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Here's something I've never understood and probably never will.
I always see music "experts" talk about how much of a song's performance is in the artist's subjective expression, and how that counts in the final result of a performance. But here's the thing, only turbo-autists have enough skills to perform something at the level of Liszt, Rachmaninoff, for example. The point is that these same autistic people who play these pieces are like completely empty homunculi, no different from an AI that swallows an input and spits out an output. There is no feeling because these people have no expression, they are like robots, they don't understand what it is to be truly human, they don't know what it is to love, suffer, hate, feel horny, etc.
Saying that you were able to "feel" the sentimental expression of an autistic person playing Liebesleid is no different from saying that you felt a deep connection with a song made by AI, or even a "painting" made with Stable Diffusion. There is nothing human, just a homunculus that, despite being made of flesh and blood, has no soul, no feelings.

Prodigy musicians are a walking paradox. They perform perfectly, but they have zero expressiveness because they themselves have no feelings. They are homunculi incapable of transmitting any type of emotion through music. To deny this is to deny that the sky is blue.
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>>130491737
You went full retard, bro.
The autists you speak of generally have poor dynamic control. If you had a good ear, you could hear what the emotional turbo-autists can do with respect to phrasing.
t. turbo-autist pianist



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