https://www.youtube.com/watch?v=RrlbJIm8494
>>131501335how is it bad?its his only solo album where I like every song, the title track is a masterpiece, I wanna be black is funny, wait is beautiful, everything else has a cool dirgy, nasty sound that ties it all together
>>131501624>how is it bad?The vocals mostly
Street-Hassle [Arista, 1978]I know Lou worked his ass off on this one, but he worked his ass off on Berlin, too--like so many contemporaries, maybe he should stop trying to create masterpieces. After being annoyed for the longest time, I eventually warmed to "I Wanna Be Black", which treats racism as a stupid joke and gets away with it. But the production is muddled and the self-consciousness self-serving. B-
>>131501707seems like Bob had a bit of a guilt trip from Take No Prisoners
>>131501639they fit the degenerate vibe to me.gimmie some good times sounds like a bunch of drunks having a party
Aerosmith in the 70s too busy doing drugs and fucking fresh tight college pussy to put an album together. It’s a fucking riot.
>>131501796They just hit the rock jinx of four albums and after that they didn't have any more ideas.
>>131501486it has two singles that are still pretty solid, not bad for what's basically an album done by a single person (guy did all the work, girl just sang and fucked him)
It's metal, it's dubstep, it's metalstep!
>>131501560Elaborate
>>131501624His self-titled album is a masterpiece, Let alone Transformer magnus opus
>>131501335>>131501560Neck yourselves
Near universally hated among the core fanbase but I think Heroin Chic is half the reason why. The album as a whole really isn't THAT bad, and I wouldn't even say it's their worst.
>>131501391they were reaching for songwriting material at this point, but they still had plenty of soul
>>131501804Nah. Draw the Line is great and better than their first two albums. It was a steep decline after this though. That is until their poppy late 80s-early 90s comeback though, which I love.
Draw The Line [Columbia, 1977]Problem with the high-test riff jobs that powered Rocks is that when it came time to follow up, the band was out of gas. Joe Perry goes nowhere near "Bright Light Fright" while "Kings and Queens", synthesized medieval pomp-rock (cf. Styx, Rush) proves conclusively that they won't bite "The Hand That Feeds." We knew it all along, guys. B-
