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Arthouse & Classics

Amputeedition

>QotD
Favourite /film/ dealing with amputation / loss of limbs?
>Bonus
Favourite Bella joint?
>Bonuser
Favourite Kids in the Hall sketch?

Previous: >>220755117
>>
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Queen of /film/
>>
What were the last 5 FILMS you've watched?
>>
>>220782641
>you need colder ones
I disagree. Good colour grading always uses one warm and one cold colour for light and shadow (or vice versa). Just going with cold colours makes things seem flat - one of the big trappings of the traditional approach to night scenes (i.e. filming at day, turning down brightness and then overlaying a purely blue tint).
>>
>>220782674
I think we've reached a point where Ang Lee is an underrated filmmaker despite being universally revered in the 2000s.

Incredibly versatile. Unsimulated penetration. Maybe a bit too focused on gimmicky tech.
>>
>>220782722
>I disagree.
Well, too bad then.
>Just going with cold colours makes things seem flat
It's not like those covers don't look flat.
>>
>>220782988
>It's not like those covers don't look flat.
As far as paintings go, they don't. Though that has more to do with perspective than with contrast.
>>
>>220783034
Mmmm, dunno man, they kinda do.
>>
>>220782656
>>220782681
ITS UP!!!

https://youtu.be/dimCiC_hdoA?si=bebJET6GC0Vn459F
>>
>>220783040
Other than the Chamber of Secrets one - which is almost a bit abstract - they all have have a clear focal point and at least two layers of viewing distance.
>>
>>220783093
Who the fuck wrote that ridiculous dialogue?
>>
>>220783159
Who cares?
Again: Who wrote the script? That shit is terrible.
>>
>>220783096
>other than
that's the one that ISN'T flat
I assume I am being trolled, good day
>>
>>220783317
It is though. It has far less depth than the others: No focal point for the perspective.
It does have sharper colour contrasts than the others - maybe you're confusing those two, because contrasts of colour often come with a contrast of depth?
>>
Who's the newfag?
>>
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>>220782656
>QotD
don't really look at posters too much, but this was terrible
>>
I hope that anon didn't actually click on the trailer. This whole thinly-veiled marketing campaign is pure AIDS and I hope you kill yourself to be 100% truthful. You fucking suck.
>>
>>220782656
>Favourite /film/ dealing with amputation / loss of limbs?
>>
>>220782656
>Favourite /film/ dealing with amputation / loss of limbs?
>>
>>220784122
Not /film/ and not really dealing with the issue either. Him losing his hands was mostly to "rhyme" with his son losing his hand in episode 5 and possibly to foreshadow Vader's mechanical parts. It didn't mean much for the character.
>>
For fuck's sake, I come to /film/ to get AWAY from starslop.
>>
George Lucas is a filmmaker
>>
But he isn't a /film/maker.
>>
>>220785153
That's reserved for Japs only right?
>>
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https://www.youtube.com/watch?v=qBerKv8Siv0
>>
>>220784451
>Him losing his hands was mostly to "rhyme" with his son losing his hand in episode 5 and possibly to foreshadow Vader's mechanical parts.
This is a masterclass in formalism and symmetry. Plotfags like (You) get the rope.
>>
>>220785186
>Japan out of nowhere
hello Kfag
>>
>>220785203
>we have Stereolab at home
>>
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Films that feel like getting a long hug from an ample bosomed dame?
>>220782690
Martial Angels (2001)
When Love Is Lust (1973)
Love Me, Love My Money (2001)
Secret Flower (1971)
Summer Affair (1971)

I haven't watched anything 4+ stars since April 22nd but I will change that once I'm done with cheepnis.
>>
>>220785249
Amarcord
>>
>>220785204
>symmetry
No. Symmetry is mirroring. What you mean in parallelism.
>>
>>220785237
broadcast better than french elevator jazz
>>
>>220785560
Thanks for essentially agreeing with me, thesaurusbro.
>>
>>220785600
Imagine dying of swine flu. Couldn't be me.
>>
>>220785641
I'd rather be dead than french
>>
>>220785688
You don't mean that.
>>
>>220785688
Filtré.
>>
>>220785614
Indubitably
>>
>>220785614
>>220785782
We can all agree that there was symbolic meaning to the dismemberment. But that does not mean that the film was about a character dealing with the consequences.
>>
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>>220785713
https://www.youtube.com/watch?v=QxNXFNCTr2I
>>
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>>220782656
>Bonuser
I don't know but probably something written by Bruce, maybe Running Faggot, or The Bass Player, or that one with the girl from Cube. The really short one guy directly addressing the camera bits almost all make me laugh also, like the one where Dave Foley is a guy who's comfortable with female menstruation. And how were they so good at playing women? It goes way beyond just the classic "haha it's a male comedian in drag".
>>
>>220782690
Limonov (2024)
The Hourglass Sanatorium (1973)
The Ascent (1977)
The Cranes are Flying (1957)
Impatience (1928)
>>
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after a mildly dissapointing Dreams yesterday, i continue the "Ichiban! Japan Summer Screening" with Tokyo Story and boy what a delight. Packed with emotions and characters in a post-war japan. the new generation treats their parents as a nuisance, something of the past, very much i believe an apt analogy for japans changing ways after the bombs and loss in the big war. most of you nerds have probably seen it already, so there is really no reason to bring it up, but i have no other way of sharing this. it might be the heat messing with my head, but i feel a weird high when enjoying something so much like i do this film. they don't make 'em like this anymore and never will again.
>>
>>220782690
FUCKLAND
El túnel
Intolerance: Love’s Struggle Throughout the Ages
Through a Glass, Darkly
Tarr's Macbeth filmed theater kino
>>
>>220786573
>Limonov (2024)
Is this one as terrible as it looks?
>>
>>220787038
for me it's Late Spring 1949
>>
>>
>>220787038
Hanagatami (2017) is a masterpiece when it comes to wartime and post-war struggle
>>
>>220787181
It is, it has only one good scene.
>>
I hate watching a movie for the first time I always get bored and just want it to be over with so I know what happens and I can rewatch it and enjoy it
>>
>>220787775
What kind of autism is this.
>>
>>220787782
korea derangement syndrome
>>
>>220787775
>>220787782
Hermeneutics taken to the extreme.
>>
DeNiro's criterion closet picks.
>>
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It's better than La Dolce Vita
>>
>>220788167
based Monicelli appreciator
>>
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bruh mid ahh movie
>>
>>220788372
lawl
but it's good tho
>>
>>220788996
Nah brah deadass it's like, really gud, like, dunno watchu talm bout blud, on g
>>
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>>220788996
>>220789083
>>220789108
>Hide post
>>
>>220789292
https://youtu.be/aO2hEaVrPtI
>>
>>220789517
>Dr. Jekyll post
>>
>>220789556
Kek. Miss him so much.
>>
>>220789292
I never quite understood why the Chinese always air all their films with subtitles. Hardcoded nonetheless. Does this have something to do with them having hundreds of completely different incomprehensible dialects?
>>
>>220789905
Me too, anon, me too.
>>
>>220789924
Yeah, i think it's a cantonese/mandarin thing, they share the same writing but it's read different in each languages.
>>
>>220790272
In each language*
>>
>>220789924
>when you have so many homophones in your language that you need to write everything to avoid confusions
>>
Was Woody Strode the only black man to ever wear yellowface? Ford kept his sense of humor to the bitter end.
>>
>Alain Resnais, Yves Montand, Ingrid Thulin, Geneviève Bujold
Anyone here seen this? It looks promising.
>>
Non si sevizia un paperino!
>>
>>220789292
Looks like the guy from Funny Games a bit
>>
>>220782869
>Unsimulated penetration.
In what? Lust, Caution? Rumors and innuendo. All parties involved have denied it, and there's no conclusive visual evidence to say otherwise. Don't make it sound like he's a Chinese Gaspar Noe.

>>220785153
THX 1138 isn't /film/? American Graffiti? I agree that we don't need SW ITT, though.
>>
>>220788167
I don't know what's with De Niro but he sounds barely sapient in every interview I've ever seen with him.
https://youtu.be/1yXOFLr_LJc
"Terrific!" There's barely anything going on between those two massive ears.
>>
>>220790579
Anything with two top tier 'fus has to be good. Added to the list.
>>
>"I don't understand how you can understand me. I don't even understand myself. I am a unique, different person, a native of a land called Exileland where I don't need concord with anyone and where I can skip the script to talk about things that are irrelevant and have you look at me as if my words were those of a crazy messiah who, deep down, knows nothing."
>>
>>220790962
Hack of /film/
>>
>>220790967
>Ladies and gentlemen, by way of introduction, this is a film about trickery and fraud, about lies. Tell it by the fireside or in a marketplace or in a movie, almost any story is almost certainly some kind of lie. But not this time. No, this is a promise. During the next hour, everything you’ll hear from us is really true and based on solid facts.
>>
>>220791056
Hack of /film/
>>
>>220790962
>>220791056
kings of /film/
>>
>>220790843
Bujold is giving off Franny vibes with her hair styled like this...
>>
>>220790579
>Introducing Geneviève Bujold
Definitely watching.
>>
>>220790771
He's always been incredibly boring in interviews, he was also absolutely terrible everytime he did SNL, it's quite interesting to see how his acting does not work in live sketch comedy.
>>
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>>220790962
>those sunglasses
Is he a fan…?
>>
>>220791563
It's entirely possible.
>>
Arrabal was like 5'3".
>>
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>>220791937
*stab*
>>
careful
>>
>>220791937
*smooch*
>>
>>220791977
(1992)
>>
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>>220791937
*smooch*
>>
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>>
careful now
>>
>>220791183
Chantal G. + Françoise H.
>>
*honors the cafeteria*
>>
>>220792145
You can't have horses in the cafeteria. They'll just shit everywhere and that's unhygienic and unpleasant. That's not honoring the cafeteria.
>>
honor de cavalleria
>>
The time to be careful is over.
>>
Can't keep my dick in my pants
>>
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'Lola rennt' erinnert mich an Crank
-smooth
>>
i watched the ascent again. i knew it ruled but i forgot how much

>my beanis when the end
>>
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hell yeah dude
>>
>>220792528
tarkovsky hat es gehassen. ich weiss, ich hab sein buch gelesen
-smooth
>>
>>220792564
>gehassen
*gehasst
>>
>>220792673
mein fehler brudi
oder ist est "meine"
gott weiss
>>
>>220792528
>tfw when he does the le basedface ahaha
judas btfo
>>
>>220792694
mein: masculine/neuter
meine: feminine/plural
>>
>Following a car accident, Red crashed his truck into a crowded bar in Los Angeles on May 31, 2000, resulting in the deaths of two patrons. After the incident, Red apparently exited his vehicle and attempted suicide by slitting his own throat with a piece of broken glass.
>>
>>220792826
danke fur den tipp
ich habe daran niemals gehort
-smooth
>>
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>>220792849
>car accident
>>
>>220792876
>daran
Don't use that word there. Or any preposition. "Hören" requires a direct accusative object, just like in English. A simple "das" would work.
>>
>>220793034
bestimmt wie konnte ich das gemacht
-smooth
>>
>>220792422
My bih don't love me no more
>>
>>220793185
You're getting worse at this, anon.
bestimmt (determined) -> stimmt (is correct)
And "gemacht" ist past tense. You need the infinitve "machen", since you already have "konnte" in the past tense.
>>
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>>220793236
mein gott
es ist vorbei
-smooth
>>
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Es liegt was in der luft
Ich habe so im gefühl
Ist halt vollmond oder was?
Ein betonge wicht liegt auf der stadt…
10 uhr abends 25 grad und tschüss
>>
>>220793283
All correct this time.
Well done.
>>
She kick me out I'm like vro
>>
>>220793475
RIP
>>
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>>220792826
Sprechen wir Deutsch zusammen hier heute?
>>
Roight whas all this then
>>
>>220793473
Ansehnlich! bist du Deutsch oder?
>>
>>220793623
what's the sauce on that jiffy?
>>
>>220793733
Someone will tell you, but they really shouldn't.
>>
>>220792528
>>220792754
Judas did the right thing, he survived.
>>
>>220793733
Rear Window.

>>220793788
Don't be a dick, be helpful.
>>
>>220793473
>>220793714
das ist ich nicht
-der smooth
>>
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>>220793843
Not my fault they don't know how to use the various and sundry tools at their disposal.
Last time I taught someone how to use 4chan's image search I was given a shitfit as thanks. This fucking faggot can learn how to use the website they're on before asking about REAR fucking WINDOW.
>>
>>220793664
Favourite German film, anon?

>>220793714
Yep. And that line of yours sounded like 100% authentic turkish immigrant slang.
>>
>>220793822
To kill himself after the fact, so it was all pointless. I take a Last Temptation of Christ angle on this one.
>>
You are all faking german, none of you actually speaks it.
>>
NHH
>>
>>220794247
korea derangement syndrome
>>
>>220794247
Anon, ganz ehrlich: Jeder echte Filmfan spricht fließend deutsch. Wie sonst könnte man die Geschichte des Europäischen Kinos, oder besser, die Entwicklung der gesamten westlichen Filmtradition verstehen? Klar, es gibt Übersetzungen und Untertitel, und das erleichtert den Einstieg (für Nicht-Deutsche) enorm. Aber mit der Zeit muss man doch einfach ein Gefühl für die Sprache kriegen.
Gleiches gilt natürlich pour le français aussi. On ne peut pas vraiment apprécier des classiques françaises sans une bonne connaissance de la langue.
>>
Translation: Anon, quite frankly: Every true film fan speaks fluent German. How else could one understand the history of European cinema, or rather, the development of the entire Western film tradition? Sure, there are translations and subtitles, and that makes it much easier (for non-German speakers) to get started. But over time, you simply have to develop a feel for the language.

The same, of course, applies to French as well. You can't really appreciate French classics without a good understanding of the language.
>>
>>220794575
Thanks, anon. I'm sure the waifuspammers and the koreaboo needed that.
>>
>>220794550
Sure, sure, you didn't use google translate. I'm on to you, fucker.
>>
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>>220793822
his survival will be worse than death.
>>
>>220794885
You learn to live with the guilt.
>>
Like a Listing for a Coffee Table With a Cock in the Picture
>>
>>220794853
Apply some reason, anon. You cannot google-translate a film.
>>
>>220795013
Yet.
>>
i pee inside him and it makes my PUSSY so WET
>>
>>220795056
Hopefully never.
Anyway, can we have a fully French /film/ thread one of these days? Would be a great opportunity (for me at least) to work on my speaking fluency a bit. With over two decades out of school, I'm getting rusty.
>>
>>220795110
I wouldn't mind, would be good to improve my below basic french.
>>
C'est vraiment dégueulasse
>>
Une vraie jeune fille.
>>
>>220795192
>C'est vraiment dégueulasse
Merci, anon. Parler avec toi etait très délectable pour moi aussi.
>>
>>220795270
Un vrai jeune filet?
>>
We should do a thread in hebrew.
>>
>>220795452
Who the fuck even speaks that fucking artificial bullshit? Might as well have a thread in Esperanto or Klingon then.
>>
Ostia puta chaval
>>
>>220795346
Le feu filet.
>>
Filet mignon
>>
Mickey One (1965) tonight.
>>
>>220795561
>mignon
Fais attention! Les mods nous permettent pas de discusser cet film ici.
>>
>>220795641
Kek.
>>
>>220795013
>>220794853
>>220794550
i could read this
-der smooth
>>
>>220795544
Stop
>>
>>220796625
Infierno na.
>>
>>220797098
Uh?
>>
thingking i might enjoy myself a roach and a Loach
>>
still sick and have to work this friday, /film/ for this feel?
>>
>>220797184
Youth trilogy (Wang Bing)
>>
>>220797184
Society of Spectacle
>>
>>220797234
>>220797241
imma check that but in imdb say it's a marxist doc?
>>
>>220797303
Embrace Marx.
>>
>>220797323
Kys.
>>
>>220797303
>still sick and have to work this friday
>Marx bad
Pick one
>>
>>220797184
a touch of sin
>>
>>220797184
Just don't go.
>>
We are in the money
We are in the money
>>
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I'm kind of surprised no one talks about "the complicated legacy of The General" because the hero of the movie is from the south
>>
>>220798289
I've heard it brought up occasionally online.
>>
>>220798289
I'm sure you can find some letterboxd reviews.
>>
>slop
zoom zoom slang, don't engage
>>
>>220798289
I guess it's because he's not really a flag waving southerner, he in it to get laid.
>>
>>220798289
It's adapted from a novel where the main character is from the union and the villains are confederates.

Buster changed it because moviegoing audiences at the time would have taken issue with confederates being portrayed negatively.
>>
Tbh who gives a fuck about the narrative in Buster films. He's not Chaplin, it's all a big excuse for dynamic setpieces and /kinetic/ filmmaking. I'll also say that I much prefer The General to Sherlock Jr. Sherlock Jr is definitely much more creative and influential and experimental, but I always have a good time watching The General.
>>
Very underrated
>>
>>220799137
Ferrara has it in his top 10.
>>
https://youtube.com/shorts/ZGltjqkuk2I
You guys don't look like these guys, r-right?
>>
>>220799199
ugly people exists bro, get over it
>>
>>220799148
Speaking of, is his biopic of Pasolini with Dafoe any good?
>>
>>220797341
That's not very embraceative of you.
>>
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thumbs if you agree. comment, like and subscribe
>>
>>220799288
One shouldn't embrace subversives.
>>
>>220799390
life is like a box of chocolates, the secret is to avoid the black ones
>>
>>220799243
You didn't get it bro
>>
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>>220799390
>>
>>220799506
uhmm
>>
>>220799420
>I can't watch anything that contradicts my worldview, even if it's good... I also have a hard-on for the system and I support it!
>>
I don't watch anything that contradicts my worldview because my worldview is the right one. Also fuck marx and antifa.
>>
>>220799609
>I can't watch anything that contradicts my worldview
Yes I can.
>even if it's good
After a certain point, a work that contradicts my worldview simply can't be good for me.
>I also have a hard-on for the system and I support it!
Typically shallow narcissistic Manichean Marxoid retardation.

>>220799792
Based.
>>
>>220799792
>>220799984
It's so rich when a Marxoid accuses someone of being close-minded; they're the most dogmatic faggots you'll ever meet.
>>
>>220800000
>I don't watch anything that contradicts my worldview because my worldview is the right one
Isn't this dogmatic, thoughbeit?
>>
>>220799984
>Typically shallow narcissistic Manichean Marxoid retardation.
Explain how and why. I'm not even a marxist, btw.
>>
>>220800039
>Explain how and why
It's a strawman based on a very typical false dichotomy of "either you're a Marxist or total rube" that arises because of their retarded reductionism. It's of a piece with >>220797370
(as if Marx was literally the only person / first person to notice that Capitalism has problems and that him noticing that outweighs all his bullshit so he can't be overall bad).
>>
>>220800143
It was a joke, though.
>>
>>220800189
I know, but there are still whole countries that call themselves Marxist. It's just not funny anymore.
>>
>>220799247
Haven't seen it.
>>
>>220800028
>Isn't this dogmatic, thoughbeit?
Maybe on an unqualified understanding of "my worldview" as something like "everything that I believe" as opposed to a narrower understanding of "my sufficiently-worked-out political philosophy which precludes Marxism's truth" (the "sufficiently-worked-out" is naturally doing some heavy lifting). The real issue is less dogmatism per se than the combination of a kind of dogmatism with the pretense of engaging in "ruthless criticism of all that exists" which I think amounts to what Charles Peirce called sham reasoning (roughly trying to fit evidence to pre-existing beliefs instead of vice versa).
>>
>>220800301
*which I think amounts to a particularly obnoxious form of what Charles Peirce called sham reasoning
>>
>>220799199
>average criterion audience is a fat black zoomette who only cares about shit actors boring takes instead of actual directors
unholy grim
>>
Marx is Coca-Cola.
>>
>>220800301
I don't see how one could non ironically say "my worldview is the correct one" while having the knowledge that said worldview will forever be incomplete, and so is by default always lacking in some areas which could be relevant to the understanding of certain phenomena. It's kinda like fundamentalism with the unproven belief that people have to accept one's values because only (You) know the absolute truth... it seems egotistical to me.
>>
>>220800365
Damn, he is good.
>>
>>220800375
If you didn't believe your worldview to be the correct one why would you make it your worldview?
>>
>>220800393
I believe it is perfectible, meaning that it's susceptible to human error caused either by a) lack of info, or b) inadequate analysis of info, hence why I strive to try and understand other POVs different from mine to expand and perfect my own understanding of the world... if I said "my worldview is the correct one", I'm implying every other POV different from mine is incorrect, which is an attitude which will keep me stuck in life repeating the same patterns everyday.
Essentially, I don't wanna restrict my POV by declaring it perfect; in fact, I want it to be imperfect so that it can grown in perfection over time.
>>
>>220800143
he doesn't have to be the first or only person, just the best
>>
>>220800479
He is emphatically not that. The best you can say about him is what Kołakowsk said: that his autistic obsession and exaggeration forced people to pay attention to the issue and his mode of analysis to the extent that it's all become commonplace.
>>
>>220800443
If that's the case, did you ever go out of your way to read pro-Nazi materials?
>>
>>220800535
I've consumed a lot of pro-nazi propaganda, so much so that I think I understand the common nazi / radicalized person fairly well. What's more, I even think the person I've thought about the most in my life is Adolf Hitler, and I find him fascinating.
>>
>>220800605
The person you've thought about the most is a guy? I'm not calling you gay but
>>
>>220800375
>the knowledge that said worldview will forever be incomplete
Do we have that knowledge? This is a famous sticking point between the Academic Sceptics and the Pyrrhonists (the former asserted it hile the latter thought that such a claim was itself dogmatic).
>lacking in some areas which could be relevant to the understanding of certain phenomena
This ties back to my "sufficiently-worked-out". The determination that there is a meaningful lack is itself a task: are notions like insanity and error as such inherently unduly prejudicial or can certain points of view be written off at least provisionally while we carry out our inquiries (it seems to me that you think that I'm in error by virtue of contradicting you)?
>>
*sigh* life's gay...
>>
>>220800692
Certain POVs can be written off if they are highly unlikely to be correct, but most POVs actually contain some degree of truth to them.
>it seems to me that you think that I'm in error by virtue of contradicting you
I don't even think you're contradicting me.
>>
/philm/ trying to creep itself back in...
>>
>>220800685
He is a very interesting person, just like Jesus Christ or Alejandra Pizarnik... I think about many types of people.
>>
>>220800744
There's absolutely zero philosophical discussion in this thread
>>
>>220800743
>Certain POVs can be written off if they are highly unlikely to be correct
I don't see how any means of doing could avoid provoking something like your original complaint of dogmatism.
>but most POVs actually contain some degree of truth to them
Do they? Do you have an argument in favour of that statement? What is a degree of truth? How do we determine what degree of truth is sufficient for giving a POV a hearing? How far does my epistemic responsibility extend in giving said POV a hearing (when can I legitimately dismiss it and walk away?)
>>
Watching Doctor Zhivago

Thoughts, /film/?
>>
>>220800890
Lean is /film/. Enjoy it with a clean conscience.
>>
Required IQ for Mirror (1975)? I watched it years ago and was filtered flat.
>>
>>220801174
lmao
>>
>>220800884
>Do you have an argument in favour of that statement?
The nazis had amazing fitness programs and great sense of fashion.

>>220801174
2.
>>
>>220801287
>The nazis had amazing fitness programs and great sense of fashion.
Agreed, but I think that pretty seriously underdetermines the broader point.
>>
>>220801174
it's not a puzzle
>>
*sneezes*
>>
>>220802063
Bless you.
>>
Yesterday
I watched the second part of Chinese Odyssey, which was a bit confusing, but fun
The cranes are flying, very well shot and acted if not a bit melodramatic
Festen, which was one of the best movies I've ever watched
And Sherlock Jr, which was fun (and very dangerous looking slapstick), but I didn't find it THAT special
>>
>>220802063
stunning and erotic
>>
>>220802653
>Festen, which was one of the best movies I've ever watched
lol
>>
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it's UP
U
P
https://www.nobodymag.com/journal/archives/2026/0527_2211.php
>>
>>220802886
what
it's excellent
>>
>>220802894
>This year's competition awards were dominated by auteur films that appropriately incorporated social themes. The jury was chaired by director Park Chan-wook, and included Ruth Negga, Demi Moore, director Chloé Zhao, Stellan Skarsgård, Isaach de Bankolé, director Laura Wandell, director Diego Cespedes, and Paul Laverty. Cristian Mungiu's "Fjord," which won his second Palme d'Or, may not be considered a standout work in his filmography, but it is a film that reveals his underlying artistic style, depicting the contradictions inherent in a devout family and a progressive system, and refusing to confine them to a simple dichotomy. The three Japanese films in this year's competition section (Hirokazu Kore-eda's "Sheep in a Box," Ryusuke Hamaguchi's "Suddenly Feeling Unwell," and Koji Fukada's "Nagi Diary") all focus on the goodness of humanity, and can be said to be the opposite of films that conceal the dark side of contemporary Japan.

>Emmanuelle Maar's "Notre Salut."jpg On the other hand, in Andrey Zvyagintsev's "Minotaure," the current reality of war functions only as an accessory to a revenge drama about adultery. The precise and dynamic imagery greatly contributes to this deception, and it was impossible not to be reminded of the "traveling capo" in Jacques Rivette's text "On Despicableness." However, in terms of representation of war, Emmanuelle Maar's "Notre Salut," which won the Best Screenplay award, was a fine film that delicately depicted how ordinary people living in wartime lose hope amidst the chaos, and the relationship between the individual and society as a whole.
>>
>>220802908
>For Lukas Dhont's "Coward," in which the two lead actors (Emmanuelle Macchia and Valentin Campagne) won the Best Actor award, the wartime setting merely functions as a tool to intensify the generation of emotions and desires born in that extreme state. In the face of this film, even László Nemez's "Moullan," a biography of the French Resistance hero Jean Moulin, seems honest. And for Pawel Pawlikowski, sharing the Best Director award with Javier Calvo and Armbres' "La Bola Negra" must be nothing short of an insult, much like how Jean-Luc Godard's "Goodbye to Language" shared the award with Xavier Dolan's awful "Mammy" ten years ago. While the former is a mediocre work that merely extends the television series in terms of lighting, camerawork, actor direction, and overall production, Pawlikowski, through his unique aesthetic and serene black-and-white imagery, explores Thomas Mann's "The Fatherland" and traverses two torn Europes. It is by no means a film full of surprises, but like Mungiu, it is a prize-winning film that demonstrates a strong sense of authorship.

>Bareska Gliesebach's "Das geträumte Abenteuer," which won the Jury Prize, is the most radical film in this year's competition. In a small town on the Bulgarian border, archaeologist Veska is drawn into the town's darkness after encountering an old friend. The film deliberately avoids dramatizing emotions and events, instead drawing the viewer in as she confronts her difficulties. In contrast to the strange tendency in French films (Jeanne Élie's "Garance" and Charline Bourgeois-Take's "La Vie d'une femme") to easily incorporate the shift in sexual orientation into the narrative, we must not forget Ira Sachs' "The Man I Love," which purely depicts living as a sexual minority and loving someone.
>>
>>220802925
>James Gray's "Paper Tiger".jpg Another American film, James Gray's "Paper Tiger," was an excellent return to his roots, reminiscent of his early works. The Directors' Fortnight section opened with Cantemir Baragov's "Butterfly Jam." This third feature film, set in America and starring Barry Keoghan and Riley Keough, centers on a boy from the Kabardino-Balkarian Republic, the director's own homeland. However, it is far from mature, seemingly lost control due to its massive production scale. The closing film was Quentin Dupieux's "Le Vertige," a 3D animation captured from live-action footage, whose "Full Phil" was also screened in the official Midnight section. Although he is an unusually prolific director who crosses genres, his so-called frenzied humor and methods do not go beyond the realm of the absurd, making it clear that he is not a "filmmaker" like Fassbinder. While exceptional selections included Lisandro Alonso's *Double Freedom*, a sequel to his debut feature film *Libertad* (2001) and marking the beginning of a new cinematic exploration, and Alain Cavalier's *Merci d'être venu*, which the director himself announced would be his final work, these choices were natural for Directors' Fortnight, which originated from the defense of filmmakers, and lacked originality.

>Regarding works by female directors, while the Critics' Week section saw the discovery of Marine Atlan's debut feature film *La Gradiva* (which won the Grand Prix in that section), a grand romantic epic, and Zu Jing's *A Girl Unknown*, a meticulously directed exploration of a girl's identity, the Directors' Fortnight seemed to function only to maintain political balance, with a noticeable number of mediocre films across various "genres." Four years have passed since Julien Régy took over as artistic director, yet there have been no major discoveries, and it seems the program has yet to find its own identity.
>>
>>220802653
Sherlock Jr. > Festen
>>
>>220802957
there is not a single reality in which that is true
>>
>>220782656
>>
>>220802962
>t. an enemy of cinema
>>
>>220802992
best friend actually
>>
please recommend me some whore kino. I like the stylish trash russ meyer and doris withman make. erotic thrillers like body of evidence and un the realm of the senses are kino too. I want something where the lead female is a slut and has a lot of nude sex
>inb4 watch porn
>>
>>220802948
>Regardless of whether it's in the official competition section or not, the Cannes International Film Festival has an unusually large number of French-produced or French co-productions selected, but this is nothing new.
>As is evident from the casting of French actors, the same faces dominate even within the competition, such as Léa Seydoux, Virginie Efira, and Gilles Lellouche, demonstrating how the French film production system, which relies on grants, functions, and even revealing certain limitations.
>The lineup is almost entirely devoid of names of filmmakers who have shaped film history, such as Jean-Luc Godard (The Century of Love), Manoel de Oliveira (Going Home), and Jacques Rivette (Love's Heart). Perhaps the tendency of "film," often referred to as "culture" rather than "art" and "content" rather than "works," to be so strongly aligned with this year's lineup, given its focus on commercialism and market demands, is a factor.
>the European bias remains unchanged. The key question will be whether this year's program was able to discover talent that deviates from the "new talent" created within the system.
>>
>>220802908
>can be said to be the opposite of films that conceal the dark side of contemporary Japan

I think she's trying to convey the opposite of what this turgid + verbose sentence means. needless to say I love her,
>>
>>220803013
the works of Tinto Brass
>>
>>220802653
>>220802957
The Cranes are Flying > Sherlock Jr.

Festen is dogshit thoughever.
>>
>>220803080
objectively incorrect
>>
>>220803094
Sure thing, little brother, sure thing.
>>
>>220803013
the works of Jean Claude Brisseau
>>
>>220803106
I am very tall
>>
>>220803117
Tall or short, you'll always be my little brother.
*kisses your forehead*
>>
man this went to a very gay place which makes me think festen is the most heterosexual movie of all time
>>
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>>220803155
hahahah
>>
>>220803144
I'm so gay I went to London only to find out that Big Ben was a clock
>>
>>220802653
>but I didn't find it THAT special
Because it's a 102 year old film that's influenced countless of action and comedy cinema ever since

Maybe you didn't like it that much, but it's objectively special and a cornerstone of the medium
>>
>>220803198
Yes of course, the film is literally older than my grandpa, and Keaton deserves respect for even attempting those stunts
>>
>>220803013
Love Hotel (1985)
>>
>>220803013
i love philipp morris
>>
>>220803080
Sent that crane flying
>>
i think I fell in love with the leading lady of cranes flying
>>
>>220802894
I'm seeing double here: FOUR NANAKOS!
>>
>>220802957
100%
>>
>>220802894
Damn. Nanako has a nice rack.
>>
When this /film/ became my favorite film
I wrote the list, it sat on top
For weeks, it pushed the others down, down
But I never reached the bottom of the list

And I would cry and cry
'Cause it would lie and lie
And I would cry and cry
'Cause it would lie and lie…
https://voca.ro/19xMlxqE8W0x
>>
where is one man supposed to find "the search for Nihil Baxter"
>>
The search for the search for Nihil Baxter continues.
>>
>>220804353
probably forever, can't find it anywhere
>>
>>220804361
F
>>
Steady as she goes.
>>
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>>220801174
>Required IQ for Mirror (1975)?
Mirrors do require a very high IQ indeed, anon.
>>
"incredible" thread
>>
>>220805531
Hold the line
>>
>>220805839
LOVE ISN'T ALWAYS ON TIME
>>
>>220805702
>une ficelle "incroyable"
Mais oui, mon amande.
>>
>>220805867
What is love?
>>
>>220805916
Gott ist Liebe.
>>
>>220805923
Based Gottard.
>>
>>220805916
Love = that which isn't always on time
>>
>>220805984
Whoa-oh oh oh
>>
>>220805984
Well, I'm not always on time.
>>
>>220806007
*smooch*
>>
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HOLD THE LINE
>>
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>>220806478
https://www.youtube.com/watch?v=ln2XaQaGMo8
>>
The weather has been so poor for a week that I've had to skip regular exercise. I feel like shit and extremely irritated from things outside of my control actively making me feel terrible. Films for this feel?
>>
>>220806525
Push ups, anon.
>>
This is interesting, Lang says the exact same thing as Dwan did about the coming of sound turning cinema into a form of "filmed theatre".
>>
>>220806791
Just to finish that sentence.
>>
>>220806756
I'm so desperate I will do those. Won't replace several hours of cardio but man I feel antsy
>>
>>220795619
Americans doing the nouvelle vague, kek, which was expected since it's the same guy who did Bonnie & Clyde. Ok film. Beatty seemed to actually care about the roles he chose in the 1960s.
>>
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>>220806520
I love how he put this out just a year after Toto's song. The 60s/70s were really something else.
>>
>>220806791
>>220806807
Go to sleep, Grandpa
>>
>>220807044
No, let R post his screenshots
>>
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>>220806988
Yeah. I love how it's simultaneously a bit of a pisstake and a genuine appreciation, too.
>>
O SKINWALKER
>>
>>220806848
Richard Lester did a couple of good ones
>>
>>220807044
You're not interested in what the master Fritz Lang has to say about films and filmmaking?
>>
>>220807380
I'd love to know what Lang would have to say about the current state of the medium.
>>
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>>220807135
Just like Ruben & The Jets (an unfairly hated record)
>>
>>220807583
For me it's Stuff Up the Cracks.
>>
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>>220807583
Agreed.
>>
>>220802894
Nick G status?
>>
>>220807968
Seething with a side order of lusting over her bust.
>>
>>220782656
>Favourite Kids in the Hall sketch?
The Doors fan one.
>>
NEW
>>220808178
NEW
>>220808178
NEW
>>220808178
NEW
>>220808178
NEW
>>220808178
>>
>I need everyone to know I'm the one posting, so I always post the same images so people recognize me!
>>
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>>220807968
nothing compared with all those butthurt spaniards
>>
>>220808201
that's what I'm sayin
>>
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>>220808201
well duh
>>
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bump of /film/



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