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File: bax-portrait.jpg (37 KB, 526x713)
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Bax edition
https://youtu.be/DA7U2AsbHC0

This thread is for the discussion of music in the Western (European) classical tradition, as well as classical instrument-playing.
>How do I get into classical?
This link has resources including audio courses, textbooks and selections of recordings to help you start to understand and appreciate classical music:
https://rentry.org/classicalgen

Previous: >>130872806
>>
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Art of Fugue morning
https://www.youtube.com/watch?v=yauXe71LHZI&list=OLAK5uy_ldbQuu2l6uueuBCYNLSrbLHoYNmjYUjcI&index=4
>>
>>130912190
Scriabin my beloved
https://www.youtube.com/watch?v=JhAQjqfew2g
>>
Best Beethoven 9th, deserves a repost
https://youtu.be/R4nAMp4_Y2k
>>
Did movements always have such long pauses between them like conductors do now, or did past performers play them quick enough for the transition from one movement to the next to be seamless?
>>
>>130912608
depends on the work
>>
>>130912190
Maxim Vengerov playing Great Violin Concertos. Here's Sibelius. Banger album imo.

https://www.youtube.com/watch?v=ErVm0wHn16Y&list=OLAK5uy_mEBBwMe8Qa4NCIjfxc5MgUeSAo_sGEclo&index=20
>>
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>fucks your wife
https://www.youtube.com/watch?v=1VhA_hrVQBI
>>
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Mahler 2 morning
https://www.youtube.com/watch?v=-iRwbfYJ604&list=OLAK5uy_mUx_t0MJvBMwzJNH5UIuRjhgS4eY0gY70&index=1
>>
One thing I gotta commend Bach on is his music, the best pieces at least, never get tiresome or worn-out. I don't wanna name names but there's many great piano cycles and pieces by other great composers that I just cannot enjoy at this moment because I've listened to them far too many times, so I'm forced to take some time away in hopes they become fresh to me again. But Bach's Well-Tempered Clavier, his Art of Fugue, his Goldberg Variations, his Cello Suites, his Sonatas and Partitas for Solo Violin, his Mass in B minor, his motets? I could listen to them all everyday and my enjoyment would never diminish.

https://www.youtube.com/watch?v=psq-xXVBDZw&list=OLAK5uy_ml4DUTFNdaFhI2mPq1Uk76zDWXD_GBmjE&index=17
>>
>>130915037
This, except Chopin.
>>
>>130913393
I've immensely enjoyed every recording I've heard featuring Vengerov. The set you linked doesn't seem to include his wonderful Brahms Violin Concerto with Barenboim/Chicago SO or Beethoven Violin Concerto with Rostropovich/London SO.

https://www.youtube.com/watch?v=4pvYgllrZbY&list=OLAK5uy_nHrwX7q1qf1NcNDCVByxjzfNP6CHzc5eg&index=2

https://www.youtube.com/watch?v=0b41-Y_hGe8&list=OLAK5uy_m2OtWJdE40wDmR5bZLWTmVvv5R3_t8Mds&index=1

looking again, nor the second Prokofiev Violin Concerto, again with Rostropo and the London SO

https://www.youtube.com/watch?v=SLq_tLoURBo&list=OLAK5uy_nmhSk4AZ1oEWTvylHouTbhGA-sR_SoUE8&index=4

I haven't heard all of the ones on that set though, so thanks for the shout, I'll give it a listen for sure!
>>
>>130915098
I put on his Nocturnes the other day and it just didn't do it for me this time. I need a break from it. Sad. It's alright though, it'll give me an opportunity to learn in equal measure every note and detail in Faure's Nocturnes.
>>
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Liszt

https://www.youtube.com/watch?v=kjbcsmd-1ck&list=OLAK5uy_kgokUrJTcET7aak3NR2HF0x54G5H_EMWU&index=14

Remember: an Annees de pelerinage book a day keeps the devil and his demons away
>>
Favorite wind quintet pieces/arrangements?
Recently started one with friends, but I have to admit I have not listened to much of the repertoire available to the formation.
I know there are some really cool Haydn and Mozart divertimento arrangements.
https://www.youtube.com/watch?v=zFd_I1nRMMo
>>
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>>130914755
I like Kubelik's mahler 2 and haitinks CSO one. But both kinda mess up the finale for me. Haitink has the percussion a bit too quiet in the climax and kubelik rushes the ending a little.
>>
>>130915222
>Recently started one with friends
Show a recording of the first official /classical/ thread ensemble.
>>
>>130915319
Itd be fun if this thread started an orchestra but itd probably be 10 amateur pianists and 1 violin player and none of them can play anything besides minuet in g but still buy scores of works 10 times their skill level to gawk at but never learn
>>
Bach's Goldberg aria. Realistically speaking, how long would it take me from 0 to competently playing it with my only prior musical experience being fingerstyle guitar from tabs?
>>
>>130915319
All I have is a 15 sec clip in 144p.
Also we're not very good.
>>130915334
Create the classical music version of the bane for you scene voiceover video.
>>
>>130915421
At least 5 years.
>>
>>130915181
>Faure's Nocturnes
Based.
>>
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Who would you rather marry, Clara Schumann or Fanny Mendelssohn?
>>
>>130915784
>>130915784
>All I have is a 15 sec clip in 144p
Post dat
>>
>annes de pelerinage III
first time hearing it, didn't even knew it existed
>>
What was the longest single movement in an instrumental work before beethoven?
>>
>>130915421
Depends, are you young? With a teacher or on your own? How much time do you have to practice? Also do you want to just play trough the score or actually have an interpretation.
Still years probably even in the best case.
>>130917029
I don't think I can post audio on here.
>>
>>130917791
Probably the first movement of Mozart's Symphony No. 38 "Prague" K. 504
>>
>>130912530
it's really too bad that this arrangement has almost zero dynamic range. kinda ruins the whole thing.
>>
>>130917932
Mozart 6th piano sonata has a longer final movement. (Kinda cheating since they are variations, but still one movement.
>>
>>130917014
Neither. I find Sergei Rachmaninov most attractive.
>>
>>130917014
Both at the same time
>>
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now listening to the toscanini recordings
>>
>>130917791
>>130918111
i'm pretty sure there is some Mozart movement that's 20+ minutes if you take all repeats, but I can't remember what it is
>>
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hillary :D
https://www.youtube.com/watch?v=J0w0t4Qn6LY
>>
>>130917014
Fanny's physiognomy looks more friendly so her
>>
>>130917014
Khatia
>>
>>130917014
Fanny
>>
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Francesco Tristano's Bach
https://www.youtube.com/watch?v=sIRQzsFnKGw&list=OLAK5uy_nBNWBYJtLeuxJbnqbEg8ITmEK3aTO5Lj4&index=9
>>
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is this description enticing for you?
>A graduate of the prestigious Juilliard School in New York, Francesco performs and composes music of varying genre's, notably classical, electronic and dance. 'Tokyo Stories' features a number of talented guest artists including French saxophonist/clarinettist Michel Portal, Japanese tabla player U-Zhaan, and Japanese DJs Keiichiro Shibuya and Hiroshi Watanabe.

https://www.youtube.com/watch?v=WCAEBsx4iUk&list=OLAK5uy_kejvUWvgCGqCfjuM3KDYK7JeSGoQvR_30&index=2

Ew. I guess when you're releasing Bach recordings too, you're allowed to make this kind of high-low-brow/art-pop fusion. Whatever floats your boat.
>>
>>130919211
based
>>
oh so this is the source of the KittyBrunnhilde picture. that makes it even cooler

https://blogs.loc.gov/picturethis/2023/01/caught-our-eyes-more-brnnhilde-the-cat/
>>
>>130920426
>1936
Now whenever I look at the picture, I feel like the eyes are saying,
>If only I could warn them about WW2
>>
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Wtf was he thinking
>>
>>130920492
It seems almost no one here likes that recording. Fuck it, I'm gonna relisten to it. What do you think of the Mao Fujita recording which also pairs those works (with a third set of Preludes by a Japanese composer)?
>>
>>130920503
Haven't tried that one from Mao. I will try tomorrow
>>
>>130920518
>Mao
https://www.youtube.com/watch?v=rjlJ1hkVMFQ

>tfw never be a student revolutionary living in Europe in the 60s
>>
>>130920492
What's wrong with it? Pletnev often veers toward the idiosyncratic, like a lighter Sokolov.
>>
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>there are no good women compose--ACK!!
https://www.youtube.com/watch?v=U-U0r2o5cCE&list=OLAK5uy_lvyjziseRcxS7akL8I5xzd2-QhB1vKLEg&index=1
>>
How come Faure's Preludes never took off in popularity and acclaim?
https://www.youtube.com/watch?v=aT8vYpIjIx0
>>
I always used to think I didn't like classical but I just don't like symphony shit. The symphony was a mistake
>>
>>130920956
I love the soft, lush sonority you get when you have a section of strings. Contrast with chamber music which often can sound angular, severe, and jarring.
>>
The opening movement (Kraftig. Entschieden) of Mahler 3 always makes me feel so happy and inspired.

https://www.youtube.com/watch?v=wat--Z1VaJw&list=OLAK5uy_nYwLtWQoNbue-lWinQ0GwdRki9OKomlCs&index=10
>>
>>130920871
Now let me help you finish the sentence
>there are no good women composers.
There, done.
>>
Saw Lohengrin yesterday.
So you're all anonymous.
Does a bunch of bad shit happen if I ask you your name and where you come from?
Do you all ride from thread to thread on swans?
>>
>>130920492
It's an interesting listen, honestly a quite enjoyable experience for certified chopinheads looking for something fresh. Obviously wouldn't recommend it to someone who doesn't have a couple dozen other interpretations under their belt. Although I've only listened to it once; maybe my opinion would change the second time around.
>>
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>>130921939
This recording is conducted by Lohengrin
>>
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>>130920426
>>130920454
>They would not be smiling and laughing if they knew what I knew: in ten years, the globalists triumph over the Volksgemeinschaft.
>>
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>>130920956
Same. That's why I exclusively listen to solo piano and chamber music. Sometimes I'll listen to organ or choral music but that's about it.
>>
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Schumann

https://www.youtube.com/watch?v=a7GpfqlHe6c&list=OLAK5uy_kpLPEPYKsACZEdgUBEU_E9Lw3Df5EFB48&index=5
>>
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This was my first Das Lied recording and it has ruined all others for me in terms of the male part. Literally no one else sings like Wunderlich (and I don't even like vocal music!), especially the first song.
>>
>>130922871
>Wunderlich
https://www.youtube.com/watch?v=hlb8mh3xr10
>>
>>130922871
Many such cases. It really is fantastic.
>>
Why is a piece even considered a single work when its just a setlist of different disconnected movements?
>>
>>130924879
Why is a book even considered a single work when its just a setlist of different disconnected chapters?
>>
>>130923039
We are reaching levels of contrarianism heretofore unimaginable.
>>
>>130923039
is this the same autist that got banned from youtube a few years ago?
>>
>>130924896
But the chapters are connected, movements arent in the classical period
>>
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Good afternoon /classical/! I was hoping we could just a quick accounting:
>Tchaikovsky
Polish
>Dostoyevsky
Polish
>Stravinsky
Polish
>Sikorsky
Polish
>Tsiolkovsky
Polish
>Rodzaevsky
Polish
>Tarkovsky
Polish
>Matt Puzhitsky (https://youtu.be/4lkmNR_WU5M?is=FX_ejHGj9Zg-gGZk)
Polish
>Shostakovich
Polish
>Rostropovich
Polish
>Denikin
Polish
>Most -sky, -skiy, -skyi, -skii Russian surnames
russified Polish -ski surnames
>Most -vich Russian surnames
russified Polish -wicz surnames
Rusbros, yfw?
>>
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>>130924980
Right, right. Just out of curiosity, what do you make of this instruction at the end of the 3rd movement of Beethoven's 5th symphony?
>>
>>130925092
Exceptions prove the rule
>>
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Listen to the symphonies of Malcolm Arnold
https://www.youtube.com/watch?v=rNbEqAPbVFo&list=OLAK5uy_mNpNF1g-qUCUyoPDcjM_0N9yFKRUoMC7k&index=1
>>
What a hideous rendition, bro is half-asleep in the keyboard
https://www.youtube.com/watch?v=Y3uTAaE0hVM
>>
>“Karajan kept Vickers waiting in Vienna for several days, with no word as to when the audition would be. On the third day, Vickers […] informed Karajan’s office that he was about to leave. The ultimatum had the desired effect. At the audition itself […] Karajan listened to Vickers for all of ten seconds, after which he offered him the role of Tristan. Vickers, not unnaturally, declined it. (Richard Osborne)”

I don't get it
>>
>>130920956
Only virgins hate symphonic music. It's actually pathetic how many /classical/s would turn into rabid dogs at an André Rieu festival rendition when it's entertainment for the whole family. It's not the real thing, most of it is pop but you can listen to it. Better than most pop drivel.
>>
The problem with opera is there isn't much variety. There ought to be a dozen composers that can fulfill the same aesthetic flavor as Strauss, Wagner, and Mozart, but there isn't. Oh well. Time to listen to Tannhauser for the thousandth time...
>>
>>130926222
That's true for every single classical genre. You won't find me or compose a cantata or fugue like Bach's, symphony or string quartet like Beethoven's (no, Brahms ain't it), ballade or scherzo like Chopin's, or whatever else. These composers were remembered precisely because they made something irreplicable and unique.
>>
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>>130920956
>>130922359
Cant imagine hearing Mozart's symphonic music and not thinking human civilization peaked there
>>
there's nothing more worthless than a "composer" who only wrote for the piano.
>>
one day Chopin comes back to life and says to the classical community "why only the piano? all of my music was written for string orchestra"
>>
>>130926383
Mozart is the one who is still alive tho
>>
>>130926346
Agreed. Piano isn't even the most remarkable instrument, it completely pales in comparison to the strings section. Satie is an example of incredibly boring and tedious background music.
>>
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Schreker

https://www.youtube.com/watch?v=sCF0XIhyDI0&list=OLAK5uy_kHlGBEDorKPIa5O_VQ78W5zvb0C8TZehQ&index=5

>This is the same Mahler Fourth that first appeared on Intercord about a decade ago (it dates from 1988), and it’s a very good one. Michael Gielen conducts a direct, refreshing, and unfussy performance that lacks only a little brilliance at the big climaxes...

>But what makes this disc special is the inclusion of a work that Gielen recorded before, rather murkily, for Koch Schwann: Franz Schreker’s amazingly decadent, hypnotic, tuneful, and otherwise absolutely gorgeous Prelude to a Drama (an expanded version of the prelude to the opera Die Gezeichneten). Here is one of the great masterpieces of late-Romantic orchestration, and Gielen’s is the finest performance available... Gielen’s keen ear uncovers more detail in this lavishly over-scored extravaganza than you would have thought possible, from the quiet percussion and rippling strings of the opening, to the eerie sounds that accompany the hallucinatory central procession. This well recorded disc is worth acquiring for the Schreker alone. ---- David Hurwitz, Classics Today
>>
there's nothing more worthless than a "composer" who wrote for anything but the piano.
>>
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Hello chads. What modern composers (1970s and onward) are worth listening to?

I've been getting into classical the past few years and really enjoy it. Love Beethoven, Bach, Mahler, Bruckner, Tchaikovsky, Sibelius etc. All the usuals. But modern and active composers are my biggest blindspot. I don't know anyone more recent than guys like Shostakovitch, Copland, and the early-mid 20th century guys.

Who are the best late-20th and 21st century composers? Or is the modern landscape mostly Schoenberg-esc atonal academic bullshit, as I've been led to believe?
>>
>>130927673
Also lump "minimalism" in their with atonal for the buzzword pile of dislikes.
I just want to listen to memorable bangers like all the greats have made. Epic symphonies, catchy technical concertos, shit with good melodies, etc.
>>
>>130927673
>>130927757
Sounds like you don't actually want what you're asking for, you just want romantic imitators. My recommendation to you is to keep listening to your 19th century composers.
>>
>>130927673
https://www.youtube.com/watch?v=aA0ELYr0vuY
https://www.youtube.com/watch?v=FqtYe_17YYo
https://www.youtube.com/watch?v=Z7p7Br6Qr-A
>>
>>130927176
Agreed. Piano is the most remarkable instrument, it completely pales the strings section in comparison. Bruckner is an example of incredibly boring and tedious background music.
>>
>>130927176
>>130928341
You people truly disgust me.
>>
>>130927951
>Sounds like you don't actually want what you're asking for, you just want romantic imitators.
I like all eras. I love Baroque, High Classical, Romantic, and early modern. I'm just less familiar with stuff after 1950 and don't like the more academic Schoenberg-esc stuff I've heard. Same with most minimalism besides a little bit of Arvo Pärt.
>>
>>130927176
>>130928341
You people truly delight me.
>>
>>130928352
>"I like all eras."
Everyone post your favorite Gregorian chants or you're a poser
>>
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>>130928352
>I'm just less familiar with stuff after 1950
>>
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Wikipedia lists Rudolf Barshai, who orchestrated Shostakovich quartets, as having orchestrated Borodin's 2nd quartet, however I can't find a recording of it anywhere. Has anyone here heard it?
>>
>>130928690
If you have Spotify, you can find it here,
https://open.spotify.com/album/2XAVEca19PN75ReTG9O1VP?si=cqNlPnQPQOK6JhyQ7RX1Ew

Doesn't seem to be on YouTube, sad.
>>
>>130928074
>>130928415
Thanks lads
>>
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>>130929012
>>>130928074(You)
>>>130928415(You)
>Thanks lads
you're welcome :)

btw here's another
https://www.youtube.com/watch?v=oOZ7nmDqbsg&list=OLAK5uy_m0Xc1cHjhRVQcLWEGbLdMOIljnrmapYbA&index=2

review,
https://www.classicstoday.com/review/alexandra-pajaks-sounds-of-covid-19/

>Alexandra Pajak’s Sounds of COVID-19
>When this release arrived for review, I looked at the title “Sounds of COVID-19” and wondered just what could this be. Chaotic goings on in emergency rooms captured in sound samples? Andrew Cuomo’s daily speeches spliced and diced? Or musicians isolated at home playing together through the miracle of Zoom? The answer is none of the above. Sounds of COVID-19 is a 44 minute suite by Alexandra Pajak involving string quartet, clarinet and piano. All of the musical material derives from the virus’ genetic code. For example, scientists abbreviate DNA’s four types of nucleotides (adenine, cytosine, thymine, and guanine ) as A, C, T and G. Pajak assigns the pitches A,C and G to their corresponding nucleotides, while arbitrarily selecting D to represent thymine. Pajak then translates the DNA sequence for each of the virus’ twelve proteins into corresponding sequences of pitches.

and one more, from a Chinese composer
https://www.youtube.com/watch?v=r4qIuL4P5Vw&list=OLAK5uy_kmLgM2cc3qJSViec-Z34tlBwR6Qs1t26s&index=2

hope you enjoy!
>>
>>130927673
>>130929012
oh, also this, which made quite a big splash when it came out

https://www.youtube.com/watch?v=c7xovNtF2Qo&list=OLAK5uy_mdvTHalaKaKojm8FKnYmlKxcI0u3W5ngo&index=1

https://www.youtube.com/watch?v=rmnH7iFEYLk&list=OLAK5uy_mdvTHalaKaKojm8FKnYmlKxcI0u3W5ngo&index=5

https://www.youtube.com/watch?v=qlUTTB5J9Ng&list=OLAK5uy_mdvTHalaKaKojm8FKnYmlKxcI0u3W5ngo&index=5
>>
>>130929030
>what if we took a sequence, assigned each symbol a note and made a song out of it
Wow groundbreaking stuff
>>
Busoni

https://www.youtube.com/watch?v=ZoWZr7XrhjI&list=OLAK5uy_l4MVG4HapH-JdwIsiwgCfewRC2lXReP4k&index=40
>>
I don't like the last movement of Beethovens ninth.
>>
>>130929148
Yeah to our jaded, informed perspective, it's kinda hacky. Like that Xenakis piece where the notes are arranged in the form of an image on the sheet. Yawn. But at least it sounds somewhat decent.

>>130929335
>t. bugman
>>
>>130929148
>>130929342
To clarify, the contemporary Pajak piece is the one that sounds decent. The Xenakis piece, like all his music, is shite.
>>
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Scarlatti

https://www.youtube.com/watch?v=1P95QYiJxw0&list=OLAK5uy_lEXOM53ZAlVPiZuVmf731UVuu5SjlSrgQ&index=8
>>
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Ok I've realized I need to stop collecting recordings and just sit with a smaller set of music and build familiarity with it. So here's my 50 pieces, mostly focusing on composers I've enjoyed the most. Any thoughts?
>>
>>130922871
It is a very good recording on the whole, but it always kills me how inflexible Klemperer is in the 4th lied especially
>>
>>130927673
https://www.youtube.com/watch?v=28gDrKkBStE
https://www.youtube.com/watch?v=7zikP9fNIoo
https://www.youtube.com/watch?v=PhW94wTBt_s
>>
>>130929335
Neither do I. It's his worst finale of all finales he composed.
>>
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Tinctoris' eight rules of composition

Rule #1 Begin and finish with perfect consonance. It is, however, not wrong if the singer is improvising a counterpoint and ends with imperfect consonance, but in that case, the movement should be many-voiced. Sixth or octave doubling of the bass is not allowed.

Rule #2 Follow together with tenor up and down in imperfect and perfect consonances of the same kind. (Parallels at the third and sixth are recommended, fifth and octave parallels are forbidden.)

Rule #3 If ténor remains on the same note, you can add both perfect and imperfect consonances.

Rule #4 The counterpointed part should have a melodic closed form even if ténor makes big leaps.

Rule #5 Do not put cadence on a pitch which would confuse the mode.

Rule #6 It is forbidden to repeat the same melodic turn above a cantus firmus, especially if the cantus firmus contains that same repetition.

Rule #7 Avoid two or more consecutive cadences of the same pitch even if cantus firmus allows it.

Rule #8 In all counterpoint, try to achieve manifoldness and variety by altering measure, tempo, and cadences and varying the use syncopes, imitations, canons, and pauses; sometimes with, sometimes without. But remember that an ordinary chanson uses fewer different styles than a motet and a motet uses fewer different styles than a mass.
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>>130931474
Tinctoris must have been a wise man.
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>>130928900
thanks, i had looked on Spotify but missed this
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File: 1769919462821484.png (360 KB, 1200x628)
360 KB PNG
Which of Barber's works should I check out? I've obviously heard the adagio (listening to the full quartet rn), I've heard the violin concerto at some point (though I don't remember it, have to relisten), and I've heard Knoxville (which had a beautifully queer sound). I've got the 2 essays for orchestra lined up atm, along with the concerto.
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>>130924980
>movements arent in the classical period
Moving the goalposts. You just said "work" in your original post. Now it's "in the classical period". And even that isn't correct because Beethoven (and Haydn and Mozart in some way before him) already started thematically connecting the movements. And even in literature the chapters aren't always connected.
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>>130930364
>Scriabin
Based.
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>>130926346
Phew, good thing Chopin wrote a cello sonata, Medtner wrote a violin sonata, and Scriabin wrote several orchestral works.

Who are these mythical "piano-only composers"?



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