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Is there a better example of an author hiding behind a literary trend? Erikson has little to say. He gussies up DND and Warhammer tropes and hides them in a dense, post-modern text. The difference between him and Gene Wolfe? Wolfe could write anything he wanted and excel. Erikson shields his lack of talent by obfuscating the text.
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It’s cynical, isn’t it?
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>>24110115
Post one (1) passage from any of the Malazan books that could even be misconstrued as being tough to read.
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>>24110115
I genuinely have no idea what in the Malazan series qualifies as post-modern.
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>>24110141
Some describe it as poststrucalism. Postmodernism without the cultural relativism.
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>>24110115
It's impossible to read this book without imagining the author and his friends playing DnD together and doing all the voices and lame shit that comes with it.
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>>24110115
Erikson isn't good at writing and I'm tired of pretending that he is.
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>>24110193
He's the ultimate sunk cost fallacy author in Fantasy. Robert Jordan at least didn't have pretentions of being Wolfe or Pynchon.
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wow you guys really hate this author
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>>24110239
No, I hate OP.
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>>24110239
natural progression when people try to compare this slop to Gene Wolfe.
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Absolute gutter trash. A waste of the paper it’s printed on.
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Based. I will now read these books.
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>>24110133
Describe what the fucking Deck of Dragons does in ten words or less and without looking it up.
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>>24111480
It's that world's version of a tarot deck.
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>what are Warrens?
uuuh it's a mystery also they can do whatever the plot requires at any given moment
>what is the Deck?
uuuh well you'll have to keep going till book 8 to discover it! Also it sometimes predicts the future, but in a manner so cryptic that it foreshadows events 6000 pages later!
>what are the changelings? What's the Path of Hands?
we don't know but they have the entire second book devoted to them yet we explain nothing

and so on and so forth. I was two books in because I was promised some kind of genre-changing epic, and it's probably the most obscurantist dimwit bullshit I've ever read. Absolute time waster
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>>24110115
Is that the one where men rape men, monsters rape men or demons take souls and rape the men's souls?
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>>24110166
What makes it postmodern?
>Postmodernism without the cultural relativism.
lol. You have no idea what you are talking about.
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>>24112177
Don't you dare compare Bakker honeyed anus to this slop.
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>>24112167
Same. But three books. Fell for the meme.
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>>24112167
For me, it's when a character changes their name and the reader isn't told who they are and then four books later one of their scenes ends with a telling hint about which character they actually are but by that point you can't remember why it's important that that character didn't die or what the significance of them coming back is.
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>>24112926
That’s the problem I have. I couldn’t give a fuck about character #450. Bro thought he was writing fantasy War & Peace.
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>>24112167
>promised some kind of genre-changing epic
and yet your complaints are that it isn't the same generic slop you're used to
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>>24112177
No, in Malazan women rape the men.
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>>24112167
I think you just might be skimming the books, anon. Or listening in audio format which is a HORRIBLE idea for Malazan.
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>>24113194
motherfucker I've read everything from Gravit's Rainbow to War and Peace. Malazan isn't that deep. The juice is not worth the squeeze.
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The thing that bothered me the most was that I could never tell what parts was I supposed to understand and what was intentionally left vague and mysterious. Like there's some reveal about how X is Y, and I'm just left thinking: "Okay, so? Is this supposed to mean something right now and I don't get it because I forgot some detail established 4 books ago, or is it something that will only become meaningful later on?". There were a lot of great characters that I enjoyed and kept me going, but unfortunately the massive, ever-expanding cast meant that those characters got ever-decreasing amounts of page-time, so I eventually dropped out after book 7 (which incidentally also killed several of my favorites).
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>>24113796
And behind all that extra legwork is what? A mediocre DND campaign masquerading as literary fantasy.
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>>24113820
>masquerading as literary fantasy.
I don't even particularly like Malazan and I don't know what your problem is whether you're just a massive brainlet or what, but let me tell this. It does no such thing
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>>24110115
>a dense, post-modern text
lmao
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>>24114396
I can tell you’re a kid.
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Malazan is just a dogshit lefty version of the black company. It’s more than an homage like they claim; it is just a hack job copying it outright but somehow making it worse. Malazan is the biggest disappointment I’ve had in reading in about a decade.
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>>24114569
Are you ever going to answer the anon who asked what makes it postmodern?
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>>24114607
I just read up to Deadhouse Gates (the second one). Really if Erikson had just stripped it all down to the "Chain of Dogs" plot, and not written anything else, he'd be fellated on /lit/. Probably get some movie deals too.
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>>24113024
anon it's so fucking generic it hurts. There's zero fucking nuance or interesting characters, no vulnerabilities or actual development. It's all literally a D&D party of people with the same personality and inner monologue, there's only archetypes:

>i'm so gritty and hardened man. Like, other people wouldn't even get it. I've shed my feelings, it's almost as if i am... inhumane. I'm so uncaring and focused on my ever-shifting goals man
>i'm so mysterious and cryptic man. My motives aren't even clear in my inner monologue because the writer would be revealed as a fucking hack. Like, I won't explain my motives even to my closest allies, who stick with me for some reason. I'm also sixteen bajillion years old and I've left behind my feelings because i'm just so ancient and I've seen so much shit man.

The god shit, the undead shit, the magic shit, it all tries to purposely sound cool and mysterious and it has 0 narrative grip. You can't expect me to chow down 2000 pages of mystery box nothingburgers and go "mmh yeah I'll read 10000 pages more"
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>>24114657
exactly my feelings. Dude knows his ancient history equipment and some manner of army tactics, albeit being a bit fantastic, the battles are the most fun part of the books. If he could focus on a single actually developed plotline for a Roman republic army with barbarian auxiliaries fleeing across a desert from a provicinal revolt, that'd be tight as fuck. Alas he has the need to fellate himself on dogshit character plots



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