English-language poetry is dead! Long has it abandoned its central task of struggling to say the unsayable. And long has it favoured easy and marketable slogan-language. The art once practiced by prophets, mystics, rebels, and visionaries now survives only in diminished form, in sickly MFA programs, workshops, and polite literary festivals. Yeats has been replaced by Rupi Kaur.Like the crash that steals your attention, I propose a reading group: "Reading the Decline." The idea is simple: we read English-language poetry of the 20th century in chronological order, moving through the century in five-year increments. For each period, we’ll choose a single collection to read over the course of the week. The following Monday, I’ll post a discussion thread focused on both the chosen collection and the broader 5 year period under discussion.To keep the project historically grounded, we’ll avoid collected and selected editions, focusing instead on original collections published within each period.Also, in the interest of time, we can try to pick collections on the shorter side.If you’re interested in joining, vote for one of the collections below. I’m probably some overlooking important books, so feel free to suggest alternatives as well.TIMELINE1900United Kingdom & Ireland- G. K. Chesterton: “Graybeards at Play”- G.K. Chesterton: “The Wild Knight and Other Poems”- W. E. Henley: “For England's Sake”- Charles Murray: “Hamewith”- Lady Margaret: “Sackville, Floral Symphony”- W. B. Yeats “The Shadowy Waters”United States- Gelett Burgess: “Goops and How to Be Them”- Ridgely Torrence: “The House of a Hundred Lights”Canada- Francis Sherman: “A Canadian Calendar: XII Lyrics”Australia- Henry Lawson: “Verses: Popular and Humorous”
1901United Kingdom & Ireland- Thomas Hardy: “Poems of the Past and the Present” [published in 1901, despite date]- George Meredith: “A Reading of Life, with Other Poems”- Jane Barlow: “Ghost-Bereft, with Other Stories and Studies in Verse”- John Davidson: “The Testament of a Man Forbid”- John Davidson: “The Testament of a Vivisector”- Laurence Hope: “The Garden of Kama”- Lady Margaret Sackville: “Poems”- Joseph Furtado: “Poems” [India]United States- Edwin Markham: “Lincoln and Other Poems”- George Santayana: “A Hermit of Carmel and Other Poems”Canada- Bliss Carman & Richard Hovey: “Last Songs from Vagabondia”- William Henry Drummond: “Johnnie Courteau and Other Poems”- Charles Mair, “Tecumseh: A Drama, and Canadian Poems”Australia- Louise Mack: “Dreams in Flower”1902United Kingdom & Ireland- Alfred Austin: “A Tale of True Love and Other Poems”- Maurice Baring: “The Black Prince and Other Poems” [published in 1902, despite date]- Olive Custance: “Rainbows”- Walter De la Mare: “Songs of Childhood”- John Davidson: “The Testament of an Empire-Builder”- Thomas MacDonagh: “Through the Ivory Gate”- John Edward Masefield: “Salt-Water Ballads”- Alice Meynell: “Later Poems”- Henry Newbolt: “The Sailing of the Long Ships, and Other Poems”- Alfred Noyes: “The Loom of Years”- Dora Sigerson: “The Woman Who Went to Hell, and Other Ballads and Lyrics” [published in 1902, despite date]United States- Elizabeth Akers Allen: “The Sunset Song”- Madison Cawein: “Kentucky Poems”- John William De Forest: “Poem: Medley and Palestrina”- Ellen Glasgow: “The Freeman and Other Poems”- James Whitcomb Riley: “The Book of Joyous Children”- Edwin Arlington Robinson: “Captain Craig”- Trumbull Stickney: “Dramatic Verses”- John B. Tabb: “Later Lyrics”Canada- James B. Dollard: “Irish Mist and Sunshine”- Anna Frances McCollum: “Flower Legends and Other Poems”- Agnes Ethelwyn Wetherald: “Tangled in Stars”
1903United Kingdom & Ireland- Robert Bridges: “Now in Wintry Delights”- W. E. Henley: “A Song of Speed”- Rudyard Kipling: “The Five Nations”- Thomas MacDonagh: “April and May”- John Masefield: “Ballads”- Alfred Noyes: “The Flower of Old Japan”- ‘Æ’ (George William Russell): “The Nuts of Knowledge, Lyrical Poems Old and New”- W. B. Yeats: “In the Seven Woods”- Laurence Binyon: “The Death of Adam, and Other Poems”- John Davidson: “A Rosary”United States- Ambrose Bierce: “Shapes of Clay”- Willa Cather: “April Twilights”- H. L. Mencken: “Ventures into Verse”- Josephine Preston Peabody: “The Singing Leaves”- George Sterling: “The Testimony of the Suns”- J. T. Trowbridge: “Poetical Works”Canada- Bliss Carman, “From the Green Book of Bards”- E. Pauline Johnson: “Canadian Born”- Charles G. D. Roberts: “The Book of the Rose”Australia- Allen Gilfillen: “A Day, Melbourne”- Lilian Wooster Greaves: “Poems by Lilian”- Bernard O'Dowd: “Dawnward?”Other in English- Yone Noguchi: “From the Eastern Sea”- N. W. Pai: “The Angel of Misfortune: A Fairy Tale, A Metrical Romance in Ten Books”1904United Kingdom & Ireland- John Davidson: “The Testament of a Prime Minister”- Ford Madox Ford: “The Face of the Night”- Thomas Hardy: “The Dynasts: A Drama of the Napoleonic Wars (Part I)”- Henry Newbolt: “Songs of the Sea”- Alfred Noyes: “Poems”- Edwin Arnold: “Indian Poetry”- AE (George William Russell): “The Divine Vision, and Other Poems”- Algernon Charles Swinburne: “A Channel Passage, and Other Poems”- William Watson: “For England”- Forrest Reid: “The Kingdom of Twilight”United States- Florence Earle Coates: “Mine and Thine”- Joel Chandler Harris: “The Tar Baby and Other Rhymes of Uncle Remus”- Josephine Preston Peabody: “Pan, A Choric Idyl”- Carl Sandburg: “In Reckless Ecstasy”- John B. Tabb: “The Rosary in Rhyme”Canda- Isabel Ecclestone Mackay: “Between the Light”- Agnes Ethelwyn Wetherald: “The Radiant Road”
I vote for “A Hermit of Carmel and Other Poems”
>>25302466The transition picture in the middle is cute
I've never understood how to read poetry. I have several collections and can't decide if I should just one a day or several pages or what. Yeah I'm fucking retarded
>>25303007Personally, I find the best way to read poetry is through repeated exposure. Poetry is like music in this way. The first time you listen to a song, you probably won’t catch all of its intricacies. You may pick up on an intriguing melody or something, but you may not notice a subtle key change or shift in time signature. With repeated exposure, however, the depths and intricacies of a song start to reveal themselves. Same with poetry.So, grab a poem (or a collection of poetry) and read through it with the expectation that you’ll get very little. You may pick up on some nice sounding phrases, the general topic of the poem, etc. Then, revisit the poem again and again. For a collection of poems, you may read through the collection relatively quickly at first, then do a second slower reading. You may also notice that there poems you want to revisit and others you want to just skip (again, similar to an album where you may want skip songs and just relisten to the songs that initially caught your attention). There are a few other things I like to do, depending on how much time I have. The fastest way for me to get through a poetry collection is to: (1) not read in chronological order (unless the collection really demands that kind of reading). (2) pick a poem and scan it (ie read it in like under 30 seconds). When doing this try to pick up any key words. (3) Read through the poem again slowly afterwards. (4) move on to next poem.The more time you spend with poetry, the more you’ll get during those initial reads. The pay off is rewarding.
>>25302466There's a girl at my gym that looks like the middle morph and I want to smash her brains with my penis
I vote Thomas Hardy: “Poems of the Past and the Present"
>>25303154I would be up for reading Hardy