I will post daily Coordinate Remote Viewing (CRV) practice targets. Stage 1 of method 2 begins in the third post. Today's target coordinates: 321831Method 1>The target image can be almost anything (sfw). You have seen what this post/thread looks like. Tomorrow, when you see the next days rv practice thread, the target image will be attached below.>Your goal is to see today, what you will see tomorrow.>This is possible.>Take a few minutes of quiet time. Your mind needs to be free of thoughts and commotion in order to be open and receptive. Meditate, jog, stare at wall, clean etc.>Next, you need a clear intention in mind. Each target is identified by a unique set of numbers. Read the numbers carefully. Focus on your intention; imagine looking at your pc/phone/tablet and seeing the target image, with those coordinates written below it, tomorrow.>Now just let go, and wait for any impressions that may arrive. Don’t try to force anything, and don’t try to think about it. This isn’t an exercise in guessing or imagining, it’s just about being open to receiving whatever may come on its own. In fact the more random-seeming and unpredictable that an impression is, the more likely it may be accurate.>Just allow yourself to be open like this for a few minutes. Jot down any visual impressions or words that may cross your mind, in the form of notes or sketches. You might get impressions of shapes, colors, or objects. You don’t need to make sense out of them, in fact trying to interpret them at this stage can only get in the way. Just be open to any impressions you might receive, and jot them down so you don’t forget.The method outlined in greentext above is basically copy pasted from rvtournament, and is a simplified version of the methods given in the manuals.Feel free to either post your notes here, or follow along at home on paper. I will post the target tomorrow.
>>41137936Feel free to either post your notes here, or follow along at home on paper. I will post the target tomorrow.Yesterdays target + further reading linkshttps://www.cia.gov/readingroom/docs/CIA-RDP96-00788R001000400001-7.pdfhttps://www.rexresearch.com/articles2/crvmanual.pdfhttps://rv-practice.rf.gd/?i=1https://www.irva.org/remote-viewing/definitionhttps://rvtournament.com/app/happy to add any resources to this list. I am by no means experienced in rving, and will take any recommendations/guidance after some discussionPrevious#8>>41131218#7>>41125686 #6>>41118163 ALT METHOD BELOW>CRV has been divided into 6 stages of ascending detail. Each stage is a natural progression from the previous one. The student works each stage sequentially until they plateau. Typically spending the longest practicing stage 1 before moving on (at least a few weeks if with dedicated tutor receiving in person feedback). There are exercises and drills in the manuals; some require an in person monitor. Consider reading the introductions for any of the first 3 links for more understanding on theories behind rving and the methodology. Please read entire method before attempting.
>>41137941Stage 1: CRV Structure and IdeogramsYou are not directly seeing the target image. This taps into your memory/imagination. Your mind is good at filling in blanks. Stage 1 will use an autonomic response to identify the target images major gestalt (overarching unique theme). You will view the coordinates, draw a simple squiggle or set of lines (ideogram), describe the motion/feeling of the squiggle(affect), then give a quick descriptor of your results(analysis).I/A/B Sequence: Take time to enter the right headspace where you feel ready to receive the "signal line." Write the target coordinates down. Relax your arm with your pen point resting on a blank part of the page. Read the coordinates out loud. As you do, a small, almost imperceptible signal will travel through your autonomic nervous system, resulting in an almost spontaneous movement of your arm (perhaps something akin to a TRE style spasm), drawing a small shape/squiggle on the paper. This is your ideogram. Consider spending a few minutes with your pen point resting on the page, and either looking at the coordinates or sitting with your eyes closed.>ie the target (blind to you) is a mountain. You attempt to rv, and your arm draws a v shape.In the next step (A)ffect, describe the motion/feeling as you were drawing the ideogram, then give your impressions of the physical consistency/texture. The 5 main types of physical characteristics are: solid, liquid, energetic, airiness and temperature. airy means lots of empty/in between space, as in spider web or suspension bridge.>ie for mountain, as you draw the v shape, you feel the motion of "up" or "ascent" on the first stroke of your pen, "peak" as you reach the tip of the v, and "descent" as you draw your last stroke. You feel like out of the 5 physical consistency options, solid matches best. You are not looking at the ideogram and describing its shape, you are describing your feeling/motion as you drew.
>>41137943Finally in (B)Description/analysis, you give your immediate gut analytical description of the (I) and (A) results. skippable if you don't have any immediate thought (see analytical overlay pic)>ie you say hill, mountain, mound etc.note: In (I) the v shape. You might not draw upside down v, as a mountain would be shaped irl. It might be sideways or any orientation, but the (A) should give you the feeling of ascent/peak/descent, regardless if your arm draws sideways v.There may be more than one ideogram per image. You will receive one ideogram at a time. You must finish at least the (A) portion of your first ideogram to receive the next. Reread the coordinates, and receive the next ideogram of the image, if there is one. Receiving the same ideogram multiple times may indicate misinterpreted (A) portion of sequence. Fix this or take a break. The ideograms you receive will be in descending order of their importance to the images main gestalt. First one matters most.Ideograms are the foundation of CRV. it all comes back to symbols lol. More details/definitions/theory in manual.
>>41137947In a target image with multiple major gestalts (picture with multiple focal points: trees, mountains, canals, buildings) there will be either more than one ideogram, or an amalgamation of more than one into one.The 4 types of ideograms are Single, Double, Multiple, Composite. Single: single unbroken line, maybe bent/wiggly. Will have one corresponding (A) and (B) section. ie the mountain example above.Double: two parallel lines. Will have 3+ (A) and (B) sections. ie (I) is =, could be ideogram for river with dirt shore top, rocky shore bottom, water middle. I might feel (A) grainy solid for top, flowing fluid mid, hard solid bot. You may interpret this as (B) land top, water middle, rock bottom. (bottom as in opposite shore not river bed)Composite: Multiple of same single line ideograms, represent one idea. ie ttttt. could represent forest. May not be same symbol as your ideogram for a single tree. (A) up curve sideways, hard (B) woods/forest/jungleMultiple: When presented with a dense image with multiple gestalts, your mind may combine them into one ideogram with multiple squiggles connected. In this case there would be an (A) and (B) for every aspect of your ideogram. ie a mountain with river flowing out of it into lake. V___o, or more squiggly. (A) the up/peak/down motion and hard (B)mountain/hill for v part of squiggle. (A) flowing fluid (B) river for the flat line. (A) circling fluid (B) lake for the o. ---may result in (TooMuch Break) too much info in target image leads viewer to feel confused/stuck, requiring a break.This is the most difficult and important stage of CRV. This is the foundation for the details added in later stages. Manual recommends staying on this stage for at least a few weeks before looking to stage 2.
>>41137952Please finish your notes/viewing attempt before scrolling down. Viewing others replies may skew your own.---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Last time I saw movement, it represented the waves. This time it looked like something with a 90 degree angle built in. Something man made moving down and to the left. I saw beach-like stuff, but also city-like stuff. I'm all over the place. I don't have any idea.
bump
>>41139327I was hoping someone would have posted their version by now. I'm curious what more experienced people saw.
>>41142492We have similar findings. Starting to realize I'm consistently seeing the same viewings with a couple anons in these experiments.
>>41137936Oh yeah? Well how many fingers am I holding up?
>>41142807holy kek. if it's a ship, that makes sense why i was seeing a city, then a beach, then a city again, then a beach. we're sailing!
>>41142846stop putting fingers in your ass
>>41137936
>>41142945I thought this was a joke at first but the previous guy posted something similar in his.
>>41139327The thing I drew that forked off, kinda looked like this. But it was rotating at one point.
321831- angular straight lines- lines are layered- reflective surface below- surface is smooth, not wet- surface is either very hot or very cool- sheets of metal?- (AOL: inside space rocket)321831- spherical porous thing- light beige color- rough, dry- (AOL: the moon)- looks small but can't see the whole thing- (AOL: fancy aquarium? museum?)- maybe water nearby, but not here- feels like science- (AOL: fossil)
>>41143293Interesting. I saw that thing, but it was beaming downward. It was bellshaped. I thought it was a lamp or something.
