death of a woman he didn’t even know, and according to Mythology, the men of Rome were motivated to overthrow their tyrannical King and establish the Republic after Lucretia had killed herself imploring her family to avenge her. Sure, sometimes, it’s done terribly but, again, that’s just more of an issue of the writer being a poor writer than really an attack against women. Truly, this story can, and has, worked in the inverse, it just needs to be done in the service of a compelling narrative rather than as cheap shock value or to push a meta point. Same goes for when this trope is done traditionally as well.
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>>155135740
>That's very reductive way to describe loving girlfriend who supported protagonist through his hardest times from before story because she's calm insightful and a positive force in his life.
which absolutely does not describe OPs example, where the character barely got a dozen panels before dying and is barely brought up after dying
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Wow, look at all the incels in this thread acting like their opinion matters.
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>>155135752
Then maybe give her more panels, so her death is more impactful, than a cheap shock value?
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>>155135752
Sarah Grey got 2 minutes of teaching her sister to mindrape people but you don't see the same crowd screaming about "Venting" tropes either.
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>>155135749
>. I mean yeah, men are motivated from the death of women
and the problem is that a majority of disposable characters who exist solely to die without any interiority are women

it isnt even the dying specifically that is the problem, character death makes for more interesting plots
its that they will create a woman character solely to die without ever fleshing their character out
even jason todd had the dignity of having a backstory and a few adventures before dying

men arent given the same "honor" of being disposable character development fodder nearly as often
and no one ever even thinks to give the fridged woman posthumous character development, which is the least you can do
>>
As always, it depends.
Nuance and execution is all, the idea you have a blanket ban on a character whose early death is used to shock and start the rest of the plot is just absurd. It's as old as mud for a reason.
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>>155135762
congratulations, you just suggested the easiest possible solution to fridging
make them actual characters before killing them
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>>155135740
These kinds of characters are only written in how they relate to their boyfriend not how they are humans on their own.
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>>155135777
the issue is not that they kill a character off for motivation
its that they create a character with the barest minimum of a personality whose only narrative purpose is to die, and its almost always a woman
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>>155135772
Inigo Montoya's father has 0 seconds screen time and starts out dead as motivation that's less than fridge girl got.
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>>155135790
and if this was as common as the dead wife or the dead girlfriend, then none of us would even be talking about this
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>>155135790
It also helps Inigo frequently references said motivation hell it's his catch phrase bringing up his father and it's a genuine driving force to his character whereas a lot of these women die and are forgotten about after a few issues
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>>155135790
Because it was never about his father, but about Inigo pain. That's why we cared.
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I am of the opinion that all shock-value writing is retarded shit written by hacks. And therefore any backlash against that dumb shit is justified even if they do it for questionable reasons.

Also, people eat this shocking death and other edgy shit up because the average person is a retarded piece of shit with no taste who should never be allowed to comment on anything. So everyone can go fuck themselves.
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>>155135780
Rampage cop's partner is only written in how he relates profesially to rampage cop then he gets shot.
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>>155135772
Once more, this seems more a writing issue than a sex issue. Indeed, I think, if handled competently the character, yes, even if it’s a woman, killed can have no personality to speak of. Especially if it is to show both the virtue of the Hero and the senselessness of the death. To refer back to the Solomon Kane Story I mentioned earlier, titled Red Shadows by the way, Solomon never even learns the name of the girl that was murdered. Yet he avenges her anyway. That’s a phenomenal tale, and one excellently written by Robert E. Howard.
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>>155135819
the "2 days from retirement" partner might be barely a character, but at least we get more of their character than "girlfriend who dies"
just by virtue of having a peek at having a family and a desire outside of the main character

this is the lowest bar you could possibly imagine and yet people still write the dead wife with less character than that
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>>155135830
>this seems more a writing issue than a sex issue.
Can it not be both?
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>>155135786
You're inventing hard rules where it should always be up to the skills of the writer and execution.
Like >>155135830 or >>155135790 said, you don't even need a name or introduction, it's whether it looks crass, tasteless or exploitative. 90's shit is often guilty of all three, but you can't just say an elaborate amount of screentime must be given each character prior to them being killed off.
In many ways that can even death flag to any media savvy audience.
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>>155135830
in a vacuum, having characters who exist solely to die is a non=issue
we cant expect every red shirt to have a backstory

it becomes an issue because when you need an expendable character to die to make the maim character sad, its a women
and even when you kill of a male character to have the same effect, they usually have at least a bit of a personality before dying

when taken across every comic, every movie, and every book ever made you start to see that men are given more backstory before dying more of the time
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>>155135848
fridging was simply descriptive
>women died more often than men
>women rarely got as much development as men when they died
>women rarely died on their own terms and for the benefit of other characters
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>>155135848
I wouldn't say a hard rule is required or that it's a must and anyone demanding women never be harmed in a story is fucking retarded, just that it is noticeable that women frequently especially in death aren't being treated whole characters, if it wasn't so common and the gulf between male and female characters so wide this wouldn't be such a pointed out issue.
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>>155135677
The problem with fridging is it's hackneyed.

Any contrarian excusing that sort of just-get-the-plot going approach is why those like Bendis can squeeze out shit like Civil War II.
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>>155135860
>>155135874
I'd attribute it more to there being many more male characters as leads than female, so more female love interests are to be fed to the drama mills.
More of a symptom not a cause kind of issue.
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>>155135850
Well, anon, and for the last time tonight I think the issue is just the tact and competency with which the trope is carried out. Like other anon said here >>155135848 it really only is an issue if it’s done crassly and without any tact. I think you may, frankly, be hyper sensitive that it happens to women because you’re, as many people are, upset when women die. So it’s disgusting, and silly, if done crassly. The problem here, however, is you’re not seeing the forest for the trees. The problem is schlock writing. It wouldn’t be an issue if it’s competently executed. If handled poorly it would be equally in bad taste if the character was a young boy or even an animal. In this case, for this trope, they are interchangeable. It just happens more to women, not for any nefarious reason, but because naturally Society, particularly young men who are usually the target audience for this type of story, wants to protect women.
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>>155135962
Why learn how to write when you can pick a single trope variant, isolate it and declare it "how every story has been since the dawn of time" and how giving your talentless fat ass unlimited resources is the "only chance we've had in all of history to undo this oppression" that year zero shit also doubles as a way to discourage people from reading the better stuff that came before you.
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>>155135749
>>155135830
>>155135962
What comic is the redhead from?
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>>155135962
women being fridged more often then men is the problem
the solution is to either fridge men more often or give women more character before or after killing them
its pretty simple
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>>155136032
Oh she’s from Hero Killer. Her name is Highnoon. I admit, I haven’t read the comic myself but she had proven quite the gold mine for reaction images.
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>>155135548
>Moreover, that “fridging”, if we are even going to dignify that as a term, is a legitimate way to motivate characters to action and a classic literary device that has been used since, perhaps, the dawn of story telling?
I mean I’m with you 1000% on this part.
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>>155136095
and has been mentioned, the problem is that men are fridged nowhere near as often as men
the ultimate issue is that women are not given as much development before they are killed and then dropped from the plot as soon as they die
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>>155136045
If that, in of itself, is the problem even when the trope is handled well then honestly I’m more or less ambivalent towards it. I don’t even really see it as a problem, if you want to kill more men to motivate women leads or, alternatively, give more characterization to women who was killed to motivate a male character go for it, so long as the story’s good is all I care.
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>>155136107
>Who *were killed.
I hate that I can’t edit
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>>155136053
>Hero Killer. Her name is Highnoon
Thx
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>>155135790
Exactly.

You are allowed to use characters as plot devices. Always have been. Not every character needs to be fleshed out to the nth degree. Millennial writers don’t understand this though, they view fiction as nothing more than a lens to view society at large and comment on social issues. Minimizing a characters role in the plot is the same as marginalizing a person, especially if that character is some minority.
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>>155135860
I’m curious how common fridging is in romance novels, and especially in those written by and for women.
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>>155136106
>problem
For who? There’s no problem with stories that use this trope on principle.
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>>155136140
But his father really isn't minimized that much given how he keeps getting referenced
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>>155136167
NO ITS A PROBLEM BECAUSE THE NUMBERS AREN'T EQUAL ALL HAS TO BE EQUAL BAN ALL ODD NUMBERS ODD NUMBERS ARE PATRIARCHY.
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>>155136134
You’re welcome!
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>>155136174
Fridge girl has been referred to in the comics for decades. I've seen /co/ posters make "IT KEEPS HAPPENING" jokes when a new issue brings it up.
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>>155135830
NO ITS NOT A WRITING ISSUE
IT IS ONLY A SEXIST ISSUE
AND IF YOU DISAGREE YOU ARE A SEXIST INCEL CHUD!!!!11111!!!!!!
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>>155136189
this is a strawman I AM VERY SILLY talk the issue can be both since often times with writing issues are multifaceted
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Instead of bringing up Alex’s death, why doesn’t some writer just tell her story prior to that? Maybe even explore what she was doing before meeting Kyle. Maybe have Kyle find her old journal or something to use as a framing device.
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>>155136214
Because she's more useful as a tool of THE MESSAGE than as a fleshed out character.
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>>155136174
Ok, keep moving the goalposts I guess.
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>>155136189
its a sexist issue that results in writing issues
people are lazy and thus are more likely to create an expendable woman for cheap emotional beats
the lack of expendable men only really highlights that when they think of cheap emotion, they think of a dead wife

maybe the only male archetype that comes close is the redshirt
but even then, you can least assume they had some choice in putting themselves in the line of fire
we rarely ever get to know why the dead wife wanted to marry the protagonist
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>>155136199
More like
>shit writing is shit
>shit writing use cheap troups
>cheap troups are shit

There, no other exploration is needed.
It was just more frequent on women since the stories back than were more focused on male leads stories since male readers were the target audience and not many women were nerds interested in comics.
As simple as it is.
It was not about sexism, just hack edgy writing for retards.
Do you really want more retarded writing just for the sake of “feeling equal”?
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>>155136231
Why don’t you write a video essay you faggot? You’ll probably get hundreds of thousands of views spouting this cultural Marxist bullshit.
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>>155136237
Every written thing ever uses tropes you fucking hack millennial piece of shit. Killing off a character to motivate another has existed since the fucking Iliad you fucking mouth breathing tranny.
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>>155136246
I said “cheap troup” specifically for when it is badly done. You dingus
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>>155136246
would it be so bad to give women more development before killing them?
or to occasionally have a man do nothing except die?
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>>155136246
Have you considered that it would be more equitable if they both stopped fighting for a 300 page lecture from Athena and Hera about how 4th trimester abortion is morally justified.
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>>155135677
>the problem with fridging is that it disproportionately affects women
That's because most of the protagonists of cape comlcs are men, and killing the love inetrest is a basic narrative tool
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Look, I don’t know why people are getting hostile with the Anon I was talking with earlier. I disagree with him that it’s a problem, but he’s been nothing but civil. Look, it’s the internet, heck it’s 4Chan in particular, so go ahead and type fag, retard, etc to your heart’s content. I just personally don’t think it’s really warranted here.
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>>155136254
Writers alredy do both and produce other stories that need neither too. You are just repeating some talking points you got from tumblr like "orcs = blacks in Middle-earth".
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>>155136263
UNEVEN UNEVEN WAAAAHHHHH MAKE IT 50 50 MOMMY I HATE UNEVEN.
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>>155136254
The character who gets fridged in the Iliad is a fucking dude by the way. Dozens if not hundreds of dudes get “fridged” in the Odyssey to motivate Odysseus. Hamlet fridges Polonius. It’s basically a staple of renaissance literature to kill off some dude to get the plot moving.
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>>155136273
>Writers alredy do both and produce other stories that need neither too
the problem is that women are disproportionately written to die without having any other character traits compared to men
would it really be such a crime to narrow the gap?
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>>155136268
I’ll fucking RAPE you
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>>155136279
whats wrong with making it more even?
women characters who arent created solely to die and male characters who are
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>>155136282
MOMMY MOMMY ITS NOT 50 50 MOMMY GROUND THE WRITERS MOMMY NO I WON'T JUST READ SOMETHING ELSE.
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>>155136281
polonius had a job, he has an actual personality, his purpose in the story was slightly wider than to just die
he even gets to command some subordinates at one point

if most women who were fridged had that level of development, as shallow as it is, it would still be an improvement
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>>155136289
It’s not uneven, the woman who came up with this trope pulled it out of her fucking ass. Historically, men AND women are killed off early in stories to motivate protagonists.
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>>155136305
>Historically, men AND women are killed off early in stories to motivate protagonists.
but it happens more often to female characters and male characters usually get at least a bare minimum of character rather than just being a cardboard cutout
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>>155136311
WAAH NOT 50-50 MOMMY MAKE IT 50-50 I WANT 50-50 MOMMY
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>>155136286
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>>155136311
Fucking kill yourself you incompetent tranny. You have no idea what you’re talking about. You can’t provide any actual evidence for the things you say.
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>>155136214
Ah you see but that requires effort, thinking and the writer being willing to build up a story rather than moving on as fast as possible to next shocking moment, because that's readers want to see (legit mentality of most comic book writers).

>>155136106
I beg to differ, men are killed just as often for shock value as women. The difference is that the writer thinks (perhaps correctly) that nobody cares about a random man dying, so he has to build up the character to make the reader care. Conversely, the writer thinks people will automatically care about women and children dying (i don't think the writer that came up with black manta killing arthurs child particularly cared about building up the child's character), so he can just move on to the next plot point.

And then there's the writers that can't relate with heroes or heroines with stable relationships, or heaven forbid, actual long term marriages or parenthood and so the first thing they do is kill off the family (like donna troy losing the husband and child in a car accident), have the hero make a deal with the devil that undoes their marriage (omd) or age up the kid so that there's no need to be a parent to them (superman).

So get that feminism excuse out of here, it's irrelevant in the grand scheme of things.
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>>155136346
>men are killed just as often for shock value as women
the men usually have some role in the plot before being killed
the men usually have some character before being killed off

jason todd was killed off solely to cash in on a trend, but he died trying to protect his mother and he had been a recurring character for a while up to that point
alexandra was created for the sole purpose of being killed later on and got zero depth as a result

the only male characters who get reliably fridged are redshirts
but they tend to be part of an organization that gives them a personality as a whole, even if not individually
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>>155136374
Keep moving those goal posts maybe you can stuff them in the fridge.
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>>155136374
Yeah because tim drake had plenty of character build up before being killed in the recent absolute batman - oh wait, no, he existed to be motivation for jason todd and because the name tim drake means something to the reader and his death is thus somewhat shocking.

Any character can get reliably fridged if the writer doesn't want to deal with them anymore. In infinite crysis superman prime was slaughtering titans left and right without building up their character or anything, yet of the less prominent heroes only pantha can occasionally get a mention out of that whole ordeal.

Once again, the only criteria for "fridging" someone is if the writer thinks it would be shocking for the reader, it being a man, woman, child or pet animal is in the end irrelevant.
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>>155136465
BUT NOT EQUAL NUMBER MAN WOMAN NOT 50-50 MAKE IT 50-50 REEEEEEEEEEEEEEEEEE



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