>Never.After.Dark.2026.1080p.AMZN.WEB-DL.DDP5.1.H.264-CHORTLE>Never.After.Dark.2026.1080p.AMZN.WEB-DL.DDP5.1.H.264-CHORTLE>Never.After.Dark.2026.1080p.AMZN.WEB-DL.DDP5.1.H.264-CHORTLE>Never.After.Dark.2026.1080p.AMZN.WEB-DL.DDP5.1.H.264-CHORTLE>Never.After.Dark.2026.1080p.AMZN.WEB-DL.DDP5.1.H.264-CHORTLEhttps://www.youtube.com/watch?v=fu33xTw654A>A wandering medium, Airi (Moeka Hoshi, “Shogun”), spends her life guiding restless spirits out of the world of the living accompanied by her constant companion: her dead sister Miku (Kurumi Inagaki). Summoned to exorcise a spirit from an isolated country house by the new owner, Teiko (Tae Kimura), she comes face to face with a grotesque apparition with powers that defy Airi’s experience. Faced with skepticism from Teiko’s son, Gunji (Kento Kako), she digs deeper into the house’s past until a secret comes to light — and Airi finds herself hunted by a far more unpredictable force. For the first time, her greatest adversary is not the supernatural, but the living. Director Dave Boyle spins a uniquely terrifying and hauntingly atmospheric ghost story.FINALLY, SOME JAPANESE GHOST HORROR KINO!MAKE THIS YOUR PRIORITY TONIGHT!POSSIBLY THE BEST HORROR MOVIE YOU WILL SEE THIS YEAR ACCORDING TO CRITICS!GET SOME SUSHI AND WATCH THIS FOR VOD TUESDAY!
>>223954868>JAPANESE
>>223954868Nice, hope it's good.
>asiansEh… I’ll wait for the next hit movie.
>>223955968fag
It's not on public trackers yet?
>>223954868how much rice is in this?
>>223957841>It's not on public trackers yet?nope
>>223954868So was it any good...?
>>223957841Not on my private TL either. Please tell me if this is a shitty movie.
>>223954868>FINALLY, SOME JAPANESE GHOST HORROR KINO!David Boyle doesn't sound like a Japanese name
It’s up on Nyaa
>>223959872>It’s up on Nyaabased
mob psycho did it better
>>223960660>mob psycho did it betterum no
>>223959872>Nyaagay
>>223954868nobody likes jap kino anymore?
>>223954868>her greatest adversary is not the supernatural, but the livingoh, now they put the "humans were the real villains all along" in ghost movies too?Very nice and by very nice I mean fuck you
>>223954868>japslophard pass
>>223954868>COMES ACROSS A GHOST THAT MAY BE TOO POWERFUL TO DEAL WITHisnt that like most ghost movies
watching it now. ah. i will check at the first jumpscare. if it is good i will continue or pass.
Pretty good movie, great script
>>223964004>i will check at the first jumpscare.wat
>>223954868she is gorgeous
>>223954868I just finished it. What did I think?
>>223965863tell me. im downloading it
>>223954868>IS FINE WITH DEAD>CANT KILL A LIVE personyep. plot flaws make me instantly close movies
>>223965349He's going to report back in after the first jump scare. If it's good thus far, he'll finish watching it.Do you not speak autist?
>to create a plot, protagonist usually without information from other characters this shit is gay as fuck
>>223954868Failed as a horror film for me. Very generic and kind of ripped off a load of 80's HK spooky/comedy movies. Main character was annoying cunt also.
>>223954868plain jane jap
>>223954868why has japanese horror not really been relevant since the 00s? have they just not made anything interesting? has anything interesting been made since then?
>>223969583It's the lack of a big budget that forces them to rise to the occasion.Now it's all AI slop and everyone half asses.
https://post.rlsbb.ru/never-after-dark-2026-1080p-amzn-web-dl-h264-chortle/
>>223954868oh hey, it's worstgirl who the homos pretend is bestgirl
>>223969583The 90s and 00s Japanese horror trend was centered around three filmmakers. Takashi Miike, Kiyoshi Kurosawa, Hideo Nakata and Takashi Shimizu.Miike and Kurosawa are genuine artistic voices who came into their own stylistically around the same time in the late 80s early 90s (and both started mainly in pinku films). Being versatile filmmakers they have subsequently dabbled in more than horror (with Miike often being a work for hire for shlock, although even the shlock often has his unhinged trademarks, he is sort of similar to Sion Sono) while Nakata and Shimizu kept dabbling in horror but sadly did not have the talent and essentially ended up making careers on largely Z-movie slop. Shimizu's Ju-on is frankly overrated and passable while Nakata's Ringu adaptation is great but the quality of both of these films is actually largely on Kiyoshi Kurosawa who is never brought up in discussion but in fact had a massive influence on films of Nakata and Shimizu during that time. He was friends with Nakata and in fact was originally meant to direct Ringu but passed on the opportunity to Nakata and lent him his cinematographer at the time. This is why Ringu and Dark Water are so similar to Kiyoshi Kurosawa's style. And he new Shimizu through an omnibus (collection of shorts) film called School Ghost Story G for which Shimizu directed a short that serves as a precursor for Ju-on, and when finally getting to feature Ju-on movies he likely was influenced by Kiyoshi Kurosawa too as you can see the visual / aesthetic similarities. This filmmaking soup had it's influence on Japanese horror cinema in general but as Miike and Kurosawa moved on Japanese horror mostly devolved into the same shlock as any other country's average horror productions.
Of course there's also Noroi: The Curse but it's cult status is a latter thing and it's lightning in a bottle as Koji Shiraishi is too mainly a Z-rate slop maker. Sometimes people bring up films like Hausu or Onibaba but neither is horror in the usual sense. Hausu really is a surreal avant-garde movie which people find scary / off-putting but Nobuhiko Obayashi's intentions were actually likely more comedic than anything. Onibaba is just a magical realist / folklore movie. Mafical realism can intercept with horror because of the supernatural but it's not the first thing people think about when hearing "horror".
>three filmmakers Fugg I meant four. You can count.
>>223969723shhhh
>>223970062i see, interesting, thanks for the explanation
>>223970062good writeup
