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File: IMG_5658.jpg (42 KB, 640x360)
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I wanted to get a sony ax53 4k handycam because i was inspired by the mv “Victim” by drain gang and want to shoot similar looking footage. Is it worth buying and if not can anyone recommend a camera that shoots the same as the video mentioned above.

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1 reply omitted. Click here to view.
>>
>>4393938
drain
>>
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>>4393938
yes
i have the sony ax43 and it's pretty great. the lens is awesome

no, you're not gonna get big sensor depth of field, or 10 bit log, but if you have good lighting and get the shot right in-camera it's awesome

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>>
>>4393938
Not if you have $2k for an s5iix
>>
>>4393938
I personally want a video camera with optical zoom. Seems like my most cost effective solution is an older camcorder.
>>
Motorized zooms and ergonomics are the main reasons for using a camcorders the way I see it.

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Just going to post some landscape stuff I've done. Critiques welcome, or just call me shit, not fussed really.

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>>4400781

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>>
Alright I'll say something because the rest of the board is too busy gearfagging like usual. Unfortunate lighting on a few and I guess the weather being warm, those mountains, they look blue. Funny, that.
They're all pretty good though except maybe the one with all the cunts walking around, dunno what it is in particular, just looks touristy. The pano could be the header on some gay arse national parks website or some shit. Again, unfortunate lighting though.
>>
>>4400797
>Lighting unfortunate
Didn't even plan the trip, just got on my motorbike and went as far as I could be bothered; I'm sure actually planning to go back could result in better
>those mountains, they look blue
You'll never guess what they call them
>cunts walking around
Yeah it was the Three Sisters, which (I had no idea) is basically Little Beijing considering the sheer volume of tourists
>The pano could be the header on some gay arse national parks website
I'll put that on my resume to NSW National Parks and Wildlife
>>
>>4400822
>Didn't even plan the trip
Good
>You'll never guess what they call them
I know exactly where it is
>just got on my motorbike and went as far as I could be bothered
What do you ride?
>I'll put that on my resume to NSW National Parks and Wildlife
I wasn't shitting on your photo per se but it could be used as such and reminds me of that.
>>
>>4400775
The first one is somewhat nice.
The rest is trash.
You have no composition. Most of them are just flat and bland.

What if these people have a genetic defect and can only see in orange and teal?
I understand at a primordial level orange and teal (golden hour & blue hour) have enchanted the landscape for the past 100'000 years of our existence. How our monkey brethren and forbearers gasped at the sight of the savannah as the sun lit up bush and shrubs as well as predators that might lay hiding in them.
Could it be that these photographers and editors aren't doing this purposefully?
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>>
>>4400832
Most film photographers even the ones outside of that take horribly boring and derivative, "safe" photos as they treasure each and every frame. Lots of perfectly framed building corners, cats, generic "pretty woman = good photo" slop, street signs, city scapes, and sakura tree branches. And still they fall victim to pretentious nonsense because who do they look up to? The postmodern art establishment. If you look at r/fujifilm it's the same stuff as film photographers because it's the same crowd really. That's really why fujis film sims pass. Not because of any tech or color science. On their own they dont look like film. But because film photography has been heavily associated with the "i actually went to school for photography" NPC look.

Digital photography is, in general, better looking and more creative, and does not select as severely for postmodernists AKA npcs.
>>
>>4400851
let me guess, you shoot with an OM5
>>
>>4400851
They hate him because he tells the truth

Film photography is played out and artistically irrelevant. History will remember todays film photographers worse than it remembers the jazz scene of the 90s.
>>
>>4400851
We see different film photographers in that case. I agree that there are a lot of film photographers who take unbearably generic photos, but at least in my opinion I see a significant amount of interesting work, more than I see coming from most digital photographers.
There are some absolutely fantastic digital photographers though I will say.
>>
>>4400851
Yes, film photography is typically lower quality. It’s a pretender’s medium. Originally it was just what everyone shot because a digital camera that wasn’t worse than film was $3000 and the computer that could process a raw half as well as an enlarger can process a negative was also $3000. When $3000 was worth 1.5x more than it is today.

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There is this thing that happens in photography, (particularly in porn) where the magic veil of the medium is pierced and I realize that what I'm actually looking at is; a man paid a sex workers to take photos of her in a cheap hotel.

Why though? Why does the illusion hold sometimes but not others? I have the vague sense that it has something to do with the depth of field, but that's not all of it. I can't quite put my finger on what exactly causes it, but I've definitely experienced it quite a few times looking at photos. Any thoughts?

I really want to know because it is currently the major fear holding me back from doing shoots with women. I don't want this weird uncanny effect showing up

(censored because /p/ is a christian photography board)
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>>
>>4398020
lmao
>>
>>4398153
This is a Christian thread.
>>
>>4395170
just Sieff derivative, not much too look at apart from the idea of the central square of light on the bed.
The image I posted is the OG shit. The true master.

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>>4398301
But I'm Ashkenazim.
>>
>>>4393988
>bad flat lighting
>uninteresting pose
>generic colours
There is nothing unique nor interesting about this photo and that's largely the problem.
I think you'll be fine if you put some effort in OP.
>>4400359
This is so much better as the photographer here is playing with how light interacts with the look of a body, and also gives some sense of style with the colours, or lack of them.

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Attempted to self scan my first roll of film. The light is not 100% even as I used a diffused flash.

I used a Minolta SRT 101 and an MC Rokkor 55 f/1.7 lens with a Fuji 100 film.
Overexposed all shots by 2/3-1 stop and edited the RAW on Lightroom, taken by a macro lens on a DSLR.

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>>4400435
Well, I tried again but it seems the lens is soft. So I guess this is the look I'll get.
>>
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>>4400453

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>>
>>4400435
What lens are you using? Do you remember your aperture setting?
>>
>>4400453
Is the film expired? It looks severely underexposed, maybe you simply adjusted the settings in the wrong direction?

This has nothing to do with the lens or softness, the exposure is fucked, here's a review article for that Rokkkor with sample images: https://thenoisyshutter.com/2023/08/07/legacy-lens-review-minolta-mc-rokkor-pf-55mm-f1-7/
>>
I honestly think you'd save yourself a lot of trouble getting a half decent dedicated film scanner.
These scans look really bad OP.

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am I a talented photographer?

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>>
No you are not, and your shit attitude will keep you right where you belong.
>>
>>4400364
gilf hunter
>>
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>muh pole, muh composition, muh yada yada
OP has potential. my style is to shoot in a way I won't have to crop and ai erase shit, but you do you, with a thicc sensor you could make it work

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>>4400620
>>4400657
OP here, and if anything I am the one with the good attitude, even if my pictures have flaws, and thee are those with the craven and negative "misery loves company" finger-pointing attitude. Stop taking yourselves so seriously.

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>>
>>4400364
No not really.
These are all generic as fuck, and the subjects are entirely uninteresting.
Good photos could have been made with better subjects, or better/any composition but you chose to include neither.
You are actually taking photos though, so you're better than 80% of the board, and will actually become a better photographer.

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I've never done much night photography, now I'll be going on a trip and want to take some nighttime photos of the city, so we're talking reasonably bright cityscape.

I'm conflicted on what settings to use. I shoot film and will be using Portra 800. From what I've read it doesn't seem to make much sense to push process it, but feel free to opine on this.

I have a 50mm/1.4 which is my preferred option. I also have a 28mm/2.8 and a 100-300mm/5.6.
Can handheld pics come out good (tripod may not always be an option), and if so should I just use the 50mm wide open at 1/50 (or even try my luck at 1/30)?

If using a tripod, what would be my reference? Say I use the telephoto lens at f/8, what exposure time would I use, around a second?

I'd be really grateful for any examples as well, digital is fine even if you use higher ISO, I could still calculate it to 800 and see if I can open up wide enough.
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>>
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>>4399095
You'll be fine with handheld 1/60s at f1.4 I'd say.
However if you're going handheld I'd recommend embracing a bit of underexposure as it can lead to nicely moody images in my opinion. This was from 50mm f1.9 lens at something like 1/60s.
In your case you'd have almost a full stop more light than I did here.

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>>4399095
My two cents:
B&W: I use HP5 and push it to 1600, use a good 50mm f/1.4 lens and close it down to f/2, and shoot everything at 1/60s or 1/30s if you're confident. That way you will have decently sharp nighttime photos, I think it's better than getting 1 stop more on f/1.4 and having a very soft photo, since you have to shoot in strong artificial light anyway.
Color: Use Kodak Vision3, if you can get it cheaply. This film has great exposure latiutude, you can shoot 500T at 1000 without pushing as I've wrote before on f/2, 1/60s and it will be fine.
Picrel was 250D shot at 400, and basically underexposed according to my camear lightmeter, ye it looks fine, it was after sunset getting very dark actually

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>>
>>4399955
That looks really nice, such an example is precisely what I needed to get an idea of what to expect. Considering I'll be shooting a brightly lit up city I'll try both f1.4 and f2.

Although I've heard Portra 800 is less sensitive than Cinestill, would you (or anyone else) know about this?

>>4400161
Couldn't get Vision3, not on short notice anyway and I'm leaving soon. Wouldn't even know if my photo lab could handle it tbqhwymf. I hear movie film works a bit different than still film as far as lab is concerned. BW is not my thing, can't handle it and don't like it for what I do, either.
>>
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>>4400796
Glad you like the shot.
I don't think Portra 800 is any less sensitive, the only difference would be the look you're going for I'd say. Portra is daylight balanced so be aware that your photos at night may have more orange and green tones. Cinestill tends to lend itself really well to the the dystopian lonely kind of feeling.

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>>4400818
plus cinestill gives you the HALOS

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Does anyone have one of these Raynox DCR-250s? is it good enough that I can take gunpla and miniatures photos without a dedicated macro lens?

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>>4400773
Yes. Good return on investment considering they're $110 and my macro lens cost me $1300 new. More useful on longer focal lengths (i.e. at least 100mm), but even a cheap 50mm prime would be good enough I reckon. Pair it with a semi-decent speedlite to get enough light on your subject and you're doing decent macro for less than $200
>>
>>4400773
Yeah it's great but works best on telephotos that can already focus close. Check out your lens' macro magnification for an idea of how well this will work. If your lens doesn't get very close to begin with this won't magically make it a macro lens. I actually use mine on my macro lens a lot, it works great for ultra macro.
Unfortunately non-mft macro lenses tend to be huge and expensive. Extension tubes are cheaper but annoying to use.
>gunpla and miniatures
idk about miniatures but gunpla are pretty huge and I wouldn't need to use this with my gear. What camera/lens are you planning on putting this on?

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I want to get a new camera. I've been using an EOS 60D since 2012 and have become frustrated with the autofocus seeming to become worse with time resulting in maybe 1/50 pictures being in focus. The small screen size also makes it difficult to tell if a photo I've just taken is properly focused, especially if I'm shooting in low light and brightening it when post processing. The autofocus simply doesn't work in live view mode, taking up to 10 seconds attempting to focus through different focal lengths before displaying red squares. This makes it difficult to frame photos well if I can't use the viewfinder for whatever reason.

Around a year ago I briefly tried out a newer camera - R7, I think - and was amazed and how much better it felt compared to my 60D, hence the desire to consume.

>Budget
Around $3000 NZD, however I would prefer to get a better body and put money into lenses later.
>Sensor
I've only ever shot on APS-C, so I don't have a preference.
>Use case
I primarily take photos while traveling either overseas or domestically. Usually this results in street photography, landscapes or muh architectural abstract with occasional subjects. I don't shoot studio style posed photography or sports.
>Currrent lenses
Tamron 18-270mm f/3.5-6.3
Canon 10-22mm f/3.5-4.5
>Other information
I'm going to Thailand in about 3 weeks and can locally purchase whatever I decide on tax free.

Comment too long. Click here to view the full text.
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>>4400491
Are you saying my budget specifically, or in general budget is a big constraint for anyone? I've identified the R6 II or A7 IV as being roughly in budget.

>>4400511
>a7c
>go for the most recent you can afford
There are a couple of A7 IV bodies available on NZ's equivalent to eBay, or about $3600 brand new.
https://www.trademe.co.nz/a/marketplace/electronics-photography/digital-cameras/digital-slr/sony/listing/5119378456
https://www.trademe.co.nz/a/marketplace/electronics-photography/digital-cameras/digital-slr/sony/listing/5123631637
How would that compare to the A7C?

I should mention that I don't have an intuitive understanding of specs and how they apply to taking photos. I know what most things mean of course, just have difficulty visualizing how
>>
>>4400513
The a7c is actually as up to date on colors/AF/build quality as the a7iv, it's just a cheaper and less "professional" model, basically a slightly nerfed a7iv with the a7iii's sensor
>-fewer custom buttons, no AF point joystick, no front dial (meant to be used with aperture ring lenses), one less card slot, 9 less megapixels, worse viewfinder, no 10 bit video or slow motion 4k, worse internal video stabilization, slightly worse weather sealing than the a7iv
>+typically $700-ish cheaper, a bit smaller, slightly better battery life, 24mp is a hair better at retaining color fidelity at high ISO settings
Most of this doesn't really affect just taking a picture. The a7iv is a more premium camera intended for professionals and serious hobbyists. The a7c is enough for normal people. The a7cii is a slightly lower end a7iv in an a7c-style body released in preparation for replacing the a7iv with the a7v.

The canon version of an a7c is an R8. It's basically an R6II with a shittier battery, no stabilization at all, a worse viewfinder, and no ability to output raw video to an external device. Canon did not cripple 4k bit depth or framerates as badly so it's not as incompetent at professional videography as the a7c, but that is only of interest to serious videographers.

The nikon version of an a7c is the ZF. It's basically the Z6IIIs featureset with lower max framerates, the Z6II sensor, fewer custom buttons, and no grip or AF joystick.
>>
>>4400517
I have the a7c. Its raw output is great but jpeg rendering is terrible when pixel peeping, the viewfinder is just usable, and the back screens colors are inaccurate. Very flawed budget camera but it delivers.
>>
>>4400513
>I've identified the R6 II or A7 IV as being roughly in budget.
The budget you mentioned
But these cameras are ok.
>>
>>4400489
get a used 1dx mkii and spend the rest on primes imo

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WHERE IS "SHARE YOUR PHOTOS"/SELF-PROMO THREAD ON THIS BOARD? IF THERE IS NONE THIS IS THE ONE TO GO! SHOW ME THOSE ARTSY STUFF!

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File: 54150284955_6d18cb4e93_o.jpg (3.52 MB, 6239x2939)
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>>4396587
Sure no problem, not sure if there is anything I can tell you that you couldn't find on the internet

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>>4397343
southwest UK Cornwall
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>>4397367
Based Hong Kong enjoyer
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>>4397368
beauty
>>
bump

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Nobody wants to make a new recent thread? All right I'll do it.

Dump your recent photos here, comment and critique others.

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File: R0000232.jpg (3.77 MB, 6000x3000)
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>>4400462
Something Bri'ish about this photo.
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File: buildings and trees lab.jpg (846 KB, 2232x1464)
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>>4400663

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Just logged in for the first time in forever, nobody has used any hashtags related to my area in over a year.
It is quite sad considering that it is a way better platform than Instagram with its retarded limitations and compression.
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>>4400514
IMO, it was never alive. It never reached critical mass. There were some photographers on there, sure, but all of them were already on Instagram, and some never made the switch. Maybe it was technically better in ways, but if there's no content and no audience, you're not going to draw users from other platforms.

How would you shoot something like this?
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>>4400482
By stepping into one of those ancient photo booths at the mall
>>
Get a strong light, completely blowout the highlights and then reduce them in post.

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Wha'ts the best way to denoise?
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>>4396729
>Do raw adjustments in lightroom. Save as tiff. Do color and detail adjustments in photoshop.

Why not just do RAW adjustments in Photoshop? Isn't Lightroom just a cut down version of photoshop?
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>>4396749
If Adobe improved file management in Photoshop there would be no need for Lightroom at all.
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>>4391473
Looks moderately smeary, but given how noisy the original image is I guess it's still fairly impressive and might be a legit good option in less noisy images to begin with where it wouldn't need to be as intensive
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>>4391187
Just the plain old photoshop one or bust. Sorry but it's just true
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>>4391250
I also really like profiled denoise. Removes most of the noise without giving the AIslop look.

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Convince me I'm not an idiot before I spent 1700 Euros on this.
I quit photography for several years and sold my gear and one of the biggest reasons was I hated that I had to specifically go out to shoot because I didn't want to lug around my camera and several lenses. Thinking about it a compact camera like this one would be perfect to carry around more often than not. Am I thinking correctly? I need to have an outsider point of view on this.
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>>4400463
>Why do you think fuji cameras sell out almost instantly?
Because they are popular lifestyle products, not because of qualities related to photographic workflows.
I have two fujis and have taken hundreds of good pictures with them. But the shitty lenses, the useless autofocus, the purple fringing, and the poor low-light performance killed any hope I had in Fuji. Some of the best shots are lost forever, mainly due to ridiculous autofocus misses.

Those problems vanished the second I picked up a z8 and S glass. Where I used to be struggling to get one good image, I am now getting more good shots than I can use. Not a shill - just a disappointed fuji shooter.
>>
I have two Nikons and have taken hundreds of good pictures with them. But the sterile lenses, the useless autofocus, the PDAF banding, nonexistent video codecs, APS-C dynamic range, and the unfixably rockwellian color science killed any hope I had in Nikon. Some of the best shots are lost forever, mainly due to ridiculous autofocus misses.

Those problems vanished the second I picked up a Panasonic Lumix S5II and Sigma ART glass. Where I used to be struggling to get one good image, I am now getting more good shots than I can use. Panasonic's new PDAF is a game changer. Not a shill - just a disappointed Nikon shooter
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>>4400476
baitiest bait lmao
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>>4400476
Kek. Wonderful cope
>>
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I have two Fujis and have taken hundreds of good pictures with them. But the shitty, sterile lenses, the useless autofocus, the PDAF banding, nonexistent video codecs, purple fringing, bad dynamic range, poor low-light performance and the unfixably stale or high contrast color science of modern mirrorless killed any hope I had in these brands. Some of the best shots are lost forever, mainly due to ridiculous autofocus misses and the cameras and lenses being far too big for my hands.

Those problems vanished the second I picked up a eKids Bluey camera and Bluey glass. Where I used to be struggling to get one good image, I am now getting more good shots than I can use. eKid's new Bluey Film Simulations is a game changer and completely btfo's Fuji with Bluey's rich history in shooting cartoons. Not a shill - just a disappointed Fuji shooter.


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