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File: overlordd bad (1).webm (620 KB, 1926x1080)
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So what exactly determines which anime get god tier adaptations that manage to get normies and fans gushing over it vs whatever this is
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Bros
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>>288800339
the production committee
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Whether the author takes the first deal they're offered or waits for someone worthwhile
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>>288800918
Pretty sure the author often has very little control of the adaptation. It's mostly the publisher
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>>288800339
Jesus
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>>288800339
normalfags latch onto anything other normalfags talk about, quality has nothing to do with it.
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>>288800339
OverPEAK
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Why did Madhouse of all studios butcher Overlord? Did they just allocate it to their Z team?
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>there are people who don't think this looks epic as fuck
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>>288803105
That's not as bad
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>>288800339
>So what exactly determines which anime get god tier adaptations that manage to get normies and fans gushing over it
like what
many of the most popular series get dogshit production values like dragonball or berserk
I dont think normalfags really care about production values as much as you think which is probably why producers dont give a fuck
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BEHOLD
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>>288803659
There's a reason why Frieren, Demon slayer and aost went mainstream and "I reincarnated into a twink and am now an Orc fuck toy" didnt
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>>288800339
Getting higher ups to like your LN. If the higher ups with connections like it, they might just invest a bit more than usual.
Luck also plays a huge part
https://mantan-web.jp/article/20210130dog00m200002000c.html
>In this edition of "Anime Questionnaire," we ask the creators about the appeal of popular anime. We asked EGG FIRM's CEO and chief producer, Nobuhiro Osawa, about the appeal of “Mushoku Tensei”.

>What is the story and its appeal?
The original work is a novel written by Mr. Rifujin na Magnotte, which was originally published on "Narou" and published by KADOKAWA's MF Books. To put it bluntly, it's about a 34-year-old virgin, unemployed, reclusive bum who gets reincarnated in another world and starts a new life as a boy named Rudeus.

I wasn’t familiar with this series, until about four years ago Mr. Ken Kaneda, the editor in chief of MF Books gave me a copy. I read it all at once, up to the 12th volume, Youth Period. It was very interesting. I thought this was a great drama in a fantasy world. I immediately thought that I wanted to make an anime out of it, so I contacted the editor-in-chief. So far, I have worked on anime adaptations of "Sword Art Online" and "Is It Wrong to Try to Pick Up Girls in a Dungeon?”.
>What did you keep in mind when making the anime?

The original story is a very solid story, and it is as long as a major TV drama, so as a producer, I started by creating a production system that would allow me to visualize it as an animation. After much deliberation, I ended up building a new production studio for this work (laughs). I knew it would be a tough road, but actually, it was very difficult. Studio Bind producer Hisaya Otomo and director Manabu Okamoto assembled a solid staff, and the quality of the direction, drawing, art, and photography is a testament to the dedication of the staff”
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>>288800339
>normies
dumb normalfag



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