In these songs, the animatronics represent the souls trapped within the materialistic, physical plane of existence (this is even hinted at in the first song’s music video where a cage is seen for a brief flash overlayed over the image of the office). A few references to the gospels made in the first song are the god of this world being a false one ("an imposter took our life away") and the bite of the fruit of the knowledge of good and evil ("we’ve been all alone, stuck in our little zone, since 1987"). The child who becomes Golden Freddy represents Christ, who after being killed rises to life again. The mother of Golden Freddy who becomes the Puppet/Marionette represents Mary, who is the mother of Christ. This is also further supported by the fact that the word, marionette, comes from the French word, marionette meaning little Mary. The term refers to a puppet representing the Virgin Mary used by religious processions during the Middle Ages.The third video shows the animatronics attempting to get to a doorway illuminated by light. This would seem to represent Christ being the illuminated one, Providence (God) personified. The Purple Guy/William Afton in the songs represents the Pharisees, who were referred to as the "concealers of the gnosis (knowledge)" in the Gospel of Thomas, who keeps the animatronics (humanity as a whole) from achieving enlightenment.Springtrap’s true identity in these songs is the Demiurge (Yaldabaoth). Both him and Purple Guy/William Afton appear to be separate beings (there isn’t a scene of Afton becoming trapped inside of Spring Bonnie in the third song’s music video).I think it was honestly the third music video that drew me to this conclusion. The imagery of the doorway illuminated by light and the animatronics trying to reach it.
Interesting
Now I know what gnostics are the way they are. They are literal man children who still like fnaf.
