>>127981471I like doing them as arpeggiated sweeps up at the 12th fret. Add the c note on the a string, and you've got a really cool implied c over am sweep pick.
for me
>>127981471>gets you arrested
>>127981536>mfw
I'm about to show you something powerful
>>127981566It's easy. |-‐----------------------------12h13h17---------|-‐----------------------13--------------------|-‐-----------------14------------‐------|-‐------------14-------------------|-‐12h15---------------|-‐---------------And back down in the same configuration. The tapped note on 17th fret is optional, but it's an easy way to make people think you're more talented than you really are.
>>127981597Seems pretty simple. more of an avant-garde faggot but I'll give it a try
>>127981580damn shes fine
>>127981471I never get tired of this one
>>127981566lmao
>>127981561Ma nigga
>>127982121for me, it's this one
I’ve been playing for decades and just started learning chords
>>127982275that's impossible. you know chords, you just don't know what the notes are
>>127982289I know the notes but I don’t know what the chords are called
>>127981580That's my favourite chord of all time.You can play the low E string open too, so it's Amaj9/E
>>127982336it's just root, minor/major third (optional), fifth.anything else is extra (7th, 9th, 11th, 13th, sus, etc)
>>127981471For me it's: sus chords, major 7s, and clusters.
>>127981471Try THIS on for size
>>127981471bump
>>127985040Any interesting sus voicings? I mainly know and use quartal voicings, mu chords, and sus7 or 9 (5x545x, 5x543 for G/A). They start sounding like they lack a character or direction if you overuse them other than the last ones I mentioned which I use for dominant functions as they don't have the stank of a dom7 3rd/7th tritone
>>127981566In The Aeroplane Over The Implied C
