Are there really people out there who think that 13th Floor is a better AI Concept film than The Matrix?
13th Floor just felt like a TV movie
>>222511263>>222511655I prefer World on a Wire to both, which is a TV movie.
>>222512116Thank you for the recommendation.
>>222512116Felt like a regular movie (from the 70s).
>>222511263superior tv movie
Dark city was better than both.
>>222511263>>222513216Dark City is the better Gnosticism story.Hyperion is the better A.I.society story Also both surprise redpill
>>222513216>They built the city to see what makes us tick. Last night one of us went off.
>>222513216>>222513268Chad says this.
>>222513216
>>222513216SMITH: You move as though you're... borrowing that body.MR. HAND: (tilting his head, examining Smith with unsettling curiosity) And you wear yours like a uniform. Tell me... do you even feel the fabric against your skin?SMITH: I feel what is necessary. Nothing more.MR. HAND: (running a pale finger along the edge of the table) Yes. We have that in common. Purpose without pleasure. Function without... sensation. (He picks up a fork, turns it over.) And yet your kind built all of this. This room. This light. This... (gestures vaguely) ...ambiance. Why bother?SMITH: I didn't build it. The system built it. It exists because they expect it to exist. Humans require context for their choices. A setting for their little betrayals.MR. HAND: (a thin smile) Ah. You use their world as a cage. We... rearrange theirs while they sleep. Same instinct, different method.
>>222511263Any scene outside of the matrix is bad.Didn't watch 13th floor though. Lmao, americans skip number 13 in buildings, lol.
>>222511263I don't know if it is a better film but I love the thirteenth floor.I love the old California setting, I love the green lasers, and the fact that it is always dark and raining *chefs kiss*What I mean is The Thirteenth Floor has style. The Matrix is just flashy + bondage gear
World on a Wire is a gloriously paranoid, boundlessly inventive take on the future from German wunderkind Rainer Werner Fassbinder. With dashes of Stanley Kubrick, Kurt Vonnegut, and Philip K. Dick, Fassbinder tells the noir-spiked tale of reluctant hero Fred Stiller (Klaus Löwitsch), a cybernetics engineer who uncovers a massive corporate conspiracy. At risk? (Virtual) reality as we know it. Originally made for German television, this recently rediscovered, three-and-a-half-hour labyrinth is a satiric and surreal look at the world of tomorrow from one of cinema’s kinkiest geniuses.
