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File: dvorak-01.jpg (364 KB, 1378x2000)
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Dvorak edition
https://youtu.be/i91kay1ZeOI

This thread is for the discussion of music in the Western (European) classical tradition, as well as classical instrument-playing.
>How do I get into classical?
This link has resources including audio courses, textbooks and selections of recordings to help you start to understand and appreciate classical music:
https://rentry.org/classicalgen

Previous: >>128970591
>>
LISTENING CHRONOLOGY OF COMPOSERS:
>Level 1:
Mozart (early)
Bach (early)
Tchaikovsky
Debussy
Chopin
Beethoven (early)
>level 2
Scarlatti
Saint Saens
Glass
Richter
Vivaldi
Pachelbel
Haydn
Schubert
Verdi
Ravel
Brahms
Mahler
Part
Strauss
Liszt
(Most other romantic composers)
(Most other classical period composers)
(Most other baroque composers)
>level 3
Montiverdi
Couperin
Zelenka
Purcell
CPE Bach
JC Bach
Britten
Reich (late)
Satie
Bartók
Stravinsky (early)
Schoenberg (early)
Shostakovich
Scriabin
Bruckner
(Most mininmalists)
(Most impressionists)
>level 4
Palestrina
Gesualdo
(Most Renaissance composers)
(Most medieval music)
Reich (early)
Riley
Stravinsky (late)
Berg
Boulez
Berio
Ives
Webern
>level 5
Ligeti
Penderecki
Gorecki
Nono
Varese
Schnittke
Partch
Cage
Crumb
Feldman
>level 6
Stockhausen
Murail
Xenakis
Sorabji
Grisey
Radulescu
Scelsi
Finnissy
Nancarrow
Ferneyhough
Lachenmann
>FINAL LEVEL
Wagner
Beethoven (late)
Bach (late)
Mozart (late)
Schoenberg (late)
>>
>>128986815
The other poster is half correct, except his transcriptions are actually bretty good, I would also check out Sonata in B minor. Never heard anything else good by him, but those are good enough to not skip.

https://www.youtube.com/watch?v=ANTk-mX-G4Q
https://www.youtube.com/watch?v=IeKMMDxrsBE

Some of the symphonies are a bit too accurate to the original though, where repeated notes are played that really only have meaning if you have timbral gimmicks to carry them, solo instruments don't have that same ez mode for bad writing, so he really should have taken some extra liberty and changed it. Most painfully obvious in the third:
https://youtu.be/f9sWSZJlkcM?t=346
>>
The Classical era is the worst period, let me explain:

First and foremost, I'd say that the classical era is characterized by god awful melodic writing. Melodies from the era range from sarcastic chaff to shallow joy. They are just so damn emotionless, like every melody from the era is just a person pretending to smile while they feel nothing inside.

The rhythms employed in the era are scarcely interesting. I think the expression that sums this up best is that the classical era is music without Africa. That is to say, all the joy and intensity of rhythm in African music is totally missing here.

I'm also huge on harmony and how it is employed. Somehow, the classical era managed to strip away the harmonic brilliance of what came before it, but didn't bother to find its own harmonic voice. It was an era of stagnation in this regard.

I've gone through analyses of Mozart and it really amounts to "He put themes together and they fit." Well, the themes suck, so why does it matter what he does with them?
>>
>>128987264
>>128987078
Thank you for the cliquespam.
>>
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Speaking of Beethoven transcriptions, more Alkan is on the menu.

https://www.youtube.com/watch?v=eeTDMacwG1c
>>
Apollonian:
Bach
Haydn
Mozart
Schubert
Brahms
Bruckner
Schoenberg
Webern
Boulez
Feldman
Josquin
Ockeghem
Schutz
Hindemith
Rameau
Part
Reich
Glass

Dionysian:
Vivaldi
Beethoven
Paganini
Chopin
Wagner
Mahler
Xenakis
Tchaikovsky
Debussy
Berg
Rachmaninoff
Ravel
Rautavaara
Janacek
Messiaen
Scelsi
Ligeti
Milhaud
Berio
Gesualdo
Monteverdi
>>
>>128987376
Palestrina and Byrd in Apollonian
Bull in Dionysian
>>
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>>128987052
>Dvořák
I love how he gives violas the little horn-like motive here in 12:18
https://www.youtube.com/watch?v=CRcbDMg56yg
>>
>>128987376
Most of them are a mix of the two. Its not one or the other
>>
>>128987264
Figaro
>>
Why does Dvorak look so black?
>>
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Minnie Riperton Ft. Peabo Bryson - Here We Go
https://youtu.be/cmD95FUFKvI?si=avZP-41nQMm5-MPA
>>
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This board will never be cool enough for Shalamar.

Shalamar - For The Lover In You (1980)

https://youtu.be/UMxxBvGac1A?si=3HvwoUPUzDSaUud0
>>
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Debra Laws - On My Own (1981)

https://youtu.be/1eid5YYPdIY?si=SFDqqs-MzoIjPqhs
>>
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Cheryl Lynn - Shake It Up Tonight (1978)

https://youtu.be/tmrD_1BWpBg?si=mRNVOMdMGRkRhDn0
>>
>>128987052
https://files.catbox.moe/83adb6.mp3
schubert, haebler - piano sonata no.21 first movement
>>
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Cherrelle - I Didn't Mean To Turn You On (1984)

https://youtu.be/f1i_RJOCXVA?si=d-kv0Ic-ojB8n5Xu
>>
Lads, I heart a part from Les Troyens and liked it very much. What are some good recordings?
>>
>>128989729
I listened to the John Nelson one with Joyce DiDonato and enjoyed it
>>
>>128989074
>>128989118
>>128989142
>>128989416
>>128989596
ULTRA BASED
>>
>>128989548
bros why didnt you tell me schubert's piano sonatas are this good
>>
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What are covers that accurately depict the piece
>>
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>>
>>128990195
Sadly, it seems the metal cover art was only used for the vinyl release.
>>
>>128989912
so my intiial thoughts on sonata no. 21 is that i appreciate it for its delicacy and spacing. there's a lot of room for it to breathe. the first two movements are very heavy, with the third lightening things up and the finale continuing that rhythm but with more melancholic tones that are found on the first and second. an excellent sonata which forced an introspection in ways that i wasn't prepared for.
>>
>>128990649
ive come across this composition once before but had never really listened to it, and it's odd, beethoven's ode to joy is usually what i go for during new years, but i think somewhere in my subconcious had yearned for that composition i had made brief contact with at one point thanks to this thread. the two compositions couldn't be more different, and it's within this observation that i find myself appreciating the sonata all the more. with the solemn nature being more personal than the heightened ecstatic of ode to joy.
>>
>>128990649
>>128990794
>>128989912
>Schubert
>Good piano sonatas
>Plus HISS
There is a reason they were forgotten about for 150 years.
>>
/classical/ APPROVED LIVING:

>Conductors
Järvi (Neeme and Paavo)
Fischer (Ivan and Adam)
Vänskä
Dausgaard
Blomstedt
von Dohnányi
Harding
Chailly
Janowski
Petrenko
Honeck
Nézet-Séguin
Creed
McCreesh
Hengelbrock
Suzuki
Christie
Rousset
Junghänel
Biondi
Luks
Bernius
Antonini
Salonen
Cambreling
Nagano


>Soloists
Oppens
Hamelin
Sokolov
Hewitt
Bezuidenhout
Chamayou
Tharaud
Uchida
Buniatishvili
Xiao-Mei
Pletnev
Sudbin
Melnikov
Tharaud
Denk
Vinnitskaya
Letzbor
Manze
Carmignola
Mullova
Jansen
Hahn
Vengerov
Kopatchinskaja
Zehetmair
Faust
Queyras
Weilerstein
Sherry
Staier
Robert Hill
Hantaï
Sempé
Esfahani
Sabine Meyer
Fröst
McGill
Holliger

>Quartets
Quatuor Mosaïques
Artemis
Leipziger
Hagen
Takács
Pavel Haas
Quatuor Diotima
Belcea
Pacifica
Arditti
JACK

>miscellaneous
Linos Ensemble
Nash Ensemble
Swiss Chamber Soloists
ensemble recherche
Fretwork
Phantasm
Sequentia
Brabant Ensemble
Alamire
Cinquecento
The Cardinall's Musick
Vox Luminis
Orlando Consort

>???
Currentzis
>>
>>128991226
composers?
>>
>>128991234
Composer needs to die before any meaningful discussion about their works becomes possible.
>>
>>128987052
*smacks lips*
>>
>>128991539
>I'm too scared to say that I like something without an authority figure telling me that I'm allowed to
>>
i know you FAGGOTS love pristine cd classical shit, but my best Beethovens 9th HAPPENS to be a trashed old as shit Stokowsky LP. its simply better played and the chorus feels recorded in literal heaven, nothing comes close, and it POPS AND CRACKLES LIKE FUCK
>>
Scriabin

https://www.youtube.com/watch?v=Q1hY9foAqA4
>>
>>128991615
amen brother
>>
>>128991226
I'll have to meditate on this list for a bit. And I haven't even heard of some of these conductors. Who's Junghanel or Cambreling?
>>
>>128991226
>no Ashkenazy
>>
>>128991634
>Skrjabin
LISTE-
>1947 rec
Not listening!
>>
>>128991764
>>128991764
What's funny about Ashkenazy is he's simultaneously overrated and underrated.

>>128991778
sad
>>
>>128991778
>>128991787
oh wait nvm I misread your post, I got it backwards lol

not sad, but based
>>
Bach

https://www.youtube.com/watch?v=fb4IN3OTZZQ&list=OLAK5uy_m1QWg1pSc-yTLv6slZ4nMeqcRkbm5v7Ac&index=5
>>
>>128991787
>What's funny about Ashkenazy is he's simultaneously overrated and underrated
Explain and expound.
>>
>>128991970
He's got more great recordings than the average classical snob believes and less than the average classical casual believes.
>>
>>128991984
I always thought Ashkenazy was rather highly regarded by all. What you wrote there to me is more something I would say of Hamelin, his playing is so tight that le "snobs" (who actually don't know anything at all) dismiss him as mere virtuoso, while casuals just love him because he has large cycles of loads of composers.
>>
>Colour lies at the heart of Messiaen's music. He believed that terms such as "tonal", "modal" and "serial" are misleading analytical conveniences. For him there were no modal, tonal or serial compositions, only music with or without colour. He said that Claudio Monteverdi, Mozart, Chopin, Richard Wagner, Mussorgsky and Stravinsky all wrote strongly coloured music.
>>
>>128992166
My grandmother warned me not to listen to coloured music. Kidding, that's a nice quote.
>>
post your top 10 favorite composers and face the judgement of /classical/
>>
Bach
Mozart
Beethoven
Chopin
Brahms
Schubert
Schönberg
Strauss (Richard)
Verdi
Rautavaara
>>
>>128992293
JS Bach
Mozart
Brahms
Haydn
Webern
Josquin
Schutz
Ravel
Scriabin
Monteverdi
>>
>>128992293

Beethoven
Philip Glass
Sorabji
Rachmaninoff
Telemann
Janacek
Ravel
Bach
Schoenberg
Hildegard von Bingen
>>
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>>128992293
Chopin
Schubert
Mahler
Rachmaninoff
Scriabin
Brahms
Schumann
Medtner
Prokofiev
Fauré

You know, the actual geniuses. More is more.
https://www.youtube.com/watch?v=zI2JnqyqeIk&list=OLAK5uy_nAEgX77wO7x-3txDQ8qFOigJ66NLvKK9g&index=1
>>
>>128992293
Bach
Haydn
Beethoven
Brahms
Zappa
Monteverdi
Scarlatti
Handel
Telemann
Bach
>>
>>128992293
Handel
Gluck
Mozart
Beethoven
Weber
Bellini
Chopin
Liszt
Wagner
Bartok
>>
why is it chopin if it's pronounced chopan
>>
>>128992293
mozart
beethoven
brahms
bartok
schubert
honegger
mahler
schumann
wagner
boulez
>>
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>>128993971
It's pronounced show-pan.
>>
im obsessed with Brahms 1 and excited because i havent heard 2-4 yet
>>
>>128987052
Dvorak went through an interesting trajectory during the War of the Romantics. Begins as an obsessive Wagnerian, would follow Wagner around in person, then is converted to Brahmsianism and becomes a close friend of Brahms, only for Brahms to repudiate him after he begins to branch out in style, and then Dvorak re-discovers Wagner and decides he was the greatest composer of the era. Taneyev followed a similar path.
>>
>>128994149
Wagner sucks cock
>>
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feels like a Shostakovich's 24 Preludes and Fugues night
https://www.youtube.com/watch?v=3wLx9mcCI8E&list=OLAK5uy_m_4n-q8buY0UqpUfNZE6QCIKjtAMMN4wY&index=36
>>
>>128994260
ugly cover
>>
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>>128994306
it's classical vaporwave

but yes it's a bit much. I suppose she was going for bold+modernist but it wasn't done too well
>>
>>128994141
Welcome to the club, anon :)

Don't forget the Violin Concerto and two piano concertos too. Oh and the Double Concerto. You'll love them all.
>>
>>128994323
>>128994260
>female performer
Not listening!
>>
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>>128992478
DIdn't realize Faure made such an impression on you Norseposter, his requiem is very nice. Have you gotten to his disciple Durufle yet? I'm assuming you are less interested because its organ instead of piano. Very small body of works, but what is there, is wonderful.

https://www.youtube.com/watch?v=x7E72XWGlLA
>>
Busoni Sonatinas, among the harder of composers to get into, similar to Sorabji in that he feels like late Skrjabin taken to the final frontier. Side note: based Futurist cover art, I actually didn't know that Umberto Boccioni himself made a portrait of Busoni.

https://www.youtube.com/watch?v=iUmCYGkQUkQ&list=PLNJ0LW4mG3xpszuoPKkJ2f1kU349SfFuK&index=15
>>
>>128995185
i WILL come after you one day and forcefeed you Nikolayeva's WTC
>>
>>128995584
don't compare Busoni and Scriabin to that imbecile.
>>
Enough of Busoni, I still have much trouble with him if I am to be honest. Rameau is on next, and it shall not be on harpsicord. I am surprised he is not as well known as the other baroque composers, but I suppose anything that isn't Bach, Handel's big three, and then Four Seasons - is basically ignored.

https://www.youtube.com/watch?v=9iOt3MA1F48

>>128995916
NEVER!
Also I do actually like the vapour cover, good outfit for such an idea too.
>>
>>128995945
Sorabji is just late Skrjabin taken to a Wagnerian scale combined with the most autistic parts of both Busoni (Baroque fascination with counterpoint, harmonic ambiguity) and Alkan (simulation of orchestral ideas through piano and massive form, Grande Sonate/Symphony for Solo Piano in particular).

Personally Sorabji sounds a lot cooler in theory than practice, late Skrjabin is already meandering enough, nevermind multiple long hours of it. Maybe I just need more time with Sorabji, but that is my thoughts for now.
>>
>>128995205
I've heard and enjoyed a couple of pieces by Duruflé, specifically I remember the op.7 which was interesting. Since his output is so small and organ isn't my cup of tea, it would be hard to comment much, but I like the sonorities he gets out of organ
https://www.youtube.com/watch?v=FJpG1Qyv6e8
Fauré has extemely unique and beautiful harmony that feels like the link between Chopin and Debussy/Ravel, the sweet middle spot. I assume he had influence on Duruflé. Speaking of organ music, Franck is GREAT, full-blown romantic melodies with chorales, fugues, you've probably heard of him
https://www.youtube.com/watch?v=dkxY3lk3qLQ
But even my favorite organ piece sounds better orchestrated than played on organ:
https://www.youtube.com/watch?v=vqPz4FVjy5E
More dynamics in each voice, vastly more expression, more audible too, probably because of diversity in timbre.
>>
>>128995999
shut up, retard.

"Sorabji, this is truly dangerous stuff, because it is the product of an insane mind, taking the superficial trappings of late Romantics like Liszt and Scriabin without even the most basic understanding of how their music works, and scribbling them on paper without rhyme or reason. The problem is that his crap uses traditional chords and scales, albeit in an insane way, and that can lead one to believe that it makes some sense. It surely does not."
-Richard Ratner on Sorabji-
>>
GULISTAAAaaAAAaaNN
>>
>>128996017
sounds like a deeply filtered individual, an envious one also
>>
>>128996028
stop sucking cocks.
>>
>>128996010
The Alain fugue is of the highest quality, perhaps my favorite of his organ pieces, good choice. The rest are probably less of your interest, taking much inspiration from Gregorian chant, leading to a very meditative emotion throughout.

>Faure
I agree fully with your statements about Fauré, he provides another layer to the gradient from Chopin/Liszt to Debussy/Ravel, all of them are interlinked imo.

>Franck
Franck I have listened to and enjoyed, although not deep enough, I will be visiting him sooner now that I know of his connection to Alkan.

Also I know you seem to care almost nothing for instrument recordings, but the organ is the most fickle of all instruments to record, and suffers greatly from poor microphone placement. Often times these poor recordings like that one linked end up with chords and notes intermingling together into utter mush, nothing but waves of noise that lose any definition compared to how they ought to be.

I have not gone through the performances for this piece, but this is much clearer https://www.youtube.com/watch?v=xQValjRnrrk. Especially in the bass notes, its utter mud in that other recording.

The scale of an organ recording is a quest of balancing the volumes, projection, individual construction layouts unique to each organ, the interactions of each set of pipe with each other, and on top of that there is no large timbral difference like an orchestra would have. It is not an instrument where you can justify poor recordings, it is ultimately an impossible task to perfect, but certainly there are worse and greater efforts.

1/2
>>
>>128996010
>>128996287
>But even my favorite organ piece sounds better orchestrated than played on organ:
Very romantic and gaudy, in very bad taste to me. But I suppose you hate the baroque, so I assume that must have influenced you in this direction.

I know that for whatever reason you have the before mentioned disdain in that era for anything besides Bach (for whatever odd reason), but have you listened to Buxtehude? He was a large influence on Bach, to the point where Bach walked (yes, apparently walked) something like 400km and requested a month away from his job just to listen to listen to him in person.
https://www.youtube.com/watch?v=Tygxp9Uf3BU
>>
>>128996017
We would prefer if you could articulate your own thoughts, instead of acting as an orator of others. Then again, the likelihood of any well thinking man having such a venomous dispute of the relations of Sorabji and Skrjabin, is very little.
>>
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>>128996355
>articulate your own thoughts, instead of acting as an orator of others

Sorabjeet deserves less. the only thing his sheet music is good for is wallpaper.
>>
>>128996435
Thank you retard.
>>
>>128996435
reddit image
>>
>>128996446
utterly moronic.
>>
>>128996449
reddit composer
>>
>>128996461
Stupendously stupid.
>>
>>128996473
incredibly idiotic.
>>
>>128996491
Redundantly retarded.
>>
>>128996516
beyond braindead.
>>
>>128992293
I only just got into looking for new composers so all of my knowledge is mostly just from pop culture

Beethoven
Stavinsky
Schubert
Chopin
Debussy
Hildegaard Von Bingen
Rachmaninoff
Satie
Stockhausen
Reich
>>
>>128996528
Decanted dumbness.
>>
Fuck off Hector, we hate you here.
>>
>>128996569
>all of my knowledge is mostly just from pop culture
>Hildegaard Von Bingen
MANY SUCH CASES INDEED.
>>
>>128996571
truly tragic.
>>
>>128996582
She's mentioned a lot in Dutch and German tv shows
>>
>>128996287
>his connection to Alkan.
He even dedicated one of his pieces to Alkan.
>Also I know you seem to care almost nothing for instrument recordings
I do, but interpretations also matter especially for pieces I like the most. I still listen to bunch of modern recordings of Chopin, Moravec is especially known for hyper-autistic recording techniques to fully capture sound of the piano and the room. His interpretations are not gold standard (except for a few moments), but still pleasant to listen every now and then.
>end up with chords and notes intermingling together into utter mush, nothing but waves of noise that lose any definition compared to how they ought to be.
Exactly. In the Bach fugue I linked, every organ recording suffers from the mushy sound. Inner voices are inaduible, I mostly can't tell what's going on. If subject appears somewhere inside I'm going to miss it. Stokowski's recording to me made everything clearer and more expressive.
>but this is much clearer
Thanks I'll check that out.
>>128996297
>But I suppose you hate the baroque,
I certainly don't. I'm not sure where I said such a thing. Perhaps I said I rarely listen to anything other than Bach. But I like Handel (I've been listening to some Rinaldo recently), some Telemann, Scarlatti is nice.
>something like 400km and requested a month away from his job
I know of this story. I haven't properly listened to Bextehude, but since I'm kinda in baroque mood I'll dig through his stuff starting with his organ piece
>>
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feels like a Goldberg Variations morning
https://www.youtube.com/watch?v=03gWQFNVKE0&list=OLAK5uy_nSmosNQ5L8KpMyeACLoDvnzgBOP1oGhoQ&index=1
>>
I have begun my new years resolution to never listen to another piano piece again. It's invention has been a scourge on music both sonically and how it is written.
>>
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Just found out Wagner was 5'4" and got the major ick
>>
>>128993971
Its Szopen and the french bastardized his name
>>
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now playing

start of Debussy: Cello Sonata in D Minor, CD 144, L. 135
https://www.youtube.com/watch?v=fj8cm-Kr_28&list=OLAK5uy_m2X9i0Jg8dUAtZGdc2shNmqOaG4TvCzCE&index=2

Debussy: Syrinx, CD 137, L. 129
https://www.youtube.com/watch?v=jw9EWuRAZWo&list=OLAK5uy_m2X9i0Jg8dUAtZGdc2shNmqOaG4TvCzCE&index=5

start of Debussy: Violin Sonata in G Minor, CD 148, L. 140
https://www.youtube.com/watch?v=iadMmsA0u9w&list=OLAK5uy_m2X9i0Jg8dUAtZGdc2shNmqOaG4TvCzCE&index=6

start of Debussy: Sonata for Flute, Viola and Harp, CD 145, L. 137
https://www.youtube.com/watch?v=9oNSuMC6k1s&list=OLAK5uy_m2X9i0Jg8dUAtZGdc2shNmqOaG4TvCzCE&index=9

start of Debussy: Piano Trio in G Major, CD 5, L. 5
https://www.youtube.com/watch?v=O1LVHkv66ig&list=OLAK5uy_m2X9i0Jg8dUAtZGdc2shNmqOaG4TvCzCE&index=11

https://www.youtube.com/playlist?list=OLAK5uy_m2X9i0Jg8dUAtZGdc2shNmqOaG4TvCzCE

Haven't heard any of these pieces in ages. Admittedly I wasn't much of a fan of them. Hopefully I feel differently now!
>>
Always thought when people said "Sorabji" that it was just the non anglicized version of Scriabin
>>
>>128996886
kek

scriabi
sorabjian
>>
>>128996886
LOL. You weren't missing out, probably. Only genuine schizos listen to Sorabji. It's questionable if they enjoy it at all.
>>
>>128992293
Stravinsky
Mahler
Tchaikovsky
Bach
Beethoven
Shostakovitch
Dvorak
Bartok
Rimsky-Korsakov
Saint-Saens
>>
>>128996992
does Rimsky even have the quantity to be ranked among one's favorites? you like his symphonies that much?
>>
>>128996992
>Rimsky-Korsakov
did you peep >>128962505
>>
>>128997029
He wrote like 10 operas.
>>
>>128997029
> does Rimsky even have the quantity to be ranked among one's favorites?
Does quantity matter for that?

> you like his symphonies that much?
I mainly like his operas actually. Out of his orchestral music I think I like Russian Easter Festival Overture the most.

>>128997036
Just saw it, thanks. Listening to it now.
>>
>>128997079
>Does quantity matter for that?
of course. the more good music a composer has, the higher their estimation. the less, the lower. especially when ranking and comparing to others. is that not how it works? no matter how good and how much one may like any particular singular work. I love Scheherazade as much as the next guy, but it's just one work. but if you like the operas, then respect, I'm not really aware of opera.
>>
Wagner wrote more than anyone else, therefore he must have been the greatest.
>>
speaking of Rimsky and his Scheherazade, for any of the newer posters here, that work is one of the handful of essential works I'd recommend to anyone new to classical. everyone loves it, and it works as a wonderful demonstration of the wonder and beauty unique to classical music.

www.youtube.com/watch?v=I1mLiYjA2vU&list=OLAK5uy_nHSjnf-jGaJCL5A7b6OCavL97WeIitntg&index=7
>>
You know Ive seen this general for years but never bothered to check out the music. I think I'm ready to give this genre a try, what musician should I start with to do a deep dive of
>>
>>128996614
Likely lobotomized.
>>
>>128997146
I do have a copypasta I usually post for newbies if you're interested. Fuck it, here's it:

Try Beethoven's 3rd and 7th and then 9th symphonies. Mozart 39, 40, 41. Tchaikovsky 4 and 6. Dvorak 8 and 9. Schumann's and Brahms' symphonies, Haydn's Paris Symphonies, Bruckner's 5th and 7th and 8th, Mendelssohn's 3rd, 4th, and 5th.

Tchaikovsky Piano Concerto no. 1. Beethoven piano concerto 4 and 5. Mozart piano concertos 19 through 27. Bach's Keyboard Concertos (I prefer the versions with piano, look up the ones performed by Schiff). Schumann's Piano Concerto. Rachmaninoff's other piano concertos (1, 3, 4).

Beethoven and Brahms' and Tchaikovsky's and Dvorak's and Mendelssohn's violin concerto. Bach's violin concertos and double concerto.

Beethoven's violin sonata 7, 8, 9, and 10. Bach's violin so
natas and partitas (1, 2, and 3 for both). Mozart's violin sonatas. Brahms' violin sonatas.

Dvorak's cello concerto. Schumann's. Haydns'. Beethoven's cello sonata 3 and 4. Brahms' cello sonatas. Bach's cello suites. Prokofiev cello sonata. Mendelssohn cello sonata 2.

Beethoven's piano sonatas, all of the ones that have a named title (eg Pathetique, Waldstein, Moonlight, Les Adiuex, Tempest). some Mozart piano sonatas. Bach's Well Tempered Clavier, both books. Schubert's piano sonatas D.960 and 959 and 958(?). Prokofiev piano sonata 6. Chopin Ballades and Etudes 10 and 25.

Beethoven's string quartets 12-16, then 1-11. Mozart's 'Haydn' string quartets and string quintets. Brahms' string quintets. Dvorak's string quartet 12. Mendelssohn string quartet 6.

Bach's cantatas, 51 and 140.

Try a couple from each and keep exploring whichever form you like the most at that moment. Feel free to come back and ask whenever you can't decide and/or need help deciding on recordings (the recording, as in the interpretation and performance, matters a ton, as it can change the sound, power, and emotions of the music dramatically). Come back when you've listened to it all. Enjoy!
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>>128997146
Welcome to our humble cottage newcomer.

Your first order of business is to clean and purify your spirit. It is only a clean body that can shelter and appreciate true music. Firstly you should stop masturbating and shed off all the excess fat. Secondly you should abandon all dogmas and follow only one god i.e. Apollo. Thirdly you should order a bust of Wagner and a painting of Schopenhauer. Fourthly you should start reading stuff like tragedies, dramas or philosophy. Once your body and spirit are ready to invite the greatest art in the history of civilization, start with Beethoven and follow up with Wagner. These two are mandatory and the rest are well... you can call them "electives".
>>
>>128997156
> Try Beethoven's 3rd and 7th and then 9th symphonies.

Why not 5th? Or do you assume everyone heard that anyways?
>>
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>Welcome to our humble cottage newcomer.

>Your first order of business is to clean and purify your spirit. It is only a clean body that can shelter and appreciate true music. Firstly you should stop masturbating and shed off all the excess fat. Secondly you should abandon all dogmas and follow only one god i.e. Apollo. Thirdly you should order a bust of Wagner and a painting of Schopenhauer. Fourthly you should start reading stuff like tragedies, dramas or philosophy. Once your body and spirit are ready to invite the greatest art in the history of civilization, start with Beethoven and follow up with Wagner. These two are mandatory and the rest are well... you can call them "electives".
>>
>>128997201
Yeah I don't know why I didn't include Beethoven's 5th and 6th. I should amend that. I think I just didn't wanna include too many from any one composer.
>>
>>128997201
>>128997210
And again it's just a cursory starter pack, meant to cover a wide surface. If someone likes the ones I listed, ideally they'd continue with Beethoven's other symphonies.
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Anyone try this?
https://www.youtube.com/watch?v=eB1H5hDm7zA&list=OLAK5uy_k6OXLIADuUxuQwAhHcwdVKMI9JAfc6Ai8&index=6
>>
>>128996685
>He even dedicated one of his pieces to Alkan.
You mean... the one you posted? Isn't that the exact piece he dedicated to Alkan?
>Exactly. In the Bach fugue I linked, every organ recording suffers from the mushy sound
I mean maybe if it was literally any other composer than Bach I might believe you, but pretty much every fugue he wrote has probably 15+ recordings, at least. What about this one?

https://www.youtube.com/watch?v=FpZfvlWJbjg

Bit of HISS regrettably, but oh the tone of each sonority and clarity, gorgeous. Just the opening notes, it feels very real, I love hearing the pipes opening.

>I'm not sure where I said such a thing. Perhaps I said I rarely listen to anything other than Bach.
Was it not you who called all of Baroque a giant landifll besides Bach? Also I thought you agreed with Midwitz about Baroque. I'm almost entirely sure I've seen you disregarding this period, but maybe you were just shitposting, or it was someone else.

>I haven't properly listened to Bextehude
Hes very good, more traditionally church-like than Bach, which I don't really believe is entirely something you would be into, but still, you can hear the Bachian ideas in him.
>>
>>128992293
Bach
Froberger
Frescobaldi
Marais
Byrd
Weiss
Sainte-Colombe
Louis Couperin
Sweelinck
Gibbons
>>
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Its kind of funny, my grandparents have a portrait of Haydn up in their house and we would always refer to him as "father" or "dad". I used to think he was like a great great grandfather but it turns out they just really liked his music
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>>128997754
Damn, that's fucking gay.
>>
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Anyone notice that musicians heights typically also correspond with their ability to write beautiful music?
>>
Speaking of Haydn, more sonatas.

https://www.youtube.com/watch?v=--4b9rCf7fc&list=PL9MUbGGib1jH1yryTzg_j1YKEUv3vhyGT
>>
>>128997170
Nietzsche destroyed this guy
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>>128997874
Nietzche and Fagner were gay lovers and both died of AIDS.
>>
>>128997793
Yep. It's like the shorter they are, the less soul they have.
>>
>>128997793
You got to take into consideration average height over the decades. Bach's 168 would be more like a 183cm (6') today
>>
>>128997793
Wish I was shorter TBQH, short people live longer lives and fit nip sport bikes better.
>>
Haydn.
Beethoven.
Medtner.
>>
>>128998125
Trinity of morons
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>>128998285
Thank you retard.
>>
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>>128992293
Bach
Debussy
Marais
Scriabin
Vivaldi
Stravinsky
Ives
Gombert
Ravel
Bingen
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>Chopin wore a skirt.
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>>128997793
Rachmaninov Nephilim genes
>>
listening to Solti Götterdämmerung will I get aids from this?
>>
If your taste is refined enough, listening to any Wagner other than Furtwängler would surely kill you before the end of the recording.
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>>128997888
Cope.

>Wagner, at this time, had moved into a cottage built in the grounds of Wesendonck's villa, where, during his work on Tristan und Isolde, he became passionately involved with Mathilde Wesendonck. Whether or not this relationship was platonic remains uncertain. One evening in September of that year, Wagner read the finished poem of "Tristan" to an audience including his wife, Minna, his current muse, Mathilde, and his future mistress (and later wife), Cosima von Bülow.
>>
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continuing with the Bernard Roberts Beethoven piano sonatas cycle

3rd
https://www.youtube.com/watch?v=VI0vFo4JlMU&list=OLAK5uy_nlO9ovxzNCqy_dKbUOohy3Ztl-VBVG_VQ&index=20

19th
https://www.youtube.com/watch?v=GqtyqQDeH54&list=OLAK5uy_nlO9ovxzNCqy_dKbUOohy3Ztl-VBVG_VQ&index=24

21st
https://www.youtube.com/watch?v=SvLbGuogPv0&list=OLAK5uy_nlO9ovxzNCqy_dKbUOohy3Ztl-VBVG_VQ&index=26

4th
https://www.youtube.com/watch?v=eVpNjAASubk&list=OLAK5uy_nlO9ovxzNCqy_dKbUOohy3Ztl-VBVG_VQ&index=28

10th
https://www.youtube.com/watch?v=jsYjg4MoDF4&list=OLAK5uy_nlO9ovxzNCqy_dKbUOohy3Ztl-VBVG_VQ&index=32

26th, "Les Adieux"
https://www.youtube.com/watch?v=ewR3E0I0DD8&list=OLAK5uy_nlO9ovxzNCqy_dKbUOohy3Ztl-VBVG_VQ&index=34
>>
Writing my first symphony
>>
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>Nietzsche is himself guilty of every accusation that he bitterly throws at Wagner. He himself is the aphorist, who is unable or doesn't want to create something grand and coherent. He himself is the man of nuance, the relation, the finest and most fleeting associations, the rarest, delayed, most deep-seated sensations. And what concerns the will to effects - well, he really doesn't fall behind Wagnerians in this regard. His style proves this no less than his success which - to use his own words - tells against him as it tells against Wagner. Both are typical decadents but there's a difference. Wagner is, as it were, naive, believes in himself, doesn't know that he is decadent. But Nietzsche is more sincerely and truthfully - as he believes - conscious of it. Now a fact isn't overcome simply via diagnosis. I will not become healthier by knowing that I am sick. But this knowledge brings with it one thing: it makes me face myself differently. That's why it's so typical of the decadent that he cannot stand himself. Today that's all too often the reason for the preference of many people for ancient art from finished epochs - in music e.g. for the art of Mozart and Bach. You flee into the distance because you can't bear closeness; above all, you want to forget yourself and everything related to it, forget it as thoroughly as possible, just so as not to have to meet yourself. Where Nietzsche rages against Wagner, he rages against himself.
>>
>>128999379
Gay fag with a lot of beards and girly friends because he was topped by his fellow trannies and promptly died of AIDS.
>>
>>128999270
Undeniably.
>>
>>128999007
Overrated: Here I'm tempted to say Mahler, but I'm afraid of getting shot, so I'll choose Charles Ives. Like Satie, Charles Ives wrote several masterpieces, but as far as the bulk of the music goes, I have to agree with Elliott Carter, who once said that Ives is more often interesting than good.

Overrated: Charles Ives is a glorious American original who composed a few successful works. Overall, however, his compositions do not succeed because of their crude, haphazard forms and undistinguished materials.

Overrated: Charles Ives. Americans have a fascination for tinkerers in the basement, and that's exactly what Ives was. He had some great ideas, but they are almost always poorly executed. He was an incomplete composer, his temperament marred by an unrelenting machismo, and he refused to allow any tenderness into his music for fear of showing an emotion that was supposedly ''feminine.'' You also find this in his writings - he called Mozart a ''sissy'' and said that Chopin wore a skirt.
>>
Any recs for upbeat, light cozy symphonies like Haydn 101, Schubert 5
>>
>>128997793
>those +180cm composers
All hacks. Amazing.
>>
>>128999762
Reddit responses. Carter sucks, he couldn't compose anything as idiosyncratic and original as Ives. And anyone complaining about his criticisms of Mozart and Chopin are giant faggots
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"I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease."
Charles Valentin Alkan
>>
>>129000012
Nah, Ives sounds like a closeted fag. The same type of American that had spontaneous fantasies of being sodomised by aliens in the 50s. There is nothing unmanly about emotional sensitivity or tenderness. Especially if you're a composer there's no excuse for pretending to be some lowbrow retard afraid of his emotions.
>>
>>129000069
Correct.
>>
>>129000082
>t. Neurotic faggot that wants to be sodomized by overly emotional faggots like Mozart and other romantisloppers
>>
>>129000069
I doubt Alkan said this, it resembles Nietzsche's statement too much calling Wagner a disease, and it's really too stupid for someone as musically intelligent as Alkan. Das Rheingold a pale imitation of Berlioz? It makes no sense.
>>
Richard Wagner, the 19th-century opera composer, once faked a homosexual attraction to a gay German king in order to get money from him.
>>
>>129000069
>Brigitte François-Sappey points out the frequency with which Alkan has been compared to Berlioz, both by his contemporaries and later. She mentions that Hans von Bülow called him "the Berlioz of the piano", while Schumann, in criticising the Op. 15 Romances, claimed that Alkan merely "imitated Berlioz on the piano." She further notes that Ferruccio Busoni repeated the comparison with Berlioz in a draft (but unpublished) monograph, while Kaikhosru Sorabji commented that Alkan's Op. 61 Sonatine was like "a Beethoven sonata written by Berlioz".
>>
>>129000100
>>129000100
>I doubt Alkan said this
>Source: Letter to Hiller of 31 January 1860
Its only because Alkan is musically intelligent as he is that he knew Wagner was gay and had AIDS.
>>
>>129000098
>overly emotional
>Mozart
wut
>>
>>129000127
So I guess he was commenting on Lohengrin. Still, pretty stupid. He should have stuck to commenting on piano music because he clearly knew nothing about orchestration. It's also highly likely he hated Wagner for his Antisemitism.

>>129000125
So he was just projecting his own insecurities, that makes sense.
>>
>>128999289
Furtwängler was an idiot who, by his own admission, conducted fast parts as fast as possible and slow parts as slow as possible. Gimmick performer focused primarily on wowing an audience with contrasts. opposite of tasteful and refined.
>>
>>129000122
Dick Fagner, a gay fag, once had homosexual attraction to a gay German king and was somodized by him for zero monetary gain.
>>
>>129000143
>his own insecurities
Alkan respected Berlioz's orchestration and sought to emulate parts of it in his symphonic-esque piano playing, he just didn't like it musically.
>he clearly knew nothing about orchestration
And there it is, the Fagner fanboy turns from "musically intelligent", to "clearly he knew nothing" the second his sissy idol was confirmed to be insulted. Clearly Alkan knew nothing about orchestration, yet could emulate it with a piano, just another Fagner freak out.

Maybe if Fagner knew anything about writing proper music he could have written some actual music, instead of programmatic slop to make up for the fact he had no proper form.
>>
>>128999815
https://www.youtube.com/watch?v=wQxf94hrpyY
>>
>>129000217
Dude, calm down, you're freaking out over a musically illiterate opinion (Alkan's).
>>
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>american string quartet
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>>129000319
Melanated post.
>>
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>>129000336
>>american
>>
>>129000337
Lol you're the retard that can't understand basic English. Not surprised you would also be musically illiterate.
>>
>>129000069
>Letters of 1861 and 1862 briefly deal with Alkan’s musical tastes and mental states. The 1861 correspondence with Hiller yields more evidence of Alkan’s preference for baroque music preferring the [Matthew] Passion of Bach to anything that Wagner had produced. Alkan wryly notes that ‘we have sent B[erlioz] to Germany and Germany has imposed on us conversely W[agner]’.
>>
>>129000217
>programmatic slop to make up for the fact he had no proper form.
We're talking about orchestration not form. It's just plain silly to say that Wagner's orchestration is an imitation of Berlioz's.
>>
>>129000353
How many cocks do you think Fagner managed to fit into his mouth at once? I imagine at least 10, his dionysian spirit would accept no less.
>>
>>129000380
>Wagner makes frequent reference to Berlioz, from his first contacts with him and his music in 1839-1842 till the last encounters mentioned by him in 1860 when Wagner was giving concerts in Paris. As early as May 1841 he published in the Dresdner Abendzeitung an article which had a great deal to say about Berlioz (the relevant part of the article is reproduced on this site in the German original, and in French and English translations).
>>
>>128999815
https://www.youtube.com/watch?v=Q5FiXLhp0uM
>>
>>129000400
>>129000380
>By comparison the reticence of Berlioz’s Memoirs on the subject of Wagner is very striking: there is in fact only one extended mention of him, in relation to Berlioz’s visit to Dresden in February 1843. Apart from this there is just one passing allusion to Wagner’s selling the libretto of his Flying Dutchman, which was then given to Dietsch, the chorus-master of the Opéra; Berlioz adds the ironical comment that the director of the Opéra ‘placed far more trust in Dietsch for setting it to music than he did in Wagner’
>>
>>129000400
Woah, you mean to say.. no, it couldn't be.. that Wagner was influenced by Berlioz? Noooo way that's crazy man.
>>
>>129000414
Apparently this follow >>129000380 doesn't believe it!
>>
>In Paris in 1858, Wagner listened to Berlioz reading the libretto of Les Troyens with a mounting anxiety, so that "I really found myself wishing that I might never see him again since, in the end, to be so utterly unable to help a friend can only become unbearably painful. The text is clearly the pinnacle of his misfortune, which nothing now can surpass."

>Six years earlier, in a letter to Liszt (Wagner considered Berlioz, Liszt and himself the three most important composers of the day), he had written: "If ever a musician needed a poet, it is Berlioz, and it is his misfortune that he always adapts his poet to his own musical whim, arranging now Shakespeare, now Goethe, to suit his own purpose. He needs a poet to fill him through and through, a poet who is driven by ecstasy to violate him, and who is to him what man is to woman." But the poet Wagner had in mind for this job of violating Berlioz was Wagner himself. He thought that Berlioz ought to set the story of Wieland the Smith, a German legend of which he, Wagner, had written the prose outline.
>>
>>129000421
Yes retard, everyone knows Wagner was influenced by Berlioz, but there's also a massive difference between their orchestration. If Alkan had said Wagner is a pale imitation of Liszt it would have made more sense.
>>
>>129000453
>>129000453
>there's also a massive difference between their orchestration
Fagner wishes, or perhaps not, since he spent so much time talking about Berlioz, even writing his usual barely-concealed homosexual essays towards him >>129000434.

When you read words like that, it truly is not hard to understand how he died of AIDS.
>>
Wagner is good
Brahms is good
Do not let schizoposters ruin your enjoyment of things
Even when in the case of Wagner the OG wagnerschizoposter was Wagner himself
>>
>>129000388
Fedora-tier insults.
>haha i imagined gay sex in my head take that christians!
>>
>>129000504
Fagner decided to interpret the "Schopenhauerian Will" as a will-ingness to allow other men to penetrate him with ruthless precision and force.
>>
>>129000502
>Brahms is good
Correct.
>Wagner is good
Incorrect.
>>
Wagner is good, but absolute music is better than program music.
>>
Rachmaninoff is the mitski of composers
>>
I'm about to take a giant Gesamtkunstwerk into my toilet to revive the Wagnerian spirit, I'm also constipated so it'll probably rival Der Ring in length.
>>
>>129000569
I've never listened to Tristan as programmatic music. I think the music stands on its own.
>>
>>129000606
>I've never listened to Tristan as programmatic music
Based retard listening to form-less slop.
>>
>>129000643
We're not in the 1850s anymore, you don't have to LARP as a conservative being shocked to hear music without sonata form.
>>
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now playing

start of Dvořák: Symphony No. 1 in C Minor, Op. 3, B. 9 "The Bells of Zlonice"
https://www.youtube.com/watch?v=AQRb3Zuozoo&list=OLAK5uy_nMyauAX0QjOTjB71ygY8kPag6RJrDTpsU&index=2

start of Dvořák: Symphony No. 2 in B-Flat Major, Op. 4, B. 12
https://www.youtube.com/watch?v=c14Yj82i_yM&list=OLAK5uy_nMyauAX0QjOTjB71ygY8kPag6RJrDTpsU&index=6

start of Dvořák: Symphony No. 3 in E-Flat Major, Op. 10, B. 34
https://www.youtube.com/watch?v=jRUO1XPkGVA&list=OLAK5uy_nMyauAX0QjOTjB71ygY8kPag6RJrDTpsU&index=9

https://www.youtube.com/playlist?list=OLAK5uy_nMyauAX0QjOTjB71ygY8kPag6RJrDTpsU
>>
>>129000690
>>129000690
>We're not in the 1850s anymore
Correct, we are in the timeline of rap "music" being the dominant genre listened to, that also has no form, so you ought to enjoy it with the rest of your bicycle collecting family members. A true Wagerian effort it is, rap combines the poetic language and programmic tunes to form a Gesamtkunstwerk of massive proportions.
>>
Listening to classical has made other music just sound annoying. I was at a Christmas gathering and just couldn't stand the music they were playing. When I got the aux chord I put on Palestrina and was able to relax. Luckily everyone just assumed it was Christmas music
>>
>>129000810
Nice to see I'm not the only one who has a problem with excessive usage of the word 'just' in my writing.
>>
>>129000810
>When I got the aux chord I put on Palestrina and was able to relax. Luckily everyone just assumed it was Christmas music
based
>>
>>128997793
Bach was six feet tall.
>>
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Plato and Medtner. Real philosophy and real music
Nietzsche and Wagner. Porngraphical pseudo-philosophy and pseudo-music.

>Our music was formally divided into several kinds and patterns. One kind of song, which went by the name of a hymn, consisted of prayers to the gods; there was a second and contrasting kind which might well have been called a lament; paeans were a third kind, and there was a forth, the dithyramb, as it was called, dealing, if I am not mistaken, with the birth of Dionysus. Now these and other types were definitely fixed, and it was not permissible to misuse one kind of melody for another.
>The competence to take cognizance of these rules, to pass verdicts in accord with them, and, in case of need, to penalize their infraction was not left, as it is today, to the catcalls and discordant outcries of the crowd, nor yet to the clapping of applauders; the educated made it their rule to hear the performances through in silence.
>Afterward, in course of time, an unmusical license set in with the appearance of poets who were men a native genius, but ignorant of what is right and legitimate in the realm of the Muses. Possessed by a frantic and unhallowed lust for pleasure, they contaminated laments with hymns and paeans with dithyrambs, and created a universal confusion of forms. Thus their folly led them unintentionally to slander their profession by the assumption that in music there is no such thing as a right and a wrong, the right standard of judgment being the pleasure given to the hearer, be he high or low. By compositions of such a kind and discourse to the same effect, they naturally inspired the multitude with contempt of musical law, and a conceit of their own competence as judges.
Same old story.
>>
>>129000854
>Plato and Medtner
Should never be named as a pair. There's gotta be a more appropriate philosopher you can name here. Maybe, uh, Husserl and Medtner. Gramsci and Medtner. Rawls and Medtner.
>>
>>129000873
I'm a pseud so Plato is the only philosopher I can name.
>>
>>129000879
oh ok I'll give you a pass then.
>>
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Truls Mørk's Bach

https://www.youtube.com/watch?v=U8d6EF5zd4M&list=OLAK5uy_nv9Ql4eTFXwZ3xXDVQoH_icZBitybtld8&index=4

One of my favorite sets.
>>
In a sense, Wagner is emblematic of the status of criticism as a whole: too much attention paid to firetruck phenomena (be it Berlioz or Bruckner) and too little to the merits of real musicians. If somebody composes the most divine music but no major political party picks him up and sells him around the world, a lot of critics will ignore him. If a major party picks up a musician who is as stereotyped as can be but launches him worldwide, your average critic will waste rivers of ink on him.
>>
if Medtner was so good, why didn't he compose any symphonies?
>>
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>>129000873
Keep crying, Medtner was literally a Platoist, his entire book is nothing but a focus on Art as an unachievable Platonic form. He even makes the Muse and the Lyre a center-point of the discussion. Then again, what does it matter, you don't have the ear for music, nor the mind for philosophy. Best stick to formless programmic slop for a listening expereience, and the structure-less musings of a linguist for your worldview.
>>
>>129000732
These early Dvorak symphonies undoubtedly sound nice but goddamn are they indistinctive and unmemorable.
>>
>>129000913
>Platoist
Anon, I...
>>
>>129000926
Platonist*, yes the n key didn't go off, congratulations.
>>
>>129000913
>>129000934
>expereience
Anon, I...
>>
>>128992293
Bach
Wagner
Beethoven
Bruckner
Mahler
Strauss
Grieg
Sibelius
Shostakovich
Hovhaness
>>
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Schopenhauer and Wagner. The Culmination. The Peak. The Writer and The Artist.
>>
>>129000942
No one is proofreading a 4cuck.org post that will disappear in the next day, do you have anything of merit to add, or just pointless feminism nitpicks on grammar?
>>
cringe schopenhaurian wagnerfan
vs.
based nietzschean mahlerfan
>>
Schopenhauer and Wagner are the "final priests" of life. Once you have reached them, there is no new knowledge to ascertain. This is the end. Your final destiny. You can cope your way out like Nietzsche or embrace it like Weininger, regardless of the choice the paths will lead to the same destination.
>>
>>129000913
>>129000934
>>129000960
>Medtner
Anon, I...

Just yankin' ya Platonic chain
>>
>>129000960
the archives are eternal.
>>
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>>129000953
>Schopenhauer, as it turns out, had no use—and no ear—for Wagner’s chromatic harmonies. Wagner sent him a beautifully bound copy of the Ring with the inscription, “from respect and gratitude.” The grouchy philosopher was not impressed. He instructed the Swiss journalist, Franz Wille, to convey a message to his friend Wagner: “but tell him that he should stop writing music. His genius is greater as a poet. I, Schopenhauer, remain faithful to Rossini and Mozart.”[3] The response was rude but not surprising, since Schopenhauer, who played the flute (not, like Nietzsche, the piano), was a lover of diatonic catchy tunes.
Lol.
Lmao.
>>
>>129000974
>mfw the archives are Platonic
:O
>>
>>129000971
Thank you retard.
>>
>bach performed baroquely
:(
>bach performed classically
:/
>bach performed modernist
:)
>bach performed romantically
:D
>>
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>>129000964
>nietzschean mahlerfan

>According to Bruno Walter, Nietzsche’s impact on Mahler was great but by no means lasting. Also sprach Zarathustra impressed him with its linguistic brilliance, whereas its ideas tended, rather, to repel him. Above all, we need to remember that as a fanatical Wagnerian, Mahler could never follow Nietzsche down the road to apostasy and was indeed sharply critical of the philosopher for turning his back on Wagner. At the time that he was working on his Third Symphony, Mahler’s enthusiasm for Nietzsche’s skills as a writer were still so great that he was able to set one of his poems as its fourth movement. But within five years his attitude had changed considerably, and it annoyed him intensely when Alma suddenly revealed her half-digested thoughts on Nietzsche, whose ‘utterly false and brazenly arrogant theories of masculine supremacy’ he dismissed in a particularly venomous outburst even before they were married. During the early days of their love he even demanded that Alma should burn an edition of Nietzsche’s writings, a demand that she steadfastly and understandably refused to respect.
>>
Gould said that Mozart died too late, I believe the same thing about Mahler. His first symphony is his best, it's steadily downhill from there.
>>
>>129000964
Mahler was not a Nietzschean but Strauss was. get your facts right.
>>
>>129000995
>utterly false and brazenly arrogant theories of masculine supremacy’ he dismissed in a particularly venomous outburst
Based Mahler keeping the Wagnerian transgender spirit alive. Musical estrogen reigns supreme.
>>
>>129001010
the fan is the nietzschean

>>129000995
sad to hear. only writers can appreciate nietzsche i guess
>>
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https://youtu.be/BW5L5fviP4M

Here it is. The moment. The peak. The finale. The epitome. Your chariot has arrived at the point of no return, you are now forever scarred, you are cursed with this theophany. Your body no longer responds to your command, for Wagner has taken control. Only "He" decides what is right and wrong, he is the judge, jury, adjudicator and executioner. No amount of pussies you fuck, no amount of drugs you indulge yourself in, will make you forget this Dionysian delirium. You have been castrated, both physically and spiritually. How do "we" the victims of a brutish rape comfort ourselves? How do we release ourselves from these chains? Wagner has squeezed himself inside you. You have no name or identity, you had abandoned these trivialities once your ears graced those french horns and imploding sound waves. Wagner. That is all. That is everything.
>>
>>129001006
so true, bro. it's all been downhill since Pythagoras.
>>
>>129001028
>only writers can appreciate a linguist
Correct.
>>
How do you guys listen to and organize your music? Do you have music players with playlists by era or like do you just listen to music on youtube
>>
>>129001082
I stream via YouTube Music. It lets you add albums/recordings to your library but the library view isn't the best once you start to amass a large collection, so in practice, it works best for Recently Played and Recently Added, then anything else I just search for manually, eg "karajan beethoven" or "brahms piano trios" or "chopin piano works"

For the stuff I have downloaded, the folders and tags are sorted by composer.
>>
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I notice no one talks about Satie here nor is he in the recommended composers in the OP. Do you guys just not care about him?
>>
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>>129001082
>>
>>129001112
He's more jazz/anime soundtrack than classical
https://www.youtube.com/watch?v=Evx0Fc5Vt8o
>>
>>129001112
Not classical.
>>
>>129001112
He's fine, easy, charming listening. Not great though.

https://www.youtube.com/watch?v=OGR9LiTdxuA
>>
>>129000909
>The timbres used define the quality of the composer
Incorrect.
>>
>>129001035
Languishing junk.
>>
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Joyce:
>There are indeed hardly more than a dozen original themes in world LITERATURE ... Tristan und Isolde is an example of an original theme.
>>
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>>129001237
>>
>>129000403
>>129000276
thanks
>>
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>>129001253
Baudelaire:
>I found in those of his works which are translated, particularly in Tannhäuser, Lohengrin and the Flying Dutchman, an excellent method of construction, a spirit of order and division which recalls the architecture of ancient tragedies.
>>
>>129001257
Mendelssohn 3
https://www.youtube.com/watch?v=MhQaOWXg-1E&list=OLAK5uy_nsssqQaY08dPxK3RoLU3e8TaJ59CXVGjs&index=25

Mendelssohn 4
https://www.youtube.com/watch?v=c4kGEoQN9YI&list=OLAK5uy_nsssqQaY08dPxK3RoLU3e8TaJ59CXVGjs&index=28

Schumann 3
https://www.youtube.com/watch?v=HBtYiJ86cJk&list=OLAK5uy_me6pKi9Lhvdgy5TMHfC7HQ9C1w0hV9K4U&index=9
>>
>Alkan wryly notes that ‘we have sent B[erlioz] to Germany and Germany has imposed on us conversely W[agner]’.
>>
Haydn - Hob.XVI:20
Beethoven - Appassionata
Medtner - Night Wind

https://www.youtube.com/watch?v=Pbw3CVrNRvQ&list=PLdQIn_TWJAaQDMpJdIXYdkaAeVtm7zqmE&index=8
>>
>>129000131
Mozart is a schmaltzy faggot, I know it, he knows it's, only you deny thay
>>
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Scruton:
>Modern high culture is as much a set of footnotes to Wagner as Western philosophy is, in Whitehead’s judgement, footnotes to Plato.
>>
>>129000502
The audacity to compare a filth like Brahms with the great Wagner. Absolutely ridiculous. On one hand you have this grifter, this sham, this phony fake businessman masquerading as a musician and on the other you have Wagner - the artist that sold the world, the man who enriched life, who brought grace and hope to this rotten abyss. Preposterous.

https://youtu.be/kJSLxJ2wA_Y?si=2sCz0R-kWN4zPX-4&t=126
>>
>>129001378
what fucking Mozart have you been hearing
hell the main criticism he gets from his detractors is that he isn't emotional enough and is too dry or boring. "schmaltzy" makes me think of Chopin or Debussy, not Mozart.
>>
>>128997036
>>128962505
Russian Easter Festival Overture: I liked slow, lyrical parts here. There's a sort of frenzy in this overture which most recordings pick diligently, however slower parts are often sped up or just less convincing. This recording does a good job of balancing that.

Scheherazade: Good recording, but without anything particularly memorable.
>>
>>128992293
Mozart
Bach
Beethoven
Brahms
Schoenberg
Schubert
Webern
Bartok
Mahler
Debussy
>>
A firetruck roared past outside and the plebeians in the class, mistaking it for their favorite Tchaikovsky pieces, rushed out into the street to listen and were flattened.
>>
>He didn't like Tchaikovsky which is strange, when we played the Pathetique in the last movement there were some descending scales about the middle of the movement, at the end of the scale you know there's a sudden pause and he says "see, is this symphonic?" then he gave us a speech, he says "you see, Tchaikovsky was a very terrible composer - had beautiful melodies, but they were really Italian melodies! on the italian style" he says "nice music but it's not symphonic"

>"...a shallow, superficial, distressingly homophobic work' no better than salon music. Tchaikovsky's coloring is fake, sand thrown in someone's eyes! If you look closely, there is precious little there. Those rising and falling arpeggios, those meaningless sequences of chords, can't disguise the fundamental lack of invention and the emptiness."
>>
>>129001928
>distressingly homophobic
>>
>>129001991
I think he meant "homophonic". Schoenberg expressed similar views on Tchaikovsky in his book Style and Idea.
>>
Man I thought the Brahms guy here was weird but desu hes right the Wagnerschizo is fucking unbearable
>>
now playing

https://www.youtube.com/watch?v=4sdJn0IwrCY
>>
>>129002381
I will pray to Wagner (pbuh) for you.
>>
Krenek

https://www.youtube.com/watch?v=Ys5TB7X0eFQ
>>
>>129000831
It's the modern 'like'. People will eventually notice its overuse and make a concerted effort to cutback using it lest they sound like a retard.
>>
>look up who's doing vienna new year today
>Yannick Nezet-Seguin?
>he looks gay
>checks wiki
>"his husband"
>GAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAY
>In May 2025 the music critic for The New Yorker observed: "Seven seasons into his tenure at the Met, Nezet-Seguin has yet to make much of a mark. There is something faceless about his music-making; everything sounds reasonably good, but nothing sticks in the mind."
>mfw.jpg

Welp, not listening in this year then.
>>
>>129000964
Nietzsche and Wagner are the ultimate duo despite themselves and Nietzsche himself came to admit this at the end of his (sane) life in Ecce Homo.
>>
>>129001300
What a fucking retard there's barely any photos of him and he decided to take a photo looking away from the camera.
>>
>>129003377
>>129003377
I'd go see it but totally understandable
>>
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Ravel

https://www.youtube.com/watch?v=ygajW4kvEmc&list=OLAK5uy_k35_klK4PO4hu84Cf2o9AMansUk5AykG4&index=27
>>
>>129003377
not only is discriminating against and boycotting gays right, but it is also a moral duty. I can't wait for the day when I'm in a position of power to decline the university applications of faggots.
>>
>Tchaikovsky, Szymanowski, Poulenc, Saint-Saens, Stravinsky, Ravel, Copland, Britten

God bless the gays and all their contributions to classical music.
>>
>>129003711
the gay mafia is real. you must pick a side.
>>
>Szymanowski fell deeply in love with a 15-year-old Russian boy, Boris Kochno (Бopи́c Eвгéньeвич Кoхнó), and he wrote four explicitly gay poems for him.

what the fuck!
>>
recommend toxic masculinity, violent, master morality pieces. What is the equivalent of Future's DS2? Chatgpt recommended String Quartet No. 8 by Shostakovich
>>
>>129003764
anything by Bach.
>>
>>129003764
Wagner
>>
>>128992293
1. Mozart
2. Bach
3. Haydn
4. Bruckner
5. Beethoven
6. Wagner
7. Schubert
8. Dvorak
9. Brahms
10. Mahler
>>
>>129003629
there is nothing immoral about homosexuality
>>
>>129004377
ok, faggot.
>>
>>129003629
>>129004415
Disgusting bigotry. What the hell is wrong with you?
>>
now playing

https://www.youtube.com/watch?v=OQekbd-xM7o
>>
>>129004179
>8. Dvorak
>9. Brahms
>10. Mahler
Ruins the list. Makes it too Romantic heavy. Add some Modernism or more Baroque in there.
>>
can we admit stokowski improves bach yet(for non autistic people
>>
>>129004674
>can we admit [thing that only romantisloppers could possibly believe]
>>
>>129004680
>4channel hates romantic era
>4channel is very autistic
connections upon connections
>>
>>129004688
4chan doesn't hate the romantic era, only the fetishization of it (such as saying a romantic orchestration inherently improves Bach)
>>
>>129003629
i will never understand homophobes at all, like why do you even care
>>
>>129004739
ok, faggot.
>>
>>129004739
they don't know either
>>
>>129003711
You forgot Fagner.
>>
>>129004739
Repressed homosexuality, as confirmed by an actual study.
>>
>>129004786
gays are obnoxious degenerates that ruin everything. if you can't understand that then I can't help you.
>>
>>129004818
>t.repressed homosexual
It's okay, buddy. Just don't take it on the rest of us.
>>
>>129004802
>you have arachnophobia? that must mean you secretly want to fuck spiders.
>>
>>129002381
The usual Brahmscuck falseflagging.
>>
Kind of starting to fall for the fortepiano meme.

https://youtu.be/9o0HdeJp-lw?t=126
>>
>>129004831
Nice false analogy, anon. I'm sure you're being serious and not trolling.
>>
>>129004880
then explain how it's false. I also hate Indians. does that mean I secretly eat curry?
>>
>>129004179
>6. Wagner
Ruins the list.
>>
>>129004909
Because you dislike homosexuals due to the environment from which you come from. And since you're a homosexual yourself, the dislike is exaggerated. Normal people don't care that much. It's obvious, anon, lol
>>
>>129004954
Agree, should be at the top.
>>
>>129004956
I don't hate gays, anon. I just don't want to hire or work with them.
>>
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Auden:
>[Wagner is] perhaps the greatest genius that ever lived
>>
>>129005120
Where Wagner and Nietzsche disagreed it means a lot
>>
>>129005106
Thankfully laws in Europe prevent such bigotry.
>>
>>129005130
more credence should be given to Wagner since he was a universal genius and Nietzsche was just a philologist with no talent for art or science.
>>
>>129005164
Both were gay fags who had homosexual relations with each other and died of AIDS.
>>
>>129001237
>>129001253
>By 1920 his library included fifteen books by or about Wagner and many others in which Wagner figures importantly. Only Shakespeare occupied more space on Joyce's shelves. In addition to the five individual operas already mentioned, his collection included a book of librettos (now lost), volume 1 of Ellis' translation of the Prose Works, the notorious Judaism in Music, the widely read Letters to August Roeckel, a two-volume edition of letters to Minna Wagner, and five studies of Wagner or introductions to his work, including the aforementioned Perfect Wagnerite and Nietzsche's The Case of Wagner and Nietzsche contra Wagner.

Finnegans Wake has more references to Wagner than any of Joyce's other works, because in it Wagner's Tristan and Ring become fundamental structural elements for the whole novel. While in A Portrait and Ulysses there are only references to Wagner in connection with the vitalist philosophy of Stephen Dedalus which comes almost directly out of Wagner's Feuerbachian writings, and parallels what Joyce wrote as a young Wagnerian in 'Drama and Life'. In Exiles too there are references. But the 'theme' of Tristan und Isolde, and the overarching cyclical plot of the Ring, are everywhere in Finnegans Wake.
>>
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>>129005142
the law states an application can only be denied for reasons directly relevant to the role. this means homos can be discriminated against, but you must do so indirectly and if you're careful enough it will take years before a fag sympathizer catches on to you and takes action.
>>
>>129005276
And then you get fined/go to prison, good job. Imagine being this proud of being irrational
>>
>>129003436
Alkan is /ourautist/ who doesn't like having his picture taken by others. Based. We like this guy and his personality here.
>>
>>129005292
it's worth it.
>>
https://www.youtube.com/watch?v=u0fcS2s1jek
>>
The vagner meme.
>>
Bump
>>
>>129005403
I remember still the first time I saw the Vagner meme.
It was 73, Brahmscuck was on /classical/ with the trusty Sibelius. I'd never seen Vagner before, and found myself thoroughly entertained. I'd heard Vagner was a tranny meme, and it certainly showed in its humor. I distinctly remember smirking to the memes. But nothing could prepare me for the absolute show of wit that was about to come in first syllable of the word Vagner, when happened the eponymous vag.
Vagina! A single pun, and just after Wagner’s name! I burst out laughing. "Oh Brahmscuck" I remember thinking, barely managing to think straight at all between my chuckles and wheezing. "What a prankster! What a jokester!"
/classical/ attemped to calm me down, some even asking how I'd not known about the famous Vagner by then, popular as it was. Were they not happy one had been lucky enough to live to that point and still feel the pure, unadulterated Brahmscuck genius? Were they jealous? I did not know then, and do not care now.
I tried to calm myself, but kept chuckling all throughout the Vagners in the next post. At the edge of my seat, I waited for the repeat of the Vagner, this time hoping to control myself. Imagine my surprise then, during the next Brahmscuck post, when the Vagner surprised me further by not showing up at all! At that point I feared for my life, such was the lack of oxygen from my guffawling fit.
They only managed to removed me from the thread putting an end to my disruption after I'd already soaked the board in urine.
>>
new
>>129005417
>>129005417
>>129005417
>>
Brahmscuck.
>>
>>129005164
his writing was pretty good i think. a pity he would have preferred to be a composer



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