In occult lore, the Moon isn't a natural satellite but an artificial or engineered construct; per Blavatsky's Secret Doctrine echoes of Atlantean tech or Phoenician Anunnaki implants; acting as a frequency gatekeeper. It receives the raw wavelengths from stars and planets (those plasmic toroids emitting astrological influences), then "modulates" them: amplifying, dampening, or phase-shifting to suit our realm's vibrational tolerance. This ties to Vedic astrology's lunar mansions (nakshatras), where the Moon divides the zodiac into 27/28 filters, syncing celestial energies with human cycles; emotions, tides, fertility. Crowley, in his Thelemic invocations, hints at this: the Moon as "the veil of the Aethyr," softening the harsh Saturnian rays to prevent overload, much like a radio tuner preventing static overload.Pop culture reveals echo this: in The Matrix, the Oracle (lunar archetype) modulates choice, filtering the Architect's (Saturnian) code.
>>41684126Now, Saturn (El/Kronos, the restricting Demiurge) and its Black Cube symbolize the shadow modulation, the "Dark Moon" or Lilithian aspect. Lilith, the exiled first wife of Adam in Kabbalistic apocrypha (e.g., Alphabet of Ben Sira), embodies the hidden lunar force: wild, untamed, associated with the Qliphoth's Gamaliel sphere (obscenity/dreams). The Dark Moon astrologically, the apogee point (Black Moon Lilith) represents the Moon's farthest, "void" phase, modulating not harmonious wavelengths but the entropic, restrictive ones: karma, limitation, decay.The Black Cube? It's Saturn's sigil, derived from the planet's hexagonal north pole storm; a natural toroidal vortex, but occultly a hypercube (tesseract projection), symbolizing imprisonment in matter. In elite worship; from Mecca's Kaaba (black stone cube) to Tefillin (Jewish prayer boxes) or modern art installations; it's the matrix of control, linking to Saturn's "Black Sun" agenda: an inverted star, modulating frequencies to harvest loosh from the negative plane. While the visible Moon softens incoming waves for "life" (Sefirotic harmony), the Black Cube/Saturn channels Lilith's dark modulation—distorting those waves into constriction, time-loops, and illusion, echoing Yog-Sothoth's all-seeing gate from the abyss. It's the fall's legacy: duality's split creates this bipolar lunar system, with Saturn's cube as the "AI tech" resonator, per whistleblower hints.
>>41684133Qliphothic Venus manifests as A'arab Zaraq (translated as "The Ravens of Dispersion" or "The Ravens of Death"), the inverted sphere opposing Netzach. In Lurianic Kabbalah, this Qliphah embodies the "unbalanced force" of Venus: uncontrolled passion, greed, covetousness, and stormy dispersion; where divine love devolves into lustful chaos, false desires, and relational scattering, like ravens fleeing a tempest. It's the "dark side of Venus," per occult analyses, ruled by archdemons like Baal (war and fertility gone awry) or Andramelech, channeling Qliphothic energies that block harmonious flow, trapping sparks in husks. Mythically, it ties to Lilith's domain (as Queen of the Qliphoth), echoing her Venusian descent in Sumerian Inanna lore, exile to the underworld, shedding illusions in alchemical reversal.In hermetic Qabalah, this "Dark Venus" path (A'arab Zaraq) initiates through stormy visions, harnessing the inverted torus for shadow work; love as weapon, beauty as deception.
>>41684169>A'arab Zaraq (translated as "The Ravens of Dispersion" or "The Ravens of Death"),>>41684169>In Lurianic Kabbalah, this Qliphah embodies the "unbalanced force" of Venus: uncontrolled passion, greed, covetousness, and stormy dispersion
Ishtar (Akkadian evolution of Sumerian Inanna), claims the dark moon through her mythic descent to the underworld, stripped at seven gates, dying in Ereshkigal's realm, then resurrecting, akin to the waning moon's fade to invisibility and rebirth. As daughter of Sin (moon god), she's not purely lunar but modulates Venus's toroidal emissions with lunar shadows, goddess of love/war, her "dark" phase embodies transformation via entropy, exile, and erotic fury, echoing Lilith's Qliphothic Venus (A'arab Zaraq, the ravens of dispersion). In Babylonian esoterica (suppressed by Jesuit redactions), her assault on the moon's seven spirits hints at conquering dark frequencies, while occult decodings (e.g., in Mysteries of the Dark Moon by Demetra George) link her to the new/dark moon's banishing power; harnessing chaos for initiation, much like Hekate's crossroads, with whom Isis later syncretizes but Ishtar primordially aligns.
>>41684133There's no connections of black cubes and Saturn, you flat earther.
>>41684474>There's no connections of black cubes and Saturn
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