>still releasing great music>meanwhile Phil Collins is on death's doorHe won.
>waited 20 years for i/o>it's already 2 years old
>One of your best friends for decades, whom you built your career with and became an adult working with and continued to work with even after leaving your popular band, is frail and dying and youre going to have to watch deteriate until you fucking bury themIm sure hes celebrating like crazy
>>129051399Fuck off with your console wars bullshit, stupid child. >>129051516This.
>>129051516I imagine that the residents's Homer Flynn felt the same way with hardy fox
>>129051399>>129051411It took Up years to click with me so I'm optimistic, but my initial reaction to I/O was "I waited 20 years for....this?"
>>129052709I/O isn't good. It has some good songs on it, but they all sound the same. Very forgettable, but I was happy he made it so I could see him live.
>>129053024The songs kind of sound the same but theyre all pretty melodic for what they are. I heard it once and liked it. Didn't expect much at all
>>129051399I didn't think he would have another new album ready this soon after I/O, nice that he actually seems to be back to releasing stuff at a steady pacehttps://www.youtube.com/watch?v=gb-sOCk6BP4
>>129052709Listen to the darkside mix
THIS IS HOW IT GOES
I still cant get his rendition of Street Spirit out of my headHaunting
>>129051399TRVKE
>>129051399Does anyone else notice that Peter Gabriel's solo music seems darker if you assume that Phil Collins raped him? I'm not saying it happened. I'm just asking questions. I'd just say that there is nothing inconsistent with this possibility within his discography. There are no PG songs which make me think "this is not the sort of song that a man raped by Phil Collins would write."In fact, if you look at his 1980 single "No Self Control," one could easily imagine the song being sung by PG from the perspective of the rapist Collins, while the b-side "Lead a Normal Life" is from the victim's perspective.And of course, songs like 'Intruder' make perfect sense in this context. It's just so obvious. Digging in the Dirt, Don't Give Up, No Way Out, Shock the Monkey, Slowburn, Kiss That Frog, Games Without Frontiers, I Have the Touch, etc. He's never really gotten over the rape by Phil.Or consider a song like "Not One of Us." It is equal parts anger towards the rapist Collins mixed with self-doubt caused by the assault. Collins' violent act makes him an animal, ie, not part of humanity. Yet, the victim no longer feels human either, due to his shame.Consider the following:https://www.youtube.com/watch?v=3yEcTB2va5Ehttps://www.youtube.com/watch?v=-GgEu0Sbiv8Frankly, you could also look at PHIL'S solo work as evidence of a man who knows what he did, but who refuses to take responsibility. 'This Must Be Love'? 'I Don't Care Anymore'? 'Both Sides of the Story'? 'Two Hearts'? 'Don't Lose My Number'? 'One More Night'? 'Do You Remember'? 'Why Can't It Wait 'Til Morning'? 'It Don't Matter to Me'? 'Easy Lover'? (LOL).Good God, /mu/. We've cracked the case.>AAAAH! THE PAIN! Modern love can be a strain>--Peter Gabriel; 'Modern Love'
