Does anyone have the rest of this comic?Huey describes a record label providing an advance to an artist and then leaving him penniless, and in the third panel asks "How many pounds of explosives should we use to blow up the RIAA when they say they are going after piracy to help artists."I can't find it anywhere.
>>150159432It's the Feb 22, 2001 strip
>>150159636The answer isn't dynamite. The answer is to market the fuck out of yourself, build your own fanbase, and work out a collaboration with studios. You get "paid" in loans otherwise.
>>150159636Uuuuuh based and fucking PIRATE pilled
>>150159868>The answer is to market the fuck out of yourselfThis was more difficult in 2001
>>150160559Zoomers don't understand how difficult it was pre Soulja-Boy.
>>150159636>2001And the two faced bullshit from corporations crying about piracy while fucking over people who aren't executives from their due pay hasn't stopped, it's accelerated.
nigga got that jimmy neutron forehead
>>150159868>unironic "just pull yourself up by the bootstraps bro" in 2025Damn, this shithole truly is filled with aging millennials nowadays. Though artists tend to be mentally ill middle classers and I don't really care about taking a stance between one bourgeois or the other anyway.
>>150159636>word words words words>nothing happening in the tiny bottom 1/3 of the panel allowed for different drawings of the same things an expressionless face
>>150160913Or what? One day get lucky and get permission from a corporation to have a career?
>>150161970Explosives, that's what.
>>150159636Thank you, anon.
>>150161949Learn to read, perhaps
>>150159636Damn, and it's still going on too. I remember the Pink Pony Club girl was talking about labels should support the artist in her award speech
>>150159636Metallicafags have never been able to refute this
