Orgasmatron [GWR/Profile, 1986]I admire metal's integrity, brutality, and obsessiveness, but I can't stand its delusions of grandeur--the way it apes and misapprehends reactionary notions of nobility. One thing I like about Lemmy is that he's proud to be a clod, common as muck and dogged in his will to make himself felt as just that. Add that rarest of metal virtues, a sense of humor, which definitely extends to the music's own conventions, as on the lead cut of his first album in three litigation-packed years: yclept "Deaf Forever," a good enough joke right there (especially for Sabbaf fans), it turns out to be a battlefield anthem--about a corpse. And then add Bill Laswell, who was born to make megalomania signify: where most metal production gravitates toward a dull thud that highlights the shriek of the singer and the comforting reverberation of the signature guitar, Laswell's fierce clarity cracks like a whip, inspiring Lemmy, never a slowpoke in this league, to bellow one called "Built for Speed." Result: work of art. A-
>>127710315>admire metal's integrity, brutality, and obsessiveness, but I can't stand its delusions of grandeur--the way it apes and misapprehends reactionary notions of nobility.so much projection
>>127710315>where most metal production gravitates toward a dull thud that highlights the shriek of the singer and the comforting reverberation of the signature guitarHas this guy ever heard a metal song outside You've Got Another Thing Coming?
>>127710315critics are useless, and people who pay attention to them are insecure losers who need a 3rd party to validate their opinions
