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File: 1762373748231838.jpg (188 KB, 1222x1462)
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how do you even begin to do studies like this
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>>7899403
Bargues worked for me. I think this is the simplest method for observational drawing. Useless for imaginative drawing though.
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>>7899403
1. make a messy (light and loose) underline sketch to feel out the primitive forms
2. begin simplifying the forms you observe before you using CSI
3. add default light and shadow
4. add halftones and other fancier light/shadow tricks if you want
5. soften edges where needed
6. accenting (optional)
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>>7899403
>how to begin?
krenz color and light
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>>7899403
You just do them. Retarded pig
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>>7899403
If you've never done them, do an extra first step compared to your image, where you break down the forms over the photo. Basically, do the top right thing over the photo.
Then you copy those lines next to it, making comparative measurements to make sure you get it right. See Keys to Drawing, or Dorian Iten's accuracy guide (or Krenz/Bargue).
Once you have an accurate sketch, using the photo as reference and 1, max 2 tones of shadow, paint the main shadow volumes using a hard edge brush.
Last step is blending, I do it with a soft brush on opacity pressure and flow and lots of eyedropper tool, and also manually adding extra details like the hard wrinkles
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>>7899704
>Dorian Iten's accuracy guide
that glasses analogy is actually really good, i just bought his course (only $19 wtf!!)
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>>7899757
Extremely useful. Implied lines are important too but the example shown is kinda confusing (and a bit useless) in my opinion.
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>>7899403
yeah i have problem with 'studying' too like where do i begin with the line work
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>>7899883
You have to determine the top point and base point of your figure.
Then you determine the far right point and the far left point.
With those points correctly set on your paper, you can outline a very rough and synthetic shape of your figure. Only made out of straight lines.
Then you can refine this shape and make a more precise one.
Then you put the shadows. There are several methods to do it. The easiest is to start with the block in of your darker tones.

It's mostly what's shown in picrel. Everything relies on proportions and angles. You can use those tools >>7899868 to mesure things correctly.

The picture in >>7899403 relies on a deep knowledge of anatomy and is not suited at all for beginners. You can try it if you want but there are great chances you'll get frustrated.
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>>7899403
What advice is there for people who dont want to copy a photo so closely like this.
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>>7900020
Draw from life.
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>>7899403
study thread?
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>>7900025
Seconding. The best way to learn.
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>>7899409
>Useless for imaginative drawing though.
No it's not. It trains your sense of proportion and precision. Any competent artist should be able to do a study like this from life or photo.
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>>7899403
Step 1: on a new layer, create a "silhouette" of your character, so in other words your character with a single flat color

Step 2: establish a light source, i.e. where the light will be hitting your character from

Step 3: on the "silhouette layer" start erasing bits of it relative to the light source's position

This'll get you started
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>>7900590
I agree. What I meant was the Bargue's method (blocking in a synthetic enveloppe of the figure then refining it) is not the most effective to draw from imagination. Construction method like Hampton or Hudson (or whatever) seem to be more appropriate.
But yes, being able to study from life or a photo is very important.
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>>7900025
okay any way that doesnt involve studying?
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>>7899403
It is just little peices making a bigger peice
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>>7899630
oink oink



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