I will post daily Coordinate Remote Viewing (CRV) practice targets. Stage 1 of method 2 begins in the third post Today's target coordinates: 270466 Method 1>The target image can be almost anything (sfw). You have seen what this post/thread looks like. Tomorrow, when you see the next days rv practice thread, the target image will be attached below.>Your goal is to see today, what you will see tomorrow.>This is possible.>Take a few minutes of quiet time. Your mind needs to be free of thoughts and commotion in order to be open and receptive. Meditate, jog, stare at wall, clean etc.>Next, you need a clear intention in mind. Each target is identified by a unique set of numbers. Read the numbers carefully. Focus on your intention; imagine looking at your pc/phone/tablet and seeing the target image, with those coordinates written below it, tomorrow.>Now just let go, and wait for any impressions that may arrive. Don’t try to force anything, and don’t try to think about it. This isn’t an exercise in guessing or imagining, it’s just about being open to receiving whatever may come on its own. In fact the more random-seeming and unpredictable that an impression is, the more likely it may be accurate.>Just allow yourself to be open like this for a few minutes. Jot down any visual impressions or words that may cross your mind, in the form of notes or sketches. You might get impressions of shapes, colors, or objects. You don’t need to make sense out of them, in fact trying to interpret them at this stage can only get in the way. Just be open to any impressions you might receive, and jot them down so you don’t forget.The method outlined in greentext above is basically copy pasted from rvtournament, and is a simplified version of the methods given in the manuals.
>>41167692Yesterdays TargetPic source: Avatar movieRead one of these manualshttps://www.rexresearch.com/articles2/crvmanual.pdforhttps://rv-practice.rf.gd/?i=1shorter versionhttps://www.cia.gov/readingroom/docs/CIA-RDP96-00788R001000400001-7.pdfTheir full explanations are better than my summaries.Previous: >>41161439ALT METHOD BELOW>CRV has been divided into 6 stages of ascending detail. Each stage is a natural progression from the previous one. The student works each stage sequentially until they plateau. Typically spending the longest practicing stage 1 before moving on (at least a few weeks if with dedicated tutor receiving in person feedback). There are exercises and drills in the manuals; some require an in person monitor. Please read entire method before attempting.
>>41167699Stage 1: CRV Structure and IdeogramsYou are not directly seeing the target image. This taps into your memory/imagination. Your mind is too good at filling in the blanks. Stage 1 will use an autonomic response to identify the target images major gestalt (overarching unique theme). You will view the coordinates, draw a simple squiggle or set of lines (ideogram), describe the motion/feeling of the squiggle(affect), then give a quick descriptor of your results(analysis).I/A/B Sequence: Take time to enter your right headspace where you feel ready to receive the, "signal line." Write the target coordinates down. Relax your arm with your pen point resting on a blank part of the page. Read the coordinates out loud. As you do, a small, almost imperceptible signal will travel through your autonomic nervous system, resulting in an almost spontaneous movement of your arm, drawing a small shape/squiggle on the paper. This is your ideogram. Consider spending a few minutes with your pen point resting on the page, and either looking at the coordinates or sitting with your eyes closed.>ie the target (blind to you) is a mountain. You attempt to rv, and your arm draws a v shape.In the next step (A)ffect, describe the motion/feeling as you were drawing the ideogram, then give your impressions of the physical consistency/texture. The 5 main types of physical characteristics are: solid, liquid, energetic, airiness and temperature. airy means lots of empty/in between space, as in spider web or suspension bridge.>ie for mountain, as you draw the v shape, you feel the motion of "up" or "ascent" on the first stroke of your pen, "peak" as you reach the tip of the v, and "descent" as you draw your last stroke. You feel like out of the 5 physical consistency options, solid matches best. You are not looking at the ideogram and describing its shape, you are describing your feeling/motion as you drew.
Every time you remote view you're likely changing outcomes or meddling with something unwittingly or interfere in some way the situation that you're looking at likely affecting someone else's simulation.
>>41167708Finally in (B)Description/analysis, you give your immediate gut analytical description of the (I) and (A) results. skippable if you don't have any immediate thought (see analytical overlay pic)>ie you say hill, mountain, mound etc.note: In (I) the v shape. You might not draw upside down v, as a mountain would be shaped irl. It might be sideways or any orientation, but the (A) should give you the feeling of ascent/peak/descent, regardless if your arm draws sideways v.There may be more than one ideogram per image. You will receive one ideogram at a time. You must finish at least the (A) portion of your first ideogram to receive the next. Reread the coordinates, and receive the next ideogram of the image, if there is one. Receiving the same ideogram multiple times may indicate misinterpreted (A) portion of sequence. Fix this or take a break. The ideograms you receive will be in descending order of their importance to the images main gestalt. First one matters most.Ideograms are the foundation of CRV. More details/definitions/theory in links above.
>>41167715In a target image with multiple major gestalts (picture with multiple focal points: trees, mountains, canals, buildings) there will be either more than one ideogram, or an amalgamation of more than one into one.The 4 types of ideograms are Single, Double, Multiple, Composite.Single: single unbroken line, maybe bent/wiggly. Will have one corresponding (A) and (B) section. ie the mountain example above.Double: two parallel lines. Will have 3+ (A) and (B) sections. ie (I) is =, could be ideogram for river with dirt shore top, rocky shore bottom, water middle. I might feel (A) grainy solid for top, flowing fluid mid, hard solid bot. You may interpret this as (B) land top, water middle, rock bottom. (bottom as in opposite shore not river bed)Composite: Multiple of same single line ideograms, represent one idea. ie ttttt. could represent forest. May not be same symbol as your ideogram for a single tree. (A) up curve sideways, hard (B) woods/forest/jungleMultiple: When presented with a dense image with multiple gestalts, your mind may combine them into one ideogram with multiple squiggles connected. In this case there would be an (A) and (B) for every aspect of your ideogram. ie a mountain with river flowing out of it into lake. V___o, or more squiggly. (A) the up/peak/down motion and hard (B)mountain/hill for v part of squiggle. (A) flowing fluid (B) river for the flat line. (A) circling fluid (B) lake for the o. ---may result in (TooMuch Break) too much info in target image leads viewer to feel confused/stuck, requiring a break.This is the most difficult and important stage of CRV. This is the foundation for the details added in later stages. Manual recommends staying on this stage for at least a few weeks before looking to stage 2.
>>41167721Please finish your notes/viewing attempt before scrolling down. Viewing others replies may skew your own.--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------->>41167712please expand on this
>>41167699After Action Report:I could grab bits, but nothing made sense. Now I know why. I knew we were high up (I was solid on that). I also detected immense proportions (also solid on that).>>41161729Overall I'm pretty satisfied. Considering it wasn't even a real-world target, I did pretty gud.
>>41167699I'm always curious how fictional targets would turn out. it feels like i'm trying to remote view the picture itself rather than the real object.
Okay, OP. This is another weird one. But now I know you will post weird stuff, so I'll roll with it.First I saw a washer. It could also be an eye, kinda a verticle eye. With points on top. Kinda reminds me of how clowns do their make-up (think of the points above and below the joker's eye).Then I saw bubbles/a blob of chains in the center extended outwards with claws. It reminded me of Dr. Octopus from Spiderman.Then I saw a fan (swastika) with fans on its ends (more swastikas attached). Nested fans. a kind of a fractal pattern almost.Spiders. Bugs really. Multiple of them. They were coming out of the center on either side of my field of view. Two were the largest. "Downward" movment in my field of view. Down and out.A skull. Symmetry. A symmetrical object. Kinda like a skull. Dead center in my field of view. Feeling of death.Finally, a whirlpool/hurricane. I can clearly see the "eye" of the hurricane/whirlpool. It is canted, almost at a 45 degree angle. We're not above it, nor head-on to it. It's angled off to the bottom left, more so the left.Guesses: tarantula, octopus (underwater), storm system, space satellite, gothic stained-glass window, mine collapse, or similar accident
glass dome, spider, hard, irridescent green
>>41168099Hello RV-fren. You aren't looking at my post before guessing, are you? The way my brain processes symbols will likely distract you from the actual image.
>>41168160no
Damn yesterday I saw a flamingo lmaoTy for the only worthwhile thread on x btw OP
>>41167712Never larp. Just stop.
>>41169438that animal thing they're fying on does look like a flamingo. I can't see anything besides something like a big black sawblade spinning and a nose
>>41167712Good. I used to fuck things up all the time when I did automatic writing. I need to develop this technique now.>>41170467>big black sawblade spinning and a noseI think you combined the big object with the spinning fan-blade vehicles. The beaks and the fan blades were clearly the flying animals and human vehicles. You did well.>>41169438How long do you take to collect info? Usually it takes me about 30 minutes to collect a page full.
>>41170716>Usually it takes me about 30 minutes to collect a page full.The main concept of the image never comes to me first, if at all. I only get random details first, as if I'm eye-tracking the first time seeing a photo, but under a microscope.
