File: 20250115_114221.jpg (1.34 MB, 1518x1738)

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Post wacky and wild setups?

The sliding rail has measurements on it that I used to take 6 consecutive shots that should all line up nicely when printed. I have the camera tipped 90 because the film back only likes going on one way. Found some cool flowing textures as a test shot for my idea.

Do not worry I used a lens hood to block the sun from the lens.

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>>4399720
we know you're eager to repost the meme you saw in the other thread but it has to apply to the context to be somewhat funny, poophead

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Was scanning some old prints. Gretchen, San Diego circa 1995, hand printed on old Fotospeed Rembrandt paper that they don't make anymore. Cropped mamiya C330 medium format negative.

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First test roll with the Baby Crown Graphic I posted about in the last thread. I'm pretty impressed with this Ektar 101mm lens considering it's age and the fact that it's uncoated.

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>>4399731
Night shot of the local taco hell. These are all shot on Ektar 100 using the roll film back.

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>>4399732
And a shitty still life of my coffee stand. I wanted to test it in a few different lighting conditions. It does a pretty good job close up. And confirms that my 3D printed focusing screen is designed correctly, I was worried that the ground glass might be off from the film plane by enough to throw off the focus.

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Why are film photographers so delusional?

>>4399737
I think you are delusional for thinking his post has anything to do with film photography or film photographers in general.

>>4399737
this >>4399740
but I agree it's hilarious someone thinks 75 fucking neon signs in a shitty american city is interesting enough for a book

>>4399755
If his name were lewis (((baltz))) and he knew a few (((people))) in the (((art world))) his project would have been gold(berg)

look up new topographics and have a laugh

If anyone sells shit on ebay this sinar lot has around 3k worth of parts in it... 0 bids starting at 800 bucks.

Copal shutter 450
Sinar tripod head 350
Sinar macro rail 500
Rail Extensions 200
Binocular viewer 250
Bellows 150
Hard case 150ish
Other random accessories 300 or more
Complete p2 kit 900-1200

It's also an excellent 4x5 kit for macro as well. Just need the lenses and tripod.

https://www.ebay.com/itm/296940833598

Cheers.

>>4399760
I've seen these faggots and the idea is actually quite cool but it's amazing how at least 99% of them fucking suck at making any memorable image
earlier today on plebbit there was a faggot who posted a 3 enlargements he made of walls in his city
fucking walls
with nothing interesting on them, mind you
like, just a goddamn fucking wide brick wall painted white and some shit here and there
>https://www.reddit.com/r/Darkroom/s/4MaAwPW1Ls

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>>4399776

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>>4399777

>>4399723
Nice, is there any available equivalent for that paper?

>>4399731
>>4399732
That looks very good, what did you use to scan it?

>>4399760
is the new topographics in the room with us right now?

Do you shoot with more than one camera at a time? and if so do you load up different films or use different focal lengths or what? I have a 645 slr, bought a 35mm p&s for a concert because lol like $30 and just bought a rebel 2000 cause it was like $60 and I had an EF lens from a canon aps-c camera from college I wasn't using.

>>4399796
Lmao

>>4399814
I simply use my changeable backs I have for the RB67. Fast and efficient

>>4399816
I don't have changeable backs. well my 645 technically does, but you can't change backs mid rolls so its pretty meh and only makes sense with an assistant

>>4399814
I thought about taking 2 with 2 different films so I can decide on the fly which is most appropriate for the given situation but so far I've never done it because I am lazy and I like the simplicity of only taking 1 camera with 1-2 rolls of film with me.

>>4399796
Mirrorless camera in pixel shift mode.

>>4399818
>my 645 technically does, but you can't change backs mid rolls
wat
really? i always thought the 645 worked just like the RB or any Hasselblad
>>4399814
anyway, you were talking about shooting with more than one camera at a time like having more than one camera with me when I go out, or just having more than one camera loaded at a given time?
I usually go out with a 35mm in my everyday life and one or two extra lenses, sometimes 2 cameras having color film in one and BW in the other
and when I go out for leisure or for taking pictures I bring the RB with three backs and a 35mm and a couple lenses
and for large format it's only the LF camera because it's heavy and clunky as fuck

>>4399833
>really? i always thought the 645 worked just like the RB or any Hasselblad
my 645 is a pentax645 so its literally an entry level 645 camera intended for entry level wedding photographers. it doesn't even have half stop exposure comp for slide film, just full stop exposure comp, full stop shutter and half stop aperture. I'm pretty sure the MO was someone would be using their 35mm for most of the wedding and only use the 645 for moneyshots that needed to get blown up. hence not needing to change backs mid roll because especially if you had a 2 person crew one could shoot the money shots while the other set up the backup back (or I guess you start with the backs preloaded and then just switch them out yourself)

>>4399837
But who takes the back shots?

>>4399837
I thought you were talking about a Mamiya 645, which I believe can change backs mid-roll
if that's their target public it makes sense not having this feature
if that's something that bothers you or makes you wish you had a second camera with you, maybe it's worth it to get one with interchangeable backs instead of bringing 2 cameras
especially when we're talking about medium format
the RB is way bigger and heavier, but it can shoot both 6x4.5 and 6x7 too
if it's just a minor inconvenience just stick to the Pentax 645 and bring a backup 35mm for color film, for example

>>4399852
yeah I wasn't going to bring a second MF camera with me no matter what. I just wanted to see what people did about bringing my 120 and a 135 or m43 camera or even both 135s

>>4399852
oh also want to point out the reason people have pentax645s now is they have to 100% be the least desirable 120 format cameras on the market
>manual focus
>everything else is done via computer with super gay button controls
>exposure comp is only full stops so you can only shoot slides in manual
I only have the 80/90s automated cameras because they don't have hipster tax associated with them and the retarded
>but it could break
yeah, sure and when it does I'll buy another body for less than the hipster tax on the manual camera

is an epson v600 good enough to scan 35mm, cause I already have one for 120 anyway

>>4399814
my edc is usually only one camera but if i'm going out to shoot, i'll almost always have multiple cameras. usually one digital, one film. on my last shoot i brought a 645, a 6x6, and a digital compact to use as a light meter. i have two bessas Rs now as well so i will likely end up dual wielding those sometime

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Why is the sky so yellow with Velvia? The fenders on the Beetle are properly white with minimal adjustment of the white balance.

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>>4399814
I usually have several cameras with film in them but I'm only bringing one slr with me at a time + my p&s that I carry every day

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>>4399878
my EDC is a Nikon FM2 with a 50mm and a 105mm
sometimes a 24mm in place of the 50mm or I just bring them both with the 105mm
in leisure days i bring my RB67 with the 3 backs (two 6x7, usually one with BW and the other one with color or slide, and one 6x4.5 that i always end up using less frequently)
sometimes I bring the Nikon as well, or I just bring a Rollei 35 since it's small and quicker to use so I don't miss shots that I would with medium format
and then when i go out to shoot large format I only bring the LF because the bag with the camera, the monorail, the lens, the viewing glass, the 5 filmholders, the loupe, the cloth, the lightmeter, the cable and the whole tripod with the head weights 26,5 pounds
last time I brought the Rollei 35 along because the lens is 40mm, which is similar to the 180mm I have, so it helped me compose the shot before assembling the whole camera
the other day I wanted to take a photo of a building, assembled the whole camera and saw that the shot would be shit
I couldn't get further away from that angle, couldn't recompose it better with that lens, so i just lost like 15min getting it all up and then putting it back in the bag without even taking the shot
would have been easier to just grab the Rollei, point where I wanted to shoot and see that it would be shit right away
would love to have one of those director's viewfinders but there's no way I'm paying >$200 up to ~$750 for one of those

>>4399906
I have an app on my phone called Magic Universal Viewfinder which is great for previewing LF shots before setting up the camera and tripod. Lately though I've been using my Crown Graphic a lot more for location work, and that has a built in viewfinder that I can look through with the camera closed up. It also is a lot more compact than my monorail and can be mounted on a Bogen 3001 instead of the giant 20 lbs mega-Bogen I was using with the monorail. I do miss the movement flexibility of the monorail sometimes though.

>>4399794
No unfortunately they don't make anything like that anymore. Fotospeed used to make some fantastic specialty papers like their Old Masters which is even more textured than this Rembrandt paper. Wish they still made cool papers like this still but as the market shrunk we lost a lot of really cool shit.

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>new years resolutions
Don't have any this year honestly, all I really want to do is shoot film more consistently.
Been broke since 2023, but that's finally beginning to change so this will finally be the year I can go all in.

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just found out about the Nikon FG and now I've got a serious case of GAS for the black version with a pancake lens

*SpongeBob sweating -"I don't need it".jpg*

>>4399971
keh has one for $66

>>4399973
I saw but that's the chrome one, I like my Nikons like I like my women

>DARKROOM EDITION
oh yeah
tried split grade printing, great success

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>>4399996

>>4400005
Are those square prints?
I don't understand why they don't sell square and panoramic paper
I need to come up with some kinda jig to cut, I am sure if I just use a scissors they'll all come out crooked. And make some easels.

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>>4400008
i got one of these
if you wanted to get them even id leave a margin and cut them right after printing

>>4400008
You just print the square on a rectangle sheet.

>>4400005
Nice. Split grade printing is pretty addictive.

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Some october shit backlog.

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goodnight sars

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>>4400067
Your pictures always make me feel home. Very good moods.

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>>4400069
Thanks man. I've been struggling lately, so I appreciate it.

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>>4400069
Do you live in a shack in the woods? Pretty based.

>>4400033
paper's expensive, I ain't just gonna throw that strip away and waste perfectly good sheets on test strips
even worse for panoramic where I could get two prints from one sheet

>>4400033
Pardon my ignorance, but what's split grading?
i'm using my "i don't wanna google that" pass today, sorry ):
>>4400091
>paper's expensive
>I ain't just gonna throw that strip away and waste perfectly good sheets on test strips
test strips make you waste WAY less paper, that's its whole purpose
how do you use your test strips?

>>4400133
X amount of time at contrast 0, and x amount of time at contrast 4(max). It let's you control the contrast of your prints in a really convenient and useful way.

>>4400134
hmm that's interesting
might try that next time I go to my local darkroom
went there about 5 days ago and made a couple 35mm enlargements and some 4x5 contact prints
but to be fair I wasn't quite content with the 4x5s, it seems like the ones I've been printing in my bathroom tend to come out better
contrast is sometimes hard to deal with at my make-do bathroom pop-up lab
I made a few contacts today and left them to dry tonight, will post results tomorrow

btw, warmer lightsources make images more contrasty when printing?
i've been getting this impression

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>>4400135
Magenta is what most papers use for higher contrast.

When I'm doing split grade I'll start at a 0 filter and do a test strip, pick a time I like for the highlights and mid tones and then I'll do a second test strip where I expose the paper for my 0 contrast time then do a contrast 4 test strip over that.

It's a good way to get a baseline for fine tuning.

>>4400135
Oh yeah, something to keep in mind is that higher contrast filters result in less exposure, so if you did 3 second test segments at c0 you may want to do 5 or 6 second segments at c4.