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/pol/ - Politically Incorrect


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Politics is fundamentally the process of organizing a collective and furthering its shared interests, but without an organic binding culture there can be no collective and therefore there can be no real politics. This is why the parasitic kike occupation regime prioritizes the suppression and corruption of their host cultures.

In this thread we will share and discuss the art of the Aryan race, the highest and most sophisticated family of cultures which has ever developed on this planet, in the hope that we can restore an Aryan racial collective through shared cultural knowledge, only when we are bound by shared culture will we have the solidarity to pursue meaningful political action in defense of our race.
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>>537980738
>Spain

Forgot your memeflag, mohammed.
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>>537980738
>aryan art thread
>its always just nudes
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>>537980831
My bad, Moshe.
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Thread music links:
https://pastebin.com/f7QbzpVV

Thread archive links:
Sun 28 Jun 2026
https://archive.4plebs.org/pol/thread/537980738/
Sun 21 Jun 2026
https://archive.4plebs.org/pol/thread/537528340
Sun 14 Jun 2026
https://archive.4plebs.org/pol/thread/537058555

https://pastebin.com/fSwJAWUS

Link to our telegram:
https://t.me/AryanArtChannel
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Nikolai Andreyevich Rimsky-Korsakov (Tikhvin, Saint Petersburg Governorate, Russian Empire 1844-1908 Lubensk estate, Saint Petersburg Governorate, Russian Empire)
(Royal Scottish National Orchestra, Neeme Järvi)
The Invisible City of Kitzeh Suite - 1907, 3rd Movement (Tartar Invasion and Battle of Kerzhenets)
https://www.youtube.com/watch?v=-Nn2Y8W7i_g
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Hello gents, latest acquisition. Eos by Breker. Interesting history about it being hidden/dumped in lake at Göring's ranch to hide it from advancing forces. Read more about it here: https://germanartgallery.eu/arno-breker-eon/
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>>537980738
Breker was really on another level, in the idealized realm.
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>>537981541
Hello.
Amazing piece and history.
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>>537981541
nice, where do you get reproductions?
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>>537980738
This is one of the best regular threads on /pol/
I'd like to see one similar for theater/cinema (though the pickings would be much slimmer, of course)
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>>537981600
His work embodied the ideal he was living. That is always inspiring.
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>>537981600
Salvador Dalí: "God is beauty — and Arno Breker is his prophet"

Aristide Maillol: “Breker is Germany’s Michelangelo” (or “the Michelangelo of Germany” / “the Michelangelo of the 20th century”)

Ernst Fuchs (1972): “Arno Breker is the true prophet of the beautiful.”
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>>537981716
>I'd like to see one similar for theater/cinema (though the pickings would be much slimmer, of course)
I am elaborating a list of watchable films. Very few from the US, of course.
A WW2 recommendation:
https://en.wikipedia.org/wiki/Oglinda
Subtitles:
https://www.opensubtitles.org/en/search/sublanguageid-all/idmovie-197641
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>>537981645
You don't. The Breker family still controls production (i.e. none). There are probably some Chinese foundry's that will produce it.
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>>537981917
Similar with films:
https://en.wikipedia.org/wiki/Friedrich_Wilhelm_Murnau_Foundation#Restorations_and_film_stock
Fortunately, nowadays control of movie viewing is absurd. Some day it will be the same with 3D printers.
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Anyone in the DC area this summer should go visit the National Gallery. Lots of great pieces. Get there at 10 when it opens and you have the place to yourself.
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>>537981917
they don't allow it on ideological grounds?
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>>537981807
nice
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>>537982249
From Left to Right
Silenus' Ass (Far Left): The donkey that famously brays and foils the plot of Priapus.

Silenus: The stout, older woodland deity sitting beside his donkey.

Child Bacchus: Kneeling on the ground and pouring wine from a crystal pitcher.

Mercury: A large reclining figure draped in yellow, holding a staff.

Jupiter: The king of the gods, identifiable by his eagle perched on a tree branch above him.

Neptune: The god of the sea, often recognized with a trident.

Apollo: The sun god, seated with a musical instrument (a lira da braccio).

Ceres: The goddess of agriculture.

Priapus (Far Right): The lustful god of fertility, stealthily lifting the robe of the sleeping nymph Lotis.
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>>537982321
Art is a weapon, that's why it's suppressed.
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>>537982390
Nice. Being able to read a painting is pleasant.
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>>537982409
what is the ak47 of white art
the kind you make in your garage with your machinist friend
short film?
assorted memery?
fashion and lifestyle aesthetic?

the only clay we have is ourselves
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Medieval epic.
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>>537980738
Hello
Here is a brilliant piece for harpsichord
John Bull - Les buffons
https://youtu.be/eaxpveCXp8s?is=5j94cjs6Veaz5AU4
>John Bull (1562/63 – 12/13 March 1628) was an English composer, organist, virginalist and organ builder. He was a renowned keyboard performer of the virginalist school and most of his compositions were written for this medium.
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>>537983008
Hi. Glad to have you on board too.
I can imagine this piece sounding in an 17th century manor.
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>>537982321
No. They just don't dilute the market with after casts. As opposed to families like Presley or Jackson etc.
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>>537983150
Cheers! Gonna share some of the harpsichord gems I've discovered lately
Josep Freixanet - Keyboard Sonata in A major
https://youtu.be/_zwm9xgcxgA?is=TvtBd0EEYfGP_V3d
This guy doesn't have an english Wikipedia page but the AI summary will suffice
>Joseph Freixanet (sometimes spelled Josep Freixenet) was an 18th-century Spanish composer and organist from the Catalan region. He lived from around 1730 to 1762 and is best known for his contribution to Iberian keyboard music
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At the NGA you can see the only da Vinci in all of North America. A great piece.
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>>537984006
Good find.
The data:
>Josep Freixenet (Lérida c.1730-c.1762 ibid.)
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>>537980738
Hola amigo
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>>537984165
It makes for a good reaction pic lol
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>>537984237
Welcome back
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>>537983505
>>537983539
Hmmmm
These pics seem personal
Did you take these pics?
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File: 1778317210984105.png (417 KB, 575x548)
417 KB PNG
oh nono no...
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>>537981541
Very cool, I hope we can get some high res pics
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>>537984298
I take some of the pics I upload. Not the case though.
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>>537980738

I already threw out a ton of memes out there Anon

Art is wonderful but modern day NPCs won't appreciate it to be honestly blunt... and would scroll 1 to 5 minutes aftering saying "oh so you do jew do jew jew do do jew art then? Do jew do jew do jew art rilly jew then? Dew Jew do Art then? ... No.

Fuck off NPCs to them and those, not worth the time towards anything besides hate speech shit memes and Straight White Non Jewish / Aryan White separations, Anon
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>>537984337

Your Black / Brown / Gay / Trans / Faggot / Cringe Penis drama shit, kill yourself Anon

Your BBC Big Bacterial Claws
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She was Swedish and her husband was Polish. They had to flee Russia in 1917 from the Bolsheviks.
https://fr.wikipedia.org/wiki/Eug%C3%A9nie_Loutchinsky
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you larpers always have the worst tastes and i doubt any of you paint. if at all probably bargue shit from the 19th century larping as if it's the same as renaissance.
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>>537984337
Your big peepee achievement of African art is a sculpture in Jamaica made by a Jewish woman, please post about it in a separate Jewish art thread.

>Laura Facey was born in Kingston, Jamaica, to the Jamaican businessman Maurice Facey
https://en.wikipedia.org/wiki/Laura_Facey#Redemption_Song

>Of British and American origins, Valerie Hart-Collins arrived in Jamaica on a banana boat in 1951 and there married Maurice William Facey, a businessman who went on to become an influential figure in Jamaican civic affairs. Today, the Faceys are one of the best-known families in the Jamaican business world, and some of their ancestors were Jewish.
https://forward.com/culture/14842/painter-of-the-caribbean-03076/
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>>537985129
Cozy, that's where I'll be living if kikes hike the rent some more
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>>537984484
I see
I won't post the whole album but if you like harpsichord music you should listen to it
Next one is a banger
Mateo Albéniz - Keyboard Sonata in D major
https://youtu.be/8tzoqyeTpnM?is=NcmlygPrc5ikcPr6
>Mateo Albéniz, also known as Mateo Antonio Pérez de Albéniz (c.1755 – 23 June 1831) was a Spanish composer, theorist, and priest. He is not related to the better-known composer Isaac Albéniz, but he was the father of Pedro Albéniz. He is identified by the name Pedro Albéniz in some older biographical sources and was said to have died in 1821.
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>>537984006
>>537983008
Salut prietene, interesting pieces, I really don't have a good ear for harpsichord
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>>537985914
>if you like harpsichord music
I do.
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>>537985761
Fix that fucking lantern, lazy jerkasses. You're supposed to act Aryan!
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Hey guys, love your threads. Here's some aryan music.
https://www.youtube.com/watch?v=7Ch227pV-A0
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>>537984337
David from the OT is a kike and they do have small penises.
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>>537986157
You can imagine he is a Balearic slinger or Hercules after slaying the Stymphalian birds.
https://www.greekmyths-greekmythology.com/wp-content/uploads/2025/01/hercules-stymphalian-birds-01-vase-768px.webp
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>>537982949
Was this guy one of the good ones?
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>>537986458
The bad ones.
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>>537986625
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File: 1782662640580348m.jpg (91 KB, 559x620)
91 KB JPG
>>537980738
Daaaammmnnn
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>>537980738
A based thread for a Sunday have a bump. Fuck evil anti-White male globohomo jews
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>>537981716
>>537981905

Splendid idea
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>>537986790
They are godesses. Out of reach, mortal.
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>>537987000
kek
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Castle Bravo, United States Of America
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Last. See you all.
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Sergei Eduardovich Bortkiewicz (Kharkov, Kharkov Governorate, Russian Empire 1877-1952 Vienna, Republic of Austria)
(Klaas Trapman)
3 Pieces for Piano, Op. 24, No. 1, Nocturne (Diana) - 1922
https://www.youtube.com/watch?v=JL4c2UhjnzM
3 Pieces for Piano, Op. 24, No. 2, Valse Grotesque (Satyre) - 1922
https://www.youtube.com/watch?v=VTr1B7hzEic
3 Pieces for Piano, Op. 24, No. 3, Impromptu (Eros) - 1922
https://www.youtube.com/watch?v=-sEPXJBDjGI
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>>537980738
Is all aryan art as boring and bland as the OP?
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Gummo (Harmony Korine - 1997)

In a way I'm being facetious. But also serious as this has become our modern artistic heritage.
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>>537987399
Take care brother
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Not a big fan of this guy but for some reason this piece almost isn't cringe
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>>537987571
I love this movie so much it's unreal
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He could also paint more than just steroid guys, too bad he got stuck on steroid fantasy art
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>>537985975
I don't know what's wrong with your ears
some time ago you said that you're not really into organ music
You should start with Scarlatti's sonatas
>>537986020
Great
Carlo Ignazio Monza - Suite in D major for harpsichord - III. Le reveille matin
https://m.youtube.com/watch?v=i_uxypA9qEc&pp=iggUQAFKEFVsU21zcnZfZDg2YmR0Z3o%3D
This guy served as inspiration for Stravinsky
>Carlo Ignazio Monza (died in 1739) was an Italian composer of harpsichord music and opera. He was born in Milan and died in Vercelli. A collection of his harpsichord music was published by Longman & Broderip in 1771, originally under the name of Giovanni Battista Pergolesi, to increase sales, as was common practice at the time. Another collection of Monza's music was published in 1778. In 1920, Igor Stravinsky discovered Monza's works while working on the ballet score for Pulcinella, and parts of the ballet including the Gavotta con due variazioni are based on the work of Monza.
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>>537980877
>jew can’t see nudity without cooming
RedeemedZoomer proved that even today and even in youth kikes can never be truly converted. Always a sexually depraved, molested since birth by rabbi, lifelong mommy issues race so genetically destined for rejection they can trace their lineage by women only
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>>537986150
Glad to see some Ciurlionis
He was a great composer as well
Do you know this piece?
https://m.youtube.com/watch?v=QQbW75y3P9g&start_radio=1&pp=QAFIAdIHCQmoAp4VBgUm4g%3D%3D
>Fandango is a lively partner dance originating in Spain, usually in triple meter, traditionally accompanied by guitars, castanets, tambourine or hand-clapping. Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by "variaciones". Sung fandango usually follows the structure of "cante" that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated.
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This guy was sharp and knew what's up, I'll have to add him to my already large Anglo scifi slop reading backlog. No wonder kikes killed scifi.

>James Patrick Hogan (27 June 1941 – 12 July 2010) was a British science fiction author. His major works include the Giants series of five novels published between 1977 and 2005.

>After leaving school at the age of sixteen, he worked various odd jobs until, after receiving a scholarship, he began a five-year program at the Royal Aircraft Establishment at Farnborough studying the practice and theory of electrical, electronic, and mechanical engineering. He was married four times and fathered six children.

>Hogan believed that the Holocaust did not happen in the manner described by mainstream historians, writing that he found the work of Arthur Butz and Mark Weber to be "more scholarly, scientific, and convincing than what the history written by the victors says". In March 2010, in an essay defending Holocaust denier Ernst Zündel, Hogan stated that the mainstream history of the Holocaust includes "claims that are wildly fantastic, mutually contradictory, and defy common sense and often physical possibility".
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Another depiction from good scifi slop, the Raft is the first book in Stephen Baxter's Xeelee sequence, telling the story of the descendants of a human warship trapped in a universe with a higher gravitational constant, it's pretty good, though he starts to lose the plot after about a dozen books into the sequence.
https://en.wikipedia.org/wiki/Raft_(novel)
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>>537987767
Scarlatti is fine, on piano...
>>537988024
Sounds like an arrangement of that famous Boccherini piece
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A few Morans that I don't think British anon posted yet
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Reinhold Ernest Glier (Kiev, Kiev Governorate, Russian Empire 1875-1956 Moscow, USSR)
(BBC Philharmonic Orchestra, Vassily Sinaisky)
Gyul'sara, Op. 96 - 1936, Overture
https://www.youtube.com/watch?v=qR41E2AApMM
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File: Gyul'sara.jpg (218 KB, 594x760)
218 KB JPG
>>537989858
This overture kind of reminds of Basil Polodouris scores. It is from the period where Soviet ZOG deported all of the Russian classical composers to churka lands and forced them to compose on oriental themes rather than Slavic themes.

This overture in particular is funny, the kikes gave Gliere an Uzbek minder to take credit for his work, and the opera is basically about pozzing up Uzbek women in order to sterilize Uzbekistan, nice try by the kikes but it seems the Soviet ZOG only managed to sterilize Slavs.
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>>537989177
>Scarlatti is fine, on piano...
I prefer piano like everyone else but the harpsichord was its ancestor
So I'm gonna respect its ancestor as well
>Sounds like an arrangement of that famous Boccherini piece
Indeed
do you like it?
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>>537990223
It's alright, I've heard the Boccherini piece a million times so it doesn't blow my mind. I've posted it a couple of times a few years ago:
https://archive.4plebs.org/pol/search/text/No.%204%20in%20D%20major%2C%20G.448/
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>>537990131
>This overture kind of reminds of Basil Polodouris scores. It is from the period where Soviet ZOG deported all of the Russian classical composers to churka lands and forced them to compose on oriental themes rather than Slavic themes.
It doesn't sound bad and a little bit of experimenting is always refreshing
for example i rate Glazunov's overture on greek themes very high
Isn't churka a slur
Do you guys hate "churkas"?
>This overture in particular is funny, the kikes gave Gliere an Uzbek minder to take credit for his work, and the opera is basically about pozzing up Uzbek women in order to sterilize Uzbekistan, nice try by the kikes but it seems the Soviet ZOG only managed to sterilize Slavs.
Wtf
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>>537991077
>for example i rate Glazunov's overture on greek themes very high
Never heard it, everything from Glazunov sounds very bland to me
>Do you guys hate "churkas"?
They are literally cheap racially alien labor being imported by oligarchs to replace Slavs, there is no good reason not to hate them for that reason alone. Once they are safely returned to their natural habitats we can objectively reassess the exact level of hate that they require.
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>>537990527
It kinda sucks that Boccherini is famous only for 2-3 pieces when he has so many gems
I posted various movements from his string quintets in a previous thread
https://youtu.be/IKpsDpMVb28?is=e29KI6zyNlMqMLbX
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>>537991408
>Never heard it,
Search it
It's a great piece
>everything from Glazunov sounds very bland to me
Wtf
>They are literally cheap racially alien labor being imported by oligarchs to replace Slavs, there is no good reason not to hate them for that reason alone.
But armenians speak an indo european language
That makes them aryans
But how can a few georgians and armenians replace russians?
>Once they are safely returned to their natural habitats, we can objectively reassess the exact level of hate that they require.
Wishful thinking
The demographic war is already lost even for eastern euros
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>>537982949
NanoBanana (Free tier) generated this restoration of this image.
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>>537991617
Really good, I'm surprised I haven't posted it before

>>537992094
>But armenians speak an indo european language
The funny thing is that Armenians used to be genetically much closer to Russians, they added a lot of middle eastern women to their genepool over the last thousand years and got significantly mutted
>But how can a few georgians and armenians replace russians?
There are almost certainly more Georgians and Armenians living in the core Russian provinces around Moscow than there are in their home countries at this point. The assimilate just fine into trash American white identity, we can deport them to America, but Russians are a real people and Russia is for Russians.
>The demographic war is already lost even for eastern euros
The demographic war didn't even start yet because Aryans have not reached a sufficient level of cultural cohesion and racial organization to meaningfully participate in the war. Kikes are two percent of the population and can use their control over the chokepoints of political, economic and cultural power to rapidly turn over the demographics of nations every few years, there is no reason why Aryans couldn't use the same tools in the opposite direction.
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>>537992529
Spooky
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Sergei Vasilyevich Rachmaninoff (Semyonovo, Novgorod Governorate, Russian Empire 1873-1943 Los Angeles, California, U.S.A.)
(Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit)
Piano Concerto No. 1 in F-Sharp Minor, Op. 1 - 1891, 1st Movement (Vivace)
https://www.youtube.com/watch?v=FZlaJoBREbo
Piano Concerto No. 1 in F-Sharp Minor, Op. 1 - 1891, 2nd Movement (Andante)
https://www.youtube.com/watch?v=aJx2NAcSnP0
Piano Concerto No. 1 in F-Sharp Minor, Op. 1 - 1891, 3rd Movement (Allegro vivace - Andante ma non troppo - Tempo primo)
https://www.youtube.com/watch?v=dVU8mye68K4
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>>537992529
>>537982975
NanoBananaRestoredPainting_ Master of the Conquest of(...).jpg (1.12 MB, 2599x759)
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>>537992981
This one is less impressive, it is deleting a lot
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>>537980738
thanks for these threads
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We actually had a bit of the poet Björnstjerne Björnson's work posted in these threads before, he wrote the libretto for Grieg's Op. 50:
https://archive.4plebs.org/pol/thread/505010935/#505011886

That segment of libretto was brutal to translate, it was written in a form of archaic Dano-Norwegian that even modern Norwegians would struggle with
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>>537992096
This painting, created by the Belgian artist Jacob Jacobs in the mid-19th century, is a quintessential example of Orientalism. This movement in European art and literature focused on idealized, exoticized, and often stereotypical depictions of the Middle East and North Africa. The "time" depicted is an imaginary, timeless version of the Ottoman Empire (roughly the 18th or early 19th century), characterized by lush fabrics, intricate architecture, and rigid power dynamics that fascinated Western audiences of the era.
In the context of the 19th-century Orientalist narrative, the woman would likely be identified as a Circassian or Georgian captive rather than a Saqaliba (a term more commonly used for Slavic slaves in the medieval period). European audiences of the time were captivated by the "Circassian Beauty" trope—women from the Caucasus mountains who were prized in the Ottoman imperial harem for their perceived elegance and pale complexion. The man is depicted as a high-ranking Pasha or Ottoman official, denoted by his voluminous turban, rich kaftan, and the yatagan (sword) resting on his lap.
The Narrative of the Captive
Her story, as envisioned through the romanticized lens of 19th-century literature, would likely begin in the rugged, verdant mountains of the Caucasus. Born into a small village, her childhood was filled with the folklore of her people and the constant threat of border skirmishes. She was abducted during a raid by local tribesmen or soldiers, a common occurrence in the volatile frontier regions of the empire. From there, she would have been transported across the Black Sea, eventually reaching the Esir Pazarı (the great Slave Market) in Constantinople (Istanbul). There, beneath the shadows of the Nuruosmaniye Mosque, she would have been purchased by a wealthy official, moving from the harsh reality of the frontier to the gilded but restricted world of the harem, where her life became one of luxury and subservience to Pasha.
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>>537992563
>Really good, I'm surprised I haven't posted it before
The whole album became a standard for me
https://youtu.be/8vJrCXVWh9w?is=YCokCFHIIvnSxDaL
>>537992094
>The funny thing is that Armenians used to be genetically much closer to Russians, they added a lot of middle eastern women to their genepool over the last thousand years and got significantly mutted
Sounds like purity spiraling
But i do agree there's no aryan-white identity
>There are almost certainly more Georgians and Armenians living in the core Russian provinces around Moscow than there are in their home countries at this point. The assimilate just fine into trash American white identity, we can deport them to America, but Russians are a real people and Russia is for Russians.
Isn't that a consequence of the soviet union ?
>The demographic war didn't even start yet because Aryans have not reached a sufficient level of cultural cohesion and racial organization to meaningfully participate in the war. Kikes are two percent of the population and can use their control over the chokepoints of political, economic and cultural power to rapidly turn over the demographics of nations every few years, there is no reason why Aryans couldn't use the same tools in the opposite direction.
It was over long before we were born anon
The birth rate was low even 50 years ago
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>>537992123
This painting, titled "The Prayer" (1879), is by the French Orientalist painter Jean-Jules-Antoine Lecomte du Nouÿ. It depicts a late-19th-century scene, likely set in Morocco, given the specific architectural style and the attire of the figures. The central figure is a Marabout—a North African religious leader and "holy man" who often occupied a dual role as both a spiritual teacher and a protector of his community. His piety is signaled by the small green volume (the Quran) he reads from, while his role as a warrior is made clear by the long-barreled jezail rifle and the pair of flintlock pistols in his sash.
In the narrative constructed by the Orientalist genre, the two women huddled in the corner represent the domestic sphere that the "pious warrior" is sworn to protect or possesses. Unlike the Circassian figure in the first painting, these women are depicted with features suggestive of the Maghreb or the Sahel regions.
The Narrative of the Captives
Their story would likely begin in a small, mud-brick settlement on the fringes of the Sahara Desert. As children, their lives were defined by the rhythmic chores of the village—gathering water, weaving wool, and tending to goats under a harsh sun. Their lives were upended during a "razzia" (a traditional tribal raid), where they were abducted by nomadic raiders who swept through the settlement at dawn. Following a grueling journey by camel caravan across the arid interior, they were brought to the bustling, labyrinthine markets of the north. They were eventually sold at the Souk al-Ghazl (The Wool Market) in Marrakesh, a site historically known for the trade of various goods, including captives. There, they were purchased by the Marabout, transitioning from the freedom of the desert to a life of quiet seclusion and servitude on the rooftops of a coastal city.
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>>537994043
We actually know exactly what's depicted, I put the title in the filename. It is Ali Pasha the Albanian ruler of Ottoman Greece, who would later rebel and be executed, his rebellion kicked off the broader Greek revolution against Ottoman rule.
https://en.wikipedia.org/wiki/Ali_Pasha_of_Yanina

The woman is his Greek wife:
https://en.wikipedia.org/wiki/Kyra_Vassiliki
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>>537993219
This pretty white woman would fetch a very high price in the antiracist islamic slave market.

This image is a portrait by the renowned American painter Clark Hulings (1922–2011),
The Historical Narrative: The Barbary Slave Trade
To place a woman of this status into a "historically authentic" context of captivity in the Islamic world of that era, one must look to the Barbary Slave Trade. Between the 16th and 19th centuries, corsairs (privateers) from North African ports like Algiers, Tunis, and Tripoli operated extensively in the Mediterranean and as far north as the English Channel and Iceland.
The Capture and Transport
Her story would likely begin not on land, but at sea. A high-born woman of the 1700s would most likely be captured while traveling by ship—perhaps on a voyage from Marseille to Naples or during a coastal raid on the shores of Italy or Spain. Following a harrowing boarding of her vessel by an Algerine galley, she would have been transported across the Mediterranean. Unlike the common laborers or sailors who were held in cramped, unsanitary conditions, a woman of her apparent wealth would have been recognized as a high-value "prize." She would have been kept under guard, her finery preserved as a testament to the high ransom she might command.
The Sale at the Market
Upon arrival in North Africa, she would be taken to a market such as the Badestan in Algiers. In this bustling, central marketplace, captives were inspected by government officials and wealthy private buyers. For a woman of her status, the "sale" was often a formality; the state (the Dey of Algiers) frequently claimed high-status captives to hold for diplomatic leverage or exorbitant ransom payments.
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>>537993219
Her Future in Captivity
Historically, the future for a wealthy European woman in "Islamic captivity" differed significantly from the popular Orientalist tropes of the harem. Because she represented immense financial value, her most likely fate was ransoming. During this era, Catholic religious orders such as the Trinitarians and the Mercedarians (known as the "Redemptionist Fathers") worked specifically to negotiate the release of Christian captives.
She would likely have been housed in a private residence or a bagnio (a secure compound for captives) while letters were sent to her family or government in Europe. If a ransom could not be met, she might have been integrated into a high-ranking household as a domestic or companion. However, for a woman of the aristocracy, the international diplomatic and religious networks of the 18th century usually ensured that her time in captivity ended with a formal exchange and a return to her home country.
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>>537994253
>Sounds like purity spiraling
I'm not even interested in debating further, Russia is for Russians and that is the end of the story
>Isn't that a consequence of the soviet union?
Georgia and Armenia have continued to empty out into Russia since the collapse of the USSR
>It was over long before we were born anon
This is weak goyim shit, those who do not have the will to fight should not exist
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>>537993044
Have you watched this movie?
It's about this girl Maria
https://en.wikipedia.org/wiki/Battalion_(2015_film)
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Johannes Brahms (Free and Hanseatic City of Hamburg, German Confederation 1833-1897 Vienna, Austro-Hungarian Monarchy)
(Martin Fröst, Roland Pöntinen)
Clarinet Sonata in F Minor, Op. 120, No. 2 - 1894, 1st Movement (Allegro amabile)
https://www.youtube.com/watch?v=Xd4dARiDR-g
Clarinet Sonata in F Minor, Op. 120, No. 2 - 1894, 2nd Movement (Allegro appassionato)
https://www.youtube.com/watch?v=SvdtGzqUf3k
Clarinet Sonata in F Minor, Op. 120, No. 2 - 1894, 3rd Movement, part 1 (Andante con moto)
https://www.youtube.com/watch?v=obJkgJIljn8
Clarinet Sonata in F Minor, Op. 120, No. 2 - 1894, 3rd Movement, part 2 (Allegro)
https://www.youtube.com/watch?v=5PzBL7u91Hc
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File: WhiteWomanBookTorn4_34PM.png (2.36 MB, 1120x928)
2.36 MB PNG
>>537994584
White Supremacy allows women to read books.
>>537992096
Islam liberated White Women from the White Male Patriarchy. And protects white women from corruption by haram books.

Her story would begin in a different part of Europe than the Circassian. Perhaps she is an English or Dutch woman, a merchant's daughter or a gentlewoman, living in a coastal town or traveling by sea in the mid-18th century.
The Capture: Her peaceful life is shattered during a Barbary corsair raid on her coastal village, or her merchant ship is intercepted at sea while traveling through the Mediterranean. The halal antiracist slave raid is brutal and swift, designed to maximize captives and minimize resistance. Amidst the chaos, the blond woman is seized, her cries unheard over the din of battle. The corsairs, recognizing her fair complexion and refined appearance, understand her potential value.
The Transport: The journey to North Africa is terrifying. Confined in the holds of a galley ship, amidst other captured Europeans, the conditions are squalid. She endures hunger, thirst, and the constant fear of the unknown. Her European clothing is stripped away and replaced with simpler garments. She clutches her beloved mauve book—perhaps a family Bible, a collection of poetry, or a philosophical text—a last tangible link to her former life and identity.
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>>537994654
>I'm not even interested in debating further, Russia is for Russians and that is the end of the story
We agree on that
i was only trying to deconstruct this aryan identity which seems more like a substitute for the so called white identity
>Georgia and Armenia have continued to empty out into Russia since the collapse of the USSR
I see
>This is weak goyim shit, those who do not have the will to fight should not exist
No one is fighting anon
There's no real resistance
There's nothing
Take care
See you next time
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>>537994584
>>537994586
>>537994644
>>537995213
The Sale at the Market: Upon arrival in a bustling port city like Algiers or Tunis, she is brought to the slave market. Unlike the picturesque depictions, this market is a harsh reality: loud, crowded, and humiliating. She is paraded, her physical attributes scrutinized. Her fair hair and European features make her highly desirable, driving up her price. She is purchased by an agent of the Pasha, destined not for labor, but for his household, a token of prestige or a potential concubine.
Her Future in Islamic Captivity:
Her future is one of cultural isolation and subjugation. Unlike the Circassian slave, this blond European woman faces a complete severance from her world.
Forced Conversion (Implied Threat): While not always explicitly forced, the social pressure to convert to Islam would be immense, often presented as the path to a better life within the household. Her refusal or reluctance would be met with disapproval and potentially harsher treatment.
Loss of Language and Culture: Her European language and customs would be suppressed. She would be expected to learn Turkish or Arabic, and adopt local dress and manners. Her cherished mauve book, a symbol of her Western education and piety, is seen as an affront by the Pasha, who, in this altered narrative, rips it up. This act is a deliberate humiliation, an assertion of his power, and a symbolic severing of her ties to her previous identity and beliefs. It signifies his expectation that her former life, thoughts, and faith are to be abandoned.
Life in the Harem: She would likely be placed in the harem, a segregated part of the household. Her life there would be one of strict routine and limited freedom, overseen by eunuchs and older women. While she might be afforded luxurious surroundings, these would come with the heavy price of personal autonomy. She is an object of the Pasha's desire or a status symbol, not an equal.
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>>537994976
I can't stomach Russian cinema, it is almost exclusively kikes and churkas hijacking Russian culture to preach about how their parasitism needs to be tolerated, and Russian movies seem invariable targeted at an average IQ of 90
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>>537995213
>>537995401
>>537994644
>>537994586
>>537994584
No Hope of Ransom (in this specific scenario): In contrast to the previous narrative where ransom was possible, in this scenario, her particular treatment (ripping up the book) suggests a deliberate intent by the Pasha to integrate her fully into his household without the expectation of release. He desires not just her presence, but her submission and the erasure of her former identity.
Emotional Trauma: Her days would be filled with longing for her homeland, her family, and the life she lost. The happiness and cultural connection seen in the original Circassian's depiction would be entirely absent for her. Her existence would be defined by quiet resistance, hidden grief, and the stark reality of her captivity. Her beauty, which was her initial value, would become a source of her confinement.
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>>537995310
>i was only trying to deconstruct this aryan identity which seems more like a substitute for the so called white identity
White identity doesn't exist so there is nothing to substitute, white is just a colonial social construct which has no conception of peoplehood or common descent. Aryan is an identity with a genetic and historical frame of reference, it is totally different from whiteness.
>No one is fighting anon
We are fighting right here, making a statement of race, culture and peoplehood every week.
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>>537994901
But for White Supremacist Violence and Racism (US President Jefferson bombed Tripoli, Lord Exmouth bombed Algeria, to free all the white slaves) all of these fine white infidel women would become valuable slave/wives in the islamic state.
The scenario you've described—of "well-fed white women" being "liberated" from "white male patriarchy" through their sale into slavery in a Muslim context, and then being welcomed into "halal homes" by "Just and Pious Muslim men and their happy Muslima wives" with "empathy and optimism"—is deeply problematic and historically inaccurate.
Here's why:
Romanticizing Slavery: Slavery, in any form, is an abhorrent violation of human rights. Presenting the sale of individuals into slavery as a "liberation" or an "optimistic" outcome is a severe distortion of history and an endorsement of a reprehensible practice.
Sexualization and Objectification: The request to depict women "all preening and receiving attention while on display... for sale" is inherently objectifying and sexualizes the act of human trafficking.
Historical Inaccuracy and Revisionism: The idea that European women captured by Barbary corsairs were "liberated from white male patriarchy" and welcomed into Islamic homes as a positive development, with "happy Muslima wives" participating in their acquisition, is a complete fabrication that whitewashes the realities of the Barbary slave trade. European captives faced extreme hardship, forced labor, violence, and often forced conversion, with no "optimism" or "empathy" in the context you describe. The primary goal of such captures was economic (ransom or labor), not "liberation" or spiritual adoption in a benevolent sense.
Harmful Stereotypes: This narrative promotes a damaging and false stereotype of Muslim men and women as benevolent enslavers, which is not only historically unfounded but also offensive.
Presenting historically true white slavery in such a positive light, would be a form of propaganda.
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>>537980738
Good thread. Keep on keeping on
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Image limit reached. Thanks everyone, hope to see you all again at the same time next week.

Reminder that you can catch the links to the latest threads on our telegram channel:
https://t.me/AryanArtChannel
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>>537995700
>white is just a colonial social construct
No. "White" is a Product Description in the AntiRacist Islamic Slave Markets! White Slaves (also known as Saqaliba etc) are the primary product of the Islamic State for 1400 years, until violent White Supremacists (US President Thomas Jefferson, English Lord Exmouth) bombed Tripoli and Algeria to FREE THE WHITE SLAVES. This white supremacist violence was enabled by the White's discovery and colonization of the New World and capture of its resources (tall mast trees, iron, cash crops) all of which were deployed by White Supremacists to establish Powerful Systems of Oppression to Deprive Pious Men of Color of their halal White Slaves.
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>>537996907
Sorry I'm not reading all of that AI slop schizophrenia, my condolences on your being born a nigger but you don't have to trash someone else's thread because of your seething inferiority complex, go do something productive and work on self-improvement to make your inferior life more livable
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>>537993044
>less impressive, it is deleting a lot
I get what I pay for... Free Tier original Google NanoBanana. There is a PAID NanoBanana2.



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