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File: 875847329283573.jpg (15 KB, 480x360)
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>Lars Von Trier "Melancholia" Cannes press conference 2011.

In hindsight, now that the dust has settled, it wasn't that bad was it? It was clearly someone trying to fumble through an awkward attempt at a joke using his second language.

https://www.youtube.com/watch?v=q_P2cxepPPY

Are there any other examples of someone (nearly) destroying their career doing promotional duties for a movie?
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>>220503484
He was being deadly serious. Learning the truth about your parentage in your 40s is bad, but what he experienced is like the ultimate waking nightmare for a Jewish artist. Everyone has mysteries in their body and soul, learning a great truth feels like the solution to those mysteries. It usually isn't, but learning his mediocre jewish father was cucked by a German aristocrat must have seemed to pull his success up by the roots. It was all genetic determinism, even eugenics. He went through his own personal shoah right there, it's reflected in the movie too. The portrayal of the family is so personal and the sisters are phenotypical opposites.
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>>220503484
I think he was half-serious, like we are. you can see some nazi fascination in his films, Europa is one of the most neutral depiction of nazis.
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>>220503484
I love Lars, I just watched Manderlay the other day and even though it was one of his lesser films it was still really good. I need to watch The Kingdom some day.



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