Anyone else find Paul Simon to be a MUCH superior songwriter/lyricist than the pretentious Bob Dylan who couldn't even sing properly?"April, come she willWhen streams are ripe and swelled with rainMay, she will stayResting in my arms againJune, she'll change her tuneIn restless walks she'll prowl the nightJuly, she will flyAnd give no warning to her flightAugust, die she mustThe autumn winds blow chilly and coldSeptember, I rememberA love once new has now grown old"
>>130198985I like Dylans songs more than Simon. Dudes voice was shit, but he wrote some great simple melodies. Simon is kinda like Prince to me, could do it all, but no interresting output.
brutal thread already.
>>130198985Dylan is the superior songwriter, end of storyHis writing is more innovative, creative, poetic than Simon'sOne Too Many Mornings (1964)>From the crossroads of my doorstep>My eyes start to fade>And I turn my head back to the room>Where my love and I have laid>And I gaze back to the street>The sidewalk and the sign>And I'm one too many mornings>And a thousand miles behindTo Ramona (1964)>You've been fooled into thinking>That the finishin' end is at hand>Yet there's no one to beat you>No one to defeat you>'Cept the thoughts of yourself feeling badIt Ain't Me Babe (1964)>Go melt back in the night>Everything inside is made of stone>There's nothing in here moving>An' anyway I'm not alone>You say you're looking for someone>Who'll pick you up each time you fall>To gather flowers constantly>An' to come each time you call>A lover for your life an' nothing more>But it ain't me, babe, etc.One Of Us Must Know (Sooner Or Later) - 1966>I couldn't see what you could show me>Your scarf had kept your mouth well hid>I couldn't see how you could know me>But you said you knew me and I believed you did>When you whispered in my ear>And asked me if I was leavin' with you or her>I didn't realize just what I did hear>I didn't realize how young you were.>But sooner or later one of us must know>But you just doing what you're supposed to do>Sooner or later one of us must know>That I really did try to get close to you.Sad Eyed Lady Of The Lowlands (1966)>With your silhouette when the sunlight dims>Into your eyes where the moonlight swims>And your match-book songs and your gypsy hymns>Who among them would try to impress you?And these are just the songs dealing with the topic of love, not even including his political songs
>>130199433Tough Mama (1974)>Sweet goddess>Born of a blinding light and a changing wind>Now don't be modest, you know who you are and where you've been>Jack, the cowboy, went up north, he's buried in your past>The lone wolf went out drinking, that was over pretty fast>Sweet goddess>Your perfect stranger's coming in at lastSomething There Is About You (1974)>Something there is about you that strikes a match in me>Is it the way your body moves or is it the way your hair blows free>Or is it because you remind me of something that used to be>Something that's crossed over from another centuryYou're Gonna Make Me Lonesome When You Go (1975)>I've seen love go by my door>It's never been this close before>Never been so easy or so slow>I've been shooting in the dark too long>When something not right it's wrong>Yer gonna make me lonesome when you go.>Dragon clouds so high above>I've only known careless love>It's always hit me from below>This time around it's more correct>Right on target so direct>Yer gonna make me lonesome when you go.Shelter From The Storm (1975)>And if I pass this way again you can rest assured>I'll always do my best for her on that I give my word>In a world of steel-eyed death and men who are fighting to be warm>"Come in," she said, "I'll give you shelter from the storm"Oh Sister (1976)>Oh sister when I come to knock on your door>Don't turn away you'll create sorrow>Time is an ocean but it ends at the shore>You may not see me tomorrow.Is Your Love In Vain? (1978)>All right, I'll take a chance, I will fall in love with you>If I'm a fool you can have the night, you can have the morning too>Can you cook and sew, make flowers grow>Do you understand my pain?>Are you willing to risk it all>Or is you love in vain?>Can you cook and sew, make flowers grow>Do you understand my pain?>Are you willing to risk it all>Or is you love in vain?
Then take me disappearin’ through the smoke rings of my mind Down the foggy ruins of time, far past the frozen leaves The haunted, frightened trees, out to the windy beach Far from the twisted reach of crazy sorrow Yes, to dance beneath the diamond sky with one hand waving free Silhouetted by the sea, circled by the circus sands With all memory and fate driven deep beneath the waves Let me forget about today until tomorrow
Seen the arrow on the doorpostSaying, "This land is condemnedAll the way from New OrleansTo Jerusalem."I traveled through East TexasWhere many martyrs fellAnd I know no one can sing the bluesLike Blind Willie McTellWell, I heard the hoot owl singingAs they were taking down the tentsThe stars above the barren treesWere his only audienceThem charcoal gypsy maidensCan strut their feathers wellBut nobody can sing the bluesLike Blind Willie McTellSee them big plantations burningHear the cracking of the whipsSmell that sweet magnolia blooming(And) see the ghosts of slavery shipsI can hear them tribes a-moaning(I can) hear the undertaker's bell(Yeah), nobody can sing the bluesLike Blind Willie McTellThere's a woman by the riverWith some fine young handsome manHe's dressed up like a squireBootlegged whiskey in his handThere's a chain gang on the highwayI can hear them rebels yellAnd I know no one can sing the bluesLike Blind Willie McTellWell, God is in heavenAnd we all want what's hisBut power and greed and corruptible seedSeem to be all that there isI'm gazing out the windowOf the St. James HotelAnd I know no one can sing the bluesLike Blind Willie McTell
>>130198985New daily spammer just dropped, and it's some inane bullshit like always. Look forward to seeing this thread for the next five years
The kingdoms of experienceIn the precious wind they rotWhile paupers change possessionsEach one wishing for what the other has gotAnd the princess and the princeDiscuss what's real and what is notIt doesn't matter inside the Gates of EdenThe foreign sun, it squints uponA bed that is never mineAs friends and other strangersFrom their fates try to resignLeaving men wholly, totally freeTo do anything they wish to do but dieAnd there are no trials inside the Gates of EdenAt dawn my lover comes to meAnd tells me of her dreamsWith no attempts to shovel the glimpseInto the ditch of what each one meansAt times I think there are no wordsBut these to tell what's trueAnd there are no truths outside the Gates of Eden
She was working in a topless placeAnd I stopped in for a beer.I just kept looking at the side of her faceIn the spotlight so clearAnd later on as the crowd thinned outI's just about to do the same,She was standing there in back of my chair.Said to me Don't I know your name?I muttered something underneath my breath.She studied the lines on my face.I must admit I felt a little uneasyWhen she bent down to tie the laces of my shoe.Tangled up in blue.