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Do you prefer board driven or script driven cartoons?
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>>151011995
What shows are even script driven? Slop like Alien Force is I think but I don't know any others. It completely defeats the purpose of animation to be writing first. It's disrespectful. I bet creature commandos is one of the latter.
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>>151011995
I prefer good shows
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>>151012024
Script driven:
Most adult animation including Simpsons
Fairly Odd Parents and Danny Phantom
Phineas and Ferb revival
Spongebob post 2015

Board driven:
Spongebob pre 2015
Ren and stimpy
All Genndy shows
Adventure Time and Steven Universe

Some shows take a more hybrid approach like wander over yander
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>>151012024
>Slop like Alien Force
Stfu
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>>151012050
Fence sitter
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>>151012062
>Shit
>More shit
Animation is doomed
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>>151012081
Gtfo
>>151012089
this ain't tails
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>>151011995
The best option is the old school approach where you have dedicated professional writers who are expected to storyboard their work. Michael Maltese came up with Quick Draw McGraw’s “El Kabong” persona when he was storyboarding and wrote in the “Kabong!” sound effect.

But if it’s a choice between script-driven and board-driven without full-time writers who have trained to structure stories, then I’d usually take the writers who can’t drawn
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>>151012156
>The best option is the old school approach where you have dedicated professional writers who are expected to storyboard their work.
they still do this for anime in japan
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>>151012156
Pro writers who can draw are fun to see. Sam Simon boarded for a few cartoons before he co-developed simpsons
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>>151012127
Sneed
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>>151012127
Stop talking shit ,you retard, that shows aren’t even airing anymore
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>>151011995
Both can be good but a good chunk of 2010s CN shows (including OP pic) should have absolutely been script driven.
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>>151012206
> 2010s CN shows (including OP pic) should have absolutely been script driven
Nah, AT is best as a board driven show
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>>151012127
Explain yourself
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>>151012239
No
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>>151011995
Script driven but the script writers have actual art and/or animation experience like The Venture Bros
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>>151012251
Well, in that case you are a retarded subsaharan faggot who should get beaten to an inch of four life and then covered in hornets, scorpions and scolopendres
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>>151012081
>>151012192
>>151012202
calm down chudsissy
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>>151012312
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>>151012278
>>151012353
take deep breaths
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>>151011995
It depends. Board driven is classic cartooning, and works better for more comedic, episodic cartoons like Spongebob, Ren and Stimpy, or Adventure Time. More narrative driven shows like Avatar, or Gravity Falls work better with a script. I tend to prefer board driven.
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>>151012374
Sex
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>>151012127
Why the fuck are you even here? Serious question go on /tv/ or something
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Fuck it, I'm not smart enough to tell the difference.
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>>151013181
One draws pictures, and the other types words.
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>>151011995
Script driven 100%

Adventure Time was cool but stuff like Dexter's Lab, Courage the Cowardly Dog, and Ed, Edd, & Eddy show how script driven is superior and if AT had been script driven or switched to script driven past Season 2 almost all of its problems could have been avoided because the worst ideas could've been vetoed in the writers room and had a good alternative worked out.
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>>151013432
script driven would completely kill the feel of adventure time, hard no. So much of that show's appeal is in the weird shit the boarders would add.
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>>151012024
>It completely defeats the purpose of animation to be writing first.
Get your affairs in order, your retardation is terminal.
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>>151011995
What does difference?
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Most writers aren't actually very good writers, and most artists don't actually know very much about visuals.
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>>151014169
You mean it’s terminal to a shitty Hollywood career?

Not everyone keeps their brains in a state of readiness for a big Hollywood opportunity that will totally come for you.
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>>151013432
>Ed, Edd, & Eddy show how script driven is superior
This is why I don't get why people are even comparing this. Like you can have good writers who board, and expressive boarders following a good script. It's just wherever there's talent to make something good. If someone told be EEE was board driven I'd believe it.
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Board driven for me. On shows like Flapjack it didn't make too much of a difference, but on Adventure Time and Steven Universe there were so many great, unique episodes that were just the artists expressing themselves and having fun
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>>151013181
You can usually read the credits.

"Written & Storyboarded by" means it's board-driven.

"Written by" and "Storyboarded by" being separate credits means it's script-driven.
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>>151014783
It really doesn't make a difference, but /co/ thinks that if the show is run by the storyboard artists then there's a greater emphasis on animation quality and that if the writers are in control then the animation won't be considered as important as the dialogue.

It's not necessarily true, but a lot of /co/ doesn't actually read books, so they easily fall for that fallacy.
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>>151014783
Board driven: the writers give the storyboarders an outline, and the boarders write the dialogue/hammer out the specific beats of the episode.
Script driven: the writers write all the dialogue and the storyboarders draw the action as described in the script.

The distinction is not black and white. Sometimes writers will provide very fleshed out outlines, including scripting, for a board driven show, and storyboarders can have significant story input on a script driven show. Most shows are probably better served having a script, because writing/drawing are different skills, and doing both is a lot of work. Though there is a purity to the board-driven approach that I appreciate. In general, script makes more sense for dialogue heavy cartoons, and board-driven makes more sense for more visually-focused shows.

>>151015446
There's definitely a difference, but you're right that script driven doesn't mean the visuals will suck. Ideally you want the writers to know animation, and the artists to know how to write, regardless of the process.
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>>151015183
Reminded me of this article
https://www.latimes.com/entertainment/tv/la-ca-adventure-time-oral-history-20180823-htmlstory.html

>Ward: I thought at first we were going to control it more with a script. I thought it’d take less time to write than to draw it. The first thing I wrote was “Finn and Jake make funny faces at each other." And that was the most boring thing.

>Muto: In "The Prisoners of Love,” there’s a scene with the Ice King carting Finn and Jake; he’s pushing them up a hill. And he takes a break and pulls out trail mix and eats it. And the slowness of it, and the calmness of it — you could put it in a script, like, “He takes a break and eats trail mix,” and it would just get cut. But in a board, you can feel why it's right. It gives that he’s not just a pure villain, he’s a real guy and he’s just eating his trail mix, and he wants that last yogurt chip, he has to reach down and get it with his fingers.

>Jones-Quartey: Pen would often set me loose and say, “Create something special for this moment.” The first time you see Finn’s hair on the show, that was a scene that I storyboarded myself. In “Mortal Folly,” where we finally get to see a great mushroom bomb, the way it turns into a huge mushroom cloud of skulls, that was something I created.
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>>151011995
>visual medium
>"what if the artists took a back seat?"
just make live action shit, then
that's like putting story above gameplay in a video game
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>>151016003
Live-action is a visual-medium, too.
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>>151015446
Writers can't write engaging visuals. You're saying it yourself that they don't prevent animation QUALITY, but they can and do prevent animation CREATIVITY.

Animation quality without creativity, effective acting, stories that serve beautiful scenes, etc is just wasted money hiring an overseas studio.
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>>151016003
>>151016014
Are there any storyboard driven live-action movies?
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>>151016031
Orson Welles came from a radio background and he was able to do good visuals. I don't want to dicksuck for "le writer"-types, but it's not clear cut to necessarily say who can and can't be talented at what.
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>>151016003
this, writers aka show runners have been given too much power in animation to the point where every garbage animated show can be attributed to writers being the problem
writers should be treated as just another cog in the machine in a collaborative project
>>151016064
yes
story boards are used to frame scenes in live action all the time
but you almost never get told about them, because artists aren't valued as much as the onscreen actors or directors
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>>151016126
Directors (usually) play an important role in film visuals. Although mediocre ones rely on their cinematographers to decide shots and camera positions.
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>>151016064
Kurosawa painted his
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>>151016064
Walt Disney used a version of this for live action movies that lasted until some time after his death. The writers would storyboard every shot, write the dialogue under it, and then create a script from that.

This is why his movies usually have incredibly stodgy visuals, because the director was expected to follow the storyboard and wouldn’t even move the camera unless the producers said he could.
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>>151016064
A lot of storyboards were produced for Star Wars.
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>>151012278
And you're a newfagged sperg, please jump into a woodchipper and your remains be eaten by a pack of mightyenas once for fucking all.
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>>151016639
All live action films have storyboards, doesn't make it board driven
Board driven means that there is no standard script and instead an outline that can vary in detail. The movies provided ITT still had actual scripts/screenplays
Script driven cartoons still have boards as well.
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>>151017047
>All live action films have storyboards
No, they don't. Some films, like (Lynch's Inland Empire for example) don't even have real screenplays or scripts. Because storyboards really are just a type of visual screenplay.
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>>151016003
The best DC, cartoon network and Nick cartoons were script driven, retard.
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>>151011995
None of you could even tell the difference without it being directly told to you.
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>>151011995
Why didn't Jake go crazy when he wore the crown?
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>>151011995
Script
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>>151011995
Board-driven for short gag highly comedic cartoons (six to eleven minutes). Board driven for highly experimental, limited dialogue, visually-driven stories. Script-driven for everything else.
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>>151018784
Oh I should add, for either of them, it is IMPERATIVE that you perform both versions. A board pitch must exist for the former. A table read must exist for the latter. I think we don't do these nearly as much as we should anymore.
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>>151016944
Slowpoke
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>>151012312
no fuck off and die
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>>151017970
Jake is canonically the most powerful being in Ooo, rivaled only by [some] deities.
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>>151019643
That episode was awesome. All my favorite Adventure Time episodes had lots of Jake focus, either as the focus character or in a comedic side role. I can only imagine how much fun the storyboard artists had with him.
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>>151018816
>>>/vp/
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>>151011995
they eatin the FUCK out those sandwiches
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>>151020586
Autist
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>>151018804
For feature films it must first be performed as a one-man show like Snow White.
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>>151017396
pic unrelated
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>>151022387
EE&E was script driven
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>>151022489
I know
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>>151022331
Racist
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This is a difficult conversation to have because most people on here don't have a clue what those two things actually mean. Case in point:
>>151013432
>if AT had been script driven or switched to script driven past Season 2 almost all of its problems could have been avoided because the worst ideas could've been vetoed in the writers room and had a good alternative worked out.
guys like this think that in a board-driven cartoon, the storyboarders create the basically the entire episode themselves
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>>151023109
That's good
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>>151023262
Based on what?
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>>151024407
Based on racism, that improved the world.
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>>151021129
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>>151011995
either or is fine to me so long as it's funny or engaging
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>>151012062
Wander was script driven; some notable examples of shows with a hybrid approach are:
Spongebob post 2015
Cuphead
Gravity Falls
Amphibia
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>>151024407
On sneed



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