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So why did they cameo separately in weathering with you? Shinkai says they're married, so why not show them together?
I have a theory that shinkai did not want them to end up together, and just cross the stairways and go back to their lives. He loves this kind of melancholy tragedy bullshit, he thinks its deep. The producer probably beat his ass severely and made a lot of right decisions in that film.
Also he said this about hina and hodoka
>"It looks like a love story, but I don't think it's a so-called one. Maybe audiences would see this movie in their own PoV whether they're lovers. For me, I don't feel like they can be two lovers."
He wants to be a deep, realistic film maker but ironically his best successes are dreamy fantasy boy meets girl type movies.
>>
He's a hack who makes trash for normalfags. 0 good movies produced and I don't see that changing ever. Boy meets girl bittersweet garbage it's obvious he's so desperate to be Miyazaki but will never be a household name in the same way.
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>>291340597
I'd rather watch cheesy saccharine slop like shinkai films, than insufferable pseudointellectual rubbish the idiot boomer miyazaki creates
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>saccharine is when they use half the budget on feet shots then have the couple break up
Ok retard
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>>291340735
Not all Miyazaki is like that. Mainly Wind Rises and the Heron are insufferable. Laputa Castle in the Sky is pure genuine fun optimistic adventure. Easily his best, and Japan agrees. The west can't just enjoy a coming of age adventure story so it gets slept on when compared to all his other stuff like Nauiscaa, Howl, Mononoke, and Spirited Away that are usually hailed as the best.
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>>291340735
Suzume is Shinkai's best film imo
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>>291341737
Have to be careful with 'coming of age' stuff as it often, understandably, writes in a certain level of Japanese norms and values which can feel negative and even absurd to more individualist people.



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