Harriet Monroe EditionTalk about poems/poets you like, post your own work, and critique othersPrevious thread >>25202370
>>25259884Been reading a lot of him recently. When you realize that Mozart lived a full decade longer than he did, you start to appreciate the sheer enormity of the loss.
I'm so fucking gay I love slurping up semenAnd in spring, tree cum
stabbed to death in the bathroomcopper smelling blood swirling the drainbeing told its cancerterminal, eating away your braina strange phone call, filled with jagged laughterthe footsteps in the darkness getting faster and fasterfound myself buried aliverunning out of airreaper stares with lustwe all return to dustrotting flesh devoured by maggotsskull shining like a dinner plateits our fateits our fateits our fate
>>25259938lmao this reads like something an emo 13 year old would write in their diary
>>25259884Night clear as vodka -- from the street a woman's voiceStumbles through the black --
>>25259942i tried using horror as a theme, guess you cant win with you guys
voice of the devilfrom pulpit or screendestroy -not with words-through silence, unseen
>>25259938lines 1 to 6 are alrightrest descends into caricature and is corny
I'm so deep dear diaryReaper haunts my dreamsAll reduced to binaryBodies are but machines>>25259938I like emo 13 year old stuff though
>>25259938this starts strong but by the second stanza you've lost the rhythm entirely
>>25259884Walking outside for the first time in two weeks.Everything seems unreal to me. Blurry at the edges. People's expressions like condensation on a darkened window.This stuff -- all this -- motion tamped into narrow, porous containers,and the wind blows candy wrappers out of the trash cans at the gas station,and in a minivan a toddler whines about her sandwich, and the cashier'sblue hair hovers over her piercings. We will never know each other.I feel twitchy and restless and I'm coming down off too many drugsfrom strange websites in foreign countries. Now the fun's over.Is this all there is? Candy wrappers blown into the gutter?Overhead, the clouds fracture and coalesce in their blue muck.Their shadows slip across the parking lot, then lingerunderfoot. I feel dense, damp, chill. Excluded, if you'd like.And then the wind again, and then the sun again, and of coursethe light, and the warmth. Of course, of course. Sun blinkingoff the tops of cars and streetlights and the laundromat's rusting sign.And then the wind again, and then the clouds again, and of coursethe dark, and the chill, and the faceless, massed water, always overhead.
>>25259985>>25259987>>25259997You know usually i post poems in here that get ignored, i get zero attention, i usually rip off larkin by making poems about mundane reality with a hint of melancholy .god forbid someone try something different
>>25260043good on you for contributing OC and trying something differenthowever, your poem tries to generate its effects with stock imagery and contains no surprise for the reader (or the writer) it's also not very lyrical, which in itself isn't necessarily bad, but it's like you're trying to be both poetic and plainspoken simultaneously, and the triple repetition at the end doesn't do anything that the preceding three stanzas don't already do, and each stanza does nothing that the other stanzas don't do you've essentially written the same thing >we're all gonna die and it's scaryfour times, and each time with images I've seen elsewhere in exactly the same configurations as they appear hereI don't doubt the emotion behind it is real but because of these things it doesn't impact the readerThis is why your poem isn't very good
bathing, bathing, ok, soap.towel but later. what ifthe boiler falls.slippy feet are not, standing on the rug.tickles but painful. perineum shaved.ah, water.
>>25260012It's like everything you write centers around the same shit: being isolated and miserable and walking around feeling disconnected from the people you see and from your surroundings. It's getting old. You need to expand your range.
>>25260065yes yes i know, it was a lazy poem, i came up with the first part and tacked on the second parts.Yes i know poems need a shift, a volta, a le surprise.no one in here actually posts poetry anyways, they shitpost garbage or make fun of poetry
Sweat drops from my brow As the rosy sun dips below the cloudsAnd I say "good night" to the cowIn my pasture Rain begins to fall As shadows lengthen, presage of nightMy muscles creak and I stretch tall Comfy tiredStorm hides twilight And I don't see it, I'm making cocoaUntil I turn, what a cozy sight!Before bedtime
I say this with all sincerityThis is not a shitpostWatch and see real poetryWritten by a spooky ghost
>>25260076I’m not whoever you think I am. This is my first time sharing OC in these threads
I read T.S Eliott's first book, Prufrock and Other Observations. I don't get itI'm relatively new to poetry. I've read books by Byron, Tennyson, Keats, Dickinson, and some more general collections and I've appreciated most of what I've read. but with Eliott I'm just left feeling like... ok? is that it?makes me relate to people who look down on the idea of poetryis his early work not noteworthy or am I missing something?
>>25260201You are retarded.
>>25260233yeah okay but can you explain whyI'm ready to admit my ignorance. I know very little about poetryEliott's language is awkward and his poetry doesn't contain striking images or messages. I've only read his first book so maybe his good poems are elsewhere
Remembered this poem after I saw it surface on Twitter. I need to reread Donald Justice.
Larkin is just so good, anons
>>25260201Whenever I read his poetry I’m reminded of the smell of my great great grandfather’s house and it produces a kind of nostalgia in me.
>>25260941Larkin is absolutely the /lit/ poet.Complains about wageslavingComplains about not getting anyCompains about there not being any decent porn on TV after he went to all the trouble of buying oneComplains about niggers and commies ruining his countryComplains about getting oldRhymes and scansActually good
Got a couple of pieces here that I wrote just for funsies. I’m too much of a bitch to share my serious stuff. Shout out to the anon shitting up this thread with his whining. Just keep writing, bucko. You’ll eventually put out something that won’t make us cringe.1/2A rush of pure euphoria hitWhen I pushed flush inside youFeeling every ripple of your tight slitWhen I licked your pretty feetWhich on my tongue felt so realI knew the shape was soon completeWatching your mouth moan agapeDesperately pumping you wanting moreI finally began to stir and wakeFrom fucking you raw on my floor2/2I went down to the corner storeTo buy me something specialWalked right back out the doorWith my new one dollar pistolJust me and my one dollar pistolTaking it slow on down the streetEverything as clear as crystalLike gold bricks under my feetI went up and shouted to room 4DI heard a commotion on the other sideSo I waited there impatientlyWatching paint that already driedHe looked at me mean as a missileWhen he cracked open the doorSo I let loose with my one dollar pistolAnd that sumbitch dropped to the floorJust me and my one dollar pistolRunning fast on down the streetEverything as clear as crystalLike gold bricks under my feet>>25260108Very good. Tolkien esque in imagery.>>25260074I would clap if I heard this as slam poetry
Looking at the camel shaped candyHating itIt still doesn't melt.Mr. You Don't Want to Know, tell meif the sac cries.When was the time for fingeringthe violin inside.My woman woke up the same as yesterdayJust ironing crusty panties andsaying no to proposals.The new part comes from China in a month or two.
>>25260079I posted an actual poem here a while ago. Though, come to think of it, it was a shitpost which made fun of poetry, so you may have a point.
word vomit first draft-I'm dropped in the middle of Ulysseswondering if I left the stove on:a classic.I dream of the hut which couldn't save me from the influx.There, the fish signs hanging,making amends with the breeze,and a woman who said yesunder the influence, mumbling limping love and memory to the sea.We still talk, or used to.Now we agree on the sun being a spreadsheet,the flame of youth having long metearth.A grand dream then, in the form ofa closet where I can fondle myselfto arrive at higher truths.
>>25260012it's a bit one-note but I like the recurring water imagery and >the dark, and the chill, and the faceless, massed water, always overheadis a great line to end on
In my youth I would pretendI would act retardedNow my life is near endAnd I'm still retarded
POETCALLS HIMSELFTHE DYSTACTICAL PROSISTRIGS UP HIS FREEVERSEVERSES FREE OFMETERPUNCTUATIONCADENCECONCEPTVERSES FREE OFPOETRY
>>25262434beautiful
>>25262493Damn, this really killed the thread. All of /lit/'s little "poets" are now afraid of posting their little broken prose "poems" LMAOWill they ever recover? Will they keep writing their shitty "verses"? Lives were changed.
>>25263118I write formal verse but I think your rude and hostile attitude toward free verse is entirely unwarranted. A lot of free verse is great and a lot of formal verse is terrible.To provide evidence of the latter claim, here's one of my recent efforts:With bloody shoes, the old man walks the road.His skin hangs dry upon his hollow bones,and every word he speaks is garbled code -a voice so weak it hardly seems to moan.Beneath his crimson gums are blackened stumpsthat guard a tongue left dry and whittled bare.His limbs are home to countless burning lumps,and yellow eyes betray a haunted stare.Alone in desert air, his legs give way –and crashing down he hits the asphalt ground:A voice too weak to cry, or even pray.And hours pass without a human sound.When passersby arrive at last to see,they find a man at peace and lying free.
>>25263118Choking on your limp dick are we
Words of power nineOn the void were carvedWords I'll never findNor will any bardWanderer with one eyeThe heavy load carriedSet them in the skyIn light the words buried
>>25263379Yeah, you are all choking on my dick.
>>25263118>poetry has to rhyme and have regular meter because... because... IT JUST HAS TO OKAY!!!Right, yeah
>>25262493Based C U M G E N I U S
>>25264293Based 0 poems posted cum brain
[im no poet dont kill me]Everything is on the blank page,waiting.We wait. This is how it's done.We don't think about her faceAbout the late winner from Wrexham in '98About the butter left in the sun.Words appear now. A covered heart and eyesSinging like a broken jukeboxTrying to inhabit life backwards.All childhood faults open All postponement swallowedNow they're closed. A new mall built on them. A café there with a computer That is just for tabsDoesn't play any music.
>>25264410>the late winner from Wrexham in '98old Britfag detected
>>25263375yeah this is pretty bad
>>25266093As the writer I agree, but can you explain why? I think I have a fairly good feel for meter but everything I write still turns out like garbage. I can't figure out what I'm doing wrong.
what do I have to say for you to hear me what do I have to dofor you to return to me this is unbearable
no divorce in the hague baby plsim annotating lawtake all nightthe may I man sleepsnot meim courtin you cant you seemy lovvest self all over your sofagrowing the willypast pink cynicism
>>25266727this sucks
>>25266811maybe but it made her lawyer seethe
>pooetry
>>25263375>>25266150nta but the regularity of your meter within the regularity is (maybe? I'm taking your lead here; I don't think it's THAT terrible) the problem; on a finicky second reading, I noticed that you don't at any point have an odd-number caesura (i.e. a natural 'split' in the line taking place within an iamb; 'To err is human; to forgive, divine.' is, for example a 5:5 split (or arguably a 5:3:2, or even a 2:3:3:2 but this is besides the point)). Your lines essentially all have (arguably) 4:6 or 6:4 splits, or none at all, which maybe lend them a sort of prosodic 'even-ness' which becomes stale fast. (This, I should stress, is simply a best guess, a post-hoc rationalization of a feeling I had upon the first reading, so take it with as big a mound of salt as you will.) Also, a lot of the lines, structurally, and in terms of word-choice, seem contorted for the sake of the end rhymes. The last couplet is especially egregious in this respect, to my ear at least, and leaves a deflating feeling in my mind which somewhat detracts from any of the poems earlier virtues. The rhyming sound, to be clear, isn't bad (in my opinion; it's actually quite a good choice), but the wording ('arrive at last to see' (like obviously they're gonna fucking see him if they're 'arriving' y'know?), and 'lying free' (given you've all ready said 'at peace', what does 'free' do here, other than fill out the verse?)) is poor. Of course, you could have had your semantically and/or artistically valid reasons for this, which I, in a position of over-critical ignorance, am overlooking, but... yeah... I mean... that's my sincerest attempt to answer your question. By the by, you have got a good ear for meter. From one atrocious formal poet to another: please keep trying. One day you'll write something to vindicate the misguided efforts of us all.
>>25259887I can't get into the long narrative poems but I like the odes a lot
>>25267592Thank you very much for the feedback anon. You're absolutely right that the metrical flow is overly regular; it's something I didn't even notice before but now that you point it out it's incredibly obvious and kinda cringe. And yeah, I have a problem with warping sentence syntax to fit the rhyme; it's something I'm slowly but steadily improving at, but it's unfortunately still there in all my formal work. My hope is that if I keep reading the greats and keep practicing my verse eventually I'll be able to gain a better instinct for such things. And if not, at least I'll die knowing I tried lol. In any case, I appreciate the help!
>>25259884AyAyAyAyIma fuck niggaIma cuck niggaPull out yo dickIma suck niggaPull on my dreadsWhen you bust nigga But don't call me a fagIma tough niggaAyBlicky in my purseBetta duck niggaTwerkin on ya hearseWhen ya dust niggaFuck me in the assTil it crust niggaBut I'll put ya in da dirtIf ya call me a puff niggaAyThoughts?
Greetings and salutations.I will perform various homosexual actswhile behaving in a stereotypically black mannerbut do do not accuse me of being homosexualI am a masculine heterosexualliable to murder anyone who expresses opinions to the contrary
She suck meThenShe fuck me
I'm surprised this hasn't been asked (or maybe I shouldn't be since this is 4chan) --Recs for a couple lines, maybe a stanza, that would be perfect to use in a Mother's Day card?
I had a line and a noseNow I have no linesNo moneyNo MFA certificateI'm out of milkFuck your momat midnight
>>25269742Love you Mom
how do you write good poetry
Pathological passionPursuing pleasing prancingPathetic paroxysms
>>25269742Dearer to me thou art than any other: I long to fuck nobody else's mother.
Mother: I have escaped pussies.Mother knows a thing or two.She says Houellebecq isn't anythingMuch like Houellebecq's mother didBet he wasn't pressed against his mother's titsLike I am. I suck. I know it's wrong. It's milky.Dad will roll the carpet up and take it to the cleaners.I go to bed with a clear conscience.Happy whatever festivity it is todayY'all.
>>25270369nobody really knows but everyone agrees you have to read a lot of it
The thing-in-itself screeches.I cover my eyesto not let the red ants out.The rosemary of yesterdaygrew teeth.The salad is bloody now, unusableit staysin the lower fridge.
The Great Poet, AsterHi! It's me, the great poet.—Aster
>>25270369Good poems evoke a kind of wist that bad poems don't. You ever hit a tuning fork to make it buzz and then you hear another tuning nearby fork buzz in response to the first? It's like that. Now, this means that not all good poems will be good poems for everyone. But when you write poetry, try to make sure it stirs something in you when you read it. There's also stuff like rhyme and meter but you can get better at that through practice
>>25270655The Great Poet Asked Herhaven't you heardof the great poet?—Aster
>>25259884There is nothing betweentwo slices of breadbut they will never beone loaf again
dont be jellyof anal shinedick like laserhard as limesomething smellyand sublime
The road through Githioro drags its spine through mud and broken stone,deep with ruts, tired with rain and neglect.
banging beatriceno infernosinking into paradisehey gustave stop sketching me small down there
you want a poet's versepinch his ballsif he has any scanning the tractormanual labor ftw
Reznikoff has the rare ability to ruin your day with two lines. I still love his poetry, tho
The walls are shoutingI cannot hold them backLet them inLet me outDied from heart attack
>>25268270Honestly more entertaining than anything else in this thread. Seems about 99 percent of writers are more concerned with looking smart and clever instead of just, ya know, writing something interesting.
[The blind path] Impulsive act, left astrayWith no safe haven for you to stayIn suffering you may, find a spotWithin, Maybe,under your skin,coated in spring leavesA jumble of mechanismsAre you really sure this defence is worth the win. Empty prayers, sowing the gardenRoots dying as the trunk hardens,Leaving craters where life once grew, They imprisoned the phoenix, made it illegal to bloom.What a fucked up, childhood, Now fucking around as an, adultgood. Who poisoned the depths,Daily town fest,No water left, got lost in the jestOf another electric boogaloo quest. Parody event, and countless hours,Spent in the trench, taste the dirt sour.Who's to blame the lost one coward,With so many lies on top of the tower.Who's to blame the lost one coward,When only death will bring you power.Who's to blame the lost one coward,Where spotless lands can't grow a flower,Who's to blame the lost one coward,What to do, when everything is on fire?
[To Existence]What's the deal with all these taunts and flairs, a mountain of poses just to win, just to dare, adding up to the pile of who did done and who was were, a tear from a bear called fear, a beast who dared to shed a tear forgetting those he held dear, now naked and clear, he lost his old wares, found himself dead centered in his own despair.What else is left for the animal lost in the sense and forgetfulness, when the values crumble under a whole new present tense, a future as uncertain as the present itself and a past no more worth than a dying flower caring less, entranced by it all and the futility played as jest, telling him to stay alive, nurture its growth, see through its own principles and give them up once for all, but at least gain some laughs by presenting them as a joke.What's left but to play the role, to sing for everyone yet play alone, that's the role of the mole, blind to the sky now filled with worms, and better so as the real ones lay where you were born.
[Humus] Tis with little thought that I put together words, and wordsthat all come to naught, pieced together at dawn, Everything and nothing and whatnot.The souls I see, bedazzled in a hurry,A lonesome stream, of forgotten journeys.Quite a blue spot to find oneself in, With the rhymesthe rhythm, the beat of a feat in a unison dream, Under a North star crowning you a king,The illusion feeding itself at every whim,Backward steps painted in greed.We will never stop,Filling bottomless holes no matter the cost,As long as they wake us up, just a little spark,Then back to the mud without feeling lost. In another start, in another post,Still trying to fly knowing dirt needs you the most.
>>25272080>>25272096>>25272101Your poems are garbage.Kill yourself.
>>25271873You're just dumb.
>>25271873>Honestly more entertaining than anything else in this threadThanks I thought so too.
>>25259884Murder in the GardenHe stepped into the glasshouse from the coldGrabbing at grapevine, trampling marigoldFalling face first into the green perfumeA bullet found a tender place to bloom Between the pampered flowers and the fruitsthat whither as the chill descends their rootsSmoke wafting from the barrel of a gunAn apparition of the setting sun
Picture for me, If you will, A giant mushroom;Is your mushroom like a tree?It’s cap spread as a canopy?Looming over you and me?Is this your “giant” mushroom?It’s hardly worth the name!My mushroom puts your ‘shroom to shame!Let me now explain;My mushroom truly terrifies!It’s reaching up into the skies,Its dotted cap so widely made,It covers all the land in shade!
i like this
Les montagnes regardent, patientes et fières,le temps qui se retire, lent comme un roseau.Mais dans chaque blessure une lampe persiste.
>>25272107:(
Eros/ThanatosI'm pulling outwhen I'm dead.They saidthe world was endingtoday.Still here.We can continueour desperationjust in case—fingering time,eating the worm.
Got an idea for a long poem but I'm not happy about it. Because now I'm like 'Ah shit, fuck you mind for coming up with that idea. Now I've actually got to work on it and it's going to take ages. I just wanted to spend my time doing nothing and occasionally cranking out a poem which can be finished within a day. Now you got me working on a single one for consecutive days? Fuck you mind. Inspiring me like that.'
>>25274543Give the idea to me.My muse is a cruel bitch
>>25259884Night Walk by Franz Wright. Love this poem.
I am not going to write an epicjust to have a shotat pussies.Oh muse just spread your legs
>>25274023What does this even mean
new tiny fragment is up in the archive
RE: the poetry book "Doe" by Conor Hultman, which someone just had a thread for that was deleted:Conor, you magnificant bastard, you stole my idea for true crime poetry. The early bird gets the worm, but this won't be the last you hear of me.
>>25277858>true crime poetryThat's so gay.
>>25277879It's dreary as fuck you psycho
>>25277886lmfao shut up bitch
I am not going to Conor, you magnificant bastardtiny fragment is upbetween the pampered flowers and the fruitsyou're just dumbit covers all the land in shade!AyAyAyin a mother's day card?I will perform various homosexual actsthis is my first time sharing OC YOU ARE RETARDED.
>I know, I'll be even gayer. That'll show 'em...
Double-hyphens make a dash-- A mad-dash at double-speedRolling boulders . . . My ellipses. . . Fancied me a dramatistIn my tenderest dreams, yes.In my most fanciful dreams,A writer -- I be, so I learned formatWhen I was no longer a teen-- Fancied it copy-editingBut here's some trouble for me:I got to chatting-- With a girl on the webWe came to disagree . . .I broke off in a 'fell-swoop'A tired-stroke of cantourI willed her goneBut I was begrudged thereafter-- She looked for me inThe reams of the netAnd fed AI samples of my banterOn 4chan.orgA post was found thatMatched my stylist's endeavour-- And yet had not the spiritOf my soul!For it was not IWho wrote that piece of drool-- But on an anonymous accountAccused was ICertain was she -- would stake her life.And the telegram messageHad arrived to outMy two-faced mind!But what do I care: I'm notThe one hung up.Maybe her AI willDetect this authenticSpecimenOf authentic junk,If so, I bid you 'Be well -- chum.'
>>25275507just got back from a night walk thanks anon
Awaking slowly on a sunlit slope,a gambler rubs his dazed and sunken eyes.He wandered off around midnight, to wiseobservers seeming drunk and full of hope –a hope that ties to drinkers like a rope.But now he struggles sitting up to rise,his gaze still focused on the churning skies,their foaming clouds that melt as bars of soap.The sun is setting fast, and up he stands,the gambler’s drunken high now wearing thin.The townsfolk say he’s blind – a hopeless manwho lives in filthy, groping wayward sin.But mountains he’s climbed of snowflakes and sand,and little he cares for striving to win.
>>25278278??? trippin
I told youyou're everything to meyou told meyou don't love me anymorethe policemen told methat it's beem long since the've seenso much bloodthe policemen told me
I'm ruping downhere:like thisbreathlessbreathtakingessentialsequential birdsoh summerand bloated poolsin flowersah colours!
I talked myself over the silenceSculpted your absence with my armsI spilled the night between the balcony and the doorbellWrote what cannot be saidinto drawer lettersPleaded with the morning birdthen relented in an open fridge.One day this will turn to useI'll get a new batch of pleasant moonsto sleep under.
>>25278278cringe
water/fire spills from the most boring mountain in town a million new rivers but their novelty walked is goneyou call that a charnel house? the ground has muscle underneath it the worlds bicep is defined and shivering and it’s making it’s new tattoo of a snake open and close its mouth by flexing virginia is for lovers he is moving to the republic of images and she is moving to the breakaway state of sounds what is to be done you ask? the minimum i suppose forget the maximum; the less you know the better; all roads lead to you not just the roads but the flight pathsand the fast food deliveries and the presidential bunker systems; you are the center of all systems i am in love with you almost immediately collapse, desire, the beauty and the sorrow look through the windows of the trucks of the miracle invasion and smell their patriot organs mausoleumicrobial god take my sun and my hands and laugh and lose your pathetic dream lets lose this all together
Gonna compile all these together and use it for my PhD thesis. Thanks for the free work heh heh
Frogs at Judgement DayThe log they crowned as kingGrew sodden, lurched and sank;An owl floats by on silent wing,Dark water bubbles from the spring;They invoke you from each bank.At dawn you shall appear,A gaunt red-legged crane,You whom they know too well for fear,Lunging your beak down like a spearTo fetch them home again.SufficiuntTecum,Caryatis,DomniaQuina.
>>25283216Americans are so pathetic
>>25283274Yeah it’s pretty horrid.
>>25283330stop referencing your retarded country in your poems
John Ashbery, "Quick Question"
>>25283576I'll be honest. I don't get Ashbery at all. What do you see in him?
>>25283576for some reason there’s nothing worse than seeing some anon’s creepy fingers accidentally included in the pic.
>>25284553First Ashbery book I've obtained, aside from the few pages of Self-portrait in a Convex Mirror I flipped through at a B&N one time, so I'm still figuring him out too. Just wanted to share that one. As for what I see in him currently, I don't know, the odd beautiful phrase, image, and, as Hart Crane used to call it, logic of metaphor. He's not a poet one reads for truth, which is why I think he can never be ranked as a major poet. But for a fun, aesthete diversion, why not?>>25284563I gotta prove my race. Just teasing. I feel like it adds to the charm. Brings us a little bit closer, y'know? I'm a real human being on the other side of these posts.
>>25284570yeah it’d be fine but somehow they’re never normal fingers. i didn’t realise you were still here, don’t really want to lay into you, but it’s like everyone here has ugly hands. or maybe it corresponds to likeliness of posting pics of physical books.
Some interesting and mentally ill people in this thread
>>25284740in the poetry thread? never!
>>25283576Hackwork, Ogden Nash level
>>25283576See I hate poetry because I can never tell if the poem is just complete tripe or if I'm missing some obvious thing. If I say this left on the office printer I'd crumple it after stealing two/three word pairings.
Curious wordingArbitrary Line breaks for emphasisRhythm employedTo mask depthConcluding sentence as a hook
>>25284806All line breaks are arbitrary. Most poetry works depending on the reader's benevolence/indigestion.
This one’s called Wacky Life:Why does the word bedResemble one?Why do I find myself drivingon the parkwayAnd then parkingIn the driveway?But then the man who runsIn front of the carGets tiredWhile the man who runsBehind the carGets exhaustedHow come when I knocked up my wifeEveryone sent giftsBut when I knocked my wife downThe neighbors sent the police
>>25284852I love the wordplay here anon
>>25284570i want to apologise to you, after seeing the recent shenanigans in the /wyt/ your hand is actually relatively fine. could be a lot worse
i wrote a poem about cambridge, boysSocksford,Boxford,Hollyhocksford, doxxford,Clocksford.The slack of her smocksfordShocksford.Roadblocksford.In the midst of a knocksford -Landlocksford;Foxford.Of what state and stocksfordOur islands rise rocksfordFrom the sea, not fit forMany flocksford of sheep.
>>25284989>>25284852These are the only worthy poems in this entire thread.
>>25284991Sniffing your own farts are we
>>25285015No I didn’t write either of those masterpieces
Dominating the captchais easier than the form.I found a genuine commenton the chan:time to builda museum for it.
>>25285015nothing to do with me. i wouldn’t’ve included the other poem, or if i did, i wouldn’t’ve included mine because he clearly put more work in.
i’ve got a song that nobody knows.i put it on when nobody's home.it sounds like high school, front gate, smoke in my faceIt sounds like dyed, frayed, high-waist, bought at supré.it sounds like lovin you is easy but they boosted the bass.it sounds like ipod touch, yellow pikachu case.FL studio free download in my search history.FL studio so late i fell asleep on the keys with it looping through the speakers, bleeding into my dreams.it sounds like
In heaven, learning is seeing;On earth, remembering.
Wallace Stevens, "Parts of a World"
Wallace Stevens, "The Auroras of Autumn"
A nodding ship that drifts awayOff from places so dull and greyWhere grief and sorrow go to die;leaving only a carefree sighNo strife or dread or toil for goldForgotten tales no longer toldAnd gentle seas rock fears to sleep;for wakeful minds alone to keepIntruding curtains wake my sightThe light betrays my wish for nightWhat lingers wears off with a yawnAnd fades away along with dawn
Sons of Sinope On poison we bingeSo fruits of the life treeWill always make us cringe
Now that I'm better,book under the tree,the stream's trickletrue in my earsthough the stream is far away.Now that my mind is unfoggedand clear on what matters—you, him, her, them,perhaps us—I can still seethe pile of nailsfor pinning impermanence,the question marksgrown restless with legs,the face on mescared of meand families.
>>25287163lmao you have kids and are still out here posting on 4chan?
God damn ItI'mRetardid
No sé tu vida.No sé tu nombre.Solo conozco tus palabras.Dicho a un hombreEuropeo.There lies an island far across the sea.A green and pleasant land with folk so fair.An empire which the sun shall always see.I mean to conquer all, then strip it bare.I lack an army, blades I have but few,Advisor dear, explain, what must I do?My sovereign lord must stop this doleful tone:The game of war's now played by merchants, suchThat highest bidders lay the claim to thrones.Your total conquest earned with lightest touch;With usury we shall enslave this folk,With rotten print, the chaos we invoke.Yet should we show aggression lightly masked,Their righteous rage we surely must receive.The loyalty of folk will ever lastTo noble king, impossibly deceived.They all shall act when king announces cue.Advisor dear, explain, what must I do?My sovereign lord, to start our sordid runWe tirelessly support democracy.We make the father hate the loving sonAnd serf detest the aristocracy.The ancient power of kings shall be constrained;The crown's despisal ever unrestrained.The king remains, yet now is bound and trussed.The folk then turn their weary eyes to God,In Him alone is placed their desperate trust;His strength they worship, holding ring and rod.By priestly words believe they false and true.Advisor dear, explain, what must I do?My sovereign lord, we shall achieve our goalWith whispered words in educated ears"The world's transformed by black and dusty coalAnd doctrine's shaped by coin, not sacred fears.So Man ascends the Christ's eternal throne;A reshaped world, an image all his own."Now God is dead and crown the folk abhorBut still they run so wild, with swelling broodsOf children, ten or twelve or even more.Their teeming young entail the future feuds.Tomorrow's strength I must today subdue.Advisor dear, explain, what must I do?My sovereign lord may plant his flag afield;We sever ties of matrimonial bands,By shredding blanket, deconstructing shield:"The family - a gun in bourgeois hands!The wife, the mother - brazenly oppressed!"With truthless chants, their final guard suppressed. Their faith is spent, divorce is commonplace,Yet healthy folk remain; impervious throng.The farmland's produce sold at marketplaceMakes half a dozen men a thousand strong.With bodies stout, this conquest be undue.Advisor dear, explain, what must I do?My sovereign lord, we make with eager hasteTo fill their mouths with poisoned processed food,Pollute their streams with toxic, plastic wasteAnd make them drink expunged hormonal moods;We watch as bodies wither, spirit wanes;Belligerent capacity contained.(1/2)
My sovereign lord, it seems I spent my last.We've won the war on every thoughtful frontBut should the folk see through our crafted mask,Then hidden victory shall be undone.Unless they know the names of kings so boldUnless they honour gilded glories oldUnless they find their body's stolen strengthUnless they hold their place in shielded wallUnless they add to line of family's lengthUnless they name the architects of all,Our surreptitious throne shall never fall.I don't know their lives.I don't know their names.I only know this: these wordsWere said for Europe's fame.(2/2)
>>25287192anon are you retarded nowhere does that poem imply that he has children
Murder in the KitchenCoffee and cream, just the way you like itRich butterfat cream and dark brown sugar One drop each of hazelnut and almond And a cinnamon swizzle stick, for showSitting on the quiet countertop, cold
Poetrylet here, I liked Ancient Mariner but I'm finding The Divine Comedy to be pretty hard, especially because I don't know anything about theology, also getting hard filtered by Paradise Lost. Do you have recs for beginner babby poetry?
>>25290077>The Divine Comedy to be pretty hard, especially because I don't know anything about theology, also getting hard filtered by Paradise LostTheology doesn't really matter for either of those books because they are in error.Good verse thoughWhat parts of paradise lost are you struggling wit. My advice is to take your time with these old poetry books. Read like your savouring a charcuterie instead of trying to fit a heavy lunch into your 15 minute lunch breakMaybe you want mor recent poets like Bukowski or Larkin. Mary Oliver as well although her poems tend to be a bit preachy
(Stiletto)What is going to be pierced then,the lung or the heart?You ask it loomingfrom toes up.The jinglewhen you move your head.You impose the room's lawwith last year's gift —but I'm not scared.Plum-black promises,kept as bruisesto the hip.
Brown boarded ship, oh deliver me;Upon a sea of sparkling shining sheets.Peaks of pointed aluminium rising and falling, until flattened as a field.The hot waves in lines of matted metal.Smokestacks pour with vinegary vapours, breathtaking and soothing. The ache is released, I cavort with spirits of light and warmth, into Orpheus' embrace I am taken home, Ithaca.Those rugged banks, painfully sought, and painfull acquired, but home it be.Would that I could stay, but my ship is leaving, and I must pay upon each morn, to find my long way back.
I, a traveller in a barren land.Passing 'neath shadow'd hills and trees and long dead.Journey'd leagues of seas; now long dry'd sand.Came I to a little stream: its life bled.The arid banks of bones did form a crown.A voice there spoke betwixt the bony wreath:'Oft did men visit here; and oft they did drown.'Fearless was I of the waters low beneath.And responded with derision at his size.The voice replied 'you know me not of youth.''When my river flowed and raged before men's eyes.'My waters, the enamel of Empire's tooth.''For this was England 'fore men let her go.''My name is Old Thames, I long 'go did flow.'
>>25259884O let me laugh at the wasserfallPondering ecstatic thoughts And sentimental excessLet me laugh at the wasserfallAnd the luminous filaments Of her buzzing copperhead Let me — let me, for a bit Indulge in the applause Of the wasser in its fallAnd its whirling sparklingDust, remnants of heavenly tears— Alchemically induced feversVisions of that ruinous JannahWith its overflown rotten honeyFilled with microplastic and nitrates —Let us laugh again, my love At the corpse of that rusted foxFor his agony will be our feastI will taste his flesh on your lipsAs I once savoured that filthy fruitFrom your immaculate hands
He the woe-wanderer, lost 'midst life.Round the raiders rallied, from ship to shore to Burgh.The child abandoned, orphan only. Father then Mother. Brother's bloodied, left for carrion.Carried on by sea-tide, running red the surf's foam.Washed 'mid corpses, coughed the salt-splutter.Dark, eyes adjusted, walked endlessly; echoing footfall.Shivered the night's darkness. Morning's red renewal.Red like life-blood, Sun recalled the foam-fear.Slept the light's day: hunger awoken, stomach hoarse.Gnawed the roots raw, supped on tree-sap, sustenance lacking.Walked again the Moon's path, pace persistant.Hounds behind heels, hopeless in tree hidden, breathless beat-heart. Day anew drank at brooke's babble, thirsting requited.Caught by the hounds hunger, mauled his leg bareSlew the one, the fellows fled. Flint-stone dripping with dog's death, bane of beasts.On leaves he lay low, sleeping his soul left him.Peace came pleasantly, his flight found him far above skies.In halls on high found solace in Father, Mother and Brothers beside.He the eternal, found 'midst death.Long will the raiders rally, in halls of hewn rock, and fires dark red, remorseful they burn, yet the light of Him shall never shine on them.
>>25290604>>25290622>>25290653>>25290798Why is an actually talented person (persons?) posting on /lit/? I thought that was against the rules.
>>25290830got to be a samefag right
Push on to the world's end, pay theDread guard with a kiss,Cross the rotten bridge that tottersOver the abyss.Run until you hear the ocean'sEverlasting cry;Deep though it may be and bitterYou must drink it dry,There stands the deserted castleReady to explore;Enter, climb the marble staircase,Open the locked door.Cross the silent ballroom,Doubt and danger past;Blow the cobwebs from the mirrorSee yourself at last.
>>25290830>>25290870I wrote this one >>25290653in five minutes. The other guys are actually much more serious about it and talented than me.
you CAN quote lines from over 30 poets, right, anon? right...????>How body from spirit does slowly unwind>Until we are pure spirit at the end.
>>25291014No, I'm straight.
>>25290830Thank you, from the bottom of my heart, thank you for your kind words. Even if you are just memeing my spirits have been raised immeasurably.I wrote these three:>>25290604>>25290622>>25290798I've never shown anyone any of the poems I've written, I spent two days writing my girlfriend a sonnet a couple years ago but was too embarrassed to give it to her. Sincerity and bare heartedness on that level is a weird feeling. I decided to post some here, the first one (Brown boarded ship) I wrote today, and the other two are from a few weeks ago. This sounds really lame and gay but I felt my eyes start to water when I read what you said. >>25290879Thank you also for your words. I really liked your poem. The dashes evoke Emily Dickinson, but the language is more engaging than hers.
>>25291078Not meming at all my friend; I saw your work and immediately could tell the person who wrote it was on quite a different level than most of us who post in these threads. Please continue writing. Your influences are clear (particularly Shelley's fingerprints on the second one) but that's not a bad thing since you're obviously still experimenting and finding your voice. Very promising stuff; ngl I'm a little jelly, but that'll just encourage me to work harder on my own shit.
>>25290870Not any of the anons potentially involved here, but I suspect the most effective means of samefagging would be a barrage of self-directed, dismissive insults. Best case, people defend you from you; slightly worse case, they join in, which is almost validating in its own way; and worst case, they don't (You) you at all, but I'd wager more people cast an eye at a post with a reply or two, so if the goal is attention...
(You) me or diebitches only comment if it rhyme
Eras, not years.Functionally yourswith my caveats.There's no road to it until I draw it, stolen brush and all.The sky is from elsewherebut I liked the colour.I'm not saying I won't help youbut I just moved a hill.
My poems are greatI often masturbate No need to hateWe have tendies on a plate
RISOTTOTHE PROLETARIATOF PASTA
>>25291119>Not meming at all my friend; I saw your work and immediately could tell the person who wrote it was on quite a different level than most of us who post in these threadsWell, I don't know what to say other than I appreciate it immensely. >Please continue writing.I definitely will, I haven't felt this motivated ever.>Your influences are clear (particularly Shelley's fingerprints on the second one)I was thinking it might be too on the nose with the Ozymandias influence in that one. The "woe-wanderer" poem was my attempt at a form of Anglo Saxon inspired alliterative verse, in the vein of Ezra Pound's Seafarer translation. I don't really know what I was doing in the first one, that one was written very quickly and I guess just channeling the Classics but with former addiction as the content.
post free verse - nothingpost schoolbook verse - nothingpost bullshit - nothingpost my cock - pending[this is not a stanza]
theres an intamacy in oppositionnot even desire to overcome, nor harma strike carries more weight than a kissthe potentional energy behind an armseeking and dispelling answersthat no mouth could come to matchyoull feel it in your bones come suna warmth set of lovethe act wasn't anyones to hold, the rememberance of a markyet in the dark of stabs of light,in sludge and motor and basementin weeks after, as taste is to rightill return your affection to some other fool
He walks through libraries of ash,Where volumes blacken in his hands.He sees the statues long since smashed,And finds in ruins his commands.He holds the flame between his palms,It sears and blisters as it burns.It soon shall spread beyond his arms,The cleansing fire for which he yearns.Inferno's blaze engulfs his mind,Denies him sleep, creates his way.The flame of meaning undesigned,Its sole demand he shall obey.Each dawn he spars with his past shade,His courage honed on stones of fear.No longer haunted, unafraid,He bids the spectre disappear.His comrades wear no uniform,Each bears his ember, silently.Rejecting orders to conform,Resisting pressure violently.He walks a cold contemptuous streetAs jeering strangers gather round.They harry him on weary feet,Like vultures over sundered ground.The thieves are maskless, suits are clean,They left the alleys, stalk the courts.Their smiles as sharp as guillotines,They douse the flame the law contorts.They proudly boast of purity,While building bricks of Babel's tower.They bought the world with usury,Cathedrals lost to merchant power.The wolves that prowl amidst the sheep,They deem them naught but willing fools.They whisper to the stony sleep,"Is dark fur less than your white wool?"His brothers spread as scattered stars,They see the truth through swindler's lies.They guard the ember near their hearts,While building up the kindling pyres.He reaches past his mortal frame,Uncertain faith is absolute.He forges, through the imposed shame,An iron heart from truth minute.He reaches down to lowest depths,Berserker's rage he finds within.The fiery impulse he accepts,Yet conquers anger, transcends sin.He knows this path of fire will scorch,That walking it inflames his life.Yet evermore he bears the torch,And cradles flame through sordid strife.The Cultured Thug, half monk, half beast,He hungers daily to reclaim.He starves himself for victory's feast,For dark retreats before the flame.
>>25292117nice
In Dulwich town, where rain does sigh,A legend grew, unheralded, high,Of spoons that once did stir the broth,Now lying idle, cold, and sloth.The humble spoon, of steel or tin,Did join the soup, a noble kin,Yet ne’er a poet sang its fame,I cried its name.For centuries, they dangled there,On hooks of iron, rusted, bare,In kitchens dim, where shadows fell,A chorus swelled—*clang*—the bell.When breakfast rose with bacon’s scent,The spoons would rise in homage bent,To toast the butter’s golden gleam,And cradle jam in dream‑like stream.But lo! The day of *great* unrest,When toast was burned, and jam confessed,That spoons were missing, one, two, three,A tragic loss for all to see.The town convened a council grim,With mayor, baker, and a him—A baker, known for crumpet crust,Who swore the spoons were turned to dust.The mayor proclaimed, with solemn voice,“Let’s search the streets, make no rejoice,From gutter‑deep to rooftop high,We’ll fetch the spoons or else we die!”Thus marched the townsfolk, coat and hat,Through fog and mist, through this and that,They climbed the rail, they loped the dock,And shouted, “Spoons! Thou art not a rock!”The baker’s wife, with apron stained,Did toss a loaf, the heavens gained,A spoon did glitter from the sky,It fell upon a cat—oh my!The cat, bemused, it shook the gold,And in its paws the spoon took hold,It leapt, it tumbled, over roofs,And landed—by sheer fate—on roofsOf a chapel where the choir sang,A hymn of loaves and sweet fangs,The chapel bells rang out “O Spoons!”And thus the town was saved from croons.Yet sorrow lingered, deep and long,For spoons still missing from the throng,One final spoon, the dearst of all,Was lost beneath the ancient wall.The wall, so stout, did whisper low,“It was I who swallowed fork and spoon,For I was fed with endless stew,And kept the silver for my rue.”So now I write, and weep, and rhyme,To honor spoons lost to time,May future generations hear,The greatest spoon‑poem ever, here.And so, dear reader, heed this verse,If ever you should lose a spoon,Recall the tale of Dulwich town,And write it down with ink and frown.
You try to climb that mountain peakYour gaze locked on to what you seekBut every heart is bound to slipAnd a waning hope shall lose its gripFor once allow your tears to shedMourn that, for which you fought and bledLament your dream like a flowing creekAnd let your tears stream down your cheekAnd once your sight is clear and dryThen something else will catch your eyeShould you still shun what makes you cry?- for you have learned to say goodbye
>>25292434Very amusing little poem. I liked it alot. It doesn't take itself too seriously which I like.In some parts the rhymes seem a bit forced like you had something going on, but couldn't really come up with something else. Of course maybe you thought well of every choice and made a conscioud decision, who knows.LikeOf spoons that once did stir the brothInstead of Now lying idle, cold, and sloth.I'd have kept the stanza in the same theme and said something like"And helped the chef skim off the froth"Or something similar. You have a long poem and thus alot of space to progress the story forward The rythm is also thrown off a bit some places. One if my favorite stanzas is actually in the topThe humble spoon, of steel or tin,Did join the soup, a noble kin,Yet ne’er a poet sang its fame,I cried its name.The last line could use a few more syllables to keep the rythm, so it doesn't feel like you're left hanging there like 'that was it?'
>>25292577It's what AI outputs when you ask it to do its best William McGonagall impression. That's what a lot of the poems in this thread sound like to me. Poem by me:It was really bad...(Illustration of smiling child standing in front of torn up crushed F graded test paper)Wasn't half badCrushed it, I'd sayReally tore through itProbably an A...Poem I like (shel silverstein):She drank from a bottle called DRINK MEAnd up she grew so tall,She ate from a plate called TASTE MEAnd down she shrank so small.And so she changed, while other folksNever tried nothin' at all
>>25292743I figured some might use AI. For guidance I get it. But outright plagiarizing it, I would be ashamed.Nice little poem.Something I wrote: I wrote it before my deployment to Afghanistan in a 'goodbye letter' to my then ex, in case I was KIAOff I went, for my country's pride,Off to where I took my final stride.I hope you know I did my best,But from this war I'll now find rest.Oh my darling, if only I had knownThat I would never make it home.I'd hold you like you were always mineAnd kiss you gently one last time.Oh my darling, my dearest friend,I promise in time your wound will mend.I will soon belong to days of yore,And you will find true love once more.This letter holds the pain I bear;I found a heart so pure and rare.For you my dear I'd tell no lie:It's time for me to say goodbyeI think I was.. 22? At the time
>>25292767SENSITIVE YOUNG MAN
Please move all these people back to the 18th century where they belong...BORING
Floor-to-ceiling window, your domain.Answering correctly only reveals a lock.A shift, or a suggestion of it,and the light adjusts.There is no redemption nor danger,only the pause before both.
O quiet tourist, arriving in London,And always in Ubers above the hidden Underground.
>>25292767I'm a flippant asswad, and have written the following on the basis of your much more earnest, endearing effort. I hurry out, my country's pride!Here's hoping that I haven't died.Though, if your reading this, you've guessed,That I in peace, or pieces, rest. Oh, darling, if I had but known,How fate would strip me from my own,I'd hold your arms, your legs, your spine,And scorn each fragmentation mine.Take solace, won't you, dearest friend,That, though I may have met my end, My being in the army corps, There will have perished countless more.But, then again, if all goes fair,And I embrace life over there,I'd rather die, than prove, instead, To come back home the walking dead.
>>25290876very nice
>>25291277Pretty
Blacker than the whores of GomorrahWas masticating filth, leering before meOver six breakfast sandwichesTwo tubs of colaA grease-trap full of powdered chickletsAnd a platter of toasted sausage shells.Your bulging eyes see no betterYour bones are desiccated logsThey pipe infernal jingles here all the meal longThus you shimmy, dyingIn your bright purple boothAcross from you are a pair of mutantsPig-eyed, sop-nozzled, spasticThey cannot even roll to the washroomTo clear the traps of filth gestating betweenTheir gout-riddled legsRashes climb up out of their jumpsuitsMean red hairs emerge from fields of papulesChildren these are notThey are victims of a nuclear bombAnd this is their last mealA meal of whatever was leftA meal of stone cold pityFor these horrible DoomedPigs
>>25292771Hahah yeah. Who also happened to enjoy a gunfight. A very confusing concept to women I might add
>>25294044I love it!! I loved the imagery at end about the walking dead. Many such cases. I hope to be able to write like that too. I still practice.Some of my other recent workThe tender kissOf a morning dream that lingersSlipping from my mind again;like sand between my fingersVigilant of my dreamy musea promise soon to breakAn empty place is left in me;My heart is left to acheAn unrequited farewellThat leaves my heart to sighA fading glance at a memoryOf a love left where i lie
oblivion is comfortable A spear slides between your ribswater and blood spilling warm down your sideflesh melting as you burn at the stakesmiling faces lit by the flames, as you turn to dust sleeping in for the day, sleeping in for the nightwarm under the blankets, forgotten rain tapping softly on the roof comfortable
>>25294044>>25294591Another oneOff we go to the ladders and ropesOff to kill young men's dreams and hopesHow did this end up becoming our job?The sergeant calls 'go over the top!'No lack of heroes, yet hardly any saintsAnd no one here is short of complaintsNow all goes quiet, and the guns they stopThe whistle blows to go over the topFor what are we dying? is it all in inane?Perhaps I can desert or pretend I'm insaneBut they'd disregard my ploy, I fear- Who'd notice another madman around here?
A Letter in the Putrid Litter21 Rue de la Visitation,Poitiers, France.To my sweet-bosomed Madam Blanche.Days I longed for the smell of your hair,And no replies my dear, but I will not fret.My conditions are of your concerns, I know,I thought over money and the French law,Taking my leave, and your hand in marriage,For a farm full of boars, dogs and children,A humble life your mother would approve:Our happy lives in Maine spring; that I hope.Your very dear Henri is doing good as well,The little barbet sleeps a lot these days,Funny how he jolts up to the rusty door bell,And later, grumbling back to food or sleep,When everyone but you walks on in.I will try to keep him fat and healthy,Though I fear the worst for his old age.Though much is futile, let us not lose hope,With utmost reverence for the Monnier family.Remember my love in these trying times,And I shall be patient for your reply.Ton bien-aimé,Victor.Signed, 1876.
I want it to be, like, messyI'm so insecure, I thinkThat I'll die before I drinkAnd I'm so caught up in the newsOf who likes me and who hates youAnd I'm so tired that I mightQuit my job, start a new lifeAnd they'd all be so disappointed'Cause who am I if not exploited?And I'm so sick of seventeenWhere's my fucking teenage dream?If someone tells me one more time"Enjoy your youth," I'm gonna cryAnd I don't stick up for myselfI'm anxious, and nothing can helpAnd I wish I'd done this beforeAnd I wish people liked me moreAll I did was try my bestThis the kinda thanks I get?Unrelentlessly upset (Ah-ah-ah)They say these are the golden yearsBut I wish I could disappearEgo crush is so severeGod, it's brutal out here(Yeah)I feel like no one wants meAnd I hate the way I'm perceivedI only have two real friendsAnd lately, I'm a nervous wreck'Cause I love people I don't likeAnd I hate every song I writeAnd I'm not cool, and I'm not smartAnd I can't even parallel parkAll I did was try my bestThis the kinda thanks I get?Unrelentlessly upset (Ah-ah-ah)They say these are the golden yearsBut I wish I could disappearEgo crush is so severeGod, it's brutal out here(Yeah)(Just havin' a really good time)Got a broken ego, broken heart(Yeah, it's brutal out here, yeah, it's brutal out here)And God, I don't even know where to start
You emerge as a bladefrom the blanket.Cruelty comes with a smirk —you know it from the blooda week later.Everything is to be framedin your world,not unkindly,not with kindness.Planets don’t dealin emotions.The sky empties itselfno matterwhat the ground says.Your hand is on the table’s edge,always on my shoulder.It costs the worldto close my eyesand really see you.
>>25290876This is really good anon
>>25290876Nice
>>25294793My friend for the night, whom I knowMy companion, my muse, wherever i goYour tender burn, and gentle touchFor you, no anguish is too muchYou dance on my tongue, like the day we metYou keep me from blowing off my headWhen life is hard you lift me upI return a toast and raise your cupA fleeting happiness I'll never forgetAnd for that I'm forever in your debt
>>25295400For (You)
>>25259913Underrated
>>25295404Mind explaining?
>>25295451It is for you to interpret
>>25295453interpret THIS
>>25259884A neighbor died today.That is what my mother told me.As I was sitting eating breakfast in front of the TV.Did you know of him? She asked.He could be seen outside our house biking past.Of course I didn't know him.I never spoke to neighbors on a whim.Yet the feeling that I didn't know him felt stark;he had lived beside my life and never left a mark.My whole childhood I lived, just a few meters away,beside a man who'd worked and loved and raised every day.He got a job, a wife, a house, and children too.A life with hobbies, a life with meaning true.I lived next to a family that now mourn his passing,a significant part of their life lacking.Yet my life remained the same,the only knowledge of his existence being my mother proclaim:A neighbor died today.
Non stop cults selling the scene foreverbite into the work, endeavor to screweasy marks either too late or neverout of any kingdom rebuilt anew.Ousted like the rest of us in the faceof all judgement. Choosing to sacrificeall hearts, minds, and time will never replacegrace falling, drowning the drought, mercy thriceover with more on the way. Zero-sumabandons the hateful score and favorsmore ecstasy. Bids the faithful to humin concert with hidden biomes, savorsour joy when we sing, our love when it blooms,free souls commanding, “Rise up from our tombs!”
Silence taunts mefrom the grey depths of miserable memory an inner peace I can't reclaim borne of child's pain and self erasurebut even back then it was blessed to sit and stare the infinite hours away the only passage of time buzzing cicadas and dripping moss
>>25290876Best I've read in these threads
>>25290876mogs me butHeed the path before you;for on it danger loomsMany widows there have lostTheir sweet and handsome groomsA trail no short of omens; And a shadowy allureMost will never stop to askIf their mettle will endureFor better men before youHave marched with steady strideIn search of gold and gloryAnd they have also diedA luring river will call for youThough it may well be cursedYou'll kneel before the waterand quench your body's thirst
>>25290876Am I retarded or are you all hysteric about some rhymes? Wtf is special here?
>>25296888Yeah the rhymes but there's a nice progression too and a journey to the self in a way. I hope I interpret it right.It's not the best I've ever read but it's a pretty alright poem
>>25296888wtf are you doing in the poetry thread?
>>25297094Poetry = rhymes. Yes. Make sure to sun-flower-moon it too. Form is not a substitute for content, we understood this around 1910-20 already...
>>25297113poetry that operates through rhythm and atmosphere and implication speaks to people who are receptive to it, and often baffles people looking for explicit content. poetry is written for poets, that is, people who speak the language.
there's a major opportunity being wasted right now to codify classical epic poetry which is actually good, such as the Aeneid, the Paradise Lost, using AI music tools like suno, as a tool to enjoy the poetry and even musically memorize large chunks of it. I've been doing this and I thought others would be doing this also. It would be nice if regular musicians did this with their own projects but they all want to write their own shitty lyrics that will all end up going into the trash bin of history.
>>25297160https://suno.com/song/bded120f-43c8-4dc2-bbdd-3400f32698b2
Behold what the sky holds tonight:not a mere sign of the pastleaving a trail for the eye.Not an opening from which god's amusement could drip onto neat grass.A locked meteorite instead,assuming the shape of everythingand quickly, so that your mind cannot decide on impeding doomor bliss.
So I'm not sure if I'm misremembering, taught wrong, or if there is just different rules for black poetry? I thought when reading poetry you only stop where the punctuation tells you to stop not to treat line breaks as periods. When I was listening to the author of "The Pool Players. Seven at the Golden Shovel" she would stop at the end of each line with a hard pause. So she would read "We real cool. We (pause). Left School. We (pause). Below is the poem. We real cool. We Left school. We Lurk late. We Strike straight. We Sing sin. We Thin gin. We Jazz June. We Die soon.
>>25297629>So I'm not sure if I'm misremembering, taught wrong, or if there is just different rules for black poetrythere aren't any "rules" for poetry, there's just "easier to pull off" and "harder to pull off," just "traditionally done in this way" and "not traditionally done in this way"
Within woods hidden it bids blood, it comes Roosting, feasting, preening plumes pulling beaksRevenging branded memories in distant past Of aught, or truth, a law of force and fall It’s dogshit I know but I wanted to experiment with vowel harmony in English.
Is Celan the most -difficult- poet in history? Or is it Trakl? Or Holderlin? Fucking German man
>>25297703Never make excuses for your dogshit. Just refuse to elaborate, and make a show of looking down on anyone who dislikes it.
>>25259884Where am I going? I don't quite know.Down to the stream where the king-cups grow-Up on the hill where the pine-trees blow-Anywhere, anywhere. I don't know.Where am I going? The clouds sail by,Little ones, baby ones, over the sky.Where am I going? The shadows pass,Little ones, baby ones, over the grass.If you were a cloud, and sailed up there,You'd sail on water as blue as air,And you'd see me here in the fields and say:"Doesn't the sky look green today?"Where am I going? The high rooks call:"It's awful fun to be born at all."Where am I going? The ring-doves coo:"We do have beautiful things to do."If you were a bird, and lived on high,You'd lean on the wind when the wind came by,You'd say to the wind when it took you away:"That's where I wanted to go today!"Where am I going? I don't quite know.What does it matter where people go?Down to the wood where the blue-bells grow-Anywhere, anywhere. I don't know.
>>25297629pretty sure all poets recognize that the end of a line effects how you parse a phrasetreating it as a hard stop like a period every time is pretty silly but it makes sense with the piecedumb gimmick imo
an ivory glove held in an ivory gloved handraven tresses floating in her wakeher pale skin unveiled for all to seeshe is so close to meButI dare not touch and break the glassher coffin frosted by each heavy breathrising and falling her chest our feetMy Eyestraverse her slender neckand meet her burning stareforged molten bronze overflowingthreatening to scald and hardenensnaring me locked within her passionThenthe swelling stringsa waiting gazeexpecting his turnshe is tossed aside and lost withina billowing circle of corsets and lace
First the birds came to feast,And they ate not last nor least.Then the foxes had a taste,And they cleaned their plates to leave no waste.Then those that creep and crawl came up from the ground, and from all around.And pulled the rest down, down, down,Into the damp earth, and they churned and turned,For it was time for the feast to end, And to the earth all returned, From whence it all came,And became earth again, all the same.Feast ended, banquet commenced.Plate and glass fill, the spoils of feast dispensed.Taker and Maker, alone at head of table,To partake, he is unable.For he has no mouth to taste,Only eyes to watch spoils waste.Eyes to shed tears,Mind to lament the years,At a banquet never wanted.Tears shed for life ended,Ended much too early.And so he wept,Wept for those he met too soon,And prayed for those yet to come,For them to see more of the sun.
>>25290876>nobody realised this is Auden
>>25298996one of his well-known ones too. this anon couldn’t even see what’s special about it >>25296888
>>25299111I still don't see what's special about it. It's "nice" at best. Token images, nice clear neat progression that a schoolboy can follow, no line stops you, I don't know mate.
Every Villain Monologue Tonight I claim the broken cityI rule with false mercyI show them the ruin I authoredThey fear my gaze still
>>25299145>no line stops youuntil the last. think it was amis (sr.) who said poetry should be immediately comprehensible.>I don't know mate.i agree.
>>25299145You couldn’t see what’s special about an Auden poem in a thread full of bad poetry? Probably says more about you
>>25299187What a terrible sentiment
>>25299205an awful, horrid one that goes back to the very beginning (& definition) of poetry: the more-or-less deliberate attempt, with the rhythmic mesmerism, to impose an illusion on the minds of others. the poet must have constant hold over the reader.
Oh, the gentlemen are talking and the midnight moon is on the riversideThey're drinking up and walking and it is time for me to slideI live in another world where life and death are memorizedWhere the earth is strung with lover's pearls and all I see are dark eyes.A cock is crowing far away and another soldier's deep in prayerSome mother's child has gone astray, she can't find him anywhereBut I can hear another drum beating for the dead that riseWhom nature's beast fears as they come and all I see are dark eyes.They tell me to be discreet for all intended purposesThey tell me revenge is sweet and from where they stand, I'm sure it isBut I feel nothing for their game, where beauty goes unrecognizedAll I feel is heat and flame, and all I see are dark eyes.Oh, the French girl, she's in paradise and a drunken man is at the wheelHunger pays a heavy prize to the falling gods of speed and steelOh, time is short and the days are sweet and passion rules the arrow that fliesA million faces at my feet but all I see are dark eyes.
>>25299223I honestly agree. Basically good poetry shouldn't be too pretentious and cryptic. I definitely agree with that. But Lady weeping at the crossroads is not that, i like it
>>25299205Emily Dickinson my beloved!!!!!
Cisless CisThere once was a lad in Tahoe:Looked for a quick shag with a hoe,Not picky, for a horny Joe,Not fishy enough to get poked.No time to dilly dally, she explained:"I am but a lassie with a willie."Wildless for ages,The lad raged and raged."Dross!" he yelled,"Asses? Not even in hell!""I have an idea," said she,Took out a blindfold for he,Fixed herself upon his knees,And drove him wild like Lou Reed.Though quite helpless for his age,There goes his minimum wage.
>>25299205>>25300520Out if the morningEmily DickensonWill there really be a morningIs there such a thing as day?Could I see it from the mountainsIf I were as tall as they?Had it feet like water-lilliesHas it feathers like a birdIs it brought from famous countriesOf which I have never heard?Oh, som scholar! Oh, some sailor!Oh, some wise man from the skies!Please to tell a little pilgrimWhere the place called morning lies!
your mouth on my chestyour lips on my cheek, my lipsyour hands on my hips
>>25302835I miss her
How can I study poetry structure? Metre and scan among others? I've been a casual fan for a while and want to improve
>>25303129How do you mean, "study" it? Trying to write poetry in a given structure is probably (i.e. I consider it to be) the best way to brute-force your mind into something of an appreciation for it. Reading it presumably helps too. In what way do you want to improve?
>>25259884how do fuck do I understand poetry? even when I understand the obscure vocabulary, the meaning still mostly goes over my head. I'm started with modernists, is that the mistake?
>>25303129Just read more poetry. The structure will come natural to you if you have any rythm in you
>>25303254Don't treat it like a riddle, accept it simply and follow where your intuition guides you. Also, looking at the interpretations of others isn't the worst thing in the world; don't let pride get in the way.
A mind not to be chang'd by Place or Time.The mind is its own place, and in it selfCan make a Heav'n of Hell, a Hell of Heav'n.John Milton1608-1674
Today was one where, lost in thoughtI really feel I amLosing not an ounce of whatYou see in me, my lambMy brain it beams, it's here at allAnd living, I must workTo make our lives here justifiedAnd not let trouble lurkInstead of seeing monkeys bitingI lay on the groundWhile my hectic travelling partnerWanders all aroundOh, all around a left buttockAnd all around the rightAll around your every curveI'm going to go tonightBut only hold me, hold meAll the city's on meAnd all their wish to scold meAnd lay their hands upon meSo only hold me, hold meAnd I'll return you babyI just need an eveningWith someone nice to hide me
>>25303244>>25303561I'm not asking how to appreciate poetry. I already love it. I mean gaining understanding into exactly what a poet is doing technically and why.
>>25304178In terms of what? I mean the real "why" of it, barring your becoming an omniscient mind-reader, is, I would say, off the cards. As to what they're doing technically, what kind of insight are you looking for specifically? Like, if they're going for a particular stress pattern, they'll employ words that fit it, within the limits of whatever seems semantically and phonetically appropriate to them at the time. Maybe a line occurs to them fully formed. Maybe they spend a while searching for the perfect word or phrase. Maybe they sacrifice semantic precision for a better sound, or vice versa. I like thinking about this kind of shit, so I'm curious as to what you have in mind. Is there a poem whose structure you're particularly intrigued by?
>>25303129I'm also interested in thisa more analytical perspective on the mechanics of poetry would be welcomeI've read The Ode Less Travelled and it seems pretty good for a beginner or casual fan, but it reads more like a comprehensive and layperson friendly overview and introduction than a deep dive
>>25298778>glove>skin unveiledis she only wearing a glove? the image is unclear and the final lines suggest she is basically amassing accessories at most. i'd say rework it if your idea is not to have her with only one glove and then turning in an 18th C laundry pile, but if that was your intended imagery then it's probably fine. the capitalisation irks me but it's obviously a matter of style
>>25297629>n reading poetry you only stop where the punctuation tells you to stop not to treat line breaks as periods.yeah that's wrong. line breaks are a breath, not the hard stop of a period. commas, semicolons, and other punctuation likewise have shorter breathing stops, but they are all stops for at least half a breath. that poem is a great example of how to use the break of a line or stanza in contrast to the hard stop of a period within a line or stanza
Poetry is dead and free verse killed it
>>25303129