Oh, the horror...
>>223463290the horror is that she still hasn't given me the sex she owes me
>>223463290Reminder:This movie is a tool. The monster is not a magic stick. The monster is a man who wanted a girl who had already put him in the friend pile and was sleeping with someone else.It exists to grow female optionality and put male desire on rails.Optionality means she can keep the guy she’s fucking, keep the guy who wants her, stay “hard to read,” and never have to say which one she chose. When the leftover man finally wants a clean answer, the script and the comments turn that into the crime.Railroading male desire means every path is pre-written as his fault:• Too quiet: coward.• Too obvious: obsessed.• Waits: never tried.• Speaks: ruins the vibe.• Believes her mix of signals: projection.• Stops believing them: bitter.Same girl. Same pairing. He is wrong in every tense.That is why they need “ambiguity” and “he should have become better.” Ambiguity keeps her from owning a no. Self-improvement keeps him from walking. The film plus the discourse is how you teach women they can run two tracks and teach men that wanting a verdict is violence.If your take starts with “he just had to show intent,” you are not reviewing a plot. You are volunteering to police the spare man so her options stay cheap.
>>223463357>impotent incel rage postbear is the villain, deal with it
>>223463315Damn...
>>223463357What the fuck...
>>223463357this is basically every modern movie. Are modern movies like this because they need ambiguity so women don't get offended by a commitment of any kind of character about anything at all?
