Hi, I'm an indie filmmaker and "Pururin" from the welcome to the nhk soundtrack is a pretty central sound in my short film, I'm trying to bypass the youtube copyright detector while keeping the spirit of the original in order to submit my movie to festivals since I know they use the same bot as youtube. How should I go about remixing it? slow+reverb?https://youtu.be/tg8Jahz6RM4?si=p0wyEhcldv8gN8sp
Where do we watch da movie
>>34165482not out yet but youtube soon, maybe it'll be exclusive on tromanow for a year idk if we'll even get a deal with troma. It's called Dopamax it'll be done in a few months but we have to do the whole film festival bit before release.
>>34165468Using copyrighted material without payment or permission is illegal.
>>34168429I dont care I like pururin I want it in my short film, copyright laws are retarded and only benefit sony not the artists
>>34168548Yes, way back in the day if you slowed or sped it up by a certain percentage, that was enough to bypass the filters. You’ll just have to keep adjusting and reloading it till it doesn’t get flagged
>>34165468How much of it? Just the little cartoon girl saying purururuin or whatever? The melody / music itself? How much of that? I'd suggest recreating it in a close but tasteful way even if you're struggling on budget. Recreations even when shitty have significantly more sovl than just nabbing sounds you like. The movie industry is often missing that element, so don't fuck it up (you will, we all do).>t. senior motion graphics artist that has worked on many low budget and many high budget films
>>34168548It's a guaranteed way to be blackballed by the entire film festival circuit
>>34168831I like the vocals, I don't mind changing the rest. The vocals of pururin are perfect, changing them in any way would pmo
>>34165468you're telling me... i tried to upload havergal brian's gothic symphony, of which there's already plenty of vids on youtube of that exact recording, and yet it gets copyright cucked and blocked worldwide... like nigger can you at least keep your copyright off my obscure classical music artists from the 20th century holy fuck... what are you making off havergal brian CDs, five dollars a year? you'd benefit more from the publicity of this hidden gem composer than by gatekeeping his works so nobody can listen to him. fucking jew world. WHO ELSE HUH? WHO ELSE?
>>34170550>I like the vocals, I don’t mind changing the restIf the vocals are all you need, then make an original song with the vocals used as samples. Sample culture has been around since music could be recorded at all, so if you run into any problems with automatic copyright detection shit at film festivals, just clarify that you made a sampled mix with the soundbite. With some good remixing, you shouldn’t get any such problems in the first place.Hollywood does it all the time so you wouldn’t be blacklisted or whatever, and you can remix the vocals in fun ways with other original musical ideas to better fit your movie. Just make sure to not have the vocals be too overwhelming in the mix, and have them supplementing an actual musical piece of your own writing, not just a minimal backing track to excuse their inclusion.
