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File: RA 25 years.png (1.24 MB, 1080x1350)
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It's impossible to know how many songs exist in the world, though estimations place it between 100 and 230 million. Humans have produced more recorded music since the year 2000 than in any other period in history, a digital tsunami that has continued to mutate and expand in 2025. It would take multiple lifetimes to listen to all the new electronic music in a single year, let alone the past 25.

So, how to get arms around the most enduring tracks of the quarter-century? We listened. And polled, and talked, and listened a lot more. Our picks travel the globe, make pit stops in dingy Chicago basements, dusty bush doofs and bailes de favela. They're weighted toward the productions that sparked sub-genres or movements, electrified clubs or stood out for their sheer uniqueness.

Where else will you find the freakiest acid next to the soulful timbre of deep house, or laser-focused techno sitting alongside hauntological drone? This is the place. Welcome to Resident Advisor's best electronic tracks of the 21st century so far.

https://ra.co/features/4481
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>>128767144
i dont know who any of those is and i dont care.

Only Joel matters. and he doesnt seem to be there.
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>>128767144
https://www.youtube.com/watch?v=0Mtu4u-OJAM
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>>128767159
Ironically, one of his tracks is present there.
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>>128767144
also there is an extremely ugly tranny in the middle
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>>128767170
yeah and futher up from aphex twin theres another one
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>>128767177
Is that Arca?
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>>128767177
I dont know who the fuck is apex twin and i dont care
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>>128767186
ngl get out of /mu/ lol
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>>128767180
ionno, i do find it funny to see grouper in the same image tho lol
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So many familiar tracks.
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>>128767159
holy fucking based
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>>128767413
https://www.youtube.com/watch?v=zK1mLIeXwsQ
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some good picks including ur and james stinson at number 1 but is very embarrasing list if you include shit like the guy sophie, opn or the retarded mouse gimmick
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>>128767144
Who's the asian above Autechre?
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>>128768628
As stated above, only Joel matters.
>>
https://clarointelecto.bandcamp.com/track/peace-of-mind-electrosoul
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https://kelela.bandcamp.com/track/rewind
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Historically, electronic music struggled with the album format. The sheer volume of club-ready genres that exploded after the late '80s helped project the sense of a golden age—but when it comes to LPs, you'll find it's actually a bit of a mirage. Many were narrow, padded with filler for CD runtimes, or generally a little undercooked. That, perhaps, is why electronic music has been given such short thrift in all-genre critics lists so far.

This side of the year 2000, the format lies transformed. Democratisation of production tools and 24/7 connectivity have given rise to records that resonate just as strongly on the big, bad internet as they would rattling through a sub or on a pair of high-end headphones. The floodgates opened as curious virtuosos had more to say and more modes of expression.

One key trend has been the absorption of musicians who traditionally work outside of electronic music. This inspired cross-pollination, but also for us, a quandary: if everyone uses hardware and modern production, can they all get in? On balance, we decided that if the record was majority electronic or couldn't have existed without a digital pulse, it was good to go, but a rock act working within a pop music structure with a layered bank of synths probably wasn't. Is it arbitrary? Sure. But isn't everything?

(For more information on how we made the lists, including what did or didn't make the cut, head to the Editors' Letter here and full contributors at the foot of the page.)

What binds the artists on this list together is the simple fact that they wanted to push themselves and the culture forward. Whatever the medium, they've been able to telegraph their intent, conjure and perfect a sound that didn't exist before, lay the groundwork for an underground movement to be built on top—or sometimes all three. These are the 100 records that stayed with us.

https://ra.co/features/4482
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>Yves Tumor, Sophie and OPN all in the top 25 despite doing literally nothing to advance EDM
But because one is zesty, one is trans and one is Jewish, they're deserving of high spots. What a fucking joke. Don't even get me started on the absolute gall to put Kelela at #4 and having #2 be some woke garbage. This list is disgusting and might as well just be a Warp circlejerk.

Oh, and Confield being almost halfway behind Drukqs in the list is disgusting. Even more abhorrent is the critical lack of IDM in favor of pushing footwork and other meme genres. Fuck RA and fuck you if you support this trash.
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>>128776059
Thought Archangel was going to be the number one track, was doubtful that the obvious pick for album was going to be number one when I saw the EP comp earlier in the list but here it is, called the top three pretty easily

Nasenbluten in the top 100 though, based
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>>128776128
ra was kinda decent but since the early 10's they turnbed into shit for extramuscial reasons and overrating 10's electronic music onwards. quite a joke
they're woke or just have shit taste. like omar s "fuck resident advisor"
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>>128776772
I miss reading proangelwings and the lads.
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>>128776923
Rundown elaborate on that era?
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Surprised to see I Wanna Dance with Numbers on there.
I always though Richard X's album was underrated.
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https://dvs1klockworks.bandcamp.com/track/black-russian
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https://jackj.bandcamp.com/track/something-on-my-mind
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Untrue number 1 is the right call
Yeezys being that high up is a bizarre call, esp with death grips only making an appearance as a footnote under a Jane remover record lmao
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https://nonplusrecords.bandcamp.com/track/watching-you
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>not a single Jon Hopkins track when RA always bum him

?????



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