>>130527853
Its hard to say so soon but tomorrow's harvest has grown on me more and more with each passing year

In 2013 it was both relevant and ahead of its time. Right now, it’s very much of its time. It was always a great album though.

TH>Inferno>Geogaddi>Twoism>MHTRTC>Trans>TCH

Why is Telepath so cool? Why do I keep replaying this track? This is the coolest vocal they've ever done and it's just a guy counting

worse but not by much
The Campfire Headphase > Hi Scores > Inferno > Old tunes / Random 35 > Music Has the Right to Children > Geogaddi> Tomorrow's Harvest > In a Beautiful Place Out in the Country

>>130530938
That's crazy, if you turned your "greater thans" into "less thans" you're dead on

its better than inferno because its their best album
inferno is somewhere between the middle or upper tier of their albums

Tomorrow's Harvest is an odd duck. It's kinda like the serious, "no fun allowed" one, and there's a time and place for that but it's not the same time as any of the others. Even Inferno, for as dark as it is, is sometimes so over the top with it that it circles back to Geogaddi's brand on kitschy entertainment, to say nothing of MHTRTC or TCH which are just casually fun albums. I'm not sure I'd say it's "worse" so much as it's the black sheep out of the albums. It's fine for what it is, but it's distinctly different.

>>130527853
Inferno has been more immediately enjoyable for me, given that it took a while for me to really get TH. The question is whether it has the staying power to keep me engaged until the next Boc record in 37 years

>>130532387
There you go
The Campfire Headphase < Hi Scores < Inferno < Old tunes / Random 35 < Music Has the Right to Children < Geogaddi < Tomorrow's Harvest < In a Beautiful Place Out in the Country

>>130527853
TH is a bit too polished for my liking but the tracks are interesting enough to make up for it, Inferno sounds like a fan trying to replicate that style but making generic synthwave by accident.

>>130539860
I can sort of see it. I think Inferno is very much a follow-up to TH in that they pulled back on their own nostalgic tropes and pushed harder with the sort of polish we were seeing on TH. I don't see it as a "return to form" album or anything like that, it definitely continues off the last one.