Last one of the year, but still here, still froggy
>>151975581Who tf is this
>>151976011Just an OC, when Amphibia started off some artists made frogsonas of themselves to promote the show.
I miss tiny nippon mom with a sword
>>151974468that's a tall order
>>151974522And she's a short woman
>>151974522DC's Finest Outsiders release?
>>151974319To keep killing crime.
>>151975616Easily achieved
Batman>>151958016Flash>>151972940
I'm gonna call it there for tonight. I'll have a few more Year One stories over the weekend, so keep an eye out for them!
>>151974009bump
Latina tomboy Supergirl > blonde bimbo Supergirl
>>151972600This
>>151969210mal gusto. mas para mi
>>151969631Still good
>>151970134>Not villainess
>>151969306lel
Kitty Pryde
>>151973242I'd still fuck these fat slampigs.
>>151975376Disgusting
>You go back to your dorm room in the mansion and find this waiting on your bed.wyd?
>>151976031Spray air freshener
>>151965874OWES ME SEX.
Hope you all been doing good, Happy New Year. Time to post your wheyfu.>No Futa pls.
>>151968811Too wide or not wide enough?
Does anybody here have good pics of Jade from Shadow Raiders?
>>151975366Very few cape artists actually understand muscles and proportionality. It's why most of the time female characters who are supposed to be invredibly muscular powerhouses are drawn like sticks.
>>151975377W I D E
>>151975377If she can fit through the door, she still needs more.
>people are getting mindbroken over fucking Clarence now, to the point of considering it one of the worst CN cartoons on par with Problem SolverzNo wonder cartoons suck now
>>151972224No because KOTH is engaging and well written and funny at times. Shit like craig of the creek is sleep inducing slop
>>151973315Do you think craig of the creek would be better if they shitted and farted all the time?
Balance was a great episode.
>>151960518>>151970824wait really? weird I felt like it only ran for like 1 or two years with just two or three seasons then dissapeared/i guess it just flopped in the sense that there was no discussion about it other then "it's weird and ugly" which I think it's unfair.
>people>it's just mr. enterinvalidated
Why doesn't the whole world revolve around the Powerpuff Girls?LOOK AT THEM!!! THEY'RE SO CUTE!!!
How did PBS Kids get away with this?https://www.youtube.com/watch?v=jiumtOnrM88
>>151975843>How did PBS Kids get away with this?op it literally says "deleted scene" right there, holy shit imagine being that stupid
>>151975843wtf, that's a child
https://www.cbr.com/greatest-comics-2020s-so-far-ranked/
>>151972049you'll never get an answerit's obviously an arbitrary number that anon shat out
>>151974390Yeah I liked it but I do like Hellblazer even though half is just okay or meh for me.
>>151972849I don't get it.
>>151975328Lurk more
>>151960545I don't know, man.
Larry Correia launched American Paladin through Ark Press, Peter Thiel’s science fiction and fantasy publishing imprint, with a Kickstarter-funded graphic novel that delivers exactly what fans expect: a tough guy hunting monsters while spouting patriotic one-liners. Dust & Sacrifice is 66 pages of black-and-white, manga-influenced art telling a straightforward story about Mike Spears, a monster hunter investigating disappearances in a small American town.It’s competent, entertaining, and familiar, perhaps too familiar. Correia is essentially transplanting his Monster Hunter International voice into a new property, and while that works for his established fanbase, it doesn’t offer much that’s new or surprising.The Story: Simple and PredictableMike Spears arrives in a small town searching for a kidnapped girl on behalf of her mother. The relationship between Spears and the mother is mentioned but never explained. Spears walks into a bar, beats up some locals who know where the girl is, and acquires an unwanted sidekick in the girl’s brother, who insists on joining the hunt.They track the kidnapper to a remote location where he’s preparing the girl for human sacrifice. The villain is working for or with extraterrestrials, evidenced by a mysterious door standing in the middle of nowhere that leads to an alien dimension. Spears rescues the girl, kills the villain, and then faces an alien that emerges from the door. After a chase and firefight, Spears and the brother kill the alien with conventional firearms. They return home. End of story.I
It is of note that the internal title page doesn’t list Wisner as a co-creator, which is a little tacky in modern comic publishing and we recommend Ark Press fix in future volumes:The action scenes are the weakest part. Multiple pages feature zero dialogue, relying entirely on visual storytelling, but the choreography is generic. Characters shoot guns, punch people, and run from monsters, but the compositions don’t convey much energy or dynamism. The lack of backgrounds in many panels makes the action feel flat and disconnected from the environment.The character art is inconsistent. Some panels have detailed faces with expressive features. Others have simplified, almost cartoony faces that don’t match the tone. The manga influence is most apparent in the panel layouts and pacing, which use techniques common in Japanese comics like speed lines, dramatic close-ups, and silent action sequences. But the execution doesn’t capture the fluidity or impact of actual manga.The decision to go with a manga-influenced style rather than a traditional American comic book aesthetic is interesting but doesn’t fully pay off. The artist is clearly trying to evoke that vibe, but the result feels like an approximation rather than a successful fusion of styles.The Script: Minimal DirectionOne of the most interesting aspects of Dust & Sacrifice is the inclusion of Correia’s script at the back of the book. It reveals that Correia provides minimal direction to the artist. He sets scenes with basic descriptions like “Ext: Truck parked off a dirt road in the forest” and then provides dialogue. The artist is responsible for breaking down the scenes into panels, determining camera angles, and choreographing action.
This approach gives the artist significant creative control, but it also means the visual storytelling is entirely dependent on the artist’s skill and interpretation. In this case, the artist did more work translating the script into sequential art than Correia did providing direction. That’s not necessarily a problem, many comic writers work this way, but it does mean the final product’s quality is heavily dependent on the artist’s abilities.The script is short and straightforward, which matches the simplicity of the story. Correia isn’t trying to write a complex, layered narrative. He’s writing pulp action, and the script reflects that.Dust & Sacrifice moves quickly. Once the action starts, the story doesn’t waste time. Spears investigates, finds the villain, rescues the girl, and fights the alien in rapid succession. The pacing is brisk, and the book never drags. For a 66-page graphic novel, that’s appropriate—there’s no room for filler, and Correia doesn’t try to pad the story.The patriotic, blustery tone will appeal to Correia’s fanbase. His readers know what they’re getting: a tough American hero who solves problems with violence and doesn’t apologize for it. That’s Correia’s brand, and he delivers it consistently. If you’re a fan of Monster Hunter International, you’ll enjoy American Paladin because it’s the same voice and sensibility in a slightly different package.The inclusion of the script is a nice bonus. It’s always interesting to see a writer’s process, and having the script alongside the finished art allows readers to compare Correia’s vision with the artist’s interpretation. That transparency is rare in comics and adds value for fans interested in the creative process.
What Doesn’t Work: Predictable and GenericThe story is too predictable. The door to nowhere is foreshadowed early, so you know an alien is coming. The villain is a generic cultist with no personality. The alien is a monster to be shot. There are no twists, no surprises, no moments that subvert expectations. It’s a straightforward monster hunt from beginning to end.The characters are thin. Spears is a competent protagonist, but he doesn’t have depth. The supporting characters exist to move the plot forward. The villain is forgettable. The alien is just a threat to be eliminated. None of them feel like real people with motivations, histories, or internal lives.The art is inconsistent. Some panels are well-composed and expressive. Others are flat and generic. The action sequences lack impact, and the manga-influenced style doesn’t fully succeed. The book looks okay, but it doesn’t look great.The anachronisms and boomer patriotism will appeal to Correia’s core audience but might alienate readers looking for something more nuanced. Lines like “I’m an American. We can kill anything” are classic Correia, but they’re also dated and on-the-nose. The book wears its politics on its sleeve, which is fine if you agree with them but grating if you don’t.Final VerdictAmerican Paladin: Dust & Sacrifice is a solid but unspectacular debut for Larry Correia’s new graphic novel series. The story is fast-paced and entertaining, the voice is consistent with Correia’s established work, and the inclusion of the script is a nice bonus. But the plot is predictable, the characters are thin, and the art is inconsistent.
This is a book for Correia’s existing fans. If you like Monster Hunter International, you’ll enjoy American Paladin because it’s the same formula with a slightly different coat of paint. If you’re looking for something new or innovative, this isn’t it. It’s competent pulp action that delivers what it promises without exceeding expectations.For a first graphic novel, it’s a respectable effort. Correia knows how to write action and dialogue, and he’s successfully translated his prose voice into a visual medium. But the book doesn’t stand out in a crowded field of monster-hunting comics, and the art doesn’t elevate the material beyond its pulp roots.Fast-paced, entertaining, and consistent with Correia’s established voice, but predictable, thin on character development, and hampered by inconsistent art. Recommended for Monster Hunter International fans looking for more of the same in graphic novel form.What do you think? Are you picking up American Paladin, or waiting to see if the series improves in future volumes?
I mean I enjoy boilerplate pulp so I might get it
Scooby Doo is a long franchise created by Hanna-Barbera in the 1960's, and it’s wild to think how many different forms it’s taken over the decades. From the original Scooby-Doo, Where Are You! with its classic monster-of-the-week formula, to the more comedic takes like A Pup Named Scooby-Doo, and even the darker, more serialized Mystery Incorporated, the gang has been reimagined countless times.We’ve had direct-to-video movies like Zombie Island and Witch’s Ghost that pushed the franchise into more supernatural territory, live-action adaptations in the early 2000s, and even crossover specials with Batman, WWE, and more. Each era has its own flavor, whether it’s campy, spooky, or tongue-in-cheek.So, /co/, what’s your favorite Scooby-Doo Character and which guest character suited the gang best?Previous Thread: >>151937486Scooby-Dooby-Doo!
>>151968056Is that even really a problem when Velma has never had a good male love interest?Johnny Bravo sadly doesn't count btw
>>151972503I thought Daphne was fine. Shaggy needed baggier clothes. Fred's is just awful.
>>151968056Velma being a lesbian is fine since it didn't actually impact her character in Mystery Inc. Marcy was also a good character.It was however massively in the way in Trick or Treat Scooby-Doo! and Velma.
>>151960052>>151970906Might as well post thisFull: https://files.catbox.moe/9cf3so.pngSleep: https://files.catbox.moe/1h9xjc.pngAthletic: https://files.catbox.moe/9fw97h.pngNaked: https://files.catbox.moe/vek71q.png
>>151972503They’re just Ok.
What are some comics and cartoons you read and watched for the first time and enjoyed in 2025?Not necessarily stuff that came out during that time
>>151974176There's a Kindle edition of the NBM version of both books, might want to request it in the Win-O, maybe someone rips it.
Rewatched El Tigre since over a decadeEnjoyed it more than I expected
>>151969600You clearly read.
>>151953741I've started reading this ever since someone storytimed the first book a few years ago.
>>151955506>Mariko Tamakiew
>>151972298Good thing they went back to the AM&TW suit
>>151972463>not naked>not at least the Claremont designBoo!
>>151973875true
>>151972283NIGGER ALARM
>>151972463This one’s so shit it’s absolutely real
It is the final Gwensday thread of the year, and 2025 was a big year for Gwenpool. It was the 10th anniversary of the Deadpool's Secret Secret Wars variant that Gwen first appeared on, and it was the 10th anniversary of her first in comic appearance in her Howard the Duck back-ups. Gwen even got another mini-series this year on top of her occasional appearances in It's Jeff.Was 2025 a good year for Gwenpool? Will Marvel do anything in 2026 for the 10th anniversary of The Unbelievable Gwenpool?
>>151973901>Do not speak to me or my land shark ever again
>>151973379>A single trade including exclusively Hastings GwenpoolWould be a dream come true, especiallly for the anniversary
>>151972346I don't doubt you anon, maybe one day their will be a good run or a chavez thread where we can break down how to fix or make her our own. Honestly if the new avenger movies fails she'll probably be gg anyway.This idea fits her best, the fact is in the main comics she's just a over powered brat and everyone is a caricature to make her validated. Wasn't one of her main villains some racist white woman tech ceo or something too that tried to deport her friends. It felt less superhero esque and more graphic novel and just here's my perfect mc also writer self wanking.Ah I like it kind of that thing a named anon coined as a potential new genre, though only made here honestly "Mary sue gets a clue". Think works with concept of America kind of see her being so self interested she kind of thinks everyone loves her or is below her. She basically thinks she's the mc but in reality she's super social autist and feels like a dick. Imagine her thinking she's helping a girl out but it's from her boyfriend or she hits on girls but instead of it being portrayed as dominant and cool lez girl. The girls are actually off put by it just like if a weird guy hit on them too aggressively which I have seen in her comics where she does the text book fuck boi flirting pin girl to wall btu it's cool cause lez. Kind of a bit cringefail but she doesn't realize it, and think inside she's like mcu america very soft lonely girl on inside but she feels if anyone knew it'd be humiliating and make them not respect her. She can't find or feel love the way she's supposed to so at least she can be respected but she's more of a menace who is somewhat helpful. Also 100% also really kamala is lowkey soft herself she barely has truly good runs and most of those are crossovers anyway. I think we can make it work mostly using the ole "Ink/America anon" template. An really can do a great tragic but flawed fish out of water though thing is what's her end goal?
