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Handel Edition

This thread is for the discussion of classical music in the western tradition. Early Music, Medieval, Renaissance, Baroque, Classical, Romantic and Modern all welcome.

Hossen plays Handel Violin Sonata Op. 1 No. 3
https://m.youtube.com/watch?v=AnpvD58bw1k

>How do I get into classical?

This outdated link has resources including audio courses, textbooks and selections of recordings to help you start to understand and appreciate classical music:

https://pastebin.com/NBEp2VFh

Previous

>>124738309
>>
>>124757797
What's on the Christmas backlog?
>>
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speaking of Christmas, this came out just a couple months ago, just in time for this year's holiday season. I usually avoid Gardiner but can't hurt to give it a go
>>
>>124757880
you can certainly hurt your ears, especially when HIP is involved
>>
>>124757870
>Eybler, Joseph - Christmas Oratorio - Alsfelder Vokalensemble, Bremer Domchor
>Ryba, Jacub Jan - Czech Christmas Mass - Choir and Orchestra of the Czech Madrigalists, František Xaver Thuri
>Nativity - Christmas music from Georgian England
>Various - A Service for Advent with Carols - St John's College Choir, Cambridge (Christopher Gray)
And more
>>
>>124757915
I am a baroque and early music guy, so yes. But always open to all classical music.
>>
>>124757911
...is any of that music?

Kidding. Neat. Idiosyncratic, consistent choices.

>>124757930
Well hopefully you learn to love some more stuff in the 20th century.
>>
>>124757955
>Well hopefully you learn to love some more stuff in the 20th century.
Yeah, and to be clear I dont dislike it. Just not in my favs or current rotation.
>>
Meanwhile, back to dancing. Partying like its 1578!
>>
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>>124757979
Easy dude, keep it in your pants, we are not in la maisons de tolérance.
>>
>>124757858
Only a Sith deals in absolutes
>>
>>124757911
>>124757880
Added to the list
>>
>>124757909
HaHa!!!
>>
>>124758027
As >>124757909 suggests, I can't guarantee or even vouch for the quality of Gardiner's Bach Christmas Oratorio; you have been warned!
>>
>>124758041
I dont have that attention to detail, It will be enough for me unless a cat screams in the middle of the recording
>>
Chopin

https://www.youtube.com/watch?v=xOGHf6zsoLE
>>
>>124758097
>It will be enough for me unless a cat screams in the middle of the recording
it may as well be exactly that, considering how HIP strings sound
>>
>>124758097
lol I feel you but you'd be surprised how different divergent interpretations and distinct performances can be.

Herreweghe (also HIP):
https://www.youtube.com/watch?v=8ouibH3G2xk&list=OLAK5uy_nKVjxKRSY5clTjqATXAX6PF5TTOuAa-fg&index=1

Gardiner (HIP, 2024)
https://www.youtube.com/watch?v=gX-v4jTson8&list=OLAK5uy_kCxcSBwoou1_f6r8zWGNc-TrRMoF8Fx-M&index=1

Richter (traditional, whose is my normal go-to)
https://www.youtube.com/watch?v=SSc_lHAqcHg&list=OLAK5uy_kkHu2VLxhu-3V3egwN2kWv3oQsxmNzpeo&index=120

Chailly ('third-way,' my current favorite)
https://www.youtube.com/watch?v=fF4Ujem9ntc&list=OLAK5uy_l_GoUlLE4jSR5ta6tbm2Q5019DbtDxDPc&index=1
>>
>>124758132
Another zinger!! This person is like the Jerry Seinfeld of classical!
>>
>>124758132
Kek

>>124758144
Thanks anon, will sample those
>>
>>124758167
what's the deal with HIP? it sounds like shit, the conductors don't know what they're doing, the singers sound like dying geese, and it all costs extra!
>>
>>124758248
lol

>HIP? More like SHIT
>>
>>124758248
ROFLMAO XD
>>
>>124758355
It was funny, chill.
>>
Mendelssohn

https://www.youtube.com/watch?v=aOjXKUvoJeU
>>
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trying Segerstam's Sibelius cycle

https://www.youtube.com/watch?v=ji173Rb1xAA&list=OLAK5uy_nf8F0t3qK-FjDLqU9qy_mpEQ2rXMwl8UY&index=18

Many of the reviews I've read draw a distinction between the old school generation, characterized by lush, passionate, Romantic interpretations, consisting of Karajan, Bernstein, and Barbirolli, and a new, cooler approach exemplified by the likes of Berglund and Segerstam. So, should be fun finding out firsthand!
>>
>>124758422
I know that’s why I was rolling on the floor laughing my ass over- I’m still laughing now in fact
>>
>>124758517
>romantic
>karajan
when will this retarded meme end?
>>
Schumann

https://www.youtube.com/watch?v=x73mNjBIYF0
>>
>>124758628
Good question
>>
>>124758628
???
>>
>>124758679
karajan wasn't a romantic. furtwangler was a romantic. weingartner was a romantic. mengelberg was a romantic. jochum was a romantic. karajan was a modernist who complained that classical musicians were too used to playing loose tempi and performing rubato instead of being strictly metronomic like jazz and rock musicians. he literally could not be further fro the romantic style of conducting in any regard.
>>
>>124758933
>instead of being strictly metronomic like jazz and rock musicians
???
>>
>>124759512
>'Yes, it is. It is very strange, but with our race and in our latitude, rhythmic control is the most difficult thing for a musician to achieve. There is hardly a musician among us who can play the same note five times without minor variations. Part of the fault is that rhythm is never taught correctly to young musicians. For the Negro or African, it comes naturally - this sense of rhythm. As for myself, I can tolerate wrong notes, but I cannot stand unstable rhythm. Perhaps I was born in Africa in another existence. Once in Vienna after we had finished a recording session, I surprised everyone by telling them I was going to hear a Louis Armstrong concert. When they asked why? I told them that to go to a concert and know that for two hours the music would not get faster or slower was a great joy to me.'
>>
After yesterday's post I got interested in picrel. Listening right now.
>>
Racism and antisemitism are wrong.
>>
>>124759632
Nice. It's honestly so good I'm no longer gonna search out new recordings for a while, it's exactly what I've been looking for. Hope you enjoy it as much as I do. Now to find the perfect (modern) recording of the Solo Violin Sonatas and Partitas. That I'm still searching for.
>>
>>124759604
That's great, but Jazz and rock, especially rock musicians are not known for playing in 'strict metronomic time' lol quite the opposite in fact
>>
Bach

https://www.youtube.com/watch?v=UrTCIhU4KWc
>>
>>124760211
Actual footage of a ghost! That's incredible
>>
Haydn Symphony No. 6 'Le Matin'
>>
>>124759948
well according to karajan they were, and it’s what he aspired to, which is completely contradictory to the romantic style of conducting.
>>
>>124760673
*Karajan
>>
>>124760780
yes, that's what i said, thank you.
>>
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I'm going to do it anons, wish me luck
>>
>>124761212
They both have Medieval themed last names
>>
>>124761531
Nomen est omen
>>
A few days ago I listened to Vol. 1.
Lets do Vol. 2 now.
>>
>>124761894
Visions of Johann
>>
>>124761894
>Cantorey
>Canto Rey
>Spanish for Song and King
>>
>>124761899
I would buy that album
>>
>>124761894
is he old chud?
>>
>>124762618
Sorry I dont speak the language of your people, wdym?
>>
I have listened to almost the full backlog for today. Picrel is the last album in the list.
>>
>>124762764
They all look like Chudjaks without glasses
>>
>>124762848
>>124762668
>>
https://youtu.be/g8irIf6WCOA?si=IN7VN-d09iaOIYhT
>>
>>124763347
I missed a small performance of the Nutcracker last week in my small town. Wasnt the full ballet but damn I would have loved to be there.
>>
any other bassoon fans ? here is a solo showcase of the power of this noble instrument https://youtu.be/OTJGMmtLr1o?si=cDs5NeiR9nbLuLRY
>>
>>124763820
Not familiar with that instrument. I dont prefer winds, but I like the recorder because baroque. Will check that link anon.
>>
>>124757759
Seriously, why should species counterpoint be taught if Bach himself wasn't taught it?
>>
For me, it's Terry Riley - In C.
>>
>>124764574
because the Leipzig method is too hard.
>>
>>124764721
qrd?
>>
>>124764795
when writing a countermelody, you must write out a four-part chorale and then remove the inner parts.
>>
>>124764574
The only surviving book from Bach's library was Fux's. So even if Bach had other methods, Fux's is more comprehensible and fits into today's music theory better.
>>
>>124765398
Bach was fifty before reading Fux so why should anyone care about species counterpoint?
>>
>>124757759
Bach is shit.
Classical music is shit.
You are gay and retarded.
>>
>>124766188
We get it, you're a soulless golem
>>
>>124765638
Because Bach is not the end of music, nor is he a beginning. If you think otherwise, you are free to "not care" about species counterpoint and do whatever the fuck your monkeybrain tells you to do.
>>
Mahler 5 Adagietto should be at least 16 minutes long. Longer, the better.
https://www.youtube.com/watch?v=pthFFkCCwkM

In fact, 24 minutss is the best.
>>
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What are some properly high quality sets of mono recording for Beethoven and Mozart? I mean this in terms of literal sound quality. I love the Gold Seal recordings but the conductors are all meme-tier. Are there any good labels for mono recordings that have conductors known for their quality rather than their name?
>>
>>124766456
Why would you intentionally subject yourself to mono recordings? Are you a masochist? I get listening to X mono recording because it is your favorite performance of it, or simply exploring through various acclaimed recordings, but you gotta find something better to do, m8.
>>
>>124766496
I can't listen to stereo. And downmixing brings really shitty results. So my best bet are mono recordings of high quality
>>
>>124766509
>I can't listen to stereo.
Why???
>>
>>124766456
I think it's just you that's meme tier
>>
>>124766456
>>124766509
Mono? More like meme. There, now you're free to enjoy stereo because you're now aware mono is meme-tier, or whatever the hell is plaguing your mind and spirit.
>>
>>124759632
Did you like it?
>>
>>124766265
>Because Bach is not the end of music, nor is he a beginning
kek
>>
>>124766320
most retarded post ever made on this site. Congratulations.
>>
Handel's Messiah - I still can't enjoy anything as much as the Alldis version.
>>
>>124767027
I'll give it a try, thanks.
>>
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I guess I have to give pic rel another chance. I bought it years ago, listened to it once or twice and then completely forgot about it. It made no impression at all.
>>
>>124767027
ever tried Jeffrey Thomas?
>>
>>124767060
can I please please go the rest of my life without seeing this fat fuck's face again?
>>
>>124766837
Early stereo was good, when engineers knew what they were doing. But nowadays with enormously wide stereo separation and ridiculous dynamic range where you simply can't hear quiet passages at all, it's stereo that has become a meme. I'd take good mono over lousy stereo any day.
>>
>>124767060
Blomstedt's Requiem is very good, yeah. A tad too plain to be my favorite, but it's up there.
>>
>>124767075
Not sure. I'll look into it.
>>
>>124767096
>A tad too plain

That's what I thought, but even worse: insipid.
>>
>>124767111
There are so many other great ones, if you don't like any particular one, no need to bother with it again, just try another. They come in all shapes and sizes to satiate any taste.
>>
>>124767125
I know that, but the "greatest recording ever" entices me to go back. Karajan's Vienna recording remains my go-to
>>
>>124767149
>Karajan's Vienna recording remains my go-to
Same, though lately I've been really partial to Rattle's for a softer, lyrical approach.
>>
>>124767149
"greatest recording ever" is bullshit and shitty marketing. You would expect classical listeners would understand that but they fall for the same nonsense every time and love making their little "greatest top 10 evah" lists like over sugared school kids.

The score is the only recording that should be prioritised over others. But I supposed "preferred interpretation" doesn't sound committed enough for most.
>>
>>124767184
Cringe. We obviously understand 'greatest' just means 'preferred.' It's a combination of a rhetorical device and believing not all criteria for preferences are equal, ie some forms of objective greatness does exist, even if it's murky and not necessarily singular, hence the discussions.
>>
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o shi--, didn't know Bernstein had a Messiah recording. Guess I know my plans for the day! >>124767027 will have to wait until next time.

https://www.youtube.com/watch?v=FcV3Zp4WuF0&list=OLAK5uy_l6h7USbQPe4CcWncRnQdp70wKOQDo8sMo&index=7
>>
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Mozart

https://www.youtube.com/watch?v=4fSwdAsq61Q

Singers sounds very unlike the usual HIP singing style I'm used to. Sounds more like she's trying to replicate the style you hear on early 78 recordings. I like it. But I'm no expert on singing.

Levin's playing is lovely as usual.
>>
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>>124767213
>no mom, it's not lazy bad writing and thinking its a rheetorical device, you wouldn't understand
>>
>>124767260
le literal autist has arrived
>>
When Sibelius' music is performed and viewed as a Scandinavian Bruckner, it all begins to make sense and come alive. I know some people prefer the atmospheric, austere, diffusive soundscape approach to his music, and that's fine, but it's not for me, I like something concrete.
>>
>>124767258
Oberlin is an amazing soloist but Bernstein should be nowhere near the baroque, also the sound is pretty restricted sounds like it is recorded on cardboard.
>>
>>124757759
Where does one start with classical?
>>
>>124767767
Beethoven. Explore his masterpieces in each form -- symphonies, piano trio, piano sonatas, violin + cello sonatas, violin + piano concertos, etc. -- then branch out from there, either by composer (Tchaikovsky, Mozart, Brahms, Bach, Schumann, and so on) or by form (other great solo piano music, symphonies, concertos, etc.).
>>
>>124767767
>>
>>124767767
>>124767798
To copy+paste an old comment I wrote:

Try Beethoven's 3rd and 7th and then 9th symphonies. Mozart 39, 40, 41. Tchaikovsky 4 and 6. Dvorak 8 and 9. Schumann's and Brahms' symphonies, Haydn's Paris Symphonies, Bruckner's 5th and 7th and 8th, Mendelssohn's 3rd, 4th, and 5th.

Tchaikovsky Piano Concerto no. 1. Beethoven piano concerto 4 and 5. Mozart piano concertos 19 through 27. Bach's Keyboard Concertos (I prefer the versions with piano, look up the ones performed by Schiff). Schumann's Piano Concerto. Rachmaninoff's other piano concertos (1, 3, 4).

Beethoven and Brahms' and Tchaikovsky's and Dvorak's and Mendelssohn's violin concerto. Bach's violin concertos and double concerto.

Beethoven's violin sonata 7, 8, 9, and 10. Bach's violin sonatas and partitas (1, 2, and 3 for both). Mozart's violin sonatas. Brahms' violin sonatas.

Dvorak's cello concerto. Schumann's. Haydns'. Beethoven's cello sonata 3 and 4. Brahms' cello sonatas. Bach's cello suites. Prokofiev cello sonata. Mendelssohn cello sonata 2.

Beethoven's piano sonatas, all of the ones that have a named title (eg Pathetique, Waldstein, Moonlight, Les Adiuex, Tempest). some Mozart piano sonatas. Bach's Well Tempered Clavier, both books. Schubert's piano sonatas D.960 and 959 and 958(?). Prokofiev piano sonata 6. Chopin Ballades and Etudes 10 and 25.

Beethoven's string quartets 12-16. Mozart's 'Haydn' string quartets and string quintets. Brahms' string quintets. Dvorak's string quartet 12. Mendelssohn string quartet 6.

Bach's cantatas, 51 and 140.

Try a couple from each and keep exploring whichever form you like the most at that moment. Feel free to come back and ask whenever you can't decide and/or need help deciding on recordings (the recording, as in the interpretation and performance, matters a ton, as it can change the sound, power, and emotions of the music dramatically). Come back when you've listened to it all. Enjoy!
>>
>>124767767
>>
>>124767840
That's actually not a bad idea, starting someone out on a conductor compilation. Provides good variety of masterpieces with solid performances.
>>
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>Were I a gambling man, which due to my upper Canadian Puritan inheritance I am of course not, I'm very inclined to place my money on the prospects for immortality of Arnold Schoenberg above and beyond any other composer who's lived in our era, I think.
>>
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>>124767767
First off: Start with the Baroque period.

Generally you need to understand the forms utilized in order to have any beyond surface-level appreciation, luckily I can at least spoonfeed you four common forms you can sink your teeth into quite easily and can get you into listening Baroque music like Bach, Vivaldi and Handel

#1 Ritornello
This one is commonly found in Baroque concertos and is quite simple to follow: A melody is introduced in the beginning of the movement that keeps getting repeated, in-between each repetition you have the solo instruments playing a solo over the chord progression of the melody.
Examples:
https://youtu.be/lQLjP7x3Dug
https://youtu.be/ybwSoY5BuwY
https://www.youtube.com/watch?v=jfH3Gfkgzm8
https://youtu.be/yHSstJusbWI

2# Binary Form
The simplest one of the period, this has two sections: An A-section that repeats once, and then a B-section that repeats once (Note that the performer might also choose to not repeat the sections sometimes). That is it. It is quite simple but quite effective. You will be hearing this one a lot when listening to Baroque music. Most often found in suites (sometimes called Partitas), where all movements besides the prelude will be some type of binary form piece.
Examples:
Basically every movement in these pieces after their respective preludes
https://www.youtube.com/watch?v=GMkmQlfOJDk
https://www.youtube.com/watch?v=QmJpbCLZpk8
https://www.youtube.com/watch?v=mGQLXRTl3Z0
>>
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>>124767898
3# The Fugue
One of the most important of the period and one of the hardest forms to write, luckily it is not too difficult to listen to if you pay attention. The fugue has it's history in Gregorian chant, and therefore is written as if it were a vocal composition utilizing different "voices" which are slotted into each vocal voice range.

A fugue begins with an exposition, this is the most important part for you to pay attention to: A single voice will introduce the subject (i.e main melody) of the fugue, this subject will then be repeated in another voice with the previous voice providing counterpoint (Different melodies that are meant to harmonize the main melody while also standing on their own). This repeats until every voice has played the melody once. After this, it is not too dissimilar from a ritornello (at least in the case of Bach), with the main melody returning in different voices. There will also often be counter-subjects present that also return, but this depends on the fugue.
You will see the fugue almost everywhere in Baroque music (Note that most fugues are accompanied by a prelude, as noted in most titles. The prelude in the examples I give and 99% of the time is melodically disconnected from the fugue and mainly serves as a free form movement. Still, attention is warranted as they are as important as the fugue in terms of the overall expierence.)
Examples:
https://www.youtube.com/watch?v=Bbox4oi6HjA
https://www.youtube.com/watch?v=Pfnkz1cFp8g
https://youtu.be/BoXCHmLqh9k

4# Theme and Variations

You will find this one in almost all periods of classical music and therefore also the Baroque period. In it's early usage mainly used for church hymn melodies, it provides a main theme with a simple harmonization that then gets variations placed upon it based on that original theme.
Examples:
https://www.youtube.com/watch?v=yF-2aJY6dpo
https://youtu.be/qnCqOKE9N4Y
https://www.youtube.com/watch?v=BYfKWyeichE

Happy listening, anon!
>>
>>124767767
Try Mozart, Beethoven and Bach.

Then,

Palestrina, Gesualdo, Lassus, Tallis, Byrd

Monteverdi, Albinoni, Vivaldi, Telemann, Purcell

Haydn, Gluck, Schubert, CPE Bach, Cherubini

Mendelssohn, Berlioz, Chopin, Liszt, Schumann

then music stops its okay u can stop listening to it
>>
>>124757759
Handel's probably the 2nd best composer ever after Wagner.
>>
>>124767931
For unto us a child is born!
>>
>>124767807
>where do i start?
>just listen to the complete core repertoire lol
>>
>>124767258
>>124767683
>This performance is demented. Leonard Bernstein cuts a bunch of numbers, and divides the piece into two parts instead of the usual three. He does use a countertenor (the strange-sounding Russell Oberlin), which was unusual in the late '50s when this was recorded, but his interpretation isn't just un-Baroque, it's also unlike anything else you could possibly imagine. Slow, heavy, and totally unidiomatic, this recording is valuable only to Bernstein fanatics. --David Hurwitz

lmao
>>
>>124768194
I mean you don't wanna limit them to just one composer or form, so I provided a wide sampling. They aren't supposed to listen to it all in one afternoon, they can pick and choose. I've simply provided curated, succinct list from which to choose from. Ideally they go through whichever form or composer or period interests them most on the list, ie going through all of the violin sonatas or all of the stuff by Beethoven or Tchaikovsky. However, really.
>>
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now playing

start of Dvořák: String Quintet No. 3 in E-Flat Major, Op. 97, B. 180
https://www.youtube.com/watch?v=drM5gDUNOzU&list=OLAK5uy_nx9XiwIo8jX8gAwHx_YMeR0Ql6NhRoTZI&index=2

start of Dvořák: String Sextet in A Major, Op. 48
https://www.youtube.com/watch?v=FAmNBUjHVns&list=OLAK5uy_nx9XiwIo8jX8gAwHx_YMeR0Ql6NhRoTZI&index=5

Two of Dvorak's chamber masterpieces, performed by the Raphael Ensemble.
>>
>>124767767
just listen to Schoenberg
>>
redpill me on pierre monteux
>>
>>124768722
Old and stuffy, not worth listening to. His Daphnis et Chloé is ok. Better off listening to Markevitch
>>
New day, new album from the backlog. Lets start with Joseph Haydn.
>>
>>124768743
Thanks. I was ogling a 5-cd set of recordings he made for philips in london and amsterdam, to be had quite cheap. But i see they were made in the last years of his life. I'll pass.

I've only heard markevitch accompany haskil in mozart ctos (on disc obviously). What are some essential recordings by him please?
>>
>>124768827
Yes most of his recordings are from when he was old and tired, propped up in the podium and sounds it.

Markevitch: Cherubini Requiem, Rimsky-Korsakov Scheherazade, Glinka Life of the Tsar, Stravinsky ballets. Also his Beethoven is weird but well worth a listen.
>>
>>124768827
>What are some essential recordings by him please?
Le Sacre
Haydn's Creation
>>
>>124768722
Listen to his Petrouchka
>>
>>124767767
>>124767807 (good recs as always)
Obligatory Rachmaninoff concerto 2 rec with pic, link and kind regards:
https://www.youtube.com/watch?v=_5yPgbG_Ivk&list=PLs1oeJCZ4VmBELNhnlUoD1LJZkAtNUcRe&index=4

(Skip everything else for now and listen!)
>>
>>124764818
Any source that goes in depth on this?
>>
>>124768913
What is an audiophile edition?
>>
Beethoven, late choral works
>>
>>124769021
An edition for maho kun specifically
>>
CD 1 MOZART
Serenade K. 361 'Gran Partita'
FIRST RELEASE ON CD

CD 2 MOZART
Serenades K. 375 & 388
Antony Pay
FIRST RELEASE ON CD

CD 3 SPOHR
Clarinet Concertos Nos. 1 & 2
Antony Pay
FIRST RELEASE ON CD

CD 4 SCHUBERT
Mass No. 4
Wind Octet D.72*
Eine kleine Trauermusik
Gesang der Geister über den Wassern
Phyllis Bryn-Julson; Jan DeGaetani
Anthony Rolfe Johnson; Malcolm King
London Sinfonietta Chorus
*FIRST RELEASE ON CD

CD 5 SCHOENBERG
Verklärte Nacht*
Serenade Op. 24
John Shirley-Quirk
*FIRST INTERNATIONAL RELEASE ON CD

CD 6 SCHOENBERG
Chamber Symphony No. 1*
Pierrot Lunaire
Ein Stelldichein*
Herzgewächse*
Three Pieces for Chamber Orchestra*
Nachtwandler (Brettl-Lieder)*
Mary Thomas; June Barton

CD 7 SCHOENBERG
Wind Quintet
Der Wunsch des Liebhabers*
Der neue Klassizimus*
Lied der Waldtaube (Gurrelieder)*
Die eiserne Brigade
Weihnachtsmusik*
Anna Reynolds
London Sinfonietta Chorus
*FIRST INTERNATIONAL RELEASE ON CD

CD 8 SCHOENBERG
Suite Op. 29
Ode to Napoleon Buonaparte
Phantasy for Violin and Piano*
Gerald English
Nona Liddell; John Constable
*FIRST INTERNATIONAL RELEASE ON CD

CD 9
STRAVINSKY Agon*
BERG Chamber Concerto
György Pauk; Paul Crossley
*FIRST INTERNATIONAL RELEASE ON CD

CD 10
GERHARD
Libra; Gemini; Leo
FIRST RELEASE ON CD

CDs 11–12 WEILL
Kleine Dreigroschenmusik
Mahagonny Songspiel; Violin Concerto
Happy End; Das Berliner Requiem
Pantomime I; Vom Tod im Wald
Mary Thomas; Meriel Dickinson
Philip Langridge; Ian Partridge
Benjamin Luxon; Michael Rippon
Nona Liddell


CD 13 LIGETI
Melodien for Orchestra
Double Concerto
Chamber Concerto
Aurèle Nicolet; Heinz Holliger

LONDON SINFONIETTA
DAVID ATHERTON
>>
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I don't get it.
>>
>>124769021
Very good sound quality. In fact it's the best sounding record/master I've ever heard, but maybe that's just because I'm more sensetive to pieces I've listened to trillion times.
>>
Now playing Franz Benda.
>>
Franz Liszt, Franz Schubert or Franz Benda
>>
>>124769853
Hard to choose between Liszt and Schubert, but probably the latter.
>>
>>124769853
Number of albums in my hd
Schubert (4) = Benda (4) > Liszt (1)
>>
>>124769853
Easiest poll ever: Schubert
>>
>>124768722
He's good.
>>124768827
Some of those recordings are good. The Eroica with the Concertgebouw is Immaculately balanced even if it's on the slower side. Of his late London recordings I would say his Dvorak 7th is of particular interest, it's probably still the best recording of that work. Also, check out his Petrushka in Boston and his Franck Symphony with Chicago. Those two are probably his best stereo recordings and are far from "old and stuffy"
>>
>>124767060
>>124767111
>>124767149
here i was thinking "yeah, blomstedt's brahms requiem IS milquetoast, i wonder what this guy prefers" and it's fucking karajan, what a fucking travesty.
>>
Another one from the Benda family. Andras Szepes plays the harpsichord.
>>
>>124768722
marvelously genius conductor who rarely set a wrong foot anywhere.
>>124768743
retarded and wrong
>>124769222
i don't know how it ended up that MTT of all people was the only major conductor with any interest in the late beethoven secular choral works. you'd think literally anyone else might have tackled them at this point but nope, i guess not.
>>
>>124769853
i prefer franz joseph haydn
>>
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Barenboim's Bach

https://www.youtube.com/watch?v=fYOP_EVcNM4&list=OLAK5uy_mL6yK0x1OBjPPdtF2-56tP4W3_TpW6EmE&index=13

>>124770491
Can conductors really attain the rank of 'genius?'
>>
>>124770537
yes, but definitely not barenboim
>>
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Beethoven

https://www.youtube.com/watch?v=e8MkG-u5gRQ

Thoughts on Monteux as a conductor? I think he has a cool mustache.
>>
>>124770558
Someone just asked that! >>124768722
>>
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>>124770558
I think this Vienna recording isn't as good as his later Concertgebouw one, both in recording quality and interpretation.

Also, yes. Excellent facial hair. Who wouldn't want this jovial man as a grandpa?
>>
>>124770553
I don't know, just feels off. While I obviously recognize the importance of conductors and the difficulty of their craft, it feels akin to, say, calling a translator of literature a genius. Maybe I'm unnecessarily and incorrectly being a stickler here.
>>
>>124770645
certified non-musician moment
>>124770594
his vienna recording sounds awful, same with his vienna brahms. i don't know what went wrong those days, but his respective remakes of both are so much better.
>>
>>124770663
Yeah, they have a very tinny and small sound to them. It's strange.
>>
Why aren't non-sonata forms more common for string instruments in the same way they are for solo piano? Like series of preludes for violin/cello. I've heard a couple and they're excellent.
>>
>>124770693
because only piano wankers could ever be so pretentious.
>>
>>124770703
lol

I guess there's always arrangements. Time to look for string arrangements of Bach's 24 P&Fs and Chopin's 24 Preludes, for example.
>>
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Post the worst/weirdest Classical Music recording covers
>>
>>124770491
>i don't know how it ended up that MTT
Plenty of people have recorded Beethoven's choral ephemera: Zinman, Gardiner, Semkow, Abbado among others. They just aren't very highly regarded works. Jobbing Beethoven.
>>
>>124770775
>>>/edm/ is that way
>>
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>>124770775
>>
>>124770792
Lol it's a cover for Johannes Ockeghem's masses
>>
>>124770785
>zinman, gardiner, semkow
yes, but i said major conductors
>abbado
blech
>>
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ooo didn't know Hindemith had piano music. Should be a fun listen! Normally I'd pick someone other than Gould but I saw a thumbnail of Hurwitz suggesting his and I've been more open to trying out his recordings lately.

start of Hindemith: Piano Sonata No. 1 in A Major
https://www.youtube.com/watch?v=lrsuFVIqtYc&list=OLAK5uy_lTmd6FXBkwjXO1kVxtlcJPmWiZOkexC0w&index=1

Of course, there's the obvious problem of having Gould be your introduction to a piece, where you don't know if he's gonna change it up so much you don't get an accurate representation of it, but nevertheless.
>>
>>124770801
'Defects of form are not a justifiable ground for criticism from listeners who profess to enjoy the bleeding chunks of butcher's meat chopped from Wagner's operas and served up on Wagner nights as Waldweben and Walkürenritt. -- Donald Tovey

>>124770823
Minor works not worthy of major conductors, Maybe Monteux would have made them nice and dull.

>>124770835
The Ludus Tonalis is better than the sonatas.
>>
>>124770914
>Ludus Tonalis
Neat I'll check it out as well, thanks.
>>
>>124770914
when india's sending bait, they're not sending their best. sad but true.
>>
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>>124770594
>>124770663
>>124770689
Strange, I actually quite like the sound of his vienna recording more. What headphones you guys sporting?
>>
>>124771079
you also quite like being an AGP tranime pedophile more, so there's clearly a difference between how you and the rest of us see the world.
>>
>>124771079
i hope the following information brings you comfort in a world of ill-will meaning anons. the 2015 eloquence remaster with veinna was reissued in the 2019 anthology. i cant speak to the concertgebouw performance because i cant find it.
>>
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so many Shostakovich String Quartet sets, so little time!

https://www.youtube.com/watch?v=etX2_kAZ8JY&list=OLAK5uy_mz-P_pG6Ab6E8O5ZPhr0ZcHvaEn-uU_60&index=9
>>
>>124771216
forgot:
>With their recording of Dmitri Shostakovich's complete string quartets, the Quatuor Danel has crafted an impressive opus that delves into the composer's life with deep musical understanding and establishes unparalleled standards in interpreting his chamber music. These new live recordings, stemming from their 2022 residency at the Mendelssohn Hall of the Gewandhaus Leipzig, capture the full spectrum of emotions embedded in Shostakovich's quartet cycle, from the ethereal to the profound, from the whimsical to the contemplative. With their interpretation of this extraordinary cycle, the Quatuor Danel has forged a distinctive Shostakovich style that cannot be found in any other quartet. Primarius Marc Danel reflects on the resonance with the audience in Leipzig, describing it as nothing short of sensational. "I hope the recordings will also convey the collective spirit we permanently felt during our residency in the Mendelssohn Hall."Recorded live at Mendelssohn-Saal Gewandhaus zu Leipzig February & May, 2022
>>
>>124771216
shostakovich is shit and your consumer attitude has revealed negative connotations about your character
>>
>>124771216
yes, there is a lot of dogshit in the world, unfortunately.
>>
>>124771237
Are we really on this again? It has nothing to do with any 'consumer attitude,' I just want to get the most out of great music, which includes experiencing them in new and interesting ways.

>>124771249
Which is why I post music belonging to the good side.
>>
>>124771262
>Which is why I post music belonging to the good side.
evidently not
>>
>>124771267
You're still young, you've got plenty of time left on life's stage, hopefully you'll come around.
>>
>>124771285
come around to enjoying bad music? no thanks, i'll leave that to stupid old people like you.
>>
>>124771285
life is not a stage. whoever sold you that crap is a con artist and probably one of the reasons why you've been captured by consumerism.
>>
>>124771296
If I didn't weigh 125lbs, I'd beat you up.
>>
>>124771312
i'll leave the bad music to gremlins like you, eat it all up little guy.
>>
>>124771306
Help, I've been captured and am being held hostage! Free me, anon.
>>
The majority of people don't come to classical to expand their tastes, they are aiming to narrow it.
>>
>>124771336
>eat it all up little guy.
That's funny.

>>124771366
To be fair, another way to word that is increasing one's discernment, tightening one's palette. But yes, I feel you.
>>
>>124771362
ideological capture is an abstract field that cant be got to physically. dont fret. there are many people in your position who have been unfortunate enough to unwittingly fall for marketers, advertisers and propagandists. the trick to breaking free is not something someone else can do for you but rather something you can do for yourself. also cluytens beethoven performances are on par with karajan in particular the tempo. very fast, not something im used to nor like very much.
>>
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>>124770693
Because gathering an entire orchestra to play a small prelude seems excessive. And playing series of preludes is just like playing a set different small pieces unrelated to each other (even Chopin's preludes don't exactly sound 'well' next to each other, despite running in circle of fifths), why would you want that instead of one long, coherent piece when you have an entire orchestra at hand?

Not trying to undervalue small preludes obviously, I love Chopin, they are just better suited for a small performance (e.g. in a 19th century Salon), by a single performer.
>>124771216
Russian late romanticism reigns utterly supreme.
>>124771285
He won't. Intelligence is hereditary.
>>124771312
kek based.
>>
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these blurbs are too good:

>Nelsons is Superman --Gramophone

>Every time I ve seen him conduct - in Boston, Tanglewood, New York, and Bayreuth - he has set off brushfires of intensity. [...]
Nelsons produces full-body impact: instead of shattering about your ears, the sound engulfs you. He is a master at controlling dynamics to create a kinetic, fluctuating mass. --The New Yorker

>Andris Nelsons conducted with keen focus and vigor, eliciting tonal beauty, technical precision and obvious engagement from the orchestra. --The Wall Street Journal

Solid recording too.

https://www.youtube.com/watch?v=slyjSkZw9s0&list=OLAK5uy_mjFkz-QGu47xLZ2fidcxkq6yY9nrx-gkc&index=2

https://www.youtube.com/watch?v=nQfQudLuIqg&list=OLAK5uy_mjFkz-QGu47xLZ2fidcxkq6yY9nrx-gkc&index=2
>>
>>124771414
intelligence may be in part hereditary but to ignore environmental pressures that stimulate the functioning of brain power is not an honest way of approaching the capability of people
>>
>>124771414
Sorry, I meant solo string instruments.
>>
>>124771454
Be honest, if in a review of one of your performances the critic compared you to Superman you'd Krazy Glue that shit to your wall.
>>
>>124771508
i don't care about what critics have to say no matter how hard they're sucking the shit out my asshole. literal soulless automatons.
>>
>>124771438
Oh right, my bad.
Well, solo string instrument is still incapable of producing sounds that piano can, it can barely play 2 voice, whereas Liszt transcription imitate symphonies.
>>124771432
>environmental pressures
Has no effect on g factor a.k.a. intelligence. But yes, environmental factor matters as well.
>>124771454
Shouldn't you be at the psych ward working hard for your certificate, mutt?
>>
>>124771516
You'll never reach the top without them.
>>
Oh look, its time for Dumb & Dumber's daily argument.
>>
>>124771216
Just finished listening to that 3rd and now onto the 4th, this set is actually fire, highly recommended. I'll definitely be going through it in the coming days.

https://www.youtube.com/watch?v=UTdFpDd6byM&list=OLAK5uy_mz-P_pG6Ab6E8O5ZPhr0ZcHvaEn-uU_60&index=14
>>
>>124771525
am i to understand that you think environmental pressures matter in regard to intelligence but that it doesn't have an effect on intelligence?
>>
>>124771568
fire bop slap no cap on god fr fr bruhhhh this shit bussin sheeeeeeeesh finna hawk tuah on dat thang
>>124771575
as much as i find you endearing, my dear unmedicated schizo, i do hope you realize that you are wasting your breath arguing with a deranged homosexual indian.
>>
>>124771595
Is that Ginsberg?
>>
>>124771621
no it's wench i mean welch
>>
>>124771555
1. I'm not the one shitting up classical, it's you
2. It's not late at all, but nice try insomutt.
>>
>>124771635
Huh, I thought I was familiar with all of the Beats.

>On May 23, 1971, Welch walked out of poet Gary Snyder's house in the mountains of California, leaving behind a suicide note. He had with him a stainless steel Smith & Wesson .22 caliber revolver. His body was never found.[1]

damn
>>
>>124771681
I didn't know who Lew Welch was so I looked him up is all.
>>
>>124771681
>2am where you are
But I am not in mumbai, nor is it 2 here, mutt.
>>
>>124771694
i was making a joke about the hawk tuah girl, i have no idea who lew welch is.
>>
>>124771701
o lol

I thought your joke was naming a different Beats poet because I said Ginsberg. Whoops!
>>
>>124771714
Shouldn't you be replying to >>124737444 or did you finally give up for once, insomnimutt? You'll have to give up the second time here
>>
>>124771525
>Well, solo string instrument is still incapable of producing sounds that piano can, it can barely play 2 voice, whereas Liszt transcription imitate symphonies.
Makes sense. Still, even more stuff like Bach's Cello Suites or solo violin pieces would be nice, but I get there's only so much you can do with them, and not everyone can be Bach.
>>
>>124769853
Schubert
>>
>>124771145
So true newfag sister
>>
>>124771724
There's also the famous Paganini caprices, and Bartok's solo violin sonatas which I haven't yet properly explored. But yes, there doesn't seem to be many
>>124771744
I don't see how you still have hope of being the last to reply, but you do you, insomutt.
>>
https://youtu.be/SSCjRhkAOjI?si=96B3g7s0wcDfZ29-
This is so beautiful.
>>
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Mozart

https://youtu.be/pXbA_WHF_6s

Beautiful work
>>
>>124771830
>>124771145
>>124771857
What the heck is this dudes problem
>>
>>124771866
He is psych ward escapee currently employed at the circus (he calls it american conservatory), where he conducts Schubert unfinished daily, for the past 10 years non-stop
>>
>>124771894
I'm afraid your certificate is going nowhere, you'll HAVE to obtain it!
>>
>>124771950
not interested in hearing you repeat lines from your favorite bollywood flick sorry, you'll have to find someone else you Rape you.
>>
>>124771969
>t. doesn't even have the psych ward certificate yet
LOL. What a total loser newfag
>>
>>124771980
sorry, but having gay anal sex with child Rape victims is just not on my list of things to do today. go ask someone else.
>>
>>124772012
You have no psych ward certificate yet, your opinion is worthless.
>>
>>124772032
you're The Raped, your asshole is worthless because it was torn wide open by your uncle.
>>
>>124772058
Save your breath, you still need that certificate to matter, insomutt.
>>
Interesting how the two most mentally disturbed individuals here don't like Shostakovich, you would think his music would be right up their alley. Perhaps they don't enjoy having their psyche reflected back to them. Art should comfort the uncomfortable, and discomfort the comfortable, and all that.
>>
Take the trash out, janny, I'm taking mine out along with that ;)
Also, Tetzlaff's Bartok solo violin sonatas:
https://music.youtube.com/playlist?list=OLAK5uy_nAKCJLN5oStMT9qQjo21rvd2cda3o8Qyk
>>
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>>124772176
>Perhaps they don't enjoy having their psyche reflected back to them
AHAHAAHAHAHHAAAHAAHA
>>
>>124772199
Good day for Bartok.
>>
>>124772231
A good night for Bartok for sure, and for the morning I'll listen to Shostakovich, in honor of the insomniac's mental health issues.
>>
>>124772150
save your asshole, you'll need it for when uncle sorabji rises from his grave to Rape you once again.
>>124772176
interesting how the two most musically illiterate morons here like shostakovich. perhaps they enjoy it out of ignorance to the standards of good composition.
>>
>>124769020
yes:

https://archive.org/details/cu31924017605142/page/n9/mode/2up
>>
>>124772273
Save your breath for the certificate ceremony.
>perhaps they enjoy it out of ignorance to the standards of good composition.
Perhaps the standards are overrated in proportion to their relevance to actual quality, and are set up by circlejerk who can't even figure out that consonance is relative? Perhaps you have to mind your own business and let people enjoy good music?
>>
>>124772341
sorry, not interested in hearing Rape victims ramble about topics they don’t understand.
>>
>>124772351
Get back to certificate shining on colorful marble pedestal... In the future LOL
>>
>>124772455
you’ll have to teach me hindi one of these days so i can understand your incomprehensible Raped babble.
>>
>>124772176
The sister shitter doesn't believe in self awareness or self reflection
>>
>>124771306
>>124771408
You never heard of Shakespeare anon?
>>
>>124772489
You'll have to invite me over at your circus/psych ward award ceremony
>>
>>124772598
please, no invitations to your indian gay Rape orgies, thanks. i’m just not interested.
>>
Why do you think the sistershitter is so obsessed with Indians? Is he a Pakistani perhaps? Or was he conned by Indians at a formative age and it stuck with them? Or is this just their latest aspergic fixation and they'll eventually move on to something else?
>>
>>124772682
i think they're chinese
>>
>>124772682
Current political monster of the week like trannies a year or two ago
>>
>>124772682
i don’t think calling a duck a duck counts as an obsession
>>
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now playing, didn't know Sibelius had a Piano Quintet

start of Sibelius: Piano Quintet in G Minor
https://www.youtube.com/watch?v=4ZrM5Z5OaGw&list=OLAK5uy_lz5HzDFEi5q6Fwp2g2rqGVtKZ6OHyHVMU&index=2

start of Sibelius: String Quartet in D Minor, Op. 56, "Voces Intimae"
https://www.youtube.com/watch?v=IzM2wea4cO4&list=OLAK5uy_lz5HzDFEi5q6Fwp2g2rqGVtKZ6OHyHVMU&index=6
>>
>>124772758
Well of course YOU wouldn't -insane people don't know their insane.
>>
>>124772833
pray tell what’s so obsessive about calling something as it is.
>>
It's important not to indulge the person's obsessive fantasies. By playing along with them-they consider this validation of their delusions
>>
How do I stop listening to Wagner?
>>
>>124772641
Not like I would come to your psych ward/circus party lol
>>124772682
It is projection, he's part indian and hates himself for that.
>>124772857
Absoltely nothing, insomniac mutt!
>>
>>124771824
Does anyone happen to have the Suske Quartett recordings of Beethoven in FLAC?
>>
>>124772972
no one asked for your Raped opinion, i’m afraid.
>>
>>124773003
Onwards from circus to the psych ward!
>>
>>124766320
Mahler 6 should be half as long
>>
>>124773020
try that one again in english, Raped, i don’t understand hindi.
>>124773034
delulu
>>
>>124772893
You don't.
>>
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https://www.youtube.com/watch?v=hX8aYU3-CRc

Everyone is so weak and pathetic. Who the hell cares about inferior rodents anyway? I alone must endure as I alone have the soul of an aristocrat. You inferior insects and your whiny musings never fail to entertain me. In me dances the warrior, the conqueror, I am the Hagen who will kill Siegfried. I am the Sauron who throws the entire world into chaos. The desire to rule everything in sight. The desire to dominate and destroy any opposition.

I don't care about life now, life, safety, wealth, health - these things are all trivial, all part of a Jewish circus trope for subhumans and jesters to partake in. All I want now is to have a legendary battle with a certain someone, a rival, our battle will shake the earth. The only thing to live for as this is the true meaning of life - A FUCKING BATTLE! Blow the war horns and carry me to destruction ARES!
>>
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There exists only two kinds of humans, one that enjoys and other that whines.
>>
Mendelssohn

https://www.youtube.com/watch?v=-EcmAO3GxEQ
>>
>>124773218
>and other that whines.
Like this:
>>124773190
>>
>>124772520
the second post you're quoting has nothing at all to do with shakespeare but rather anons propensity for consumerist activities. and, the only plays of his that ive read, if they are actually his, are coriolanus and the taming of the shrew. i assume he was quoted as stating life is a stage or something to that effect, but where i come from we're taught to not trust people selling phrases that are related to their profession. for instance, a door to door salesman is doing his usual pitch about how this window cleaner will wipe away so-and-so problems. that doesn't mean it'll do what he says or for that matter that it'll clean at all. in fact, if he's making a profit by selling the product he is more often than not lying. why would it be any different coming from a playwright?
>>
>>124773660
o_o
>>
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>>124773660
>>
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now playing

start of Hindemith: Symphonie "Mathis der Maler"
https://www.youtube.com/watch?v=MhdLdTNfDe4&list=OLAK5uy_kaLk8VErjHsUs5iwvhjFa-VfYOLnyM7YM&index=1

I always read the title of this piece as "Mathis der Mahler"
>>
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https://files.catbox.moe/mog83l.mp3
>>
>>124773660
Read Shakespeare, anon.
>>
>>124773871
Sneaky ancient vampire... will check that out, thanks.
>>
Chopin

https://www.youtube.com/watch?v=dM6zQhGhhr0
>>
Fou Ts'ong the pianist any good?
>>
>>124774150
https://www.youtube.com/watch?v=EHNEWQhlQsg
yeah
>>
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>>124774185
Cool, listening to some of their Schumann now.

https://www.youtube.com/watch?v=nRnfmmdXE_E&list=OLAK5uy_mRjqSnjnVQIiH3c8BV9p5SoeTUl5uJNlQ&index=1
>>
>>124774150
Fou what song?
>>
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Goddamn, a man could spend a lifetime listening to the vast multitudes of Bach recordings out there, many of them great, each in their own distinct, wonderful ways.
>>
>>124774296
Should definitely hear Feinberg if you don't mind older recordings.
>>
>>124774296
pic unrelated, presumably
>>
>>124774296
dry rendition, sounds like he doesn't like bach at all
>>
>>124774315
I've been on a modern recording kick lately, but that one is certainly on my list for when I do feel like exploring the much older generations.

>>124774339
>>124774349
Yeah, I remember anons here expressing dislike for Jarrett before. You guys undoubtedly know better than me, but, a few tracks in, it's sounding pretty good. While not transcendent, like the best Bach performances are, certainly entertaining, bright, and jovial.

https://www.youtube.com/watch?v=NYJDE6DAYAE&list=OLAK5uy_mYOfswGfIc2eIe6_0wUuTXJKXOtRFfDzU&index=2
>>
>>124774296
Bach is a gift that keeps on giving.
>>
>>124774374
at this point, i'm pretty sure literally everything sounds good to you so long as it vaguely resembles what's written in the score.
>>
>>124774395
I just have a wider rating system than you guys. To some of you, if it isn't the very best, it sucks. For me, something can be good even if I don't think it's worth repeat listens so long as the one experience was enjoyable. But hey I've already admitted you guys know better; discernment comes with time and experience, after all, and you gotta get there through listening.
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>>124774395
nta but yes, thats me. I have a growing collection of /classical/ digital albums and I'm yet to delete an album because of the performance. It is what it is.
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>>124774472
Being able to find enjoyment out of a wide variety of things, in this case music and their performances, is a virtue. That doesn't mean you can't still recognize that some are in fact better than others, so there's nothing to feel bad about.
>>
/classical/'s APPROVED RANKINGS OF THE TOP 25 SYMPHONISTS IN HISTORY

1. beethoven
2. mahler
3. brahms
4. bruckner
5. mozart
6. schubert
7. tchaikovsky
8. nielsen
10. sibelius
11. haydn
12. sessions
13. schumann
14. mendelssohn
15. lutoslawski
16. shostakovich
17. ives
18. hartmann
19. stravinsky
20. prokofiev
21. rvw
22. rachmaninoff
23. martinu
24. elgar
9001. schnittke
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>>124774605
Pretty good! The immediate glaring omission I see is Dvorak, but of course no one's list is gonna 100% line-up with anyone else's, so on the whole I approve.
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>>124774388
Indeed! There are some days as of late where almost nothing else sounds good, so I end up listening to nearly solely Bach. It's been nice.
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sorry for the spam, trying one more tonight and so far this one is a real winner. Looked into the pianist's other recordings and he's got a nice variety; some more Bach, lots of Debussy, a lot of Messiaen and Ligeti and Bartok, some Beethoven.

https://www.youtube.com/watch?v=x_h9NOe_6bo&list=OLAK5uy_n4vK98DmwE8g4iAQzM2S_YdBYyu6FPuvo&index=1

softer, meditative, some might even say 'spiritual' approach
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>>124775173
You are on topic anon, you are very welcome.
>>
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now playing

start of Mendelssohn: Piano Concerto No. 1 In G Minor, Op. 25, MWV O7
https://www.youtube.com/watch?v=NGvVuGSLtSY&list=OLAK5uy_m8a0_qssPsFuuMS6lJQr1QiANgVca5m-Q&index=1

start of Mendelssohn: Piano Concerto No. 2 in D Minor, Op. 40, MWV O11
https://www.youtube.com/watch?v=s8gz-OD3pnM&list=OLAK5uy_m8a0_qssPsFuuMS6lJQr1QiANgVca5m-Q&index=6
>>
>>124775813
had to do two posts to fit this immense and detailed editorial excerpt:

>>Many of Jean-Yves Thibaudet's recent recordings not only his pale Rachmaninov, but even his dimly characterized Debussy have represented him as a technically fluent but interpretatively self-effacing pianist, one who prefers to skate across the music than take a position on what lies beneath the surface. One might have expected the polished veneer of Mendelssohn to encourage more of this faceless graciousness; but in the event, these turn out to be impressively firm, even tough-minded, performances. Not that they're brutal, as Katsaris's unyielding readings of the concertos are: whether in the fluid transition into the second theme of the first movement of the First Concerto, the supple shading of the cantilena in the following Andante or the artful weighting of the cadences in the Variations, Thibaudet offers urgency without sacrificing poise. Nor, for all his attention to the music's larger design, does he disdain the concertos' glitter, as Kalichstein does in his daringly dark and probing readings. Still, it's fair to say that Thibaudet's performances are more desperate than dapper, more thrilling than tender, more spiky than succulent. Note, for instance, how his slightly craggy articulation in the Second Concerto's Adagio keeps the music's sentiment at bay, or how his jabs at the left-hand octave interruptions (for example, at 1'15") inject a sense of threat to the normally placid Andante that introduces the Rondo capriccioso. Those who dip into Mendelssohn for his charm may find it all too stern but those open to Thibaudet's tart perspective may well rank this among the most persuasive recordings that he has given us. Blomstedt and his orchestra are at one with the pianist and the engineers have captured them with power and immediacy. Jeremy Siepmann's notes only add to the pleasures of the disc. Warmly recommended. Peter J. Rabinowitz - From International Record Review
>>
>>124774605
>Brahms and Bruckner over Mozart and Haydn
romanticism is a mental illness
>>
>>124775794
Thank you. I just know I have a habit of overdoing it when I become enthralled with an individual composer and want to post about them -- should have seen my Mahler posts many months ago!
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>>124775825
He's correct. Mozart and Haydn walked so Brahms and Bruckner could run.
>>
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>Because she has a big (classical) ass!!!
>>
In the vein of Harry Potter, I will name my kids:
>Johann Telemann Domenico Josquin Bach
>Haydina Monteverdia Franzina Benda
>>
feels like a Rachmaninoff Symphony 2 night

https://www.youtube.com/watch?v=hBypaMi9POU&list=OLAK5uy_nDCYeg0ps60E-q6LAe9lD5MbNslNX0jbM&index=1
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>>124776564
Music for sleep or music to extend the night?
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>>124776615
Not sleep time yet. Just it's dark and the mood struck.
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>>124776361
kek
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>>124775824
>technically fluent but interpretatively self-effacing pianist, one who prefers to skate across the music than take a position on what lies beneath the surface.
The critics make an enormous effort to not be plain (is it a good performance? Did I like it?) but get lost in a maze of words.
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>>124775813
>Mendelssohn
He is a composer that I cant place in my "brain chart". Its always in the list of composers to listen but I never make the effort to do it. Forgett about him till the next post. Dunno why.
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>>124774605
>rvw
Who?
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>>124773871
Sick cover
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>>124777069
Rudwig Van Weethoven
...
Ralph Vaughan Williams
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>>124777088
Oh, the English composer
>>
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now playing, finally trying some Messiaen

start of recording playlist:
https://www.youtube.com/watch?v=oEm61VGqMZk&list=OLAK5uy_lG3GpbzRiZ0TfMfsLHVxq8sttA_B2fDkA&index=1

liner notes from the artist/pianist:
>The present recording features highly contrastive aspects of Messiaen's personality. The composer was a visionary who retained his independence throughout the 20th century and invited us in the process to rethink the way in which we listen to music. As a man, he was secretive by nature, with the gentleness and modesty of some of his Préludes. He also had the capacity for marvelling at the world around him, which, together with his powers of listening, finds expression in his Catalogue d'oiseaux. And he was intellectually inquisitive, a quality which, like his sense of order, is reflected in his Études de rythme. I hope that this homage in the form of a portrait will encourage others to share my love not only for this great creator of time and colour but also for this mysterious and radiant man.
>>
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The title sounds a bit derogatory
>Haydn and his... "English friends"
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>>124777136
A sensible introduction without too many superlatives. Its really inviting.
>>
Closing the day with Early Music, as it should be
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>>124777220
Harmonia Mundi do have a nice catalogue for sure
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>>124777220
The previous album, the Benda one, took me way too much to finish. The day was busy.
>>
New thread

>>124777245
>>124777245
>>124777245
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>>124770775
It deserves a whole thread, I hate the try hard covers.
>>
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Guitar is a sweet instrument but it doesnt get the attention it deserves.
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>>124777301
I remember a Guitar Festival, more than ten years ago I think, where a young guitarist was playing Bach on a electric instrument. He stopped all of a sudden and said: "I made a mistake", then started again from the beginning. It was sweet and weird at the same time.
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>>124776564
Rach is perfectly fine. Cant understand the division that him and W cause here.
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Do we really need another rendition of picrel?
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>>124777499
Damn, here the pic
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I have no idea what "golden age" means here.
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>>124757759
Why do we have an "edition" in op and then do nothing with it? Remove editions altogether.
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>>124777562
not much considering kurt masur wasn't much of a maestro of anything
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>>124777594
I searched for golden era of conductors/directors but the results are unclear.
>>
New thread

>>124777591
>>124777591
>>124777591
>>
>>124777611
people have this subconscious idea that the good conductors are all dead and gone and that things were better in the past (true), so record labels try to twist this into the golden age being the likes of karajan and bernstein (highly marketable and extremely recorded performers) rather than actual old guard conductors like weingartner, monteux, toscanini, walter, etc. etc.
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>>124773097
Onwards from circus to the psych ward!
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>>124774605
Anon, actual top 10 looks like this:

1. Rachmaninoff
2. Prokofiev
3. Brahms
4. Tchaikovsky
5. Schumann
6. Mahler
7. Shostakovich
8. Bruckner
9. Schubert
10. Beethoven

>ives
LOL
>>
>>124774605
Don't care about the rest, but here is my top ten:

1. Beethoven
2. Bruckner
3. Haydn
4. Mozart
5. Schubert
6. Sibelius
7. Bach
8. Mahler
9. Tchaikovsky
10. Brahms
>>
>>124775855
go finish your HS homework



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