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File: a b.png (2.47 MB, 1122x1402)
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Bruckner Edition

https://www.youtube.com/watch?v=9_l0MAidnQw

This thread is for the discussion of music in the Western (European) classical tradition, as well as classical instrument-playing.
>How do I get into classical?
This link has resources including audio courses, textbooks and selections of recordings to help you start to understand and appreciate classical music:
https://rentry.org/classicalgen

Previously, on /classical/: >>130797305
>>
Would Classical still exist if Princip didn't kill Franz Ferdinand?
>>
>>130820019
yeah
>>
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>>130820019
>>130820121
ahem...

Radio was the tiny stream it all began with. Then came other technical means for reproducing, proliferating, amplifying sound, and the stream became an enormous river. If in the past people would listen to music out of love for music, nowadays it roars everywhere and all the time, “regardless whether we want to hear it,” it roars from loudspeakers, in cars, in restaurants, in elevators, in the streets, in waiting rooms, in gyms, in the earpieces of Walkmans, music rewritten, reorchestrated, abridged, and stretched out, fragments of rock, of jazz, of opera, a flood of everything jumbled together so that we don’t know who composed it (music become noise is anonymous), so that we can’t tell beginning from end (music become noise has no form): sewage-water music in which music is dying.

Schoenberg saw the bacterium, he was aware of the danger, but deep inside he did not grant it much importance. As I said, he was living in the very lofty spheres of the mind, and pride kept him from taking seriously an enemy so small, so vulgar, so repugnant, so contemptible. The only great adversary worthy of him, the sublime rival whom he battled with verve and severity, was Igor Stravinsky. That was the music he charged at, sword flashing, to win the favor of the future.

But the future was a river, a flood of notes where composers’ corpses drifted among the fallen leaves and torn-away branches. One day Schoenberg’s dead body, bobbing about in the raging waves, collided with Stravinsky’s, and in a shamefaced late-day reconciliation the two of them journeyed on together toward nothingness (toward the nothingness of music that is absolute din).
>>
>>130819997
>AIslop edition
may the ones you love most suffer and die in ignominy
>>
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>>130820330
sneed
>>
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>>130820301
>>
not surprised a bruckner fan thinks AI is interesting. dumb music for dumb people.
>>
>>130820335
that doesn't even look like him. Anyway, kill yourself
>>
>>130820358
I love Bruckner's works and am more intelligent than you. I know this because your statement is so retarded you could come up with a working universal unification theory and you'd still average at room temperature IQ. Fuck AIslop, though, that shit's for mentally ill incels and chuds.
>>
>>130820358
it's called humor you fucking faggot.
>>
>>130820371
what is?
>>
>>130820375
your life.
>>
>>130820400
>I had no follow-up to that statement
Gotcha
>>
>>130820465
completely delusional
>>
>>130820479
sure thing bud. So, are you ever going to explain yourself?
>>
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>>130819997
Da da ding da ding da ding da ding
>>
>>130818672
>Already false. Zelenka's entire rhythmless career is obliterated by Bach's contrapunctus II. Zero rhythmic feel. No interveawing dotted rhythms or syncopation of any relevance at all. No intricacy whatsoever.
>>
>>130820725
posting a wojak and greentexting isn't an argument
>>
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>>130820731
>posting a wojak and greentexting isn't an argument
>>
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>>130820708
>>
>>130820731
https://www.youtube.com/watch?v=DJt2SpxIPUc&list=RDDJt2SpxIPUc&start_radio=1

If you think this rhythmic and bouncy to you compared to this, you might have autism. There is more to rhythm than just what's on the page. Zelenka is so dynamic and unpredictable it just makes Bach sound like a artifact.

https://www.youtube.com/watch?v=4nAdVnAQ8n0&list=RD4nAdVnAQ8n0&start_radio=1
https://www.youtube.com/watch?v=VazmlwcbVg0&list=RDVazmlwcbVg0&start_radio=1
>>
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>>130820708
>>
>>130820844
shut up you fucking nigger.



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