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Emerson, Lake & Palmer [Cotillion, 1971]
This opens with "The Barbarian," a keyboard showpiece (not to slight all the flailing and booming underneath) replete with the shifts of tempo, time, key, and dynamics beloved of these bozos. Does the title mean they see themselves as rock and roll Huns sacking nineteenth-century "classical" tradition? Or do they think they're like Verdi portraying Ethiopians in Aida? From such confusions flow music as clunky as these heavy-handed semi-improvisations and would-be tone poems. Not to mention word poems. C
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>>130286022
why is this hack still alive?
>>
or it's called barbarian as a reference to bartok's allegro barbaro, you clueless old faggot
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>>130286022
This band gave prog a bad name.



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