I'm not going to leave you hanging. I'll provide some knowledge on what makes a culture.

Consensus:
Culture is positive reinforced behaviors and or values of a group. The culture won't persist if there isn't a positive outcome for the people involved.

Internalization: The culture becomes part of an individual identity. For a a bubble gum dance its not "we like to dance and keep an up beat attitude" Its "I like to dance and keep a up beat attitude."

Rituals, Myths, Stories
These are the folk heros and stories formed in the culture that you hear and live out. Stories are often guidlines you follow to reap a reward. If the story, myth or ritual leads to a reward, say a myth of a someone planting seeds and reaping a crop for harvest, it will carry on. These myths need to solve social issues. to bring people together.
Say for fruitger aero, it was people gathering around windows and apple for a new hope of a promised future. They were the myths, and they provided a reward. new tech, at a time tech was advancing. so there was a clear reward to follow. That well has since dried

Communication styles:
An extention of rituals myths and stories. How do you talk in this culture is a way to identify each other in your culture. If I here someone say "Bet, unc, low key" in global village coffeehouse, I know they're just passing through from another culture.

Resources.
The types of things your culture uses and reuses the food they make, the things they build and with what. This is often tied to geography, which can make or break a culture.

Geography is Destiny.
A term used by Napoleon for war, but Geography often shapes cultural values. I don't see many Goths in the south. there are but no. its too hot and humid to dress in that fashion.
also think of surf culture, how they dress. light clothes to get in and out of the water and to stay cool and visible. wearing things they find on the beach.

Thats all i have. Good luck.

I have one more thought I want to get out and mull over. Dissect.

Geography is destiny.
This is a vital key, and I'm thinking how does the geography exist when its on Television.

Wacky Pomo as you see in this threads picture, was on the television landscape. The television geography. Made for kids.For today, we have the internet landscape. Its a much fare more vast geography.

For something like Wacky Pomo to exist it needed the target people to herd into its culture. 90s kids. At that time, they identified what kids liked. Gross out humor, cringey jokes, subtle cynicism, and wild imaginations. The cartoons at this time in the 90s reflected that. Especially wild imaginations. Rugrats was a major hit. Every episode started with the babies misinterpreting something their parents heard. Which would cause their imaginations to run wild. This was wacky pomos myth. the rugrats. and from that, came wacky, out of shape designs.

I'm exploring this for you guys to understand. How you can extrapolate a style out of a culture.
Sorry for the jumbled mess of ideas, but I hope it helps you guys understand something deeper behind how aesthetics are made.

>>462171
The "wacky out of shape designs" of 90s animated cartoons are nothing more than a continuation of an exaggerated "screwball" style that's as old as animated cartoons themselves and was especially popularized by Tex Avery, who is cited as a major influence by everyone who does wacky animated cartoons, and especially the ones that were popular in the 90s.

This thread is ust another illustration of how Cari does the opposite of educating people and convinces people with no clue that they have something to teach others.

>>462172
Oh no, a missing piece of the puzzle. Better throw it all away.
Youre a child.

>>462174
His behavior actually solodifies the point about culture. He belongs that culture, but his stubborn autistic fashion for the facts is exactly how people in that culture die.

>>462175
Right?
Culture dies when its treated only as fact, and not as participation. He follows the letter of the law, admirable, but he doesnt follow the spirit of the law. With that, there is no life in him. Pitty.
Not to mention, i believe my point about wackey pomo was still on the same branch. I ddint comment on the root of tje branch, it being extending from tex avery. His behavior is that of narcissus. He will use that fact to move goal posts, and discredit. There is no participating with that anon. Typical behavior of intermet culture, and ironically, of a Pharisee, or a jew.

>>462176

You-
>I ddint comment on the root of tje branch

also you-
>This was wacky pomos myth. the rugrats. and from that, came wacky, out of shape designs.

>from that

You literally said that the wacky animated cartoon image style derived from 90s animation, because you have been conditioned by exposure to retards like Cari to talk out of your ass like an authority, and then when called out for spouting bullshit you just unleash a bunch of personal insults and retarded word salad and a sockpuppet or two.

Everything about the Tex Avery connection disproves your claims- animation artists in the late 20th century DID resurrect and popularize that very distinctive mid 20th century style with a contemporary youth culture that had little connection to the culture that style originally sprang from.

Also people like Tex Avery were influenced by artists and period styles that came generations before them too, and it's all part of the same ongoing stylistic evolution that BOTH influences and is in.

Once again illustrating why the Cari zoomer approach of deep beard stroking research LARPing over a five or ten year trend in commercial art by people with no clue about actual art history or cultural connections with commercial art is just retard fuel.

>>462181
>words
Nah, im still right. Stay mad.