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Gibbons edition
https://youtu.be/p7DJhZeC9MQ

This thread is for the discussion of music in the Western (European) classical tradition, as well as classical instrument-playing.
>How do I get into classical?
This link has resources including audio courses, textbooks and selections of recordings to help you start to understand and appreciate classical music:
https://rentry.org/classicalgen

Previous: >>130736315
>>
>>130770271
imagine not being Anglo.
>>
>tfw no Solti Rachmaninoff
why live
>>
So with this year's release of his Bach's St John Passion, Raphael Pichon now has recordings of that, Bach's St Matthew Passion, Bach's Mass in B minor, Bach's motets, Brahms' German Requiem, Monteverdi's Vespers for the Blessed Virgin, and Mozart's Requiem. Which is to say, hopefully this means he'll release a Beethoven Missa Solemnis in the next year, one that'll no doubt live up to his consistent track-record of stellar performances.

https://www.youtube.com/watch?v=TbMJ4B4MYSo&list=OLAK5uy_knFZeu6J3JD9k3hHzlMsMxmpO0Pfzz2xU&index=24
>>
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Andras Schiff's Bach
https://www.youtube.com/watch?v=QEqBamNZDEE&list=OLAK5uy_n2QSBclnOSBe6pNnRQGbdD4ZmePfVCQeg&index=3
>>
>>130770313
Fortunately I don't have to imagine.
>>
>>130770434
>>130770122
Okay thanks I shall not
>>
>>130770500
A good decision. Schnittke's sonatas are much more worthy of your time.
https://www.youtube.com/watch?v=rFFBxHVL36Y
>>
>>130770500
wtf

Just listen to one new one every morning or at the start of your listening session, then move on to whatever other composer. You'll have explored the rest of the 32 you haven't heard in no time.

https://www.youtube.com/watch?v=TwTRP1Z5Rto&list=OLAK5uy_mJBG-0UYD6UZt9tqrqzP2FvO2oiHqmEO0&index=18
>>
Where to begin with Scriabin?
>>
>>130770520
Just stop dude. It's not worth it. I used to like some early sonatas but I never looked back on them, there's better music out there.
>>
How would you describe Beethoven's late string quartets emotionally? A portrait of the struggle between life and death? Or perhaps the psychic weight of free will, and the ramifications of action versus inaction (sort of like the 7th Symphony)? Or the delicate power and expansive horizon of the human spirit, with its endless struggle between good and evil? or something else entirely?
>>
>>130770569
None of those three are emotions.
>>
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>>130770551
Peep this Richter recital
https://www.youtube.com/watch?v=3VhDbHyDrWw&list=OLAK5uy_m897cBa0MturbzR5XVTWKNl9cHmOqNRlo&index=1

Then a complete set of the piano sonatas, like Ashkenazy's. Then various recordings which contain the other solo piano works, like Alexeev or Lettberg.

Also the symphonies. Ashkenazy's set is once again wonderful here.
>>
>>130770563
man if I wasn't 5'8 120lbs I would track you down and beat you up

All 32 of Beethoven's piano sonatas rank with virtually any other piano sonata in the repertoire or by any other composer.
>>
>>130770551
Early Scriabin:
Etudes Op. 8
Preludes Op. 11
Impromptus Op. 12
Sonatas 2, 3 and 4
Middle Scriabin:
Sonata 5
Etudes Op. 42
Valse Op. 38
Late Scriabin:
Sonatas 8 and 10
Etudes Op. 65
Poeme-Nocturne Op. 61
Vers La Flamme

This may seem like an odd comparison but Scriabin is somewhat like Beethoven in that his early style follows firmly the tradition of his romatic predecessors (chopin, liszt, etc.), his middle period is more experimental but still follows familiar form and harmony most of the time, and his later period is him breaking new ground
I can't speak on his orchestral output because I haven't gotten to it yet, the suggestions I made are for a first time listener and many more great works can be found in all of his periods.
>>
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>>130770593
>5'8, 120lbs
lol
lmao even
Dis nigga smaller than Chopin
>>
>>130770593
Wtf I can bench press you
>>
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>>130770551
You're welcome.
>>
>>130770734
>warsauuuu~
>>
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>>130770551
>>
>>130770313
oft do I shudder at such folly of thought
>>
>>130770667
who was wurzel's favourite composer? elgar? tallis? purcell? williams?
>>
>>130770593
>All 32 of Beethoven's piano sonatas rank with virtually any other piano sonata in the repertoire or by any other composer.
No they don't.
>>
>>130770734
Sweetie you forgot the Lettberg again. It's time to get back to the disciplinary chamber.
>>
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I love waltzes so much
>>
>>130771387
Which ones
>>
>GOATed interpretation of the GOATed waltz in your path
What do?
https://www.youtube.com/watch?v=QmpbwCCm7Ws
>>
>>130770563
I disagree
>>
>>130771877
Nta but for me it's Debussy's La plus que lente and Ravel's Valses nobles et sentimentales.
>>
>>130772139
Your opinion doesn't matter.
>>
hi can someone help identify a song from this, i think it might be beethoven

https://onlinesequencer.net/5499195
>>
>>130773100
Beethoven symphony 5, 4th movement
>>
>>130773128
thank you i appreciate it
>>
>>130773100
It's not a song.
>>
>>130773215
Potayto, potahto.
>>
>>130773220
Incorrect, song implies singing, a symphony is not a song, no one is singing.
>>
Bocchi
>>
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>>130773671
In Bocchi the Rock!'s harmonies, one hears the echoes of Bach's intricate counterpoint, as if the ghostly specter of the Baroque master had momentarily forsaken the organ in favor of the TV anime.

Bocchi once said of Johann Sebastian Bach’s music: “That made me what I am. My unending Rock is predestined in it.” In Bocchi the Rock!, Bocchi demonstrated to post-K-On! sceptics her mastery of traditional musical forms. Sonorous Kita, a Ryo which Bocchi described as 'applied Bach', a fugally-inspired Nijika, an unforgettable Kikuri and a PA-san worthy of Bach all feature in this magnificent anime celebrating the marriage of inspiration and tradition.

The whole of Bocchi the Rock!— shaping itself before our very ears — is Bocchi's answer to her critics, a song offered them to meet their specifications, filled with all the things they demanded and found wanting in his other work: diatonic structures, counterpoint, singable tunes, ensembles, Nendoroids worthy of Funko Pop and epicness worthy of the MCU.
>>
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Scriabin

https://www.youtube.com/watch?v=RKWEc8JjG7w&list=OLAK5uy_kL9YiQwG2sjLt-8d8GlswoO6vW6hngh9A&index=8

>This CD features the acclaimed Finnish pianist Olli Mustonen with piano works by Alexander Scriabin, which have become his signature pieces in recital. The virtuoso sets of Etudes and Preludes cover a wide range of late-Romantic expressions, from heroic to religious, ecstatic to melancholic. The Sonata No. 10 is regarded as one of Scriabins greatest works. The collection culminates with the pianistic tour-de-force of Vers la flamme, an astonishing piece famously championed by the late Vladimir Horowitz. Olli Mustonen has been hailed by The Sunday Times as, a living dream of pianism, having broken through an expressive barrier that other players do not know exists.

Scriabin's Etudes, Op. 8 will always have a special place in my heart for they are probably the pieces which most got me into Scriabin (off the Sofronitsky recital recording, of course).
>>
>>130774094
>Olli Mustonen has been hailed by The Sunday Times as, a living dream of pianism, having broken through an expressive barrier that other players do not know exists.
also this might be the most pretentious line ever written in the history of classical reviews
>>
>tfw my wife lets in a strange, injured, shaggy man into our home in the middle of the night and I'm supposed to just take it
Hunding did nothing wrong!

https://www.youtube.com/watch?v=yTuE0nZvq1U&list=OLAK5uy_lrxVoi0c7LQ4phhZPufAh5yjXcYmwCJjs&index=190
>>
Shame Wagner wasted his talent on Opera.
>>
>>130775085
I dunno, I for one am immensely grateful. If he wrote symphonies/concertos/etc his fans would pollute any conversation on instrumental music with Wagner suggestions.
>>
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Listen to Weinberg
https://www.youtube.com/watch?v=b4jEMd4nWto&list=OLAK5uy_n2p7g3bFs2GcftscxXtUq-B9YeNJsv4dg&index=1

I don't know about you guys but I fuckin' love string soup pieces like this. Sure I don't leave remembering any of it afterwards. Nonetheless it's pure bliss during.
>>
the ultimate debate: Prokofiev's piano sonatas vs. Scriabin's piano sonatas
>>
>>130776043
Scriabin, it's not even close. Prokofiev's piano sonatas sounds like a schizophrenic banging away at the piano
>>
speaking of Scriabin, I think I might finally try and listen through the entirety of the Lettberg set. I always meant to but it eventually got lost in the backlog.

https://www.youtube.com/watch?v=NNPekvNyX9c&list=OLAK5uy_n-DRos36zZydaTNVxBsWaCXuTAfGIaGVo&index=54
>>
>>130776043
Granted, I haven't listened to nearly enough Prokofiev, but Scriabin is the clear winner here.
On an unrelated note, I've been thinking a lot about how Scriabin's piano sonatas feel like the kindred spirit of Bartok's string quartets.
>>130776157
It's useful as a complete survey and she deserves respect for recording the whole piano output, but pretty much every piece has better individual performances elsewhere. Too much of the set sounds rushed in places, dynamically flat, not enough tempo elasticity and often weirdly sterile for music that should feel feverish, perfumed, unstable, ecstatic, etc. But have fun discovering!
>>
Why is Rosenthal so cool
>>
looks like it's gonna be a slow summer for /classical/ :(

at least it means everyone is off doing something
>>
>>130777786
>not enough tempo elasticity and often weirdly sterile for music that should feel feverish, perfumed, unstable, ecstatic, etc.
I do get that impression. Scriabin de-eroticized. But it's its own style of interpretation of course.
>>
>>130778617
>But it's its own style of interpretation of course.
Shut the fuck up.
>>
>guest arrives at home, naked, smelling like shit
>anon: "oh, it's just his style, don't worry"
>guest sits on the table and starts farting and eating with his bare hands
>anon: "yep, his style!"
>guest throws a literal baton of shit at anon's face
>other guests: "i think this new guest is out of their mind and has no manners"
>anon: "I do get that impression. Manners de-formed. But it's its own style of interpretation of course"
>>
>>130779511
lol
>>
>>130779511
i think i get it. scriabin is shit
>>
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Schubert

https://www.youtube.com/watch?v=W47pkpw34lg&list=OLAK5uy_l0BgkaG0NdJ_6BSLGNjJKGnakDytbxf_8&index=1

>Dina Ugorskaja counts as one of the most distinctive artists of the classical piano scene. She writes of this new release: "Schubert and his "heavenly lengths" have accompanied me throughout my entire life. In this music, time occasionally seems to stand still: the state of lingering and resting seems to predominate above all others. We are overwhelmed with unbearable pain, with abysses of despair and hopelessness. How can it be that the confrontation with death - so immediately present in this music - dissolves all of a sudden into a floating, ethereal impermanence? Unexpected joy emerges, as if we were hearing the laughing of a child."
>>
>>130778617
Sure. An impotent interpretation, but a valid one nonetheless.
>>
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>>130780307
>>130777786
Have you tried Michael Ponti's set? I just discovered it recently.

https://www.youtube.com/watch?v=mosra90IqZc&list=OLAK5uy_lkHXmwzHC9zAOTx19AWQ3s_xLqTYNBniU&index=18
>>
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reposting:
you guys peep this new Martinu cycle yet?

https://www.youtube.com/watch?v=YNMjVI6zjzg&list=OLAK5uy_k4T9TGlEQqO7Xw7xKRDs99FIS6vON3rVA&index=16

>On their new album, conductor Jakub Hrůša and the Bamberger Symphoniker explore the six symphonies of Czech composer Bohuslav Martinů – one of the 20th century’s finest symphonic cycles. Composed during the composer’s American exile, these mature works encompass poetic lyricism, epic tragedy, and Bohemian colour and energy.
>>
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Should I finally try Gielen's Mahler?
https://www.youtube.com/watch?v=Q3sFwA4_D6w&list=OLAK5uy_nYwLtWQoNbue-lWinQ0GwdRki9OKomlCs&index=12
>>
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Wow those Chinese know how to do it
>>
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>>130770271
i never understood classical music, what do you mean there isn´t a single audio from mozart playing by himself? who are these old farts, anthony bourdain lookin ass playing beethoven on his 6-7 symphony take 400....
>>
>>130780739
They got a lot of experience from the Zweden Ring
>>
>>130780746
Composers and performers being one in the same as well as the idea of canonical performances that are the 'true versions' of a piece are recent concepts
>>
>>130780987
>Composers and performers being one in the same
>recent concept

lol what?
>>
>>130780562
don't know why but the use of The Thinker for the album cover made me burst out laughing.
>>
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>>130770551
Ignore everyone else. Listen to Feinberg, Horowitz and Scriabin himself. Start with his magnum opus Fantasie in B minor:
https://www.youtube.com/watch?v=dQNS2qlFo7U
>>
By no means does a "great artist" have to be a "great musician."
>>
>>130782640
Well of course, they can be good at painting or sculpting instead
>>
>>130782129
>ignore Sofronitsky
Don't be retarded. He's the ultimate "Scriabinist".
>>
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>>130782997
I've grown tired of Sofronitsky, he's too modern school. We prefer Feinberg here.
https://www.youtube.com/watch?v=2NKa-hNQm-Q
>>
>>130782997
A dubious compliment.
>>
>>130783124
>too modern school
What does that even mean? He sounds like Feinberg but better.
>>
>>130783129
Not the least dubious to a true Scriabinfag.
>>
>>130783130
If by "better" you mean more vertical, talentless and inauthentic, perhaps.
>>
>>130783141
>vertical
Oh how dare he point out the obvious motifs in Scrabin's music and not just pedal himself into mush!
>>
>>130783167
Only someone who does not understand Scriabin would say that. Perhaps listen to the man himself?
https://www.youtube.com/watch?v=6bstDVo92Io
>>
... diiieee diiieee diiieeesen Kuss der ganzen Welt ...
>>
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Just so we're clear:

Symphonies, Rêverie, Sonatas & Vers La Flamme: Ashkenazy
Piano Concerto: Postnikova+Rozhdestvensky
Op 54: Urban Agnas+Leif Segerstam
Op 60: Argerich+Abbado
Symphonic Allegro: Moscow Philharmonic+Golovschin
2 Piano Fantaisie: Ponti+Leonardi
Scherzo & Andante for string orchestra: Hamburg Strings+Preyss-Bato
Everything else piano solo: Dmitri Alexeev
>>
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Give me your best Rondo Burlesque. The bitter invectiveness of the last ~2 minutes should take my breath away, like picrel does
>>
>>130783507
Riccardo Chailly, Royal Concertgebouw Orchestra
>>
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Is Dohnanyi worth checking out and if so, what works?
>>
>>130783569
Try this on for size: https://www.youtube.com/watch?v=4ceJgiFWGMM
>>
>>130783507
Lots of good ones

https://files.catbox.moe/qripqa.flac
>>
Brahms.
https://www.youtube.com/watch?v=GSiQH09zhLE
>>
>>130783569
He's like a third-tier composer but if you're looking for some variety, then sure, most def.

And just look up all the usual genres.

https://www.youtube.com/watch?v=NxZw9t604n8
>>
>tfw keep trying to listen to the same pieces, but keep falling asleep 5-10 minutes in because of my medicine, so I'm stuck in a nightmareish loop of those 5-10 minutes over and over and over
help!
>>
>>130783183
Sounds like Sofronitsky
>>
>>130783613
Don't know how I never noticed before but Brahms lookin' kawaii af on this album cover.
>>
>>130783646
stop taking your medicine, trust me, it'll be fine
>>
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>ClassicsToday
>Big Boxes: Maria Lettberg’s Reference Scriabin Cycle
>by Jed Distler
>Rating: 10; 10

oh shii

https://www.youtube.com/watch?v=e_gy3QUXeKI&list=OLAK5uy_n-DRos36zZydaTNVxBsWaCXuTAfGIaGVo&index=7

>Unlike Ponti, with his horribly-engineered and ill-tuned instrument, Lettberg enjoys the advantage of a beautifully regulated concert grand and resplendent, lifelike engineering. She revels in the composer’s dynamic extremes and inner-voice labyrinths both real and implied. Her big, juicy sonority and refined articulation consistently address the sensual element that perpetually lurks underneath the surface of nearly every composition, from the early, Chopin-influenced Preludes, Etudes, Mazurkas, Waltzes, and sundry short pieces to the harmonically ambiguous, intensely mystical late sonatas and poems... While Lettberg may not displace favorite versions of specific works, her overall consistency, meticulous technique, and total identification with Scriabin’s idiom deserve nothing less than our highest rating.
>>
>>130783729
Are you new, stupid, or just a piss-poor troll? Guess we'll never know
>>
>>130783745
I'm just a guy who likes posting and sometimes creating content for discussion here on /classical/.
>>
>>130783755
get better
>>
>>130783679
Maybe if you're deaf.
>>
>>130783787
Fuck off
>>
>>130783729
>She revels in the composer’s dynamic extremes
no she doesn't lol
what a load of baloney
>>
>>130783871
Her botched work was actually thoroughly analysed and destroyed bit by bit (with audio clips and scores) by a turboautist in this general of all places. If the subhuman retards who're regulars in this shithole can see/hear how bad that set is, any normal person has no excuse
>>
>>130783442
Sweetie you forgot the Lettberg again. It's time to get back to the disciplinary chamber.
>>
what should i listen to right now?
>>
>>130784174
your mother
>>
chopin fucked the piano like it was his mother
>>
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listen to sibegius :DD
https://www.youtube.com/watch?v=0ORnfWylynM
>>
>>130783871
>>130783891
Yeah I think I'll take the word of Jed Distler instead lol
>>
>>130784617
>I will obey a Classics Today goon who fell hook line and sinker for the Joyce Hatto hoax
of course you would, you easily-led brainet
>>
>>130784638
>who fell hook line and sinker for the Joyce Hatto hoax
go on...

>you easily-led brainet
I'd insult you back but you're right, reviewers and critics and the like have immense sway over me, my thoughts, my perceptions, and my tastes.
>>
>>130784651
Get better
>>
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>>130770551
Don't listen to this retard>>130782129
Sofronitsky is goated. The Fantasie is a great piece and very typical early Scriabin but his preludes and etudes are much shorter works and better starter points for someone new to Scriabin. Once you digest the smaller works, move on to the Sonatas and the Fantasie.

Essential early works:

Preludes Nos. 1, 5, 9, 11, 15, 19, 21 Op. 11
Preludes Nos. 1 and 5 Op. 16
Prelude No. 3 Op. 17
Etudes Nos, 3, 4, 5, 12 Op. 8
And all of Etudes Op. 42.
>>
>>130784659
You didn't expand on the 'Joyce Hatto hoax'
>>
>>130784723
I said get better. Start now.
>>
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>>130784732
no
>>
>>130784742
kill yourself
>>
>>130784617
how about the word of your ears?
>>
>>130784861
what ears?
>>
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Mendelssohn

https://www.youtube.com/watch?v=UhAfUGUlkaU&list=OLAK5uy_lzCPPrE_cSFuFC1zoJpDvKBpUxTidzbKY&index=50

I'd be impressed if anyone here has heard all of Mendelssohn's solo piano music. This complete set comes out at a ~13 hour runtime!
>>
>>130785003
oh is that a lot for ya?
>>
>>130785003
>"A composer's oeuvre can only be fully understood in the context of his lifetime achievement. Concerts and events provide mere snapshots. I have always been more interested in the process than the highlights of an artist's creative life. When I engage with a composer, I need to know everything about him. Mendelssohn was a cosmos that opened before me. There were worlds waiting to be discovered. My recording of the complete works is based on the system of compilation applied by Dr. Ralf Wehner of the Saxon Academy of Sciences and Humanities in Leipzig: the Mendelssohn-Werkverzeichnis (MWV, catalogue of Mendelssohn's works). The category MWV U lists the piano works in chronological order of their composition, opening up completely new perspectives on the way Mendelssohn worked. It is clear, for example, that Mendelssohn first wrote his fugues, then composed the preludes to them quite a bit later, in order to publish them as pairs of Preludes and Fugues. That is also the only deviation from my chronological order: I have placed each Prelude before it's Fugue, which is the way Mendelssohn intended it. Prelude and Fugue form a conceptual unity and a musically coherent form and must not be separated. The Songs without Words, on the other hand, are collections. Mendelssohn wrote them for publication in sets of six at a time. I have accordingly incorporated the Lieder ohne Worte into the chronological sequence..." (André Navarra)

who knew women can be autists too
>>
>>130785008
people who've interacted with them
>>
>>130785003
She's a big girl
>>
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>>130785027
>>
God I've got the worst fuckin' headache. What's the best thing to listen to while I lay in bed? Bach's WTC? Most everything else just seems too harsh with rough dynamics.
>>
>>130785504
Can't you just be quiet for a moment in your life?
>>
I am listening to Shostakovich 5!
>>
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>Owning over 50 performances of these pieces sometimes drives me crazy. Which one to listen to? However, this set immediately became my favorite. Direct communication of the holly spirit leaps off the keys with this set. In no other set is the voice and spirit of Bach more clearly related.

>Comparisons with Hewitt show that Roberts possesses greater depth and coherence, with much more emotion. Compared to Schiff, which is wayward, heavy, lacks tension and momentum and stalls, and is unacceptable (D grade,) Roberts is direct, articulate, stylish and musical. For all you Gould fans, listen to this set to see how insensitive, lacking in depth, frustrating and ultimately, boring Gould is. Comparisons with Kirkpatrick on Clavichord in Book II are closer, though the still prefer Roberts for greater spirituality & inwardness. Compared to Landowska, who is romantic, heavy handed, wayward and perhaps lacking in depth & true understanding, Roberts is structurally clearer with greater sensitivity to Bachs's spirit. Gilbert, usually good, is just plain boring, dull, lifeless. Jarrett, technically perfect, is unmusical and sounds like a computer next to Roberts. No depth at all. Richter, typically, lacks depth and comprehension. Jando, romantic, lightweight, lacks any intensity at all. Tureck is great, almost matching Roberts in depth, but plays to slowly which can be problematic for some-Noisy recordings too. Roberts is tighter, playing with greater integrity, and still greater spirituallity.

idk if I fully agree with all of these descriptions and valuations but this review is pretty based

https://www.youtube.com/watch?v=oGOZaIjKLj4&list=OLAK5uy_k7AQQvkVXf1O262IdT2iEydtOi5G65yYg&index=42
>>
>>130785517
I'm sorry to hear that, anon
>>
>>130785517
Hope you enjoy!
>>
>>130785539
>>130785543
It's a Bernstein recording and he's taking it way too fast and my face is melting!
>>
>>130785574
All I hear is that some poor soul is being subjected to the revolting and inhuman ordeal that is listening to Shostakovich
>>
>>130785637
It's only one of the all-time great symphonies but okay
>>
>>130785649
>one of the all-time great symphonies
Oh, top 1000 for sure
>>
>>130785664
I could never respect nor sleep with someone who could not appreciate Shostakovich's music. Sorry!
>>
>>130785678
I understand you have bad taste, yes
>>
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Meistersinger evening
https://www.youtube.com/watch?v=KEKKeLUKOC4&list=OLAK5uy_mG-AVosIYkSvRt7NfaoGRmK9wjp7S-6vE&index=1

still NEED someone to upload the Kubelik recording pls (+ his Parsifal)
>>
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Joseph Leopold Edler Von Eybler
https://www.youtube.com/watch?v=bCAt1dZDEMw
https://www.youtube.com/watch?v=g-DpONJmEdw
https://www.youtube.com/watch?v=_3XPu31Yy7w
https://www.youtube.com/watch?v=GdczmFi7xfU
>>
How are Schumann's symphonies usually ranked? Just like Brahms, in reverse chronological order? 4 > 3 > 2 > 1?
>>
>>130786236
My ranking would probably look not so different to that but people seem to vary on the question more considerably than they do with Brahms.
>>
>>130786236
I'd personally go 1 < 4 < 2 < Zwickau < 3
>>
>>130786254
>Zwickau second best
Unironically based
>>
>>130770551
Unnumbered Sonata in E-flat Minor: Bernd Glemser
Sonata No. 1 in F Minor: Vladimir Ashkenazy
Sonata No. 2 (Sonata Fantasy No. 1) in G-sharp Minor: Ruth Laredo
Sonata No. 3 in F-sharp Minor: Ruth Laredo
Sonata No. 4 in F-sharp Minor: Marc-André Hamelin
Sonata No. 5 in in F-sharp Major: Robert Taub
Sonata No. 6: Garrick Ohlsson
Sonata No. 7: Ruth Laredo
Sonata No. 8: Vladimir Ashkenazy
Sonata No. 9: Bernd Glemser
Sonata No. 10: Ruth Laredo
Sonata-Fantasy No. 2 in G-sharp Minor: Roberto Szidon
Fantasy in B Minor: Garrick Ohlsson
Fantasy for 2 Pianos: Michael Ponti, Robert Leonardy
>>
For a Naxos (read: budget) pianist, Bernd Glemser is surprisingly really good, particularly his Prokofiev and Scriabin.
>>
>>130770551
Don't listen to this clown >>130784667
They don't understand Scriabin. Again, Feinberg, Horowitz, Scriabin himself.
Also, Golovanov, Koussevitzky for orchestral works.
>>
>Scriabin himself
dismissed

to paraphrase Barthes, the composer is dead
>>
>>130786536
retardation
>>
>>130786536
that's not what he meant and you know it. But yeah, who cares how Scriabin played it. He didn't really understand his own music, that's the tragedy of his genius
>>
>>130786524
>t. abrahamic retard
This man is spiritually Jewish, do not listen to him.
>>
>>130786686
What?
>>
how do i pronounce dvorak
>>
how do i pronounce debussy
>>
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new Sibelius symphony cycle from Jukka-Pekka Saraste, apparently his third!

https://www.youtube.com/watch?v=PCsQvAZ56kE&list=OLAK5uy_kaaYqjGU5x97XwkSIm4gayFy8gjR6M5K0&index=8

review,
https://theclassicreview.com/album-reviews/review-sibelius-complete-symphonies-helsinki-philharmonic-orchestra-jukka-pekka-saraste/

I haven't heard his other two cycles. In fact, I don't think I've listened to any recording of his ever. However, I am in a mood for some new Sibelius, so I added and will be listening to this one, starting right now.
>>
>>130786848
https://www.youtube.com/watch?v=UKO-ebWS4Ko
>>
>>130784742
>HAIRY synonyms tab
What did he mean by this?
>>
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>>130784667
Good post. Early Scriabin is already an amazing composer. The etudes you mention are great, but I'd like to highlight Nos. 9 and 11 from the first set as well.
https://www.youtube.com/watch?v=CDQN-mCHUe0
https://www.youtube.com/watch?v=8SlRJGuoK_E
Also, pic related is a great recording of his underrated mazurkas.
>>
What happens after I learn the hardest Bach sinfonia, can I start working on Scriabin's 8th?
>>
>>130787148
Just doing some writing. I always have a Thesaurus tab up.
>>
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>>130787148
it means he's a /lit/tard who needs to go back.
>>
>>130788009
I feel the two go hand-in-hand. Wake up with some Mahler or Beethoven or Chopin, bring some Proust or Faulkner or Wallace Stevens for the bus ride today.
>>
>>130784742
>M
Matthias the Hapaborn, Hairiest of his name, the Nocturnal Emissary of Portland and aficionado of critic-reviews and /lit/posting.
>>
Why was theme and variations such a common form in the romantic period for slow movements?
>>
>>130786841
Duh vore -ACK
>>
Mahler vs Bruckner
>>
>>130788424
Mahler wins with no contest. Not even close.
>>
>>130786890
Was one cycle not enough? Does Ondine just throw money at this guy and damn the consequences like DG did with Karajan?
>>
>>130788330
hey I said DONT build a profile on me!!
>>
>>130788424
Bruckner wins with no contest. Not even close.
>>
>>130789058
Interesting enough, I've found Sibelius' symphony cycle by far the most commonly rerecorded in the entire repertoire by a conductor. Bernstein, Vanska, Berglund (who has three!), Maazel, Colin Davis (might have three as well), Simon Rattle, this guy Saraste (again, with 3), and a couple others. So I can't really hate when I see it, because clearly there's something about the works which makes conductors change their vision and wish to revisit their performance, so much so that they record a new cycle entirely.
>>
Which Ring do I want to listen to today... Solti's is feeling a bit too loud and intense for me.
>>
>>130788424
Mahler captures the depth of man and the wide expanse of the universe. Bruckner brings us closer to God. Take your pick.
>>
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Liszt-Schumann

https://www.youtube.com/watch?v=Xr6H7shZOvY&list=OLAK5uy_mtevzIC-4Uqn7QR39Kafh4ea7Joalibg8&index=1
>>
>>130789355
fuck that sounds good

>The album opens with Liszt's transcriptions of two passionate and romantic works: Schumann's Widmung from the song cycle Myrthen and Isoldes Liebestod from Wagner's Tristan und Isolde, followed by the charming and magical Spinnerlied from Wagner's Der Fliegende Holländer. Several transcriptions of Schubert's lied are featured here: the sombre Der Doppelgänger from Schwanengesang and Der Müller und der Bach (the inspiration for the album) from Die Schöne Müllerin; the soothing Frühlingsglaube and the delightful and imaginative Ständchen von Shakespeare (Horch, hoch! Die Lerch!); finally, a piece (No. 6) from Liszt's own Soirées de Vienne cycle - arrangements of Schubert's tremendous 12 Valses Nobles, D. 969.The album has a "coda": the Valse from Gounod's opera Faust, the subject of several works by Liszt. This famous virtuoso piano transcription is full of drama and excitement, with "diabolic" sections but also gentle and lyrical, at times even transcendent.Indre Petrauskaite says, "It is delightful to take the example from Liszt himself and continue to 'practise' the love for the original music while 'revisiting' these famous transcriptions.'
>>
>>130788424
Bruckner's 8th is better than all of Mahler
>>
>>130788424
Neither. Wagner.
>>
>>130786841
D-vohr-Jahck
>>
>>130789438
Arguably, Mahler's 8th is better than all of Bruckner!

https://files.catbox.moe/hv7q4g.flac

The ecstasy of heaven captured in musical form.
>>
>>130789486
I've decided: during my wedding ceremony, I want a live performance of Mahler's 8th. A reduced choir and orchestra size acceptable, of course.
>>
>CONDUCTING: Krauss had the lyricism of Bruno Walter, the fire of Toscanini, the clarity and linear tension of Reiner, the pacing of Muck, and the depth and transitional instinct of Furtwangler- plus a few qualities of his own.

who the fuck is Muck?
>>
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damn, Keilberth Ring BTFO???

https://www.youtube.com/watch?v=RNkPeC0eqpw&list=OLAK5uy_kbFjeT1RFNthkn8HVCiqtg9-p5GlSL3Ow&index=52
>>
>>130789525
muck deez nuts lmao gottem
>>
>>130789525
>another episode of hiss musician is the best parts of all these later greats combined (that we actually have in clear recording quality) but since their recordings don't have the best sound quality, the world will never know
of course
>>
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Schubert

https://www.youtube.com/watch?v=8IFhwr4S_Ks&list=OLAK5uy_lGFgQCratXhw3ZYfEaxmTzlqMaUWvYyDA&index=1
>>
>>130789251
hehe
>>
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People shit on the finale to Mahler's 7th for being too jubilant, but I love its brashness and prefer it to the finale of the 5th (also a jubilant rondo).
>>
>>130789713
yeah I fuckin' love it too

https://www.youtube.com/watch?v=78YvtIwVB2k&list=OLAK5uy_nqCekms58_8eS4fFT9Kd95iyhlvD-D-CU&index=5

the musical creativity within it is jaw-dropping
>>
>>130789332
God isn't even real so Bruckner is fake and plastic according to you
>>130789438
Mahler 9 is the GOATed symphony and no Bruckner symphony comes close thoughbeit.
>>
>>130789738
So true retard sister
>>
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>God isn't even real
>>
>>130789762
>>130789789
Thanks for your input, imecile
>>
>>130789738
True and yet Mahler feels more fake than Bruckner
>>
>>130789798
So true retard sister
>>
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>imecile
>>
>>130789811
So true retard sister
>>
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Here's an interesting recording I just came across that came out this year. We all know Mutter is a fantastic violinist, perhaps one of the all-time greats. This recording contains contemporary pieces. Lots of anons are constantly asking for contemporary recs, so here's a recording full of them.

https://www.youtube.com/watch?v=_ZaCM_jTBDY&list=OLAK5uy_lFY14E9ZP_2wvFIiXoT36-LuTYleb6lqc&index=1

>Anne-Sophie Mutter is launching her own series of recordings on Alpha Classics, ASM Forte Forward, devoted to the music of our time: it will exclusively feature contemporary works written for her. In 2026 and 2027, this exceptional artist is celebrating her jubilee: 50 years on stage, driven by curiosity, passion and commitment to the future of music. The first opus in this new series, East Meets West, includes works by four composers from diverse origins. The programme moves from solo violin, through duo and chamber repertoire, to concerto with orchestra. It opens with Likoo for solo violin by Iranian-Dutch composer Aftab Darvishi, followed by Gran Cadenza for two violins by Unsuk Chin, a South Korean composer living in Berlin, Jörg Widmann's String Quartet No. 6, entitled Studie über Beethoven; and concludes with Thomas Adès' concerto for violin and orchestra, Air-Homage to Sibelius, premiered in 2022 and recorded here with the London Symphony Orchestra, conducted by the British composer himself.
>>
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Why is the benedictus from missa solemnis so damn beautiful bros
>>
>>130789832
>tfw having sex with Anne-Sophie Mutter and about to climax and accidentally say "oh yes mother"
o_o

nice pieces too
>>
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Such a beautiful song: https://youtu.be/3ZJwlDPWEkg?is=DdqFnThhJIhE6ayx
>>
>>130789486
too bombastic too often
>>
>>130789574
>mono
into the trash it goes
>>
>>130789738
>thoughbeit
I should really add this faggot shit to my filter list
>>
>>130786841
"Dvořák"
>>130786848
"Debussy"
>>
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>>130789713
>People shit on the finale to Mahler's 7th for being too jubilant
>>
>>130789813
>>130789820
Thanks for your input, imecile
>>
>>130790220
So true retard sister
>>
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Hmm, these aren't quite as good as his quintets
>>
>>130790385
Insightful input halfwit
>>
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>>130790034
Here you go bitch, page 461 of Fischer's biography. This is a sentiment I've seen expressed elsewhere.
>>
>>130791284
Sextets usually aren't.
>>
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https://www.youtube.com/watch?v=ms9o-_WT4CY
shota choir!
>>
Are SEXtets intended to be played druing sex?
>>
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>random romantic piano compilation
>Always includes Chopin Nocturne 20
ENOUGH
>>
>>130791913
Why would you ever click on those
>>
>>130791951
Sometimes you just want to hear various composers you know.
>>
>>130792020
You can listen to various composers without these shitty normalfag playlists you know.
>>
>>130791462
>this guy agrees with me, in a similarly unfounded way
>many people are saying this
>>
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>>130792165
I know you're baiting me, but I'll bite. Go fuck yourself.
>>
>>130790034
>>130792165
You lost. They provided evidence by more than one critic. Realistically, you have nothing else to say except for expressing a graceful concession.
>>
>>130792292
we got a referee over here
>>
>>130791462
>>130792239
holy owned

Also nice excerpts, thanks for sharing.
>>
https://www.youtube.com/watch?v=EtIwhvSa7kw

/classical/bros... we lost
>>
Reminder that Vivaldi was Bach's favorite composer.
>>
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Vivaldi
https://www.youtube.com/watch?v=JqL-760zTTI
>>
>>130792515
Is it Beepin or Chothoven
>>
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>>130791284
Based Brocherrini spammer
>>
>>130792515
Lost what
>>
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>>130777789
He's just the best.
>>
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Brahms

https://www.youtube.com/watch?v=BefjTNI6cZE&list=OLAK5uy_niS9_uJN6nJApsJeYFdWqNQv8VFwoz5NA&index=1
>>
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Johann Baptist Joseph Maximilian Reger
https://www.youtube.com/watch?v=HSdGqBP7MEs
https://www.youtube.com/watch?v=ODt-ujG7yqI
https://www.youtube.com/watch?v=VkTVPJq1YlY
https://www.youtube.com/watch?v=lmLv89vibT4
https://www.youtube.com/watch?v=ksRMAsJj55c
https://www.youtube.com/watch?v=SLyO4DrhClk
https://www.youtube.com/watch?v=ITfQk4ww7FM
https://www.youtube.com/watch?v=F4a_qVPd9I8
https://www.youtube.com/watch?v=WrhIP4eoFps
https://www.youtube.com/watch?v=U8FtFfmRIGc
https://www.youtube.com/watch?v=X7Xoo2foqQY
https://www.youtube.com/watch?v=gICWbPeSqNQ
>>
So now that the dust has settled, are these the two greatest Andante movements in the history of symphonic music?

https://files.catbox.moe/p2m0vc.flac
https://files.catbox.moe/j19ul9.flac
>>
>>130793597
Pretty good. As I've stated many times before, I don't get why Reger's music isn't programmed more. I don't think I've ever come across his music on a recording that wasn't focused on Reger, and I don't get it, his music would be a wonderful pairing with any other, especially as an opening or interlude.
>>
>>130793758
For me its Mozart 41 and Beethoven 1
>>
>>130793597
>>130793774
Actually correction, there is one instance, Igor Levit uses some Reger stuff on this Encounters album; mostly transcriptions of Brahms, and then there's this one transcription of a Reger original choice piece.

https://www.youtube.com/watch?v=fT0oxZlkgH4&list=OLAK5uy_lPS_uZdSdz5SljXCyWDa6aCM7G2oJpFXk&index=21
>>
>>130793774
And that's his early stuff, that is to say not as uniquely Regerian as it would get later on. Still, it's an interesting mixture of Brahms's approach to form/structure and Wagner's approach to harmony
>>
>modern Wagner Rings suc--ACK!!
https://files.catbox.moe/sn6z8c.m4a
>>
>>130793812
no one is going to click on that
>>
I am listening to Lincolnshire Posy!
>>
>>130793822
To *whose* pussy??
>>
>>130793819
I clicked it. But then again I posted it, so...
>>
>>130793840
No one asked, no one cares
>>
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Szymanowski

https://www.youtube.com/watch?v=vC7Xe1rTEuU&list=OLAK5uy_kyuLrJkmIoZBl9J9TuAjiUe0hPz13yNuo&index=1
>>
>>130793774
>I don't get why Reger's music isn't programmed more.

take your pick:

1.) it isn't catchy or accessible.
2.) it's difficult to perform.
3.) it's form slop.
4.) it's chromatic sludge.
>>
>>130794082
I pick 1 because it makes sense, since the world is populated by cretins like you
>>
I just heard the mailman whistling an excerpt from Schoenberg's piano concerto.
>>
>>130794137
what did you throw at him in retaliation
>>
>>130794202
a compliment.

*ba-dum tss*
>>
>>130794213
kek
>>
>>130794213
oh my god you sexually harassed the mailman
>>
>>130794232
everything is about sex with you, isn't it?
>>
>>130794256
I'm not fucking you, sorry
>>
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https://en.wikipedia.org/wiki/Complement_(music)#Aggregate_complementation
>>
>>130788424
Bruckner is the master. Mahler is kitschy and in bad taste.
>>
I will NEVER understand the "Mahler is kitsch and neurotic" thing. Maybe I just know what kitsch is or I'm not as sensitive to it. Whatever.
>>
>>130794388
It's something some people said about his first symphony that retards extrapolate to his entire work. That said, Bruckner is better.
>>
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>wagnuh!
>>
>>130794422
If I become a composer, can I name my third symphony "Bruckner"
>>
>>130794422
>AIslop
commit suicide tonight
>>
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>I think that the Adagio of the Ninth Symphony [of Bruckner] must be accounted one of the most truly inspired of all works in symphonic form. Indeed, Mahler seems much less original than Bruckner, when one knows this music, and no composer of that period is so personal a harmonist as Bruckner.
>>
>>130794500
I hate it when I agree with cunts
>>
>>130794500
There's nothing that sounds like Mahler or Bruckner, so any debates about originality between them, I couldn't care less. Mahler was certainly more influential.
>>
>>130794530
>nothing that sounds like Mahler or Bruckner
Wagner
>Mahler was certainly more influential.
to literally the shittiest generation of composers (who didn't study in Darmstadt)
>>
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>>130794430
that's what Mahler ought to have done with his 3rd symphony in 1896.

>>130794456
sneed
>>
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>>
>>130794724
Is that his baton?
>>
Mahler 1 vs Mahler 2
>>
>>130794740
it is as far as coughers in the audience are concerned.
>>
>>130794752
Mahler 2. only contrarians will disagree.
>>
now playing

https://www.youtube.com/watch?v=X5bf17g3OdY
>>
>>130794752
I love the 1st, probably more than most, and certainly like the 2nd less than most as well, but the final movement of the 1st is just so weak, the answer must go to the 2nd. Though in my own personal Mahler tier-list, I have them in the same bottom-tier, so.
>>
>>130794456
based
>>130794752
unlike the Anon above, I am very fond of the finale to the 1st, but overall would still pick the 2nd
>>
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This cycle any good?
>>
>>130792837
Based king
>>
>>130791690
Why is that?
>>
>>130792515
He left me SPEECHLESS because of how CRAP it SOUNDS.
>>
>>130794929
No.
>>
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Sorry to say, but I can now confirm that Boccherini's sextets aren't as good as his quintets! Much like the Divertimenti Op. 16, they're just not as interesting or memorable, and the voices are actually too evenly balanced too much of the time. His quintets, on the other hand, sometimes function almost as concertos for cello with string quartet backing, and have a much stronger identity and character.
>>130792706
Just so you know, there are at least two Boccherini spammers here, and the other guy is doing Reger now.
>>
>>130791290
So true retard sister
>>
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thoughts?
>>
In terms of orchestration alone, who is the Mahler of each period?
>>
>>130796262
>Baroque
Telemann
>Classical
Mozart
>early Romantic
Berlioz
>late Romantic
Ravel
>Modern
Stravinsky
>Contemporary
Florentz
>>
>>130796281
But mozart doesnt have orchestration as good as mahler
>>
>>130796341
He didn't have an orchestra as big as Mahler.
>>
>tfw only 999 choir singers showed up so have to cancel performance of Mahler's Symphony of a Thousand
damn
>>
Why is Mahler's 6th called "tragic"? The finale is pretty triumphant for the most part and the coda is more mysterious than tragic to me.
>>
>>130796388
https://www.musicweb-international.com/mahler/mahler6.htm
>>
>>130796388
It is tragic, all movements are tragic or bitter, first movement literally opens with a militaristic death march, and most of all, the main "fate" motif is the A major chord collapsing into A minor chord, this is the happy times > tragic times moment.
>>
>>130796398
This feels more like a guy writing his interpretation as fact. The final movement is just a slightly modified sonata-allegro. Not a symphonic poem.
>>
>>130796427
I didn't read that (not that anon), but it's also the way it ends, no other Mahler symphony ends in such a tragic way. There is nothing mysterious about it.
Mahler himself called it tragic, at least according to Walter (and he wasn't against calling it Tragic, unlike the 8th's nickname).
>>
>>130796439
To me it doesn't sound like tragedy at all. It just sounds sinister. Like a great battle was fought but the villain still lives.
>>
>>130796341
Mozart is a much greater orchestrator than Mahler. Mahler lived in the world of post-Wagnerian orchestration, Mozart did not. And Mozart's orchestration is still more powerful. Greater complexity means nothing here.
>>
Mahler 7's opening is a pretty intense sunset
>>
>>130796582
It's like an evening dance with friends. I love the first movement.

>So, to the extent that any work of Mahler's middle period is "about" anything, this is a symphony about Night and responses to it. But this is too often taken to mean "Night" for Mahler means emotional darkness: night as metaphor for tragedy and despair. This is not necessarily so. Night is also Evening when we relax and turn off from the day, Night is when we sleep for refreshment, Night is when we dream, and most dreams are not nightmares. There is also one more important aspect to Night and that's the promise of the return of Day followed by the Day itself. The two outer movements, the first and fifth, set this frame for the pattern of "Night and the return of Day" and the three central movements depict what Night can hold: convivial evenings with friends, walks at dusk, telegrams from Vienna, news of loved ones far away, and (in the 4th movement) nights of love. Also that all-important promise that a new day will finally come. I may be being more descriptive and programmatic than Mahler would want me to be, but I don't think a little imagination here can do any harm and even I can be persuaded, under the right circumstances, that another approach is valid.
>>
>>130796341
so this is the point we got to huh
>>
>>130796579
His symphonies are too string heavy and he doesn't use the woodwinds and brass enoughm
>>
>>130796281
>Baroque
No one.
>Classical
No one.
>early Romantic
Wagner
>late Romantic
No one.
>Modern
No one.
>Contemporary
No one.
>>
>>130796281
>>Baroque
>Telemann
Based.
>>
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>>130796579
>Mozart is a much greater orchestrator than Mahler.
>Greater complexity means nothing
>t.
>>
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Back to the real good Boccherini shit
https://www.youtube.com/watch?v=ml_u9nQ__mU
https://www.youtube.com/watch?v=60xmiZ7zW_0
>>
>>130796203
>>130796579
Thank you imbeciles
>>
>>130796388
Because most of the music in it is threatening and dark and the finale explicitly has "the hero" failing and perishing
>>130796388
>The finale is pretty triumphant
Not to tell you what you're supposed to hear, but the consensus is that it isn't. Most of the finale the music thrashes bravely for all its might and is struck down at the end.
>>
>>130796582
>>130796597
I love that 7 is getting traction in these threads. I've been listening to it a lot lately, it's currently my favourite instrumental Mahler.
>>
https://www.youtube.com/watch?v=oxqyUW2txQw&t=485s

Just what is this sequence? It is so powerful, so dense, so saturated with vitality and essence of love. It is like someone just filled me up with life and made me pregnant. What was the composer thinking when he made such art? Why are those Germans so superior?
>>
>>130796892
It is truly one-of-a-kind.

https://files.catbox.moe/ure4af.flac

I suppose that's rather superfluous to state, for all of Mahler's symphonies are uinique.
>>
>>130796892
>instrumental Mahler.
That's the best Mahler
>>
>>130796934
>Why are those Germans so superior?

weaponized military grade autism.
>>
What's your favorite jumpscare in classical music?
>>
I hate how in these TV shows, these characters always make it sound like you're supposed to be an acolyte of strictly one composer.

>oh, you like Beethoven?
>hmm, I prefer Stravinsky.

like what, what does liking Stravinsky have to do with liking Beethoven lol, you can like both! being a 'Stravinsky-ist' isn't a thing
>>
>>130797199
fence sitting retard, stravinsky must pay for what he did to beethoven
>>
>>130797196
see >>129909088

also the opening of Vaughan Williams 4

https://www.youtube.com/watch?v=tp7ebltKwcA
>>
>>130797196
https://www.youtube.com/watch?v=iIpOzPaQoSg&t=2249
>>
>>130797199
But I am a 'Wagner-ian'.
>>
>>130797235
>Oh I love Don Giovanni, anon. You a fan?
>It's okay. I prefer Wagner.

like I said, it's basically a non-sequitur
>>
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Verdi

https://www.youtube.com/watch?v=iJ63GcQhmow&list=OLAK5uy_lo5i1dTcJOsTKjir7GzxN4Amc2Og66UCA&index=46
>>
>>130797196
Mahler 6 finale, just as we were speaking of. It's easily the scariest shit ever. I was once travelling and listening to it, almost fell asleep and forgot that I was listening to it at some point, especially because of that large and smooth diminuendo, and then the final chord struck and it almost gave me a heart attack. I opened my eyes and my heart was racing, I don't know what I was thinking of but maybe I thought it was traffic collision or something lol
>>
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>>130797196
Wagner.

Just imagine you are listening to a piece. Nothing out of the ordinary happening, no complaints, no excess energy, just simple music and language as it passes to your ears. However now is when the erotica unfolds, Wagner releases the pent up frustration, when you are feeling the most safe, the most secure, and then comes the intense burst of sound which ambushes the participant. The released energy resolved all problems. It is masturbation. Wagner is porn.
>>
>>130797305
>>130797305
>>130797305
Get in here you peasants
>>
>>130796781
ESL?
>>
>>130796801
So true retard sister
>>
>>130797600
>>130797705
Thank you imbeciles
>>
the vagner meme
>>
The "the vagner meme" meme



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