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Atiba Jefferson, born in Colorado in 1976, is a renowned American photographer celebrated for his work in skateboarding and sports photography. Growing up in a skateboard culture in California, Atiba developed a unique perspective on the sport, blending his love for skateboarding with his passion for photography. His work in prominent skateboarding magazines like Transworld Skateboarding and later Thrasher made him a staple in the skateboarding community and an iconic photographer in the genre. Beyond skating, Jefferson has also photographed NBA games and collaborated with major brands, showcasing his versatility.

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Small correction: He didn't really grow up in California but moved there in his teens.

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Atiba Jefferson’s background as a skateboarder gives him a rare insider’s view of the sport, allowing him to capture its energy, culture, and rebellious spirit authentically. His photography has an immediacy that resonates with skaters because he doesn’t just observe the sport—he lives it. By combining technical skill with personal experience, Atiba brings a dynamic approach to his work, making his images feel close, gritty, and real. His style celebrates the culture he grew up with and continues to influence.

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Jefferson’s art is defined by his ability to capture moments of action and emotion, especially in skateboarding and basketball. He often uses natural lighting and urban settings, keeping his compositions raw and true to the environments where these sports thrive. Whether it’s an intense skate trick or an NBA player in action, Jefferson’s photographs are filled with movement and energy. His knack for capturing iconic moments has made his work as much a part of the culture as the subjects he photographs.

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While Atiba is primarily known for his skateboarding work, his skills extend into other areas, notably in his sports and portrait photography. He’s collaborated with brands like Nike, Supreme, and Adidas and has worked with athletes, musicians, and celebrities, bringing his distinct style to a broader audience. His versatility is evident in his ability to shift seamlessly between skate culture and mainstream sports, always retaining his unique vision and authenticity. This cross-genre reach has made him a favorite among both skaters and sports fans alike.

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[EXIF data available. Click here to show/hide.]

Camera-Specific Properties:
Equipment Make	Leaf
Camera Model	Aptus 75
Camera Software	Adobe Photoshop Lightroom 4.3 (Macintosh)
Image-Specific Properties:
Horizontal Resolution	72 dpi
Vertical Resolution	72 dpi
Image Created	2013:07:23 02:50:42
Exposure Time	1/500 sec
F-Number	f/4.5
ISO Speed Rating	200
Lens Aperture	f/4.5
Exposure Bias	0 EV
Focal Length	90.00 mm
Exposure Mode	Manual

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Atiba Jefferson has left an indelible mark on skateboarding and sports photography, inspiring a new generation of photographers who value authenticity and connection to their subject. His work, celebrated for its raw energy and closeness, continues to impact both skateboarding culture and the visual representation of street sports. As he expands into other realms of photography, Atiba remains a pivotal figure, one whose contributions resonate well beyond the skate parks and sports arenas where he first made his name.

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Thank you for visiting this bread (without one of the chosen people for once).
See you in the next one anon.

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Camera-Specific Properties:
Equipment Make	HEIDELBERG PREPRESS
Camera Model	Scanner DC3000
Camera Software	Adobe Photoshop Lightroom 4.3 (Macintosh)
Photographer	Krause, Johansen
Image-Specific Properties:
Horizontal Resolution	72 dpi
Vertical Resolution	72 dpi
Image Created	2013:07:23 02:46:52

>>4380639
>Photographer: Johansen Krause
Hmmm I'm pretty sure this is also from Atiba's series so I have no idea why the exif says this...

Ps: Atiba wasn't the first to use the combo Hassleblad/fisheye for skateboarding photos but he certainly was the one who popularized the combo the most, combo that would become the trademark visual for skateboard photography

Good shit OP. Don’t stop, keep these threads coming.

bump for atiba

Meh
Good job with the threads tho

>>4380642
>wasn't the first to use the combo
>he certainly was the one who popularized the combo the most
The credit goes to the one who idealized it if both the early and refined versions look the same.