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Bartók edition
https://youtu.be/W2zPA4RuzaM

This thread is for the discussion of music in the Western classical tradition.

>How do I get into classical?
This link has resources including audio courses, textbooks and selections of recordings to help you start to understand and appreciate classical music:
https://pastebin.com/NBEp2VFh

Previous: >>124216315
>>
>>124234833
much better than anything ever written by a r*ssian
>>
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feels like a Mahler 7 day, appropriate for Halloween

https://www.youtube.com/watch?v=bXjaGRJNsqs
>>
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Russian romanticism is truly the peak of art.

https://www.youtube.com/watch?v=e7eVG7Yvvz8
>>
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>>124234908
you misspelled shart
>>
>>124234833
I LOVE BARTOK SO MUCH
>>
>>124234914
No way you posted a screencap of an editorialized 'historical' sentence from fuggin' Breitbart, c'mon.
>>
>>124234918
Not really.
>>
>>124234939
yes really
>>
If Rachmaninoff was so good why didn't he write a violin or cello concerto? Hell, not even a violin sonata!
>>
>>124234945
Not really.
>>124234952
Stupid question.
>>
>>124234952
please, the last thing we need is more slaveslop
>>124234966
yes really.
>>
>>124234975
False.
>>
>>124234981
actually true
>>
>>124234987
Thanks for concession.
>>
racmaninob :DDD
>>
>>124234990
not quite, illiterate sister
>>
>>124234999
Quite so sis.
>>
>>124235006
afraid not, illiterate sister
>>
>>124235017
Undeniably so sis.
>>
>>124235039
fortunately not, illiterate sister
>>
>>124235049
Absolutely so, sis.
https://www.youtube.com/watch?v=Nc_XoHj9K6U
>>
>>124235068
oh hey look, the garbage is back!
>>
>>124235082
For garbage you might want to visit your relatives back in the middle east.
https://www.youtube.com/watch?v=ttECWUKMsOo
>>
>>124235105
unfortunately i don’t have any, but thankfully you’re here to supply a steady flow of trash
>>
>>124235123
No I don't really supply this thread with yourself, you insist.
>>
>>124235144
but you do supply this thread with piles of slaveslop aka stinky reeking garbage. thank you garbageman
>>
>>124235162
Again, I don't supply this thread with yourself, you insist. So the steady flow of trash is all on you.
>>
>>124234936
you're not defending atonal music, are you?
>>
>>124235173
but you do supply this thread with piles of slaveslop aka stinky reeking garbage. thank you garbageman
>>
For every Rachmaninoff piece you hear you must listen to 5 mozart or Bach pieces
>>
>>124235186
I don't have to in order to point out how utterly stupid, ridiculous, and looney-tunes insane that sentence is.
>>
>>124235186
not him but we like atonal music here
>>
>>124235194
for every rachmaninoff piece i hear i throw up 5 times
>>
>>124235189
I do no such thing, but you do supplu garbage.
>>
>>124235207
do you know what a fallacy is?
>>
>>124235251
...what?
>>
>>124235240
you did so right here, garbageman
>>124234741
>>124234908
>>124235068
thank you garbageman
>>
>>124235269
All of them are on-topic, classical music, highest quality at that.
>>
>>124235284
you misspelled festering rotting garbage, garbageman
>>
>>124235258
anon is attacking the statement that atonal music leads to debauchery by squaring a bullseye on its source instead of the argument, and he's slandering it further without ever explaining his thoughts
>>
>>124235296
I was making fun of the source too, but I called the sentence/statement itself ridiculous.
>>
>>124235292
Not really.
>>
>>124235363
apparently so, garbageman
>>
>>124235343
yeah but that does nothing to validate your position. what ends up happening is an excersize in name calling, in division—not clarity. the article itself is poorly sourced. in fact there is zero links provided. but that's the case with a lot of information these days, including from other mainstream outlets. that shouldnt encourage a wholesale dismissal just because you like trash, which isn't to say brietbart or the article isn't (trash).
>>
>>124235387
Negative.
>>
>>124235435
evidently not, garbageman
>>
>>124235423
It isn't, I read the sentence first, and it's insane brainrot. I'm right-wing myself, anon, and my issue with Breitbart here is I wouldn't use them for topics of this kind, but that aside I still read it first before saying anything.
>>
>>124235449
False.
>>
>>124235464
evidently not, garbageman
>>
>>124235473
False.
>>
>>124235491
evidently not, garbageman
>>
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Honegger

https://www.youtube.com/watch?v=gQB1y8BQ-Hg
>>
>>124235508
Incorrect.
>>
new season of The Diplomat on Netflix, finally. talk to you autists tomorrow.
>>
>>124235539
evidently not, garbageman
>>124235549
speaking of slop
>>
>>124235454
you're unsure of how to respond to my brevity in spite of the circumstances. your attempt at matching me doesn't go unnoticed. that's normal, especially for people who argue against indisputable facts, such as how atonal music leads to an erosion of jurisdictional values. not only that, but your repetition is unwavering, and frankly, symptomatic of having listened to atonal music.
>>
Right now listening to
Mahler Symphony no. 6 "Tragic" - Vienna Philharmonic Orchestra - Leonard Bernstein
https://www.youtube.com/watch?v=goXH3NUhUFk&ab_channel=MichaelLi
>>
>>124235555
Easily falsifiable by the music itself.
>>
>>124235555
>speaking of slop

All TV is slop but as far as the medium goes, it's quite good. If I were to write for a TV show, which I see as a possible and hopeful career path, it's exactly what I would be working and happy to produce.
>>
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Two or three Jews were walking along the road; their clothing revealed that they were Jews. In that moment, a motorcycle came along. A German got off and, from the gesticulation, we understood that he was asking for the way somewhere. They showed him precisely... He probably said "Danke schön", sat down again, started the engine, and as the Jews resumed walking, to send them on their way he threw a hand grenade, which tore them to shreds. I could have easily died the same way. On the whole, dying was easy.
>>
>>124235564
evidently not, garbageman
>>
Schoenberg
https://www.youtube.com/watch?=DIXx8FlOh2Y?si=-Hk9DnVwBypNE4E0
>>
>>124235559
Masterpiece.
>>
>>124235557
For once on the internet I am genuinely speechless. Write a novel or something, I'll read it. After you do that, get help.
>>
>>124235557
>>>/x/ would me more your speed with such schizophrenia
>>
>>124235600
Falsified by any Russian romantic.
>>
Mahler 6 goes on for a little while, it really oughta be shorter but it's all worth it for that hammer
>>
>>124235671
evidently not, garbageman
>>
>>124235678
For me, the first three movements were love at first listen, while the final one took a bit because of how dense it was, so I feel you. Eventually you'll come to love every moment of it too. Or try a faster recording.
>>
>>124235681
Still falsified.
>>
>>124235709
never has been, garbageman
>>
>>124235713
Always was.
>>
>>124235725
evidently not, garbageman
>>
Aquarium with a glass armonica

https://www.youtube.com/watch?v=t71bzSF3r_0&ab_channel=Yozhik
>>
>>124235734
Evidently always was
>>
>>124235760
afraid not, garbageman
>>
>>124235814
Always was falsified though. 1 bar of the cello sonata is enough to falsify your rhetoric.
>>
>>124235828
evidently not, garbageman
>>
>>124235839
Evidently even just a half bar of that sonata is enough.
>>
>>124235846
enough to prove that it’s garbage, yes
>>
>>124235864
Maybe to a retard, yes.
>>
>>124235872
indeed, even a retard would be able to see that it’s garbage. it’s just that self-evident.
>>
>>124235886
Even? No, only to a retard.
>>
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https://litter.catbox.moe/2lyiu9.001
https://litter.catbox.moe/5sp28g.002

Gielen Beethoven set
>>
>>124235894
even? yes, everyone from geniuses to retards can tell that rach is garbage.
>>124235902
very nice, thanks. have you uploaded it on red?
>>
>>124235913
>have you uploaded it on red?
Yup
>>
>>124235913
Rach is great and everyone can tell so (And everyone does).
>>
>>124235922
awesome, thanks. downloading it now.
>>124235928
great at writing garbage, yes.
>>
>>124235902
no thanks i prefer non jewish performers
>>
>>124235932
Nah, at great music.
>>
Not really a big Mozart fan but you aren't exactly spoiled for choice when it comes to the glass harmonica/armonica(whatever that's about)

https://www.youtube.com/watch?v=ylngndwfpFk&list=OLAK5uy_ldPSVnI-uCyKpbuaEw7KVuLb0D9BAqeAw&ab_channel=BrunoHoffmann-Topic
>>
>>124235939
that’s an odd way to spell garbage.
>>
>>124235963
Not really.
>>
>>124235970
it certainly seems that way
>>
>>124235982
Yeah to a retard. I'll try to reply soon, see ya then feral faggot!
>>
>>124235996
yes, even a retard could see that you misspelled garbage. i wonder what that makes you, garbageman.
>>
>>124235932
If nothing else I think this set has a pretty good 8th. I'd listen to that first.
>>
>>124227187
What's the issue here?
>>
>>124234908
More like the peak of shit
>>
>>124236155
nice, i’ve been itching for more 8ths. don’t know how much of a sense of humor gielen has though.
>>124236188
isn’t it obvious? it’s slaveslop
>>
Post your favorite jewish performers
>>
>>124236235
Just about every top tier violinist was Jewish lol
>>
>>124236188
I was mostly meme-ing, but it also is incredibly frenzied, grandiose, and overwrought, though intentionally so, with ultimately poor execution in the composition. Maybe it'll eventually click for me, maybe I haven't heard the right recording, as I love the first three movements, the finale just ruins it a bit.

>>124236216
>isn’t it obvious? it’s slaveslop

>yfw you realize it's proto-Mahlerian
>>
>>124236311
>loud = mahler
retarded
>>
Do you think you could tell just from listening the difference between a prelude a toccata and a fantasy?
>>
>>124236422
toccatas are traditionally the most virtuosic and fantasies are typically longer than most preludes, but the differences between the 3 are somewhat arbitrary at this point.
>>
>>124235933
Why is that? I could understand composers ,although personally I wouldn't agree that, but why performers?
>>
>>124236458
because he hasn’t taken his pills recently.
>>
>>124236470
It's how he celebrates Halloween, makes it extra sp00ky.
>>
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>>124234914
>Hey baby...are we going to do like do it?
>>
>>124236603
speaking of schizophrenia… >>124236646
>>
Spamming idiot
>>
>>124236697
you shouldn’t be so harsh on yourself.
>>
>>124236646
Close to funny, needed to include some kind of reference to music like "Baby, they're playing Schnittke, that's our song" or something. Good effort though.
>>
>>124236765
>And then...after the final chord had been played and the curtain closed...
>...THE PIECE HAD BEEN WRITTEN BY A JEW !!! WooWOOOooooWOO!!!
>>
It's mind-blowing how good Franck's violin and cello sonatas are.

https://www.youtube.com/watch?v=8n6p4zF8KMU

https://www.youtube.com/watch?v=qM99afl7H8c
>>
>>124237941
you realize that this is just the exact same work arranged for cello right?
>>
>>124237959
I was just, uh, posting both versions in case people here preferred one instrument or the other.

Phew...
>>
>>124235604
amazing recording
>>
Grieg is like Tchaikovsky... but good.
>>
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>Rubinstein was taught by a pupil of Liszt, who was a pupil of Czerny who was a pupil of Beethoven
Is there any other performer connected to Beethoven's lineage that isn't a complete faggot kike?
>>
>>124235208
No we don't. Only one shitposter shills schoenberg to make wagnersister angry
>>
Did Rubinstein ever make any recordings of Wagner? He plays him really well here:

https://www.youtube.com/watch?v=t4IPhLBetZ8
>>
>>124238748
if you don't get atonal music you seriously don't belong here
>>
Why can't AIfags be useful for once and come up with a way to remove coughing and other noise from old recordings without touching anything else. Listening to some of these Horowitz Scriabin recordings with retards in the audience choking to death is pissing me off.
>>
>>124239079
What is the best Wagner MvN recording?
>>
>>124239090
So true Schistberg
>>
>>124239474
I mean, just listen to a studio recording. Either way piano music should be played intimately and not on a stage, piano concertos are for that
>>
>>124239090
I get it, it's a bunch of pretentious jews making ugly music. Doesn't make it good.
>>
Why does Beethoven tend to only really have 1 memorable theme in his sonata form movements in his symphonies? I need to actively read the sheet music to know where the other themes are. Otherwise I'd just think that his movements had 1 theme. Other classical music tends to have more noticable themes.
>>
>>124236003
I didn't misspell.
>>124235981
I posted HQ recordings, maybe you're just retarded after all.
>>
>>124239780
Meant to reply to >>124235994
>>
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>>124238748
I like 12-tone music.
>>
>>124239990
Scat fetishists like shit
>>
>>124240059
I guess augmented triads are a bit above your speed.
>>
>>124239525
Many great or even best recordings are live though, and have noise/artifacts because of that. Wunderlich's Dichterliebe at the Festspiele and Schreier's Winterreise being easy examples.
>>
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>>124234833
https://www.youtube.com/watch?v=Pks2K0LNc3Y

T
>>
>>124240091
>I guess dog poop is a bit above your speed
>>
>>124240721
you need to be at least 18 to post here.

now playing:

https://www.youtube.com/watch?v=q6U8AqRNyU8
>>
>>124240774
>Don't like shit? You're too young
Or maybe atonal music is just inherently shit. Being pretentious about how you're not able to compose doesn't change reality.
>>
retards:

>>124239559
>>124239508
>>
>>124240827
12-tone music and expressionism are just extreme forms of romanticism.

Did you get filtered by I7+b3 chords again? are jalapenos too spicy for you?
>>
>>124234833
Do Schoenberg fans actually like his music or is it just a wank competition? Did Schoenberg himself genuinely like what he was writing or was it all a vein exercise to be the first to breach traditional harmony?

I'm playing devils advocate here. I think Gurrelieder is masterful and wonderful, and I genuinely enjoy the eeriness of his string quartets. It's just that for every Gurrelieder and Verklarte Nacht there's endless pieces of his that people wank over even though they're just autistic 12 tone serial gibberish. Pierrot Lunaire for example, I think I've listened to it 20 times to try and understand it and it's just endless meandering up and down weird scales.
>>
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>>124241069
I do but it's like having a drug or dopamine problem.

first you get hooked on Chopin. after it stops giving a high you begin craving for something more extreme. eventually you get hooked on Liszt and Wagner, then Strauss and Reger, and then... expressionism and twelve-tone music.

At that point there is no turning back. You are officially a druggo.
>>
>>124241101
personally, I'm hooked on classics
https://www.youtube.com/watch?v=CQgUEL7Jiqk
>>
>>124241101
>>124241069
Honestly serial music and stuff like Schoenberg, Messian, Stockhausen, Varese, Xenakis etc is what I listened to a lot when I was depressed and felt nothing. The chaos and seemingly emotionlessness to it was all I could relate to.
>>
>>124241069
>Did Schoenberg himself genuinely like what he was writing
I think it was like Picasso, his early stuff validated him as a geniunely enthralling and innovative composer and developed cult status for being le transgressive. After that he knew he could make any old retarded shit and people would praise it just for the novelty.
>>
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>>124240858
>>124241101
>>
>>124241069
I enjoy his early period and his free tonality period the most. Some 12 tone stuff is good, like his concerti or Moses und Aron, but I don't enjoy all of it.
>>
>>124240858
>muh chords
Literally 0 difference between serialsisters and jazztards
>>
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>>124241707
sorry, I can't you hear you over the sound of an iii13+#7 chord.
>>
>>124239990
>>124241101
>>124241745
No one cares about your shitty opinion btw
>>
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>>124241908
ok, TJ.
>>
>>124241923
If you 2 just killed yourselves /classical/ would improve significantly and become the greatest /classical/ discussion thread.
>>
>>124241745
Ok glorified jazztard
>>
>>124239780
>>124239783
you misspelled garbage and you posted dogshit (aka caca, feces, poop, shit, turds, no. 2, garbage, trash, refuse, waste, and above all, slaveslop), so i’m not sure why you’re trying to convince us otherwise.
>>
I am against Stravinsky, for Schoenberg. I think that when we get a breakthrough in art, like with Schoenberg, we always get then accompanying it, a figure like Stravinsky. Renormalising the breakthrough. Cutting off the subversive edge of the breakthrough. And I think again the same goes for other arts, for example, in modern painting, it would have been Picasso vs Braque. I think Picasso is Stravinsky in painting, with his eclecticism, while Georges Braque is the thorough modernist ascetism. Even in literature, although the homology is not perfect, I’m tempted to say Joyce vs Beckett. Joyce is I think too bright for his own good. It’s too pretentious in this encyclopaedic approach, like using all languages in Finnegan’s Wake; the true genius is for me Samuel Beckett. If I were to choose one novel of the 20th century, it’s his Unnameable. I think that the three absolute masters of 20th century literature are Beckett, Kafka and the Russian Andrei Platonov. If you put the three of them together, I’m ready to burn, sacrifice all other books just to keep these three. I think even much of high modernist writing is overrated. For example, if I were to choose between Virginia Woolf and Daphne du Maurier, I would immediately choose du Maurier. We shouldn’t be afraid to admit this.
>>
>>124239990
>>124240774
>>124240858
>>124241101
>>124241745
>>124241923
never thought i’d see the day that the pedophile kraut got over his obsession with jews and started batting for dodecaphony, fucking incredible
>>
>>124240827
Atonality doesn't exist even in Schoenberg's works, because of that unchangeable physical law concerning the interrelation of the harmonics, and their relation to their fundamental tone. When we hear a single tone, we will interpret it subconsciously as a fundamental tone. When we hear a following different tone, we will-again subconsciously-project it on the first tone (felt as being the fundamental one) and interpret it according to its relation to the latter. In a so-called atonal work, one selects now this, now another tone as a fundamental one, and projects all other happenings of the piece onto these selected fundamentals. The same phenomenon appears when dealing with so-called polytonal music. Here polytonality exists only for the eye when looking at the music. But our mental hearing again will select one key as a fundamental key and will project the tones of the other keys on this selected one. The parts in different keys will be interpeted as consisting of tones of the chosen key.
>>
woah big news just hit today's headline. a gay jew who is the editor of classicstoday has selected another jew as having the best orchestral music in any ring cycle.
>>
>>124242195
Not really.
>>
>>124241069
Yes.
>>
>>124242250
i know this is copypasta, but lol @ the delusional idiot who wrote this and actually believed it.
>>124242285
quite so actually
>>
>>124242318
Not quite so, not really.
>>
Schoenberg

https://youtu.be/ATXnKIXE1kU?si=c_Z9KBsXnptxZspB
>>
>>124242334
actually yes.
>>
>>124242352
Umm, not really nah.
>>
>>124242318
>but lol @ the delusional idiot who wrote this and actually believed it.
That delusional idiot was Bartok
>>
>>124242364
definitely yes.
>>
>>124242367
bartok definitely did not believe that serial music was tonal, in fact the famous quote from him “all good music is tonal” is about the idea of pitch centers (which are extremely common in his post/quasi tonal music). nothing to do with serial music.
>>
>>124242370
Def no, I'm afraid.
>>124242340
Sounds jewish.
>>
>>124242399
and you'd be mistaken
>>
>>124242402
I'm correct here.
>>
>>124242411
fortunately not, garbageman
>>
>>124242435
But I am.
https://music.youtube.com/playlist?list=OLAK5uy_n4k5w7B8joJltKWRWDBWvJhK2gJhBFN_k
>>
>>124242446
thanks for the extra garbage, garbageman
>>
>>124242258
What's the point in taking advice on Wagner by someone who admittedly doesn't like Wagner? Hurwitz is good for other things.
>>
>>124242456
You are welcome for the extra gold
https://music.youtube.com/playlist?list=OLAK5uy_nb2lu54kExill1Q0mB2EqkaNkvD3hLyv0
>>
>>124242469
looks like festering reeking rotting repulsive garbage to me, garbageman.
>>
>>124242467
>Hurwitz is good for other things.
that is where you're wrong. that wrongness implicates a potentially significant number of other wrong things.
>>
>>124242479
Sounds like cope
>>124242484
A logical fallacy like this implicates potentionally a very low IQ among other things.
>>
>>124242530
yes, slaveslop does indeed sound like cope, it's just natural.
>>
>>124242554
Incoherent babble.
>>
>>124242558
it's perfectly legible to anyone who isn't indian, garbageman.
>>
>>124242575
Except you're not
>>
>>124242598
well yeah, of course i'm not indian. that honor goes to you, garbageman.
>>
>>124242530
your sentence lacks clarity. notably, the word potentially is spelled and used incorrectly, which had been adopted from the post it is responding to.
>>
>>124242625
be nice, he’s indian. he’s doing his best.
>>
>>124242608
You're not coherent, sis. Try to keep up.
>>
>>124242669
i could never keep up with a garbageman indian when it comes to shitting in the street, i’ll leave supremacy in that field to you.
>>
Rachmaninoff is garbage
>>
>>124242683
indeed, that much is clear
>>
atonality is garbage
>>
Wagner is garbage
>>
>>124242675
Sounds like you see people shitting in the street daily, you must be a pajeet. Projection at work lol
>>
>>124242772
this may surprise you, but not all of us see shit in the street as a regular occurrence, that mainly happens in your home country
>>
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At times like these I think of the Master of Music and Poetry in whose name this general was consecrated. Wagner would not have allowed his discord kittens to grow so unruly. With his integral and organic conception of the artwork he would, while paying the respect due to those composers out of whose genius was formed these pristine instruments of musical understanding, recognize these matters as beneath the dignity of the true artist for whom they are but tools of his unified expression. Come, let us embrace one another as sisters and retreat to the seraglio to repose in profound meditation upon the works of the Master.

https://youtu.be/yF0pwSC7qWg
>>
>>124242790
No one shits in the street in my home country, same can't be said about yours.
>>
>>124242824
we’ve all seen the indian public defecation statistics garbageman, you’re not fooling anyone
>>
>>124242837
Yes you're part of those statistics.
>>
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W.

https://www.youtube.com/watch?v=Pb_eITgampA&list=PLL7n4QMVc9K-bvB6aR-_1_nsJXGt3zdC0&index=7
>>
>>124242843
but i haven’t posted any slaveslop?
>>
>>124242847
Exactly.
>>
>>124242901
right, so i haven’t shit in the street then. you on the other hand have.
>>
>>124242929
Exact opposite.
>>
another day, another God-blessed opportunity to enjoy some Schoenberg!
>>
>>124243029
Based!
>>
>>124242258
can you guys pleeeeease stop posting Hurwitz's hideous face?
>>
>>124242970
evidently not, garbageman
>>
Wagner is film music
>>
>>124243051
do you have something against fat gay jews who put cocks in and around their orifices?
>>
>>124243121
Evidently opposite, sis.
>>
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idc jansons is good and occasionally even great

https://www.youtube.com/watch?v=hAQR4zX9rd0&list=OLAK5uy_mR-QxyBjB8b67D3lmYcHIG9HQq8a7Wytg&index=1
>>
>>124243969
>idc
that much is obvious. besides, i have no interest in jewish performers.
>>
>>124244011
>During his lifetime he was often cited as among the world's leading conductors;[7][8][9][10] in a 2015 Bachtrack poll, he was ranked by music critics as the world's third best living conductor.

>besides, i have no interest in jewish performers.

...okay I didn't believe you at first with this one but looking it up I'm quite surprised.
>>
>>124243313
quite untrue, garbageman
>>124243969
evidently not
>>
>>124244147
get ready...
>>
>>124244147
Quite evidently true, sis
>>
>>124244028
https://files.catbox.moe/2hnj1v.mp4
>>
>>124244287
lol
>>
>>124244184
>simon rattle
LMFAOOOOOOO
>>124244191
fortunately not, obsessed garbagemn
>>
>>124244417
>LMFAOOOOOOO

Hey I didn't write it, these are your colleagues and your world.
>>
>>124244417
Thankfully yes, sis.
>>
>>124244598
Can't you two just accept some people here like Rach and some don't and leave it at that?
>>
>>124244502
i obviously did not vote i that poll and ive already expressed my contempt for
modern conductors.
>>124244598
evidently not, garbageman
>>
>>124244841
Well, there can still be a top 10 even if you don't think any of the 10 are great. Granted I suspect yours, and mine, would look very different (Seguin? Nelsons? Thielemann!? Really?), but if you had to pick 10... and yes I know you didn't but it was voted on by music critics.
>>
>>124244823
i’m completely willing to accept that. in fact, i even have a friendly little nickname for them; garbagemen
>>
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now playing

start of Bruckner: Symphony No. 8 in C Minor, WAB 108 (Remastered)
https://www.youtube.com/watch?v=iaN_3jez-hA&list=OLAK5uy_mB1JPKEG9yTTMyRYKzuzhz5-laBk2EvZk&index=1

https://music.youtube.com/playlist?list=OLAK5uy_mB1JPKEG9yTTMyRYKzuzhz5-laBk2EvZk
>>
>>124244871
music critics are mentally retarded, more at 11
>>
>>124244892
ngl the pic does make me wanna try some more recordings by Nelsons, Seguin, and Thielemann, even though I've hated the few I've tried but admittedly it's only been a few.
>>
>>124244823
The problem isn't that he doesn't like Rach, I couldn't care less about what he or anyone else here likes, but his highly egoistic, arrogant and schizophrenic behavior. No one likes getting a shitty (You) every thread for every little detail they prefer, conductor, performer, instrument whatever. Especially when they reply to someone else. He's not everyone's mommy here and he may try to outlast my autism for all I care, still listening to Karajan, still listening to Rach, in fact, why not both?
https://www.youtube.com/watch?v=IX198THgIu8
I'll be replying to him for all November, so don't bother replying to me again on this topic, thanks.
>>124244841
Evidently yes, sis.
>>
>>124244963
>I'll be replying to him for all November, so don't bother replying to me again on this topic, thanks.

kek based

And hey I love Karajan and like Rach too, don't get me wrong, I'm just saying ya'll really need to keep mudslinging? But hey whatever floats ya'll's boat.
>>
>>124244987
Anyone who isn't mentally retarded doesn't dislike either. Personal preference is fine as long as you keep it personal.
>ya'll really need to keep mudslinging?
For this November, yes. Then I'll go back to ignoring him.
>>
>>124245092
>Anyone who isn't mentally retarded doesn't dislike either.

Well now you're coming close to doing what he does. While I love Karajan, I can understand why someone wouldn't, and would prefer others. In any case, I say let's all listen to what we enjoy, and when people come around asking for suggestions, let all sides share their preferences and thoughts, and the person asking and other spectators can make up their own minds from there. But again, you guys do you.
>>
I love the wide range of interpretations Bruckner's symphonies accommodate. Allows me to have several go-to's for each that I choose based on mood and which I have revisited most recently. Keeps it fresh and fun.
>>
>>124245201
What I'm saying is that anyone who dislikes a composer that has been praised for longer than a century at this point is definitely mentally ill or just trolling. I absolutely agree that we should let all kinds of opinions exist and thrive, this is not reddit. The opinions should never devolve into obsessive and excessive trolling, flooding and shitposting though, that essentially destroys the whole point of being here. If you haven't noticed, I've been ignoring most of his replies, and sometimes I get about 10 useless (You) complaints in a single thread, reminds me of my annoying woman neighbor complaining about loud speakers lol.
>>
>>124245335
fallacy of consensus
>>
>>124245335
Jeez, we have a pretty similar writing style.

>What I'm saying is that anyone who dislikes a composer that has been praised for longer than a century at this point is definitely mentally ill or just trolling

While I get where you're coming from, I don't agree with that, I can see why one wouldn't like Rachmaninoff or any number of other composers. Where I do meet you is I agree that anyone who believes such a composer has absolutely no redeeming qualities nor any appeal to anyone whatsoever is at best being disingenuous.
>>
>>124245335
>>124245662
I should say, nor any appeal to anyone with informed knowledge and quality taste whatsoever*
>>
>>124245662
>anyone who believes such a composer has absolutely no redeeming qualities nor any appeal to anyone whatsoever is at best being disingenuous.
Yes, that's what I've been meaning to say. Obsessively spamming is also a sign of mental illness though, let's not forget that.
>>124245655
No such fallacy applies to art and music.
>>
>>124245764
Anon, this 4chan, neurodivergence is both a prerequisite and part of the appeal.
>>
>>124245809
Also true. To an extent.
>>
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An archaic spider for archaic music.

https://youtu.be/1byl3jJGJpc
>>
>>124244963
Didn't know Karajan performed any Rachmaninoff :O
>>
>>124245904
Apparently he loved Rach and planned to record symphonies too but for some reason it didn't happen. Sad.
>>
>>124245951
Huh, really? I always figured he must not have been a fan if he didn't record any, given I'm sure he had ample opportunity. Source?
>>
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personalized, gimmicky recording titles becoming a thing now? I don't mind, it's even kind of neat, it's just an interesting change -- or you might say an interesting departure from tradition

https://www.youtube.com/watch?v=q0GaOpJl6dM&list=OLAK5uy_k_mhGHGL70PYnbn1DPuGbY_DQV0qpQAyc&index=1
>>
>>124245967
>Many Austrian-German musicians of Karajan’s generation and even in the following ones disliked Rachmaninoff for his overt sentiment and called his music “kitsch”. Karajan didn’t. He had been very fond of it since his childhood, although in fact he conducted only one single work, the famous 2nd piano concerto. Plans for a recording of Rachmaninoff’s 2nd symphony in the 1960s unfortunately failed. Karajan performed the concerto 9 times up to 1953 with pianists like Rolf Langnese, Ferry Gebhardt, Friedrich Wührer and the great Walter Gieseking. His only studio recording (plus film) was another project with his friend Alexis Weissenberg in 1972/73. Weissenberg’s recording of the Rachmaninoff preludes in 1971 was one of Karajan’s favorite discs in his later years.
https://karajan.org/stories/spotlight-rachmaninoff/
>>
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>>124246009
Ok, this one is gross, but again, I appreciate the effort
>>
>>124246009
>or you might say an interesting departure from tradition
i despise you and people like you
>>
>>124246024
Very cool, thank you for sharing. What a shame then, I have no doubt they would have been all-time recordings.
>>
>>124244184
Out of that list, Chailly is easily the best yeah
>>
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>>124246009
>>124246027
Oh, and this is the pair recording, so you have Arrival and Departure for Destination Rachmaninoff. Why, what does it mean, what's the point? Just marketing. Again, I like it though, a personalized title if a recording contains more than one work and the creators really think that the performances are something special.

>>124246045
Sorry, couldn't help myself.
>>
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>Beethoven 29 Sonatas Emil Gilels
Why not all 32? Especially No. 32. Favorite recordings of Waldstein and 32?
>>
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now playing

Rachmaninoff: 14 Songs, Op. 34: No. 14. Vocalise (arr. for orchestra)
https://www.youtube.com/watch?v=qkn8aZdcgfA&list=OLAK5uy_m8Th8ZCySEJ-czGZXVld4jmHximSSigJQ&index=2

start of Rachmaninoff: Symphony No. 2 in E Minor, Op. 27
https://www.youtube.com/watch?v=dQYd7vC3HA8&list=OLAK5uy_m8Th8ZCySEJ-czGZXVld4jmHximSSigJQ&index=2

https://music.youtube.com/playlist?list=OLAK5uy_m8Th8ZCySEJ-czGZXVld4jmHximSSigJQ

>Slatkin's performance here is simply remarkable all around. He is given virtuosic performances from the Detroit players. The phrase shaping and subtle rubato is also well-chosen. Tempos never drag and transitions into the many big moments of the score are handled so well that they never seem episodic (something which can plague many a Rachmaninov performance). And just when you think things cannot get any better, you are practically on your feet for the final 2 minutes of the fourth movement--yes, it is goose bumps musical time. This new Naxos release is probably one of the most thrilling performances of this work. The performance was recorded live which is only apparent at the very end when the audience explodes with appreciation. While I would not give up my other CDs used for comparison, this new release will certainly edge its way to the top. Let's hope for a long fruitful recording history with Slatkin and the Detroit Symphony! -- MaestroSteve on Xanga, February 14, 2010

Slatkin's recordings of Rachmaninoff with St Louis are among the very best I've heard, so I have no doubt this more recent one with Detroit will also be stellar.
>>
>>124246274
I count Gilels' Beethoven as among my very favorites, my others being Backhaus, Kovacevich, and Kempff, probably in that order.

So for the 32nd:
https://www.youtube.com/watch?v=CKAd57nghBw

and Waldstein:
https://www.youtube.com/watch?v=pWVN7ICEvAs

But yes, also look up Kovacevich's recordings of them as well as his complete piano sonatas and bagatelles. Fug it, here's the start of his Waldstein and playlist for the rest:

https://www.youtube.com/watch?v=juPqfM-_W90&list=OLAK5uy_nw7N6BAkN4FH8YXmotmx040VoLsCXXp5c&index=74
>>
>>124246277
Agreed.
>>124246350
Gilels has Waldstein, just exploring more recordings. Been enjoying that and 32 recently. Cheers.
btw do you listen to atonal music? Schoenberg, Bartok, Webern etc.
>>
>>124246425
Oh I know, Gilels' Waldstein is the usual one I recommend to friends and newcomers to classical and Beethoven.

I listen to and enjoy some music by each of those and other modernists, yeah, but I'm not close to being an expert like some other anons here. Why, what's up?
>>
>>124246485
>Why, what's up?
Just curious.
>>
>>124246528
Stop datamining me!
>>
>>124246547
I never see you post them that's why
>>
>>124242221
Schoenberg was literally Jewish
>>
>>124246566
In the past week, I've posted about Schoenberg's Verklärte Nacht (arranged for string orchestra) and Pelleas und Melisande, trying out another cycle of Bartok's string quartets (Alban Berg Quartet's), Berg's violin concerto and piano sonata, and some other stuff. Actually, lately I've begun to get tired of the sound of peak romanticism so I've been venturing into modernist more than I ever have as of late, but it's not the kind of thing I can listen to all day.
>>
>>124246566
>>124246639
er, by 'getting tired' I just mean I need a break and more variety, not that I hate the stuff or don't listen to romanticism at all, obviously.
>>
Schoenberg is so good bros
>>
>>124246661
>>124246661
Must've missed those lol.
>I need a break
That's understandable. But great music is supposed to be timeless (it is, for me as well).
>>
>>124246639
>>124246661
Have you listened to Boulez?
>>
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>>124246809
Yeah I've been especially obsessed with this:
https://www.youtube.com/watch?v=pZ3WLlF0CWM&list=OLAK5uy_lm1oiVHZDYx0_k0BjYtHn_lG9PIEjTGXc&index=25

Mainly the Karajan recording but I wanna try some others, and Chailly is always a safe bet. And yes of course, but my tastes often work in phases, so something I love today I might not necessarily enjoy next week, and vice versa, though it generally comes back around.

>>124246826
Just some of his piano sonata no. 2, which I've been meaning to revisit with a closer listen. Otherwise, nah.
>>
heard the postman whistling Ligeti this morning
>>
>>124246906
your re mom whistled some Webern in bed last night
>>
>>124246045
seething tradfag
>>
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>>124242250
correct. even the most dissonant and chromatic chord progressions are just variations of diatonic progressions in major/minor triads, for example:

(D, Eb, E, G) (Ab, A, C, Db)

= Evi7+#7 AI7+b3

= Em to A

Example 2. - Opening of Alban Berg's Sonata:

C - GIV11 - - - Cvi7 - BV7b13 - E7b5

= S - T - Sp - D°p - T°p

https://www.youtube.com/watch?v=CVkhnBNnNjE
>>
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>>124246955
You m-m-motherfuc--
>>
>>124246963
I assumed he was upset about the pun (see: title of the recording in pic)
>>
>>124246877
>Yeah I've been especially obsessed with this:
Sounds beautiful so far. I've only listened to the sextet, not orchestral arrangement, which sounds better to me. And I've never taken time to get into it, I'll be listening to this for a while as well.
>>
>>124244963
>>124245092
>>124245335
>>124245764
lol, the garbageman is totally and utterly mindbroken
>>124246277
speaking of garbage…
>>124246974
put your trip back on, pedophile kraut
>>
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>>124247001
The one on there is the same orchestral arrangement, no? But yes that's the main recording of it that I love. Also this recording contains those and all of the other stuff Karajan recorded of the three, unless you were just using that pic for emphasis, which I've done before too.
>>
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>>124247013
go away. The adults are talking.
>>
>>124247039
if by adults you mean pedophiles, then yes. they truly are.
>>
>>124246974
So atonality doesn't 'formally' exist in your opinion? Do you instantly recognize the diatonic triads when listening to serial music? I doubt that.
>>124247013
Evidently not.
>>124247035
No idea. That's the pic on YT.
>>
>>124246425
>Bartok
>atonal

Batok's music is not atonal, in fact it is still tonal but it's so complex that he basically invented his own way of making tonal music. I'd say he isn't as easy as comprehend as other modernists and that's why he is relatively unpopular compared to Late Romantics and Serialists. His music is basically stretching the definition of tonality so much it gets really strange. But that's why I like him.

Btw, I think some of the music he wrote is probably the most complex harmonically in 20th century.
>>
>>124247061
evidently so actually
>>
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>>124246877
>Just some of his piano sonata no. 2, which I've been meaning to revisit with a closer listen. Otherwise, nah.
Boulez is largely about texture - the density, the register, the instrumentation, etc. The succession of colors, pretty much. He is, after all, tremendously influenced by both Debussy and late Webern; you can't just listen to melodies in Boulez, it requires a keener ear. Ironically his later works are more accessible than his early works, which adhere more to hardline serialism.

If you want a piece that is, by virtue of its scoring (cellos plus solo cello), rather melodic, try Messagesquisse: https://www.youtube.com/watch?v=hfwNYN8v3uc

If you like the wilder, more motoric stuff of Bartók and Stravinsky, this is pretty much where that one picks up. ...explosante-fixe..., being essentially a concerto, is accessible for the same reasons, but quite a bit denser (but also more beautiful and sensual imo): https://youtu.be/XJ9mNW3s6uE

Among the other orchestral works, Rituel is, by virtue of its solemn expression, also quite accessible: https://youtu.be/3WuwS94WDRQ
It's less melodic than the two other works I mentioned, but quite close to the exotic soundworld of Debussy and late Webern. The next step would be the Notations, quite early, simple piano pieces which he's been transcribing into orchestral music over the years.
https://youtu.be/0zGxGBEzLyw

The mix of his old, simpler twelve-tone style and the super-advanced, colorful, occasionally even Wagnerian orchestration is just so amazing.

If you finally do feel ready for the earlier serial stuff, start with Polyphony X
https://youtu.be/QZ_LD805znU
(there's only one performance and recording of it, since Boulez abandoned it) and Boulez' most recent, mellower recording of Le Marteau sans Maitre.
https://youtu.be/ljcDXPcWRvI
>>
Any string orchestra arrangements of Bartok's string quartets? Feel like it'd be a nice way of listening to them.
>>
>>124247080
Quite untrue sis.
>>
>>124247061
>Do you instantly recognize the diatonic triads when listening to serial music?

yes. listen to late romanticism before getting into expressionist and 12-tone pieces.
>>
>>124247093
very much true actually, garbageman
>>124247098
put your trip back on, pedophile kraut
>>
>>124247086
Awesome, thank you very much. I was reading a bit through his wikipedia page the other day and I made a mental note to listen to Le Marteau sans maître, so I will definitely start with that one and then work my way through the rest, as I screencapped your post for future reference, much appreciated.
>>
>>124247098
>listen to late romanticism
What do you mean, specifically? That's what I usually listen to.
>>124247107
Very much false schizo sis, evidently.
>>
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feels like a Mahler 2 kind of day

Not sure if necessarily this recording, I just like posting the artwork from it and I've used the Bernstein (DG) ones far too often already.
>>
>>124247148
actually completely true, obsessed garbageman. also no one considers your hallmark movie music to be real late romanticism
>>
>>124247167
False.
>>
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>>124247160
>mfw i get Resurrected
>>
>>124247228
evidently true, garbageman
>>124247244
someone please put him back into the grave.
>>
>>124247251
Evidently untrue sis.
>>
>>124247251
>someone please put him back into the grave.

lol

Just out of curiosity, are there any recordings from the Rattler that you do like?
>>
>>124247257
evidently true, obsessed mindbroken garbageman
>>124247263
nope, not even in the works he “specializes” in like mahler 10 or bruckner 8
>>
>>124247267
Easily falsified sis.
>>
>>124247267
Ah.


>The symphonies of Gustav Mahler have been a central theme in Sir Simon Rattle's career. "[Mahler's Symphony No 2] was the piece that made me take up conducting in the first place when I heard it in a live performance when I was 12. Mahler aimed to put the entire world into a symphony and this world goes from the death rights of some unnamed hero through a memory of what life was in both its beauty and its horror and final resurrection and redemption. It's on a vast canvas with many, many performers and, for me, it is one of the most moving of all orchestral works."
>>
>>124247278
but still completely true, obsessed garbageman
>>124247282
worshipping mahler 2 must be a sign of low intelligence
>>
>>124247292
Undeniably false. And speaking of low intelligence
>>
they dont make beethovens anymo
>>
>>124247313
you misspelled “undeniably true”
>>
>>124247323
Incorrect.
>>
>>124247355
actually right
>>
>>124246993
no i didnt even look at your pic puns are fucking gay and so are you
>>
>>124247374
Untrue honestly.
>>
>>124247292
>worshipping mahler 2 must be a sign of low intelligence

lol I wonder if it's a generational thing because it seems to be a commonly held view by these older conductors and critics, whereas to me if I had to pick one that would rock someone's world and establish a lifelong emotional connection in this day and age, it seems obvious to pick a handful of his other symphonies first. However, maybe the 2nd just has that perfect combination of accessibility and opening up a new world of music.
>>
>>124247400
>>124247400
>>124247400
New bread



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