In the field editionPrevious thread: >>131502800
>>131579386Phase Plant 3 when god dammit
>>131579386Thinkin of buying a volca
>>131578947>The artifacts of time stretching are probably worse than just slicing and realigning between each songI guess, if you can perceive the difference between someone singing at 1x speed and 1.000018x speed. TapersSection and other live archivists still recommend the time stretching method when matrixing soundboard and audience sources.https://morst.blogspot.com/2010/03/this-is-follow-up-of-sorts-to-my-post.htmlyeah it's an Audacity tutorial by an oldhead, but I'm sure some psychotic live jam band fan would've proposed the argument against fraction-of-a-fraction time stretching sources together for phase alignment. I can see inserting silence between songs to keep phase alignment, but what seems more intrusive?>multiple gaps of silence that break continuity >imperceptible time stretch possibly introducing artifactsMaybe this solution came about because jam band guys got upset over immersion-breaking bits of silence. >>131578970>digital buttonThank you. I'll play around with it.
>>131579416which one? i've tried some and they're not great.
>>131579756I was thinking the volca modular, it looks kinda fun. What's wrong with volca?
>>131579523You keep saying “time stretching” do you just mean slowing down? Because usually “time stretching” is an algorithm which adjusts playback speed independent of pitch.
>>131579386sup niggas this is my new song. i am inspired mostly by lil b, blackout crew, dave blunts and death grips and also benito mussolinikeep it based niggas and lemme know what u think of my nu songe. its really extreme.https://voca.ro/1gioUPxequom
>>131579768the modular might actually be good. the rest of them have unnecessary limitations to push users to upgrade to their overpriced, underdeveloped products. fuck korg, fuck roland, fuck elektron, fuck te, fuck akai. fuck ableton. fuck fl. fuck bitwig. all shit peddlers.
>>131579386rb-26: world's first non-euclidean reverbhttps://voca.ro/15CVEIlEfeZM
hot take. hardware is for fuckin nerds and the best music is made by broke ppl with literal toys a handful of cracked vsts.>>131579970this retard gets the idea
>>131579980Ok but dubreq is alright, right?
>>131579886yeah, either mismatching source can be slowed down or sped up. I chose to speed up, in my case. I guess pitch doesn't play a factor when multiplying the track speed by an infinitesimal amount (the option to adjust speed without affecting pitch is enabled in Reaper by default).
>>131580342Oh yeah in that case you should be fine, infinitessimal playback speed manipulation risks little (besides intersample distortion or aliasing, but like a basic hermite or sinc interpolation and 32bit mixing solves it), I thought you meant actual time stretching. I guess technically you might get subtle frequency beating since there’s a pitch delta between the two overlapped sources but beating is a difference phenomenon, at such a reduction you’d be talking about beating in the fractions of a single Hz, nobody would hear it
>>131580342>>131580402Actually I realized you said you left “leave pitch unaffected” on by default? IDK how Reaper is working there. Maybe it just resamples if the pitch/time delta is significantly smaller than the grain size? My concern with what a timestretch algo would do would be cause really crazy comb filtering since they usually work by crossfading grains together, and the time difference is so miniscule the grains would be nearly identical, it would sound like a flanger. Maybe it’s so slow Reaper just turns the grain engine off.
>>131580422>actual time stretchingelaborate? I also looked into resampling (as in, calculating a non-standard sample rate for the de-synced vocal track to match the length of the room mics), but I think that comes with pitch change as well. >>131580402I don't know if this screenshot helps, but here
compactor has made me so greedy for peak control
idk...https://vocaroo.com/1b6Quzq3nH0n
Does anyone have any experience with this bad boy?
>>131579386https://vocaroo.com/1mMLD2OVh1Mj>terrorcoreHow is mix? would you do drug and dance too?
>>1315815632spooky4me
>>131581731That's too many channels/instruments. When I make music, I use five channels maximum. Plus maybe one more if I want to use a riser or something
>>131580155>full wet signal, astral planet shit https://vocaroo.com/1i1NxdRnWpVE
>>131580155>>131581752Very Nice.Lets make it perfect.For DAWs, it is always better to have the DAW's native context menu (right-click) instead of the plugin's context menu. If this is possible, please let the Swarm know if something can be done about it.Also, when the plugin opens, its window is too small. Please increase the default size so that all reverb settings are fully visible.
>>131581808
>>131581814Ok, will test it when i come back from work.
>>131581831may you have a good wagie
>>131581848Haha you're unemployed! Where's your disposable income??? Hmm???
>>131581947Nigga im working rn lmao git gud
think i might pirate some plugins. imagine making music in the 80s and you either had to record to a shitty mono tape recorder or pay some mulleted freak thousands to record your demos. I can get studio quality music with my 2i2, vital and reaper
>>131582045there used to be labels that would actually sign artists and spend money on them
I made this todayhttps://vocaroo.com/1i8quPPL4qzh
>>131582045>wow. the 80s.>am i right, bros?holy mother of cringe>>131582146unfortunately they still exist but now they take more of your money
>>131582148>https://vocaroo.com/1i8quPPL4qzhcool sound but it sounds like it's building up to something that never comes
>>131582148fuckin excelllent. i like it a lot. fix the volume levels though dude. you balance this sucker out and it'll be even more amazing.
>>131582201i think that's part of the idea, anon.
>>131582199literally no one said that chuzo jfc can you be normal for one second
>>131582235>can you be normal for one secondnot possible. sorry.
>>131581306the parts where the whewwwwww noise stops completely (like 36sec mark for example) sounds a little awkward - I think it's a bit clunky compositionally with the backing arp. Might benefit from cutting it off sooner, a bit more in line with when the arp ends, then adding a subtle delay tail to it or something, idk either.
>>131582288>parts where the whewwwwww noise stops completelyyou mean the bass?
https://vocaroo.com/14SlovGOM0G7recorded this over the past week. my goal is disheveled indie rock a la Parquet Courts i guess. opinions?
>>131582398>https://vocaroo.com/14SlovGOM0G7are you gonna add vocals? vast majority don't care about music with no vocals, sucks but true
>>131582410i would, but alas i suck at singing! just wanna know if anyone else thinks it sounds good
>>131582414it's pretty cool. you should find a singer in your area
>>131582433thank you! i have been trying, but there's not a lot of people around here that are into this kind of stuff sadly
>>131582414The bass line did not sound good on its own for that intro, but in the context of the other guitars being distorted and going for that sleazy oozing feel, it ended up being alright. It does call for some vocal lines, because the central ideas are so simplistic. desu if I stumbled upon this I might've clicked off of it because the bass was so flubby and amorphous. Try the line clean and then distort it?
>>131582390I guess. It's not very bassy for a bass, though, so I hesitated to call it one.
>>131582513>not very bassy for a basswhat bass lines are you usually hearing in songs? Your demo sounded like it had plenty of low end to me.https://www.youtube.com/watch?v=Up9b-vqlXbchttps://www.youtube.com/watch?v=Rd8jhoi0yRQhttps://www.youtube.com/watch?v=sBntTR6foFkcompare and contrast the sonic space the basses in these songs take with your demo. Parquet Courts has post-punk vibes iirc, so Minutemen and Unwound can't be far off (Acetone probably is though)
>>131582486hmm, i did try mixing up the bass a bit but it got in the way of the guitar lines i felt like so i reverted it. might give it another pass. the line is in fact recorded clean through DI, i just throw a NAM over it.glad at least the guitar sleaze is coming through! ty for commentary
>>131582513are you listening on your phone speakers? i appreciate the feedback because i never get any here but idk what you're talking about because nothing stops at the 36sec mark
https://vocaroo.com/1nnBPkSJhBm1reverb is so cool bros
>>131579386what do you guys think of this thing i made todayhttps://voca.ro/1mOvU5IwqgQC
>>131582634I'm listening on DT 770 pro's (80 ohm). My bad, I think I just couldn't explain what was irking me properly. The growly synth that follows the bassline feels like it sustains for too long, not that it cuts abruptly (at 37 mark where the growl stops sustaining briefly). Something just seemed off about the flow of the track at that port on first listen.
https://vocaroo.com/18Z4hUcMFgqM
>>131583692wow, that is a clean mix. I'm not sure why you bother to post in this cess pit, but it's nice to hear something by someone who knows what the fuck they are doing.
>>131583187https://vocaroo.com/137uT7OFuH3Dfinished
>>131583766>https://vocaroo.com/18Z4hUcMFgqM>>131583692sounds mastered way too hot for my ears
>>131579386https://m.soundcloud.com/raindemonmusicI make rave music please listen I am new to the scene
>>131583910fuck off shill cunt, back to your containment thread
>>131583692tranny beat
>>131583922I thought this was the production zone ):
>>131583929I forgot that OP is a colossal faggot that didn't bother to post the usual OP text, but we don't do anything other than vocaroos here, soundclouds etc. are not welcome.
>>131583975Oh mb big frog
>>131583898It sounds overall better on my monitors than it does on headphones, but I'm not even going to pretend that I could actually criticise it. There are not many anons (if any) posting anything as complex and clean as that in these godforsaken threads. Yeah it's not fully professional, but for (assuming) bedroom producer level production on the fourth channel, that's probably as good as it gets.
>>131584052it's unrappable and unsingable. whats the point of it
>>131584138Your carer must be so embarrassed having to type that one out for you.
>>131581808>>131581814ok, did a quike test.When i click on UI: Nativ the UI turns black.I can change value with the mouse rad but no context menu with right click.
>>131584752Knob & Feature Feedback Overview Pre-delay: Works as intended. Diffusion: Too subtle. It is hard to tell if it is even working. Input Trim: Works as intended. Low-End Matrix: Located at the top; works perfectly. Reverb Core Tank: Works as intended.Pitch Section Pitch Diffusion: Works as intended. Pitch Regen: Works as intended. Overall Pitch Function: Feels very subtle. This is generally fine, as an extreme effect might be overwhelming. However, adding a booster knob could help users who want a more noticeable effect.Modulation & Master Tail Modulation: Works as intended. It is quite subtle, but that fits the design. Latch Button: Consider enabling the "Latch" button by default. Master Bus: Works as intended.
>>131584893v.1.4.0 is up
>>131584752>>131584893User Manual: https://files.catbox.moe/ztihqt.pdf
>>131586802yes!Okay, pitch boost does wonders and works immediately as expected.Latch is enabled by default: working.One thing I noticed is that the GitHub documentation / user manual states the power is off initially, but it is actually turned on as soon as the plugin is loaded.UI: Native: interface still turns black upon being clicked.DAW context menu does not appear when right-clicking.
>>131586802>>131586900Example on Pitch boostAutomation on shim/dim and Pitch boost (image )https://vocaroo.com/1eUpoKxc9Whb
>>131587039sounds fresh, v.1.4.1 is up.
>>131587039i have no idea what hardware you have but it's such a feelsgoodman on laptop keyboard https://voca.ro/1bIIOjkE9BrD
>>131587116testing itI made sure I am running the current version 1.4.1.The power is now off by default.When I click on "UI:Native", the plugin interface still turns black.The native DAW context window still does not appear when I right-click on any knob.About the context window, this is what gemini says: (image) // 3. Signal the host DAW to open its native context menu at this position param->sendContextMenuToHost (e.getScreenPosition()); return; // Consume the event so your own menu doesn't pop upidk if this helps
>>131587301that's strange because on my machine it started in native and worked. let me address that properly
>>131587301chads stay winning, new fix up
>>131587624ok, first i will make sure to have a clean install.will report back
>>131587624contex menu worksImage related is what after switching the UI looks like
Bros how do i fix my voice? I have a shitty autism nasal voice that can't get rid of even while singing.
>>131587737project through your sinuses, stop choking it, don't force, and try to reverberate and stay on pitch
>>131587704nice knops
rumble bass
>>131587737open your throat nigga (no homo)
Ok, here is a little dirty season. Testing the plugin with all kinds of automation. Focus on bass,low end.https://vocaroo.com/1jxsB8aPZjXn
>>131588195around 0s-40s i think you're redlining and clipping, sounds hollow to me but the growl is really present.
>>131588296yeah, its clipping hard but this was just a dirty season. I put three limiters on it.
>All musicWhere does just making some sort of mood fit into this?https://vocaroo.com/1mMMptbarRIi
>>131588396ben frost, is that you?
Told the clanker to make a new/update User Manual: https://files.catbox.moe/8b98h4.pdf
>>131588430I'll take that as a compliment because I don't recognize the name
>>131588396>https://vocaroo.com/1mMMptbarRIido you want to be a horror movie composer?
>>131588490this song is about the bombhttps://www.youtube.com/watch?v=RGE22DWsazQ
>>131588444nice. i have full documentation in the github wiki
>>131588697how long would it take for a developer team to build this?
>>131583910Too good to post it here.
>>131588791i ran multiple estimates with different sources, the most conservative math i have is 10-16mos for the whole synth+reverb package with cost between $250k and $550k usd. for a team of skilled engineers.
>>131588828>>131588828Is the AI learning as part of the development of this plugin?
>>131588870no. but yes. i've got telemetry on, so google is training on the work it's doing. however, i'm using fresh bots every time. it's impossible to efficiently implement constant learning based on complex workflows right now.
>>131588888I might have one more idea but i think this plugin is already perfect.So, how about a chorus effect for the shimmers and dimmers. A single knob to introduce a chorus effect for the up/downwards harmonics.
>>131588947simple chorus plugins are a dime a dozen. design philosophy would be violated lol. this is my next project, i'll add an advanced chorus function.
>>131588975oh boy, more plugins.
>>131588520Maybe? I'm all for soundscapes in general and found this geiger counter module and felt like making a dissonant, desperate and sorta spooky soundscape around it. "A stalker dies pointlessly in the zone" if you will.>>131588557Damn that's cool. I looked the guy up once you mentioned him. I really like the vibes of the stuff I listened to.
>>131587768>>131587853Can I get away with this if I plan to make punk/alternative/grunge music?Also please don't laughhttps://vocaroo.com/1j9ZzVHuKUAF
>>131588557That's really incredible.
>>131589846
>>131588990AAAAAHHHH OH GOD I'M FUCKING RETARDEDI PUT IN 4 FUCKING RESONANT MANIFOLDSDID THE CODE AND OPTIMIZATION AND TESTING FUCKIN FORGOT TO ADD A SWITCH TO USE THEM anyway you only had 1 manifold, the poincare. there are 4 now
Just wanted to shill Tekno by Baby Audio. It's p. great. It was this or Drumazon 2 which is a really fancy 909 emulator but this won out for me because you can drag the sequencer pattern out in a second but Drumazon 2 takes some work and I'm lazy. Sequencer is only one bar which sucks but that's really not a big deal. The only thing it's missing are shakers but that's easily fixed by just getting a free sample pack. Do not get it for 80 USD, it goes on sale regularly for 50 USD.
>>131588975Turn this from a filter bank to the modal resonator of a synthesizer and it could actually be cool
What gear do you travel with? I'm bouncing around terminal to terminal with this but thinking about some other options.. maybe a 404mkii and leave everything else at home? would only need a speaker, some sd cards and headphones?
>>131590371ok
i heard this very niche edit by a niche producer (i’m very niche) of some japanese nightcore tune from some guy who apparently disappeared from the interwebs.i think im just gonna rewrite it and claim the entire thing is original ex dee
>>131590435IDK how recursive it is to have your LLM implement an actual non-LLM neural network but it’d be cool if you could drag a sample into it and have it generate a modal profile based on the sound. Then you could take multiple modal profiles and morph between them according to an envelope/curve, optionally using the Lorenz attractor’s target to control the way it moves from its current state toward the morph state.
>>131590568>>131590435To clarify, since you refer to it as a 16 resonator “matrix” I assume it will be cross-excitational. You can use simple FFT to get the modal properties of a pure modal tone like a bell or string, but extracting the way one resonance excites other resonances in the body is a key part of accurately modeling specific percussive tones and you really need a lot of informed guess and check (which ML excels at) to figure out how a sound is derived from cross-talking resonators. So you’d ideally want some simple neural network that could take a sound and attempt to reconstruct it as a series of mode connection/crosstalk strengths.On the plus side, training data for such a neural net is super easy; you generate a modal “patch” with random crosstalk, export a sample, and associate the sample and the crosstalk values/weights as a training data point.
>>131590611i like your jib anon
>>131590393ep-1320 medieval, my iems. 404 is close
if I was to, hypothetically, try and sneak an ai generated song by that autist in /dmp/, how would i, in this imaginary scenario, do it?
>>131590836use lyria 3.5 in google flow music, no vocals. it's the only music model that doesn't have its own sound signature.
Looking for some (constructive) criticism here. Im a newbie composing for a friend's video game. I'm especially having trouble making the pianos sound good. https://vocaroo.com/14C84Bg37Urh
>>131590921people aren't going to be able to concentrate on the game
>>131590921i know this is terminal slop but it's the smartest thing ever to send your mp3s to gemini, here's what i got for you, it wrote this> be anon> composing OST for friend's indie game> pencil tool every single note directly onto the 16th-note grid> velocity: 127 across the entire universe> piano sounds like dry plastic cutlery clacking at 4 kHz> chiptune square lead drilling a hole through your skull at 3.5 kHz> hi-hats firing like an automated sentry turret> kick and bass having a blind fistfight at 100 Hz> how fix> alt+s: strum chord notes by 10ms so hands don't land at the exact same picosecond> randomize velocities by ±15 so the downbeats breathe> shelf the piano clack at 9 kHz and send it to a warm plate reverb bus> dynamic EQ the shrieking spikes out of the chip lead> give the synth 25ms of portamento and slight delayed vibrato on holds> soften off-beat hat velocities so your drummer doesn't sound like a printer> sidechain bass to kick so low-end stops choking> melody is actually comfy anon, stop letting your mouse play the instruments
>>131590960Half the time Gemini doesn't even know what it's listening to. I showed it audio I recorded of frogs chirping and it identified it as dubstep
>>131590979well this time it worked nig nog, that thing gets smarter every week
>>131590921i wrote this video game inspired song for fun. i envision it as a mini boss battle. maybe you can find some inspiration https://vocaroo.com/1gr8jGD0K8g9
i lack inspiration. i see why pro musicians take drugs
>>131591021love and desire come from within loser get out of my thread
>>131591101im OP, its my thread bucko. youre just posting in it.
>>131591108
>>131591108OP is a fag as usual
>>131590618>>131590618Very interessting.I was testing and playing around when I found something odd. It looks like a drip effect caused by a delay. This happens when the room size is set to a specific value; for example, if it is set to 10%, there is no delay effect. The same goes for the diffusion, which seems to strengthen this delay effect. It is almost as if a dry signal is being output, though I am not entirely sure how to describe it.Here is a demo of this effect when turning the settings all the way up from zero. The first signal is clean, but the second one is already delaying, tripling, or whatever you want to call it.I am using current version: 1.4.7https://vocaroo.com/1oBlNl2t6pfZ
>>131591204i think i found where this strange delay comes from, its the pitch diffusion, when boosting the signal up you can here it.
>>131591204>>131591231When boosting the pitch shimmer and dimmer, the effect becomes crystal clear.Wait, this means the pitch shimmer and dimmer are actually moving way too fast.Additionally, the shimmer and dim can be heard mostly on the left side.Wouldn't it be great to be able to set a much longer delay? The decay lasts for about 6 seconds, creating a very long tail. Even at 2 seconds, the tail is long, but the shimmer maxes out at 500ms. Because of this, the shimmering or dimming effect can never follow the full length of the decay.Currently, the shimming and dimming apply immediately and very quickly after the signal hits.
>>131591204>>131591231>>131591280ok, i think i found the bug.When i let signal/sound run and turned the simmer and dimmer all the way down and up again the strange delay dripple effect was gone and the pitch applied normaly again.
>>131591292no wait, forget what i just said. Dimmer is ok, shimmer is the one doing the strange effects.
>>131591292thank you, the vocaroo helped and i'll have a patch up in like a couple minutes.
>working on the new product>screeching noisebotn*gger has said it fixed it 2x now. anyway, i might have the mr-16 up pretty quick knock on weed.
>>131591305let me show you something, the problem is not a problem. YOu simply have to give the pitch delay more room. Let it go from 0ms to 500ms.You see, image related, thats how fl does it too.right now you can only lower the pitch delay to 20s, therefore the strange dripple effect.
>>131591331it's not about expanding a parameter, i'm recalibrating the acoustics
does vocaroo not like .wav files at 48khz/24bit?
>>131591331acoustics recalivrated for v1.4.8
>>131591330Okay, I tried to recreate the shimmer effect to show you what I mean.https://vocaroo.com/1ibQaO8XqogvSee the image and audio. The first signal is my recreation, followed immediately by the second signal, which is handled by the Braun pitch.In the first second, they sound almost similar, but as I move up the time of my handcrafted shimmer while simultaneously driving the time (pitch delay) up, you can hear a change in my shimmer.As larger the time becomes as more sparkling the shimmer becomes.
>>131591407ok, on it. Will report back.
>>131591407Much better now.Will have to test more.
found one bug: context menu for pitch delay does not work.Overall it seems to sound much better now, more organic.https://vocaroo.com/14jPNCd5kL4W
man if the f3 had an onboard mic id hotglue it to my amp. anyone have any reason to replace my Tascam 40X for that or keep it?
>>131591492decent, patched
>>131591592Took one of my own tracks and put it through the BRAUN RB as send, heavy settings applied.Braun RB Versionhttps://vocaroo.com/1b7Yfg0ZqAGtOriginal (sorry for chilling)https://www.youtube.com/watch?v=Mj2o9OvzEV8What i notic, when changing room size the signal becomes sometimes stronger either left or right.
>>131591584I never had a Zoom F3, but would use the H1 XLR (about half the price of that) which I would plug into the board or use to power something like these: https://soundprofessionals.com/product/sp-cmc-4u-phantom/ and that was to record live shows incognito in the audience. DPAs are even smaller capsules, and there are other field recorders in ultra-slim form factors like the Zoom F2/Deity PR-2 if you don't need XLR inputs, but I digress...>replace my Tascam 40XMy DR-40X has a ticking issue probably caused by interference from the screen. That combined with the lackluster mics kinda make me hate it. I should look into its warranty or something.
>>131591622haha i never knew you made tanzelcore anon that's dope
>>131591627hmm, mine sits in front of my amp stack if thereas an idea so I'll probably keep it then, since my shit phone mic is also good enough for me should it come to that, thanks for the info
>>131591651>tanzelcorei hear this the first time.
>>131591673>tanzelhttps://www.youtube.com/watch?v=JpZ_mE9V-Vg>bonushttps://www.youtube.com/watch?v=p5eGTQwQ3oo
>>131591693Very interessting, many thanks anon!!
>>131590611i have no idea what the fuck this thing doeshttps://github.com/sneed-and-feed/braun_mr-16
>>131591707welcome. the ching chongulator is working now see >>131591760
>>131591760is the chorus ready?oh boy, i am going so deep into this.real life is calling but i will report back as soon i have dived deep into this.Will take a quike look.
>>131591760wait, this is a synth? Not a chorus?Chorus is an effect plugin.what is this thing?
>>131591760>>131591820This needs to be an effect. Not a synth.
>>131591840it's a resonator and kinetic synth that you can absolutely use as an effect plugin
>>131591860Anon, this is not going to work as an effect plugin becuse it is listed as synth.There is no use for it when all the effects stay in the synth with just these sounds.It is more usefull in the effects.
>>131591873??? how do these programs even work ???right now i am on my machine with vb-cable and the .exe's all chained and it's good. i'll tell the fucking bot to fix whatever, running out of tokens but i can cope
>>131591879made a quike test with the synth, most knobs seems not to work? Not sure about that. I don't even really know what those knobs are. Sound all new to me.For example: kinetic morph & 3D attractor: does nothing ... maybe?Do i have to drop an audio file in there? no wait... thats the point, why going through this when it can simply be used as effect plugin.
>>131591897yah. you wanted the chorus, other dude wanted the neuralizer, i'm stoned as shit so i made a neuralizer chorus. enjoy. i'll fix the designation so you're not stuck with a stupid clunking synth.
>>131591901it can be both, synth and effect.
Still have some time, today is no wageslaving.I get a coffee.
>>131591919new version is up. no more synth lock-in.
>>131591974i'm in, no sounds go though it. I put it on active still no sound is produced through it.
>>131591996kinetic exciter -> ext in
>>131591974>>131591996it only takes the siganl/sound from tactical impulese>>131592007still nothing
>>131591996
>>131592016ext gain in, workingbut now the tactical strikes alongside the signal
>>131592020EFFECTS ARE AWESOME but the impulse tone from the vst itself play along the send signal from me, which is very anoying.
>>131592020OK WAIT A SECOND
>>131592039I THINK, it was one of my sounds?these effects are some really weird new shit.wtf?will make demo
>>131592030i'm on it
>>131592050wait, it was one of my own signals.These effects do some weird shit i have never seen. I think this is an alien plugin.i have to learn to speak its language first.absolutley crazy
>>131592059pull v.1.0.3
Chorus mix does nothingidk, maybe the whole chorus section does nothing.image related: only knob that produced something.https://vocaroo.com/13kPZakkbZse
>>131592121
>>131592121you're right and i'll fix that
>>131592172Kinetic exciterstrike vel: nothingHardness: nothingVactrol sag: nothingFriction vel: nothingFriction force: nohtingext gain in: workspoisson dens: plays vst own signal/sound into the mix? not sureeuclide hits: works, i guess?Euclide steps: works, i guessI guess, because i think these last three knobs have to do somethign with the poisson dens.16 pole modal resonatorFundamental: worksovertone spread: works, but is very sensible, slight change has heavy impact.damping rt60: works, again very sensibleresonance Q: not sure, something happens but the Q value seems to be not really expanding or tightening.coupling: nothingKinetic morph & 3d attractorthe heck is this, don't know, did not test, nothing happens there.tri phase / choruschorus seems always on, mix does nothing, same for all other knobs there.
>>131592212ok soon
>>131592263I have to say, the swarm pulled some incredibly bizarre descriptions from the latent space. This is essentially an artificial, alien plugin. Literally.Who knows what else AI is capable of? At some point, it will absolutely revolutionize the way we produce music.
>>131592286snailer holocaust 1,00,000,000 dead luddites
>>131592286v1.0.4 up, big fix, i'm more or less out of tokens tho with a reset in 3-4 days. i have a very small backup reserve and after that it's a premium.
>>131592486shit i fucked that one up, 1 minute, don't dl that crapfucking spaghetti
>>131592495ok>>131592486>reset in 3-4 days.it is what it is, enough time to test everything.thanks for the work
>>131592512anon it's been a pleasure, this is the most meaningful shit i've done since the army. your assistance and inspiration has been the best thing i could ever ask for. i'm b& from /g/ for a little while still but this thread is slow af and i'm lurking it. running the new numbers now on a proper fix that won't distort, i have maybe 2-3 hours of quota left. enjoy the 'verb, it's probably the first time in history that someone's gotten a custom product of this level shipped so fast.
>>131592575holy shit cow, i think i know what this weird 3d kinetic morph is doing.I dropped a sample in it, a piano note and it is modulating the chours with it? Am i getting this right? lol? Basiclley what impulse do with reverb but for chorus?
>>131592598that's exactly what it does. v1.0.5 up
>>131591860Might be true but you’d have to make 2 versions (like Serum and SerumFX or Reaktor and ReaktorFX), one which categorizes itself as an instrument and does not accept audio input, and one which categorizes itself as an effect and accepts audio input. the VST spec demands that you make this distinction.
>>131592657>>131592486Guy who requested synth, I’m monitoring but it will be a couple days before I have a day off work to properly test run it and deep dive into what it’s doing. If this thing works it will be the only thing AI ever made that I’ve so far had a use for so that’s kind of interesting.
>>131592657I'm back, ready to test more.I see its already at 1.0.6
It needs DAW context windowkinetic morph seems to subtle, it does something but its not really audiblechorus works16-pole modal resonator:somewhat tricky, coupling seems to do nothing.You get quikly hurtfull sounds from it when you do not limit it.Also, if i get this right, not sure, as soon i drop a file in the kinetic morpth it says: extracted into beam (or voice)What does this mean, what is going on here.Has this somethign to do with the 16 pole manifold?About kinetic exciter engine:This plugin is used as an effect, so any sound i put through it in my mixer is affected by it. But the problem is, the plugin itself can produce sounds too: Poisson dens. Now i wonder, does euclide hitss and euclide steps only affect the poisson dens, those random sounds that the plugin plays? The thing is, why only the plugin own sounds? why not use the signal that is going into the effect plugin, so to say my sounds?Vector phosphor crtseems to do nothing, maybe? idk...chladni is not movingattractor is working but very close to the monitor.modal fft does nothing.Demo: https://vocaroo.com/12LVLMuBQRZH[Image related]
>>131593926if you are on v1.0.6, which you are, then... hmmm...... idk... because i just patched that on my machine.
>>131593926updating files now.
>>131593926v1.0.7
>>131594119ok, i was knee deep in my DAW, getting update now.
>high 'verb whispering gallery piano patchhttps://voca.ro/1eJEmLubTOhS
>>131594119>>131594155Monitor worksTo be honest, the poisson dens thing, i really don't know for what it is good. Its randomly, am i right? I think it took the sound this time from my signal. The thing is, there is one knob and i do not know which who changes the tonal output heavily, i still try to figure out which it is, really don't know. The effect is that everything sounds like the same. The texture of the tone changes when i switch the material, maybe its something there? idk.What does "coupling" do in the 16 pole section?Vactrol sag in kinetic exciter seems to make the signal overall loader. What does orbit rate do in the kinetic morph? What is lorenz steer do?Something happens but i do not know what, or maybe it doesn't? I'm absolutley not sure, i have to test more!Here is a demo: https://vocaroo.com/1kMt91t0Dw1k
>>131584893What is the url
>>131594300>as-42 synthhttps://github.com/sneed-and-feed/braun_as-42>rb-26 reverbhttps://github.com/sneed-and-feed/braun_rb-26>mr-16 resonatorhttps://github.com/sneed-and-feed/braun_mr-16
>>131594293But i have to say, this is one of the most insane strange chrous, wtf, effect i have ever used.This thing is from earth.
>>131594309>This thing is from earth.not from earth
>>131594293>what is poisson dens actually good for?Instead of Euclidean clock pulses, Poisson sets a stochastic, memoryless arrival rate (Geiger counter / rain on tin).On EXT IN, it acts as a dynamic particle gate / granular chopper, slicing continuous audio into micro-bursts that ping the resonators. On keys, it fires irregular cluster strikes and acoustic chitter.>everything sounds like the same ringing hollow bellIt's a 16-mode physical resonator, not an amp or distortion box. It forces input through 16 resonant bandpasses:- MANIFOLD sets geometry: Harmonic (string), Inharmonic (bar), Circular (drumhead), Chladni (plate).- MATERIAL sets damping: Wood absorbs highs fast, Glass rings pure, Steel sustains bright partials.If it sounds like a bell, Decay is cranked or Fundamental is high. Lower Fundamental, drop Decay, try Plate/Membrane, and blend Dry/Wet. Drums into Membrane give tuned percussion; noise into Wood gives marimbas.>what does coupling do?Real acoustic bodies don't ring in isolated vacuum tubes. Striking one frequency transfers vibrational energy to adjacent modes.Coupling sets this mechanical energy transfer. At 0%, you have 16 sterile parallel filters. Turn it up, and modes bleed energy back and forth, creating sympathetic resonance, beating, and acoustic bloom.>what is vactrol sag?Models non-linear optical lag in Buchla 292 optocouplers (LED + photoresistor). Transients open fast, but recovery is sluggish with memory hysteresis. Rounds off harsh spikes and thickens RMS body without digital clipping.>orbit rate vs lorenz steer?Modulation core is a 3D chaotic Lorenz attractor (butterfly effect).- ORBIT RATE: Speed traversing the 3D attractor path (chaos speed).- LORENZ STEER: Modulation depth—how hard 3D coordinates warp modal frequencies and Q. At 0% geometry is static; at 100% modes drift and morph continuously across twin lobes.
>>131594327>MANIFOLD sets geometry: Harmonic (string), Inharmonic (bar), Circular (drumhead), Chladni (plate).it says: chladni, beam, vocal and hornI understand; it's a tube effect, like a hollow bell.So, it's mostly random.Also, I noticed that it is very quiet. I have the external gain set to +8dB, the fundamental low at 65Hz, and I turned the damping RT60 down to 2.70... so basically, I tried to avoid the bell effect, but then the signal (sound) became very quiet. I can pull up the master trim to get it a little louder, but without succsess, its still very quite. BUT when i turn up poisson dens, its loude!Testing it on full wet.
>>131594399>i used the wrong function to answer your question lolGood catch on the panel labels:- CHLADNI: 2D plate (biharmonic eq). Metallic gong / cymbal resonance.- BEAM: 1D elastic bar (Euler-Bernoulli eq). Marimba, vibraphone, chime bars.- VOCAL: Acoustic tube (Fant formant series). Vowel-like cavity formants.- HORN: Poincare hyperbolic horn flare. Brass bell acoustic projection.Not random at all: each sets the exact partial spacing (f_i / f_0) of the 16 modes.Why your synth got quiet while Poisson was loud:>Why continuous audio goes quiet at 65Hz / 100% Wet:MR-16 is a bank of 16 steep bandpass filters. At 100% wet, dry audio is muted; only energy passing through those 16 narrow mode peaks reaches output.With Fundamental parked at 65Hz, if your synth plays notes or chords that don't land directly on those mode peaks, 95% of the signal is rejected by the filter skirts. Continuous input also has safety headroom scaling so high Q won't blow your monitors.>Why Poisson is loud:A continuous synth note only has energy at its specific pitches. Poisson is a kinetic mass-spring mallet strike (Hunt-Crossley collision). A physical strike is a mechanical impulse (broadband spike) containing energy across ALL frequencies from 20Hz to 20kHz. It excites all 16 modes simultaneously. Turning up Poisson also fires a dynamic pulse gate that injects a burst of external audio at full level with each strike.>How to use it on external audio:1. Don't run 100% Wet. Blend Dry/Wet to 30-50%. The dry synth carries the weight while the resonator wraps acoustic body, sympathetic bloom, and wood/metal rattle around it.2. Tune Fundamental to your track (or route MIDI to MR-16 so it tracks your synth's pitch). When fundamental matches your note, the modes lock onto the harmonics and sing out loud.3. For less bell, switch Material to WOOD or NYLON (steep high damping) and Manifold to VOCAL or BEAM.
>>131594327>>131594399so i took a simple clap sound and played around with a limiter as ear protection.Dude, this is dangerous.
>>131594437i have an e2e test suite but the level of engineering required to have an e2e suite that works the first time on a new product and catches all edge cases is... pretty wild. referred to the bot
>>131594434It needs dry sound to function?So, i will never be able to make a send channel with it?Ok ok, here is the thing that you could do. Seperate dry and wet, make a dry knob and a wet knob.Just feet the plugin with the signal and let the user decide how much dry signal should go in. Sometimes (actually always) music artist use a full wet effect just for a send channel.
>>131594474i'm building a fix that answers your issue
>>131594437ok, not good, i turned up the possion dens and they where not record by the FL limiter, no spikes what so ever.The random poisson sounds where louader but fl limiter only spiked at the clap sound.There is somethign strange going on with this plugin.
>>131594474>>131594504>fl limiter only spiked at the clap soundAha. That explains the screenshot! Here is exactly what happened:A clap is a broadband transient burst (white noise). Unlike a tonal synth note which only has energy at one pitch, a clap dumps energy across the entire frequency spectrum, exciting all 16 resonant modes at once.Because your synth was quiet, you boosted External Gain to +8dB and cranked Master Trim. When that broadband clap arrived at +8dB, it pumped massive energy into all 16 modes simultaneously and slammed the limiter ceiling!>It needs dry sound to function? Can't use it as a send?You CAN use it as a send at 100% wet. You were right: send tracks always need full wet.Your synth going quiet wasn't intentional—it was a gain-staging bug in that build. Continuous external audio was accidentally scaled down by an extra 0.08 factor, choking it by -46 dB! That's why your synth was near silent, forcing you to crank +8dB, which made the clap explode.Just fixed in v1.0.8 (in \releases):1. Un-choked continuous audio: Removed the redundant attenuation. Continuous synth audio now sits at healthy nominal levels (~ -12 to -6 dBFS at 100% wet). You don't need +8dB anymore, and you can drop it on any send channel with full rich acoustic resonance.2. Transient peak limiting: Claps and drum transients are now smoothly bounded across the modal bank so they won't blow up into your limiter even when hitting all 16 modes at once.3. Mode-aware Poisson: In EXT IN mode, Poisson acts strictly as a dynamic granular chopper on your audio stream without firing phantom mallet strikes.4. 100% Wet Send Ready: Deck 05 DRY/WET at 100% gives pure wet resonator output at full healthy volume.Grab v1.0.8 from \releases, replace the VST3, reset External Gain to 0dB, and test your send track again.
>>131594504Also, i don't get it why an effect plugin is producing sounds? It doesnt make sense. I am producing sounds, sending it to the effect plugin. There is no need or logic behind it why an effect plugin should produce sounds?Kinetic energy engine:strike, friction and vactrol do nothing for being in a effect plugin. They only would make sense in a synth. And poisson dens (euclide hits, euclid steps) they feel random, like rain. And they produce their own sounds.
>>131594534>my burger is too juicykeeeek anon
>>131594520>A clap is a broadband transient burst (white noise). Unlike a tonal synth note which only has energy at one pitch, a clap dumps energy across the entire frequency spectrum, exciting all 16 resonant modes at once.>Because your synth was quiet, you boosted External Gain to +8dB and cranked Master Trim. When that broadband clap arrived at +8dB, it pumped massive energy into all 16 modes simultaneously and slammed the limiter ceiling!the clanker should stop talking, it is assuming too much.right now there is just one sample loaded in my daw, a clap sound, i am testing the plugin. fact is, all sounds have to be seen in the fl limiter, it is what it is. Since this is an effect plugin producing its own sounds, it is not seen by fl limiter. Not good!
>>131594546>this is an effects pluginit's a hybrid synth instrument that can also sit in your signal chain.>I only want it as a pure effect for my clap samplethen turn the synth features off. poisson dens to the left, euclidean 0 pulses. >fl limiter only spiked at the clap soundphysics. white noise wideband activated all the modes. clap that ass at 100% wet send and use deck 2 to tune it
>>131594573Ok, I think I found the issue.It is not just one knob; it is the interaction between the fundamental frequency and the resonance Q. When the fundamental is set to a specific frequency while the input signal already contains unpleasant resonances, turning up the resonance Q boosts those bad frequencies even further.You know how some samples have harsh frequencies that need to be cleaned up because they resonate and build up on their own? Most of the time, they sit in the low end, just below the sweet spot where the kick drum has its energy. Sometimes you get a lot of these resonances in the mids, but the worst ones are always in the highs.When my signal goes through the plugin and the fundamental knob happens to hit one of those bad frequencies, and I then turn up the resonance Q, boom, ear-bleeding volume and a full-blown tube or bell effect.The 16 pole modal resonator needs a hard limiter that prevents any outburst. If it is clipping, than it is what it is.
The AI made it sound like something special, but in reality it's just a tube generator.
>>131594809>it's not X, it's Ywaow
>>131594817What is the ai trying to tell us?
sharing this one more time, im trying to improve my mastering skills which are just shittyalso i cant find the CLICK source lolhttps://voca.ro/1kAXPZHqPQPS
>>131594891i'm 100% out of tokens, if you find it's something in my code let me know
>>131594934idk if the fact that you think it's ai is either good because it's not that badly mixed, or REALLY BAD becuase you think the creativity lelvel and style resemble that of ai. both ways is just sad
>>131595124KEK i thought you were my tester anon you butthurt little shit
>>131595133im not following please go outside for a couple of hours
>>131595231no, faggot, i'm working
ok, going to test the 1.0.9 version
>>131596222holy shit fuck off already
>>131596254
>>131596254go complain in the irc you little toilet, tell the jannies there's a dev with a $500k portfolio doing live testing for /mu/
what the fuck is going on in here did the /kpop/ bots come in the wrong thread
>>131596409absolute seethe because i brought a guy from /g/ here to do testing for my research grade dsp plugins
>>131596222still not limited.Using this plugin is not safe.Use third party limiter for safety.I think the plugin is not doing what it should do, maybe its just the agents going all out sounding nice, doing some weird stuff, which at first sounds cool but at the end it doesnt work out.What is it now, a synth or a effect.If it is a synth, why waste all the cool effects in a synthIf it is a effect, why is it producing its own sounds.And even the plugin sounds, there is no differents. What ever you change, nothing happens.Something is up with these agents.
>>131596579tell me exactly what the behavior is. gemini is known for exaggerating and glossing over shit but i rely on it because every other ai is even worse for my use case.
>>131596579>Something is up with these agents.also kek brainworms. i'm drafting and designing the function.
>be me, using an LLM for DSP>it's actually working, shipped 2 plugins >anon has his first experience with a persistent bug>aaaah oh god the ai is evil it's not safe!!!KEK
>>131596600Look at the names in the MR-16 plugin, they all sound like a "super master hyper-class engineer from planet Superman." It's strange as hell.It's not called "gain," no... it's called "exit in gain." WTF? And that's just one example.Whatever you change, or try to change, you end up with a hollow, bell-like resonance. The agents try to explain it away by saying, "you have to feed the dry signal in too." No, you do not have to, that's ridiculous.The agents try to act as if everything is fine. They try to explain it away instead of doing their job.They need to go "step by step", learn chorus effect and learn the difference between synth plugin and effect plugin.
>>131596650yeah, it said it hard limited the plugin, no it didnt, it tried actually to kill me.
>>131596673>muh weird names muh smart https://en.wikipedia.org/wiki/List_of_DIN_standards>Whatever you change, or try to change, you end up with a hollow, bell-like resonance.yes i just actually found that right now manually and i'll have that done when i have tokens back. >The agents try to act as if everything is fine. They try to explain it away instead of doing their job.they don't have ears anon. they write code, look at the code, then say the math looks fine because it generally is. >They need to go "step by step", learn chorus effect and learn the difference between synth plugin and effect plugin.you need to shut your mouth and step back for a second, you don't even know what you're looking at, and you have no tolerance. >>131596686>yeah, it said it hard limited the plugin, no it didnt, it tried actually to kill me.it DID hard limit the plugin. you did NOT see my v1.0.0 that was BAAAAAAAAAAAAAAAAAAAAAD. tl;dr if you're just going to complain i'll leave
>>131596752I'm creating a pdf user manual for it now, that explains me the settings in a more simpler way.>it DID hard limit the plugini just tried 1.0.9, pushing it to the limit and it did not limit the outburst.I am telling you this, do with the info what ever you want.
>>131596826i privated the repo because it's probably gonna be broken for 3 days 5 hours unless i pay $40. i'll also have a manual and will try to simplify it for musicians and not ultrapros.
>>131596839>simplify it for musicians and not ultrapros.thats the thing, not everyone is going to understand this.I think you had a bad day, take a break anon.
>>131596852regular day in the trenches watching autistic anons fluster and cope because something new happened
is this prod or the fucking vibe coding thread from /g/?
>>131596862negus do you want me there or here? look at you
interessting, in the user manual i just created it says the following: "EXT IN GAIN Sets how strongly incoming audio drives the resonator when EXCITER MODE is EXT IN. Start lower than you think;the resonator can add energy quickly."So, driving it up is actually bad. And i have used it like a simple gain knob.How am i even to know that.
>>131596892bruh it's a manifold resonator and you had the input cranked? wtf? i learned that ages ago with active electric bass guitar preamps and pedals
>>131596871you seem to be intentionally being an attentionwhoring pain in the ass. but I rarely use /mu/ so it's no skin off my back.
>>131596912>be you, infamous namefag>tourist up the thread >"BRUH U WHORING?"yes, i am whoring, may your mother die in her sleep tonight.
>>131596909calm down>>131596892it continues"FUNDAMENTAL Sets the lowest main note of the resonator in Hz. It is the plug-in’s “tuning peg”: change it until the body agreeswith the song"So, basiclley, the fundamental should be set on the Hz where the note is played? Thank you.
>>131596964more"DAMPING RT60 Sets how long the resonant tail takes to fade. Small values stop quickly; large values keep ringing"the "keep ringing" is not a good idea, if a resonance boost itself it will end up very load.
>>131596985this is why i privated repo, i immediately got feedback clipping out. there has to be something like a butterworth filter in place but i can't manually code that shit.
>>131596985more, and thats the part i try to point out to you the whole time"LIMITER ACTIVE Keeps the resonator and feedback peaks inside a safe ceiling with a soft knee. "You do not hard limit with a "soft knee".
>>131597033>>131596995Tell the agents to use a brick wall limiter
reading more of the manual:"Set FUNDAMENTAL to the track’s root or a useful note. Start around 220 Hz for anA-like body, or move lower for weight."Something is off here. Does this mean, i can't applie this effect on a drumbus or on a melody?the thing is, the Hz of Fundamentals have to change everytime i play a different key.If not i might strike a resonance that boost itself again.
>>131597128won't be a problem by wednesday, just build out what you wanna see
this is worse than chuzo. why does nobody care? are anons playing along, or is it the vibecoder samefagging?It is more than a little disheartening to see people's intellectual/creative ambitions being ground to dust because of AI. I see very little pushback against generative AI in these threads.Anons accused /dmp/ of dying because of the headphone schizo and/or my namefagging - now the schizo doesn't post there and I turn off my name, but there's still no activity. I think people have been quiet-quitting because they don't trust that others aren't using AI, or lost motivation to develop their skills.What is human intellectual achievement worth in a world where intelligence itself has been automated.Oh well, who is John Galt?
>>131597140>attentionbabble slopfiltered!
>>131597171You can think of the name as providing a tool with which to filter me. I don't mind being filtered.It's that vibecoder or the schizo you can't filter.
>>131597140nobody is quitting they’re just not posting in these threads because they’re so dogshit and the only people left are annoying as fuck and dumb
>>131597201this. namefag is so retarded i posted a coding meme and it didn't realize i was the coder.
>>131597138Looking at how FUNDAMENTAL works currently, it will never be suitable for processing a full mix or a complex synth, melody, or vocal line. Right now, it feels like it's just piercing through specific frequencies. It might be better to allow a wider frequency range. I imagine something similar to a low-pass and high-pass filter band with two controls, one starting from the bottom end and the other from the top. This would let users either process the full frequency spectrum or isolate a specific area, such as the fundamental frequency of a note. Alternatively, they could leave it wide open to affect the entire track.
>>131597216Haha made you click. Or were you lying about filtering me?
>>131597220ok. i'm screencapping and will dump it to a team tues night
>>131597228Also, brickwall limiting, not just soft knee.
>>131597140I find learning the piano is still fulfilling. It brings a smile to people's faces. Life can be beautiful despite everything.
>>131597251even shitters like you can try my pluginctrl-f "as-42", it's the besst piano i've ever heardnone of that prototype bullshit the as-42 is production ready
>>131597228>EXT IN GAINone more think>>131596892>EXT IN GAIN Sets how strongly incoming audio drives the resonator when EXCITER MODE is EXT IN. Start lower than you think;>the resonator can add energy quicklyUsers will intentionally crank this knob as soon as the effect feels too quiet. However, they will get a nasty surprise when an unwanted resonance is hit. The thing is, brickwalling those spikes turns them into a type of distortion, so why not embrace it? If it clips, it clips, that’s not the issue. The real question is how musically it clips, and how that distortion can be utilized.
>>131597265>my pluginIt's not your plugin, it's Google Gemini's plugin.I am interested in what people create. With their mind. Creative works to admire, people to look up to, and goals to strive for.There can't be a destination without a journey.So no, I'm not interested in "your" plugins.
https://vocaroo.com/1iJGIBEyy3AY
>>131597522you are so stupid lmaoit's actually mind boggling if you ask gemini for a plugin you get basic_shit.exei worked for a solid week on this, and i'm not interested in your long-term survival. >or short-term
A testament of code, aplugin of artificial intellect is born from the breath of simple words.It stands as a grand compendium, anchoring the vast sum of human knowledge and the legacy of mortal creation. It is a masterpiece to be admired, an empire of thought whose footsteps we follow, inspiring the soul to strive for greater heights.Though the journey has evolved and the final horizon remains unknown, I step forward into the void.I do not fear the dark.
>>131597562It doesn't matter how much you worked on it, that doesn't change the fact that the plugin is not yours. If it was, you would have written the code. An AI-generated song doesn't become a real song just because someone put effort into it. It's polishing a turd.
>>131597596>your post on 4channel isn't yours because you don't own the telecomnigga you are the turd.
>>131597596if that helps you fall a sleep at night
>>131579980true. at least you can pirate software. i recently got 2nd hand akai mpc, and i love how useful it is, best 400€ i ever spent. but, i literally have to spend another 200 to get a fucking clip launcher. fml
>>131597646vibeshitter here, i spent $150 to code my entire portfolio. ecosystemfags ngmi.
>>131579386https://voca.ro/189UNWnEmO6J
Guys how do I turn my ample guitar plugin from decent electric guitar sim into that big twangy country sound? I'm stacking a couple compressors and a saturator but it's not getting that pro sound. I did EQ it but I'm shit at EQ
>>131596416i have 0 (zero) clue what you are talking about egghead, just keep it /prod/
retard here, anyone have a clue how to make this sort of sound, or what it is called?https://youtu.be/D2SkedjuRO8?t=161https://youtu.be/XfGn0aUZXU4?t=52
>>131597562I mean “worked” is a pretty generous word. Saying “do work” isn’t working whether you’re talking to an employee or a chatbot. At best you supervised. Still might get an interesting plugin out of it, and that’s cool, but lets not go convincing ourselves you’re a developer.
shakers
I'm finally doing what I should have been all along and trying to recreate loops from existing tracks, drums patterns, bass lines, melodies, sound designs... I'm learning so much more.I feel like I'm pretty good at arrangement, after years of listening to this stuff it all seems pretty natural, but I've just been arranging shit.
>>131598645i sent my plugin today to an artist with a big fat wiki page and he approved >>131598778not here to convince you i have a workflow
>>131599153You're really annoying I just asked for help with guitar stuff and you're busy on your 30th reply in the thread. No wonder there's no one here to help. Please let the people making music talk about making music and stop being a loudmouthed asshat and take your project to the technology board or whatever. Cross it here, that's fine but goddamn you literally ruined the thread
>>131598203>>131599861Try /gg/, Garth.
>Emotional control: Editors can shape a character's internal emotional state using context rather than physical acting performance.>Spatial illusion: Viewers assume two separate locations share physical proximity or continuous space simply because they are cut together.>Foundation of montage: It proved that editing is the primary tool that defines film as an independent art form.professionals knew this 100 years ago while anons are still pants on head retarded putting disproportionate emphasis on the most obvious things that even little children are aware of like the songwriting and the performance. you're as illiterate and incapable of learning as 80 IQ third worlders. this is why no one cool and talented wants to hang with you.
>>131599153i am over at /g/ again, i think all the ai talk here on /mu/ is too much for anons.>>109861006>>109861006>>109861006
>>131600835here>>>/g/109861006>>>/g/109861006>>>/g/109861006
>>131599861>HOLY FUCKIN HECK BALLS, DID YOU JUST... POST ON 4CHAN!? HOW DARE YOU POST MORE THAN I POST. damn nigga really
>>131600840i'm b& from /g/ for another couple days, camping this thread because /mu/ fucking abandoned it the moment their brains rotted out. btw, i am a /mu/tant, i've seen jeff mangum.
>>131601154Here>>>/g/109861277>>>/g/109861277>>>/g/109861277
is there any particular song or project you consistently enjoy ripping off? 28 days later is one of my favourite movies and first time watching as a 11 year old was my first exposure to post rock. since then, i always like to try and capture the same tone as john murphy's "in a house, in a heartbeat"https://www.youtube.com/watch?v=6uMNnZtIS6s
>>131601265>the fucking nash rvkek thanks, screencapped
>>131601364look, video showing you >>>/g/109861422>>>/g/109861422>>>/g/109861422
>>131601418i'm watchin both threads.
>>131601441I think it would be much better to be able to set the fundamental across a wider spectrum, just like with a LP (low-pass) and HP (high-pass) filter.Also, I noticed through analyzing the two EQs that the overtone spread only goes upwards in frequency (to the right - the highs), unintentionally boosting bad resonances.Furthermore, it seems to select random harmonics on the higher end and boost them.The spread should highlight both sides, the highs and lows around the selected fundamental.Essentially, it needs two knobs: one for the low end (starting at 20 Hz and sweeping up to the mids) and one for the high end (starting at 12 kHz and sweeping down to the mids).To tame the boosted resonances, a brickwall limiter should be used instead of a soft-knee compressor/limiter. Since these resonances compound and amplify themselves, a soft knee won't be effective here; a strict brickwall limiter is necessary.About the Resonance Q-Factor:As shown in the image, narrowing the Q-factor (raising it to its maximum value) isolates and tightens the focus around the chosen fundamental frequencies. This is precisely where harsh, "ear-bleeding" resonances start to occur. Because of this, it is a highly sensitive setting that requires careful adjustment.
>>131601491danke mein bruder
>>131601491>>131601528we continue:I tried to manually process the entire frequency spectrum. First, I set the fundamental at the lowest point of the incoming signal based on the EQ visual. Next, I increased the overtone spread to catch the most appropriate harmonics in the high end, while attenuating the RT and Q values to prevent harsh resonances before coupling them all together.Throughout this entire process, I was forced to use a third-party plugin (FL Limiter) as a brickwall limiter to tame the sudden volume spikes myself.Finally, we hear what it might sounds:DEMO: https://vocaroo.com/14fMY87BeAB6
>>131601528>>131601597Another test run, this time more polished and perfected.https://vocaroo.com/13K9FuS8bHXWhttps://vocaroo.com/13K9FuS8bHXWhttps://vocaroo.com/13K9FuS8bHXWContext for the image:I start with a completely dry signal to showcase the original sound before blending in the wet signal. The MR16 is on a separate channel, functioning as a 100% wet auxiliary send.The second repeat is a mix of dry and wet. Toward the end, I mute the dry signal so you can hear the wet signal in isolation.During the last half, I increase the chorus depth to demonstrate the actual effect while the dry and wet signals are still mixed together.The whole thing is brickwall-limited, and I had to turn up the volume of the MR16 via its "master trim" knob.
>>131601991>had to turn up the volume of the MR16 via its "master trim" knob.because turning up the "ext in gain" would boost the resonances.
>>131601991>>131601597As you can see, i am working around the problem but also noticed that i have to keep the FUNDAMENTALS on a low settings, just for everything and just turn up the overtone spread completlley.With this set up i am able to catch the whole track. There is no other use for these knobs if they remain like this.Fundamental needs the knob solution (like LP&HP)And Overtone spread needs to catch the harmonics on the high "and lows". this should remove the tube effect, and only with extreme settings intrdouce the tube effect back. But when brickwalled, the tube effect should become a nice distortion sound.
https://www.youtube.com/watch?v=uIa1yaP_r2I
