I will post daily Coordinate Remote Viewing (CRV) practice targets. Stage 1 of method 2 begins in the third post (optional - skip (B) description/aol step today)Today's target coordinates: 422429 Method 1>The target image can be almost anything (sfw). You have seen what this post/thread looks like. Tomorrow, when you see the next days rv practice thread, the target image will be attached below.>Your goal is to see today, what you will see tomorrow.>This is possible.>Take a few minutes of quiet time. Your mind needs to be free of thoughts and commotion in order to be open and receptive. Meditate, jog, stare at wall, clean etc.>Next, you need a clear intention in mind. Each target is identified by a unique set of numbers. Read the numbers carefully. Focus on your intention; imagine looking at your pc/phone/tablet and seeing the target image, with those coordinates written below it, tomorrow.>Now just let go, and wait for any impressions that may arrive. Don’t try to force anything, and don’t try to think about it. This isn’t an exercise in guessing or imagining, it’s just about being open to receiving whatever may come on its own. In fact the more random-seeming and unpredictable that an impression is, the more likely it may be accurate.>Just allow yourself to be open like this for a few minutes. Jot down any visual impressions or words that may cross your mind, in the form of notes or sketches. You might get impressions of shapes, colors, or objects. You don’t need to make sense out of them, in fact trying to interpret them at this stage can only get in the way. Just be open to any impressions you might receive, and jot them down so you don’t forget.The method outlined in greentext above is basically copy pasted from rvtournament, and is a simplified version of the methods given in the manuals.
>>41153700Yesterdays TargetRead: https://www.cia.gov/readingroom/docs/CIA-RDP96-00788R001000400001-7.pdfor: https://www.rexresearch.com/articles2/crvmanual.pdfTheir full explanations are better than my summaries.Previous: >>41147013ALT METHOD BELOW>CRV has been divided into 6 stages of ascending detail. Each stage is a natural progression from the previous one. The student works each stage sequentially until they plateau. Typically spending the longest practicing stage 1 before moving on (at least a few weeks if with dedicated tutor receiving in person feedback). There are exercises and drills in the manuals; some require an in person monitor. Please read entire method before attempting.
>>41153717Stage 1: CRV Structure and IdeogramsYou are not directly seeing the target image. This taps into your memory/imagination. Your mind is good at filling in the blanks. Stage 1 will use an autonomic response to identify the target images major gestalt (overarching unique theme). You will view the coordinates, draw a simple squiggle or set of lines (ideogram), describe the motion/feeling of the squiggle(affect), then give a quick descriptor of your results(analysis).I/A/B Sequence: Take time to enter your right headspace where you feel ready to receive the, "signal line." Write the target coordinates down. Relax your arm with your pen point resting on a blank part of the page. Read the coordinates out loud. As you do, a small, almost imperceptible signal will travel through your autonomic nervous system, resulting in an almost spontaneous movement of your arm, drawing a small shape/squiggle on the paper. This is your ideogram. Consider spending a few minutes with your pen point resting on the page, and either looking at the coordinates or sitting with your eyes closed.>ie the target (blind to you) is a mountain. You attempt to rv, and your arm draws a v shape.In the next step (A)ffect, describe the motion/feeling as you were drawing the ideogram, then give your impressions of the physical consistency/texture. The 5 main types of physical characteristics are: solid, liquid, energetic, airiness and temperature. airy means lots of empty/in between space, as in spider web or suspension bridge.>ie for mountain, as you draw the v shape, you feel the motion of "up" or "ascent" on the first stroke of your pen, "peak" as you reach the tip of the v, and "descent" as you draw your last stroke. You feel like out of the 5 physical consistency options, solid matches best. You are not looking at the ideogram and describing its shape, you are describing your feeling/motion as you drew.
>>41153726Finally in (B)Description/analysis, you give your immediate gut analytical description of the (I) and (A) results. skippable if you don't have any immediate thought (see analytical overlay pic)>ie you say hill, mountain, mound etc.note: In (I) the v shape. You might not draw upside down v, as a mountain would be shaped irl. It might be sideways or any orientation, but the (A) should give you the feeling of ascent/peak/descent, regardless if your arm draws sideways v.There may be more than one ideogram per image. You will receive one ideogram at a time. You must finish at least the (A) portion of your first ideogram to receive the next. Reread the coordinates, and receive the next ideogram of the image, if there is one. Receiving the same ideogram multiple times may indicate misinterpreted (A) portion of sequence. Fix this or take a break. The ideograms you receive will be in descending order of their importance to the images main gestalt. First one matters most.Ideograms are the foundation of CRV. More details/definitions/theory in links above.
>>41153731picrel is how simple stage 1 looksIn a target image with multiple major gestalts (picture with multiple focal points: trees, mountains, canals, buildings) there will be either more than one ideogram, or an amalgamation of more than one into one.The 4 types of ideograms are Single, Double, Multiple, Composite.Single: single unbroken line, maybe bent/wiggly. Will have one corresponding (A) and (B) section. ie the mountain example above.Double: two parallel lines. Will have 3+ (A) and (B) sections. ie (I) is =, could be ideogram for river with dirt shore top, rocky shore bottom, water middle. I might feel (A) grainy solid for top, flowing fluid mid, hard solid bot. You may interpret this as (B) land top, water middle, rock bottom. (bottom as in opposite shore not river bed)Composite: Multiple of same single line ideograms, represent one idea. ie ttttt. could represent forest. May not be same symbol as your ideogram for a single tree. (A) up curve sideways, hard (B) woods/forest/jungleMultiple: When presented with a dense image with multiple gestalts, your mind may combine them into one ideogram with multiple squiggles connected. In this case there would be an (A) and (B) for every aspect of your ideogram. ie a mountain with river flowing out of it into lake. V___o, or more squiggly. (A) the up/peak/down motion and hard (B)mountain/hill for v part of squiggle. (A) flowing fluid (B) river for the flat line. (A) circling fluid (B) lake for the o. ---may result in (TooMuch Break) too much info in target image leads viewer to feel confused/stuck, requiring a break.This is the most difficult and important stage of CRV. This is the foundation for the details added in later stages. Manual recommends staying on this stage for at least a few weeks before looking to stage 2.
>>41153740Please finish your notes/viewing attempt before scrolling down. Viewing others replies may skew your own.---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Another day, another chance to embarrass myself. I rushed through this one. Wild guess: It's a cat.Motion is always wrong. It never describes the object. I saw a spinning screw. But that just describes an action that can take place of an object (previously saw waves on the water, and an avalanche on the mountain). The spinning is just the cat playing.Colors have been accurate. I saw warm colors. Woody. But maybe an orange cat.The fluffy clouds is what sold me on the cat. The hallway, the door, all distractors.
>>41154411If I get this completely wrong again, I'll actually read the materials linked in the thread instead of relying on my faulty technique.
>>41154418>Composite: Multiple of same single line ideograms, represent one idea. ie ttttt. could represent forest. May not be same symbol as your ideogram for a single tree. (A) up curve sideways, hard (B) woods/forest/jungleyour clouds ideogram may be a composite
>>41154522I appreciate any help I can get. I get a bunch of seemingly unrelated stuff. I'm going to go with my gut instinct this time, trying to relate it all. If it's a dog or cat I'm feeling good. If not, I promise I'll actually read the things linked in the thread. I've only had success automatic writing, and that requires I get hammered. This is a lot tougher, and I'm wrong a lot. I got lucky with the tree.Last time I saw the mountain, but I guessed it was a light source. I saw the black with white, but I guessed it was a house with a black roof (it was snow covering the peaks). I wrote stone wall/fence. Mountains are a stone barrier. When I see positional stuff, it's with high accuracy (e.g. the black and white "house", the mountain, was off to the left).All motion stuff is a distraction. If I see it, I should record it, but keep in mind it doesn't help me identify the form.This was my mind map >>41139327As long as OP makes threads, I'll keep trying.
Looks like 3 roads that fork up vertically and 2 roads that intersection horizontaliy from a top down view.
>>41154807Yeah. That's what I saw as the "bookcase".
>>41153717so the popcorn is not far off.
>>41154411I don't really use their method at all. I just close my eyes, meditate on the number and draw that comes to mind. yesterday I got something non sensical. feet, and long stripy dress, and bright lights on top. But then I feel hungry and drew what I thought it is. popcorn. Also, reading comments here throw you off. so I got the same thing, wooden roof, and something fluffy probably pear shaped on the right.
>>41157025The methods are meant to stop you being distracted and also to remove that analytical overlay you are getting,This is why they did these
>>41157035everyone works differently, for me, I can't get rid of AOLs, no matter if you use the technique of writing it down.
>>41157129Sounds like you need a strict monitor to slap you around. You’ll forget that AOL in no time.
>>41154807lmao not sure why the photo shrinks after i put it in paint
