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(Part 2.)

If you look at his page on the Brazilian Academy of Cinema, the impression of something intangible only continues:
"His first feature film was Destinos Opostos (Opposite Destinies), released in 2024, a film that won several international awards, notably at the 19th Monaco International Festival, where it received four awards. He released his second feature Estranhos na Noite (Strangers in the Night), a story about people who meet on a night in São Paulo, their stories, loneliness, lost connections on a night in Baixa Augusta in São Paulo in October 2025. He is finishing his third feature Let Me Live, with a projected release for the end of 2026."
This director's films came out in major media outlets. All with the same headline, but none of them seem to actually exist.
"Strangers in the Night" has an apparently extremely low-budget trailer, with newspapers promoting it; a trailer with almost no views. But, shockingly, with famous Globo (the largest media conglomerate in Brazil, whose leaders were mentioned in Epstein e-mails) actors participating and with a partnership with Cinemark (Brazil’s largest cinema company.) Even so, no one saw it, no one really promoted it, and the award from the Monaco International Festival makes everything even stranger. I go to the movies with some frequency and never even saw the film playing or being announced on ticket sites.
The name of this festival is Angel Film Awards, in Monaco. The site looks like it came straight out of 2006: https://www.monacofilmfest.com
Nothing promoted there seems to have any relevance, and things make even less sense when you see the photos from the event. On Walther Neto's Instagram he celebrates the award.

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(Part 3.)

It looks like any rented lobby, though everything is done with artificial intelligence. The awards are papers printed in poor quality, written in broken English, but the weirdest part is the event posters. For the most part, they are all also made with crude AI, obviously without any budget worthy of an international award. The award seems like some kind of front for something suspicious, since nothing makes sense or seems to actually exist.
The director promotes his projects on Instagram. Always with recognizable Globo actors, but only posters made by artificial intelligence, like this other project with Rafael Cardoso in the cast: https://www.instagram.com/45diasofilme/
Famous soap opera (which is massive in Brazil) actors appear linked to the productions, but we still know practically nothing about them, the actors involved don't make any effort to promote them, even minimally. It's as if it's all a front to justify/create the trace that something was done, to produce an alibi.
Returning to the first point, Deixe-me Viver is the most emblematic case because of its recent projection at Cannes. Despite this director making films with the budget of a bottle of cachaça, articles come out talking about high production expenses, like one million reais (~200k dollars, which is nothing to scoff at regarding Brazilian productions) in a single wedding scene.
(Notice that, in the attached news piece, the producer admits that she chose to shoot the film in her own house in Trancoso, Bahia, meaning she cut production expenses to the maximum. https://www.bahiasulnews.com.br/noticia/filme-deixe-me-viver-tera-investimento-de-mais-de-r-1-milhao-em-cena-de-casamento-em-trancoso )

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(Part 4.)

With so much media projection, you would expect this to be the effective way to promote the feature, right? On the contrary, no one seems to care about these news stories.
The film started getting some projection online because of influencer and tiktoker Cat Dantas, the protagonist of Deixe-me Viver. Clearly a hysterical girl, she recently made a series of videos saying she had been abused since childhood by a cult, into which her own mother inserted her. If you look at her old videos, she had more weight, was underage, and behaved in a hypersexual manner, apparently encouraged by the cult (along with her mother, with whom she still maintains close contact).
Despite growing a following online by reporting her experience with the sex trafficking/exploitation cult, her family seems to be quite wealthy; according to herself, her father works in the legal field. She lives a luxurious life, as far as I know outside the country, living in what appear to be various expensive hotel rooms.
She said she is part of a very famous series whose name she cannot yet reveal, in addition to now being at Cannes through this dubious film. She also said she was invited by strangers to a Leonardo DiCaprio party, and was taken to it in a van.
After supposedly having gone to this party, she made a video saying she "survived the Leonardo DiCaprio party," but that she couldn't share details to "prevent herself from ruining prospects and relationships"; only that, thanks to contacts made there, she would receive new opportunities.

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(Part 5.)

This weird girl was cast to be the protagonist of the film (Deixe-me Viver), with nervous anorexia and hysterical behavior online, alongside other famous Globo actors like Humberto Martins and Mônica Carvalho (who is always involved in these weird projects of Walther Neto's). I wonder: why, out of nowhere, was this peculiar influencer hired as the protagonist alongside two other affluent and very relevant actors? And why do famous actors agree to participate in these projects of very little relevance made by a ghost director? And how did this same influencer end up at a DiCaprio party?
I'm not saying the film doesn't exist, because it seems to exist in some capacity. The aforementioned girl showed some scenes on her TikTok. The question is: where does this investment come from for films that don't seem to have the slightest intention of being successful? How are all these wealthy famous Brazilian actors paid? And what benefits them by participating in projects that don't even have even the slightest relevance, sustained only by generic articles pushed by the media?
To me what is happening is quite obvious: Brazilian cinema is involved with human trafficking rings and international pedophilia; ghost projects are created to launder money and justify the transfer of funds to operations of these elite circles (some of these films possibly exist, but not even 10% of the allocated resources are actually invested in them, hence the AI covers and taglines etc.); there is also the involvement of child abuse and sexual trafficking cults in Brazil, just like in the USA (with Scientology etc.); and these movie festivals, some international, are actually meetings in which members of these circles discuss their activities and negotiate.

>>42445152
alien looking mf