>>217014789
Oh yeah maybe this could be
>starring
nope

>>217014789
Is the director a Zionist? Because the only sort of moral or point I can glean from this movie is as a pro natalist movie about Jews telling them “yes we’re this awful, have kids anyway”

>>217014789
I didn't know Mr. Wonderful does acting

>>217014789
why so many jews in the cast?

>>217014789
Everyone in this movie is a fucking jew.

Timmy is so good in this. He finally overcame his wooden ass twink typecasting.

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What’s this movie about? Some guy who consumes overpriced slop.

My best friends the woke cucks at Lemon Party said it was bad so I'm not gonna watch it is all

>>217015115
Ironically despite looking like a decrepit jew, Abel Ferrara is Catholic

>>217015078
>>217015115

Safdie films operate on fast talking, backstabbing, scheming and duplicity. They are inextricably jewish films to their core, placing their traumas, hubris, anxieties, and neuroses at the forefront in a maximalist style. Asking why there's so many jews is like going to see Black Panther and getting confused and angry about how everyone is black.

local theater has two screenings in one day, that's it. just one day.

>>217015510
The second guy wasn't asking why. And the first guy was probably only asking rhetorically. Jews and jewishness are just off-putting to nearly everyone.

>>217014789
Miss me with that bloated runtime. I guarantee this movie doesn’t justify its length.

>>217014789
Pretty fucking garbage but fun seeing Penn yell "if I see your kike face looking through my window again I'm shooting it off!". The entire old man gangster storyline was weird and went fucking nowhere

>>217015663
It doesn’t feel it’s length, but it wasn’t really good, it looked nice but it was thoroughly unsatisfying

>>217015663
>>217015799
>but it wasn’t really good

It was unbelievably good. There is not a single dull moment in the entire film. It's just pure firing on all cylinders from the first shot to the last.

>>217015996
To be honest, I also thought Uncut Gems was too long and padded out. Two and a half hours seems particularly excessive compared to Good Time’s nice lean runtime.

>>217015996
It was fine, like any Tarantino movie all flash and no substance. It was annoying to see a terrible person win, but that’s what the Jews worship and are I guess

>>217015638
nah jews are funny, I don't want them running the world but I don't find them off putting in film

>>217014789
it's not available digitally yet
nobody on /tv/ is going into a fucking theater to watch this shit and listen to a guy next to them munch popcorn

>>217015638
>Jews and jewishness are just off-putting to nearly everyone.

Whoa, you're telling me the movie about a fast-talking, rat faced, pimply unibrowed jewish punk is offputting?

>>217017006
Yeah god forbid we go to the theater and support original film making. All of you cock suckers seem to have been able to make it out to the latest Cameronslop, so go fuck yourself.

>>217017062
i'm NEVER setting foot into a theater again unless a girl wants me to and i know for sure i get sex afterwards

>>217017062
So you agree that sounds off-putting, but you're complaining that people are put off?

>>217014789
still not watching jewslop

Slop loving chuds have taken over this board. It’s too late.

The shill cries out as he strikes you.

>>217014789
I was wondering why no one is fucking talking about this here. Does /tv/ even watch fucking worthwhile movies, or does everyone just drone on about the same worthless slop over and over again?

I thought it was a good movie that flawlessly showcased jewish behavior. It reminded me of Uncut Gems.

>>217017062
>calls a stealth biopic adaptation "original filmmaking"
>genius director releasing another installment in his original franchise is slop
neu film fans are so fucking retarded i swear. YOU are at the A24 slop trough eating nonsensical Zionist tax write offs and pretending they're art.

>>217015510
They seem like the types who are at once proud af over being yids but also hyper critical of their culture/community based on Uncut Gems. I've met westernised pajeets like this also

>>217017249
It’s unabashedly Jewish to the point it gets annoying, I genuinely believe that it’s Zionist pro natalist propaganda “yeah it doesn’t matter how many goyim we cheat kill and ruin, we’re probably only getting a symbolic victory so have kids”

>>217015031
their whole career was financed by zionists. His stepdad is a billionaire. You'll notice everyone in the cast is Jewish, and the only outspoken ones have supported Israel, but everyone else is just silent. They're going to try and continue laundering the chosen people narrative thru media, it's beyond obvious, I Love LA (fucking bad) was dripping with covert references to birthright and shit as if we want to hear another second of cute glib references to a murderous regime. They already lost the PR war though, this shit is literally just going to turn more people away

>>217015192
The wokes and the chuds like it thoughbeit. Its normies that dont get it

>>217014789
Limited release

>>217017211
commit suicide

>>217017256
0/10 bait, apply yourself

>>217017113
No, dumbass. I'm saying that it is a retarded complaint. The film (and safdie's wider filmography) is not glorifying or idolizing jewish culture, it is putting up a magnifying glass to it. Refusing to watch something because its subject is 'offputting' is braindead.

>>217017349
Well the woke chud kinosseurs at lemon party disliked it so I shan't be watching it

>>217014789
Is that poster supposed to make me want to see this shit? Is hollywood retarded?

>>217017420
It's like you don't understand what "off-putting" means (it's hyphenated btw). Only a jew would be angered at the notion of people not wanting to subject themselves to something they find unpleasant.
>Oh, it's putting a magnifying glass to dog shit? Why didn't you say?

>>217015031
>only a country that despises itself could produce entertainment like Marty Supreme. Director Josh Safdie loves grunge, and actor-producer Timothée Chalamet likes showing off, so they collaborate on a biopic about a minor celebrity, the late ping-pong player Martin Reisman, who stopped at nothing to win several international table tennis championships. Son of a New York cab driver, Marty deceives everyone he knows as part of the thrill of winning. He’s not clever or even likable, just nervy — a Millennial version of the old What Makes Sammy Run? Jewish archetype.

>Self-centered like Sean Baker’s amoral hooker-heroine in Anora, Marty exhibits all the imperialist aggression that Americans are supposed to hate themselves for. But Safdie, who’s 41, and co-screenwriter Ronald Bronstein, who’s 52, delight in Marty’s misbehavior. They appear to endorse Gen Z’s me-first attitude; they excuse all offenses, perhaps especially when Marty endangers those closest to him. The film is a series of farcical pranks involving his mother (Fran Drescher), his cousin (Sandra Bernhard), his shoe-store-owner cousin Galanis (John Catsimatidis), a mobster (Abel Ferrara), an American businessman named Milton Rockwell (Kevin O’Leary) and his gold digger wife and actress Kay Stone (Gwyneth Paltrow), and Rachel (Odessa A’zion): the sullen grade school sweetheart Marty recently impregnated.

>Chutzpah keeps Marty in trouble whether he’s participating in matches across the globe (in Egypt, he chips off a piece of the Great Pyramid of Giza to gift to his mother) or jumping from work as a half-time clown for the Harlem Globetrotters or conning the not-so-upper class when he hustles Rockwell while sexing the entrepreneur’s whorish wife.

>>217017696
>Rockwell — the film’s putative capitalist villain — attempts to humiliate Marty yet fails to assert moral reckoning. Instead, we realize that Chalamet’s brashness (“I was rude, overconfident, cocky”) never finds the spiritual center of his character, as does, say, Paul Newman in The Hustler.

>Marty’s cons expose Safdie and Bronstein’s view of the world. They see everyone as shysters and think it’s funny when Marty’s betrayals confirm this Luigi Mangione–esque dystopia, which features a billiards conspiracy with Marty’s black cab driver buddy Wally (Tyler Okonma) against racist yahoos in New Jersey, as well as Rachel’s instinctive dishonesty that confirms that she’s Marty’s soulmate.

>These post–World War II American vagabonds live by Marty’s ruthless creed: “You struck a nerve. I struck a nerve.” They’re a Mazursky duo without Mazursky’s heart. Marty Supreme is overlong (almost three hours), yet Safdie’s hustle bustles. (Safdie doesn’t bother respecting chronology and liberally interjects vivacious — and LOUD — ’80s pop songs into the 1950s setting.) None of this tells us anything new beyond confirming the insidious, treacherous, bad character traits that the millennium so far has showcased.

>Safdie and Bronstein close their jamboree by celebrating one American’s sense of entitlement. But this non-conscientious ending backfires. Their conclusion resembles Robert Altman’s The Player yet misconstrues Altman’s scrupulous observation: that the worst people in the world also procreate. The ultimate degradation is Safdie’s hipster fillip that suggests that he learned nothing from ’80s pop besides taking the Tears for Fears song “Everybody Wants to Rule the World” literally and claiming it as an excuse. A major moral shift in the culture has occurred.

>>217017249
movies only get talked about when the torrent drops. before that, it's just chuds crying about race and politics. ironically, the most egregious example was eddington.
>I'm not gonna watch a movie by liberal kike ari kikester
>guys this is actually movie of the year
same thing happened with many popular releases like amora, bugonia, OBAA

>>217017726
>>217017696
Safdie lowkey sounds like a fucking brainlet in every interview about this movie. I think Auteur culture and 3 generations of Scorsese copycats is taking a toll on the film industry not unlike the effect CTE has on the NFL.

>>217017696
>>217017726
thanks but I'm not reading allat

>>217018133
ok josh

the film has three glaring problems:

-biggest problem is chalamet has nobody to act off of. tyler the creator and kevin o'leary were stunt casting gone too far.

-the initial ping pong final in the first act was more tense and interesting than the final act match. massive problem

-safdie, for whatever unearned reason, decided to close the film with family conservativism, instead of a feeling that marty is still somewhere out there hustling. huge unearned shift. i wouldn't be surprised if there was a different ending that didn't test as well but was superior.

well-produced. i think i gotta go 3 out of 4 stars.

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>Movie about how table tennis players are cool gangster thugs
lmao

>>217019383
>chalamet has nobody to act off of
Gwyneth Paltrow and Odessa A'zion were both great.
>the initial ping pong final in the first act was more tense and interesting than the final act match
Just not true at all. The final match had stakes that the first didn't.
>safdie, for whatever unearned reason, decided to close the film with family conservativism, instead of a feeling that marty is still somewhere out there hustling. huge unearned shift
I don't know what you mean by "unearned." If I were you I'd question why the film ends like that instead of just assuming it doesn't make sense or that Safdie was forcing a happy ending or something.

>>217019461
The movie repeatedly acknowledges the dorkiness of the sport and the fact that any stakes fought for exist only in the main character's head.

>See black person in poster
>Lose all interest
Simple as

>>217015192
>Lemon Party
kek

Josh has proven himself the superior director, but I do miss that weird psychedelic/liminal quality Benny brought to their films together that is still readily apparent in his solo work like The Curse. Aside from that opening sperm shot, this is a lot more straight forward 'gritty NYC new hollywood' stylistically, not really a complaint as much as an observation.

>>217019383
>biggest problem is chalamet has nobody to act off of. tyler the creator and kevin o'leary were stunt casting gone too far.

bad take, both were fantastic

>the initial ping pong final in the first act was more tense and interesting than the final act match. massive problem
Hard disagree. That final match was so incredibly tense and the stakes were way higher. Knowing safdie film endings, there was no guarantee of a typically hollywood victory there, which just added to it

>safdie, for whatever unearned reason, decided to close the film with family conservativism, instead of a feeling that marty is still somewhere out there hustling. huge unearned shift. i wouldn't be surprised if there was a different ending that didn't test as well but was superior.

It was shocking, but it didn't feel unearned at all. Marty's character is developed in nuanced ways over the course of the film, starting as cocky and brash before before whittled down to a desperate grovelling cuck. After he finally overcomes the obstacle ultimately in his head (a meaningless victory over the jap) he returns home to his newborn son and is given new perspective and direction outside of himself and for the very first time he sees the forest for the trees. I think the ending was a wonderful subversion of their formula up to this point and anything different would've felt like a retread of what they've already explored in Good Time/Uncut Gems.

>>217019580
thank you josh

>>217020346
thank you bennie!

>>217014789
>scumjew
Sounds like people are curating to preserve their mental peace + tranquility